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Color name
RGB 146 129 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 129 21 it is the complementary color RGB 109 126 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 129 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 129 21 shade: RGB 151 129 16, RGB 168 147 35, RGB 185 165 54, RGB 202 183 73 and RGB 219 201 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 129 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 129 21 shade: RGB 146 129 21, RGB 129 111 2, RGB 112 93 0, RGB 95 75 0 and RGB 78 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 129 21 shade: RGB 147 130 21, RGB 147 96 21, RGB 147 62 21, RGB 147 27 21 and RGB 147 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 129 21 shade: RGB 147 130 21, RGB 130 147 21, RGB 96 147 21, RGB 62 147 21 and RGB 28 147 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 129 21 shade matches the following richer shades: RGB 147 130 21 and RGB 160 140 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 129 21 shade: RGB 147 130 21, RGB 133 120 34, RGB 120 110 48, RGB 106 100 61 and RGB 92 90 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 129 21 shade: RGB 147 61 21, RGB 147 94 21, RGB 147 128 21, RGB 132 147 21 and RGB 98 147 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 129 21 shade: RGB 75 66 10, RGB 111 98 15, RGB 147 130 21, RGB 183 161 26 and RGB 219 193 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 129 21 shade: RGB 146 129 21, RGB 21 147 27 and RGB 77 21 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 129 21 shade: RGB 146 129 21, RGB 21 147 128 and RGB 128 21 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 129 21 shade: RGB 146 129 21, RGB 21 147 27, RGB 21 39 147 and RGB 147 21 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 129 21 shade: RGB 146 129 21, RGB 21 147 65, RGB 21 39 147 and RGB 147 21 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

Complementary color

CMYK 53 / 46 / 0 / 8

HEX #6D7EEA

RGB 109 126 234

HSL 231.84, 0.75%, 0.67%

LAB 56.2, 23.91, -56.73

 

CMYK 0 / 15 / 89 / 41

HEX #978110

RGB 151 129 16

HSL 50.22, 0.81%, 0.33%

LAB 54.36, -2.43, 56.5

 

CMYK 0 / 13 / 79 / 34

HEX #A89323

RGB 168 147 35

HSL 50.53, 0.66%, 0.4%

LAB 61.06, -3.93, 57.47

 

CMYK 0 / 11 / 71 / 27

HEX #B9A536

RGB 185 165 54

HSL 50.84, 0.55%, 0.47%

LAB 67.64, -5.15, 57.33

 

CMYK 0 / 9 / 64 / 21

HEX #CAB749

RGB 202 183 73

HSL 51.16, 0.55%, 0.54%

LAB 74.13, -6.16, 56.62

 

CMYK 0 / 8 / 58 / 14

HEX #DBC95C

RGB 219 201 92

HSL 51.5, 0.64%, 0.61%

LAB 80.52, -7.01, 55.64

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 0 / 14 / 98 / 49

HEX #816F02

RGB 129 111 2

HSL 51.5, 0.97%, 0.26%

LAB 47.03, -2.99, 52.78

 

CMYK 0 / 17 / 100 / 56

HEX #705D00

RGB 112 93 0

HSL 49.82, 1%, 0.22%

LAB 40.04, -0.89, 47.45

 

CMYK 0 / 21 / 100 / 63

HEX #5F4B00

RGB 95 75 0

HSL 47.37, 1%, 0.19%

LAB 32.84, 1.38, 41.51

 

CMYK 0 / 27 / 100 / 69

HEX #4E3900

RGB 78 57 0

HSL 43.85, 1%, 0.15%

LAB 25.4, 3.83, 34.71

 

CMYK 0 / 12 / 86 / 42

HEX #938215

RGB 147 130 21

HSL 51.9, 0.75%, 0.33%

LAB 54.26, -4.71, 55.01

 

CMYK 0 / 35 / 86 / 42

HEX #936015

RGB 147 96 21

HSL 35.71, 0.75%, 0.33%

LAB 45.11, 14.66, 47.26

 

CMYK 0 / 58 / 86 / 42

HEX #933E15

RGB 147 62 21

HSL 19.52, 0.75%, 0.33%

LAB 37.3, 33.61, 40.48

 

CMYK 0 / 82 / 86 / 42

HEX #931B15

RGB 147 27 21

HSL 2.86, 0.75%, 0.33%

LAB 31.9, 48.21, 35.66

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 12 / 86 / 42

HEX #938215

RGB 147 130 21

HSL 51.9, 0.75%, 0.33%

LAB 54.26, -4.71, 55.01

 

CMYK 12 / 0 / 86 / 42

HEX #829315

RGB 130 147 21

HSL 68.1, 0.75%, 0.33%

LAB 57.72, -21.48, 57.34

 

CMYK 35 / 0 / 86 / 42

HEX #609315

RGB 96 147 21

HSL 84.29, 0.75%, 0.33%

LAB 55.49, -35.61, 54.54

 

CMYK 58 / 0 / 86 / 42

HEX #3E9315

RGB 62 147 21

HSL 100.48, 0.75%, 0.33%

LAB 53.97, -46.95, 52.61

 

CMYK 81 / 0 / 86 / 42

HEX #1C9315

RGB 28 147 21

HSL 116.67, 0.75%, 0.33%

LAB 53.13, -53.97, 51.55

 

CMYK 0 / 12 / 86 / 42

HEX #938215

RGB 147 130 21

HSL 51.9, 0.75%, 0.33%

LAB 54.26, -4.71, 55.01

 

CMYK 0 / 13 / 96 / 37

HEX #A08C07

RGB 160 140 7

HSL 52.16, 0.92%, 0.33%

LAB 58.27, -4.47, 61.53

 

CMYK 0 / 12 / 86 / 42

HEX #938215

RGB 147 130 21

HSL 51.9, 0.75%, 0.33%

LAB 54.26, -4.71, 55.01

 

CMYK 0 / 10 / 74 / 48

HEX #857822

RGB 133 120 34

HSL 52.12, 0.59%, 0.33%

LAB 50.14, -5.16, 46.39

 

CMYK 0 / 8 / 60 / 53

HEX #786E30

RGB 120 110 48

HSL 51.67, 0.43%, 0.33%

LAB 46.12, -4.62, 35.34

 

CMYK 0 / 6 / 42 / 58

HEX #6A643D

RGB 106 100 61

HSL 52, 0.27%, 0.33%

LAB 42.02, -3.93, 22.96

 

CMYK 0 / 2 / 18 / 64

HEX #5C5A4B

RGB 92 90 75

HSL 52.94, 0.1%, 0.33%

LAB 38.01, -2.09, 8.97

 

CMYK 0 / 59 / 86 / 42

HEX #933D15

RGB 147 61 21

HSL 19.05, 0.75%, 0.33%

LAB 37.1, 34.13, 40.31

 

CMYK 0 / 36 / 86 / 42

HEX #935E15

RGB 147 94 21

HSL 34.76, 0.75%, 0.33%

LAB 44.61, 15.82, 46.83

 

CMYK 0 / 13 / 86 / 42

HEX #938015

RGB 147 128 21

HSL 50.95, 0.75%, 0.33%

LAB 53.7, -3.61, 54.54

 

CMYK 10 / 0 / 86 / 42

HEX #849315

RGB 132 147 21

HSL 67.14, 0.75%, 0.33%

LAB 57.87, -20.6, 57.53

 

CMYK 33 / 0 / 86 / 42

HEX #629315

RGB 98 147 21

HSL 83.33, 0.75%, 0.33%

LAB 55.6, -34.84, 54.68

 

CMYK 0 / 12 / 87 / 71

HEX #4B420A

RGB 75 66 10

HSL 51.69, 0.76%, 0.17%

LAB 27.88, -3.01, 32.77

 

CMYK 0 / 12 / 86 / 56

HEX #6F620F

RGB 111 98 15

HSL 51.88, 0.76%, 0.25%

LAB 41.45, -3.91, 44.44

 

CMYK 0 / 12 / 86 / 42

HEX #938215

RGB 147 130 21

HSL 51.9, 0.75%, 0.33%

LAB 54.26, -4.71, 55.01

 

CMYK 0 / 12 / 86 / 28

HEX #B7A11A

RGB 183 161 26

HSL 51.59, 0.75%, 0.41%

LAB 66.24, -4.98, 65.08

 

CMYK 0 / 12 / 86 / 14

HEX #DBC11F

RGB 219 193 31

HSL 51.7, 0.75%, 0.49%

LAB 78.05, -5.76, 74.95

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 86 / 0 / 82 / 42

HEX #15931B

RGB 21 147 27

HSL 122.86, 0.75%, 0.33%

LAB 53.07, -54.47, 49.76

 

CMYK 48 / 86 / 0 / 42

HEX #4D1593

RGB 77 21 147

HSL 266.67, 0.75%, 0.33%

LAB 24.39, 50.34, -57.5

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 86 / 0 / 13 / 42

HEX #159380

RGB 21 147 128

HSL 170.95, 0.75%, 0.33%

LAB 54.64, -36.48, 0.97

 

CMYK 13 / 86 / 0 / 42

HEX #801593

RGB 128 21 147

HSL 290.95, 0.75%, 0.33%

LAB 32.33, 58.46, -44.22

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 86 / 0 / 82 / 42

HEX #15931B

RGB 21 147 27

HSL 122.86, 0.75%, 0.33%

LAB 53.07, -54.47, 49.76

 

CMYK 86 / 73 / 0 / 42

HEX #152793

RGB 21 39 147

HSL 231.43, 0.75%, 0.33%

LAB 22.71, 35.5, -60.42

 

CMYK 0 / 86 / 5 / 42

HEX #93158C

RGB 147 21 140

HSL 303.33, 0.75%, 0.33%

LAB 35.27, 60.92, -35.01

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 86 / 0 / 56 / 42

HEX #159341

RGB 21 147 65

HSL 140.95, 0.75%, 0.33%

LAB 53.39, -50.41, 34.11

 

CMYK 86 / 73 / 0 / 42

HEX #152793

RGB 21 39 147

HSL 231.43, 0.75%, 0.33%

LAB 22.71, 35.5, -60.42

 

CMYK 0 / 86 / 30 / 42

HEX #931567

RGB 147 21 103

HSL 320.95, 0.75%, 0.33%

LAB 33.39, 55.8, -14.68

 

Description

Color code: RGB 146 129 21 | qconv.com Color code: RGB 146 129 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 129 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 129 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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