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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 173 140 it is the complementary color RGB 109 82 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 173 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 173 140 shade: RGB 151 173 135, RGB 168 191 154, RGB 185 209 173, RGB 202 227 192 and RGB 219 245 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 173 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 173 140 shade: RGB 146 173 140, RGB 129 155 121, RGB 112 137 102, RGB 95 119 83 and RGB 78 101 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 173 140 shade: RGB 144 172 138, RGB 153 172 138, RGB 163 172 138, RGB 172 172 138 and RGB 172 163 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 173 140 shade: RGB 144 172 138, RGB 138 172 141, RGB 138 172 150, RGB 138 172 159 and RGB 138 172 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 173 140 shade matches the following richer shades: RGB 144 172 138, RGB 134 188 122, RGB 124 204 106, RGB 114 220 90 and RGB 103 236 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 173 140 shade: RGB 144 172 138, RGB 155 156 154, RGB 165 140 170, RGB 175 124 186 and RGB 185 108 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 173 140 shade: RGB 162 172 138, RGB 153 172 138, RGB 144 172 138, RGB 138 172 141 and RGB 138 172 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 173 140 shade: RGB 101 133 94, RGB 121 155 114, RGB 144 172 138, RGB 167 189 162 and RGB 190 206 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 173 140 shade: RGB 146 173 140, RGB 138 171 172 and RGB 172 138 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 173 140 shade: RGB 146 173 140, RGB 138 144 172 and RGB 172 138 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 173 140 shade: RGB 146 173 140, RGB 138 171 172, RGB 166 138 172 and RGB 172 139 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 173 140 shade: RGB 146 173 140, RGB 138 161 172, RGB 166 138 172 and RGB 172 149 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

Complementary color

CMYK 5 / 29 / 0 / 55

HEX #6D5273

RGB 109 82 115

HSL 289.09, 0.17%, 0.39%

LAB 38.77, 17.65, -14.51

 

CMYK 13 / 0 / 22 / 32

HEX #97AD87

RGB 151 173 135

HSL 94.74, 0.19%, 0.6%

LAB 68.18, -14.72, 17.04

 

CMYK 12 / 0 / 19 / 25

HEX #A8BF9A

RGB 168 191 154

HSL 97.3, 0.22%, 0.68%

LAB 74.77, -14.67, 16.09

 

CMYK 11 / 0 / 17 / 18

HEX #B9D1AD

RGB 185 209 173

HSL 100, 0.28%, 0.75%

LAB 81.25, -14.63, 15.19

 

CMYK 11 / 0 / 15 / 11

HEX #CAE3C0

RGB 202 227 192

HSL 102.86, 0.38%, 0.82%

LAB 87.63, -14.6, 14.34

 

CMYK 11 / 0 / 14 / 4

HEX #DBF5D3

RGB 219 245 211

HSL 105.88, 0.63%, 0.89%

LAB 93.91, -14.57, 13.53

 

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

CMYK 17 / 0 / 22 / 39

HEX #819B79

RGB 129 155 121

HSL 105.88, 0.15%, 0.54%

LAB 61.21, -15.79, 14.87

 

CMYK 18 / 0 / 26 / 46

HEX #708966

RGB 112 137 102

HSL 102.86, 0.15%, 0.47%

LAB 54.34, -15.92, 15.9

 

CMYK 20 / 0 / 30 / 53

HEX #5F7753

RGB 95 119 83

HSL 100, 0.18%, 0.4%

LAB 47.3, -16.05, 17.02

 

CMYK 23 / 0 / 37 / 60

HEX #4E6540

RGB 78 101 64

HSL 97.3, 0.22%, 0.32%

LAB 40.08, -16.19, 18.23

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 11 / 0 / 20 / 33

HEX #99AC8A

RGB 153 172 138

HSL 93.53, 0.17%, 0.61%

LAB 68.1, -12.96, 15.31

 

CMYK 5 / 0 / 20 / 33

HEX #A3AC8A

RGB 163 172 138

HSL 75.88, 0.17%, 0.61%

LAB 68.84, -9.23, 16.46

 

CMYK 0 / 0 / 20 / 33

HEX #ACAC8A

RGB 172 172 138

HSL 60, 0.17%, 0.61%

LAB 69.55, -5.8, 17.54

 

CMYK 0 / 5 / 20 / 33

HEX #ACA38A

RGB 172 163 138

HSL 44.12, 0.17%, 0.61%

LAB 67.13, -0.96, 14.17

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 20 / 0 / 18 / 33

HEX #8AAC8D

RGB 138 172 141

HSL 125.29, 0.17%, 0.61%

LAB 67.15, -17.82, 12.18

 

CMYK 20 / 0 / 13 / 33

HEX #8AAC96

RGB 138 172 150

HSL 141.18, 0.17%, 0.61%

LAB 67.36, -16.1, 7.51

 

CMYK 20 / 0 / 8 / 33

HEX #8AAC9F

RGB 138 172 159

HSL 157.06, 0.17%, 0.61%

LAB 67.58, -14.29, 2.85

 

CMYK 20 / 0 / 2 / 33

HEX #8AACA8

RGB 138 172 168

HSL 172.94, 0.17%, 0.61%

LAB 67.83, -12.39, -1.78

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 29 / 0 / 35 / 26

HEX #86BC7A

RGB 134 188 122

HSL 109.09, 0.33%, 0.61%

LAB 71.17, -30.36, 27.91

 

CMYK 39 / 0 / 48 / 20

HEX #7CCC6A

RGB 124 204 106

HSL 108.98, 0.49%, 0.61%

LAB 75.15, -43.21, 41.07

 

CMYK 48 / 0 / 59 / 14

HEX #72DC5A

RGB 114 220 90

HSL 108.92, 0.65%, 0.61%

LAB 79.33, -54.66, 53.44

 

CMYK 56 / 0 / 69 / 7

HEX #67EC4A

RGB 103 236 74

HSL 109.26, 0.81%, 0.61%

LAB 83.64, -64.96, 64.58

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 1 / 0 / 1 / 39

HEX #9B9C9A

RGB 155 156 154

HSL 90, 0.01%, 0.61%

LAB 64.22, -0.74, 0.91

 

CMYK 3 / 18 / 0 / 33

HEX #A58CAA

RGB 165 140 170

HSL 290, 0.15%, 0.61%

LAB 61.36, 14.94, -12.28

 

CMYK 6 / 33 / 0 / 27

HEX #AF7CBA

RGB 175 124 186

HSL 289.35, 0.31%, 0.61%

LAB 59.04, 30.6, -24.81

 

CMYK 9 / 47 / 0 / 20

HEX #B96CCB

RGB 185 108 203

HSL 288.63, 0.48%, 0.61%

LAB 57.42, 45.82, -36.92

 

CMYK 6 / 0 / 20 / 33

HEX #A2AC8A

RGB 162 172 138

HSL 77.65, 0.17%, 0.61%

LAB 68.77, -9.6, 16.34

 

CMYK 11 / 0 / 20 / 33

HEX #99AC8A

RGB 153 172 138

HSL 93.53, 0.17%, 0.61%

LAB 68.1, -12.96, 15.31

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 20 / 0 / 18 / 33

HEX #8AAC8D

RGB 138 172 141

HSL 125.29, 0.17%, 0.61%

LAB 67.15, -17.82, 12.18

 

CMYK 20 / 0 / 13 / 33

HEX #8AAC96

RGB 138 172 150

HSL 141.18, 0.17%, 0.61%

LAB 67.36, -16.1, 7.51

 

CMYK 24 / 0 / 29 / 48

HEX #65855E

RGB 101 133 94

HSL 109.23, 0.17%, 0.45%

LAB 52.23, -19.32, 17.45

 

CMYK 22 / 0 / 26 / 39

HEX #799B72

RGB 121 155 114

HSL 109.76, 0.17%, 0.53%

LAB 60.54, -19.94, 17.76

 

CMYK 16 / 0 / 20 / 33

HEX #90AC8A

RGB 144 172 138

HSL 109.41, 0.17%, 0.61%

LAB 67.48, -16.24, 14.35

 

CMYK 12 / 0 / 14 / 26

HEX #A7BDA2

RGB 167 189 162

HSL 108.89, 0.17%, 0.69%

LAB 74.33, -12.62, 11.14

 

CMYK 8 / 0 / 10 / 19

HEX #BECEBA

RGB 190 206 186

HSL 108, 0.17%, 0.77%

LAB 81.09, -9.11, 8.09

 

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

CMYK 20 / 1 / 0 / 33

HEX #8AABAC

RGB 138 171 172

HSL 181.76, 0.17%, 0.61%

LAB 67.66, -10.98, -4.25

 

CMYK 0 / 20 / 8 / 33

HEX #AC8A9E

RGB 172 138 158

HSL 324.71, 0.17%, 0.61%

LAB 61.15, 16.29, -5.7

 

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

CMYK 20 / 16 / 0 / 33

HEX #8A90AC

RGB 138 144 172

HSL 229.41, 0.17%, 0.61%

LAB 60.18, 3.92, -15.41

 

CMYK 0 / 20 / 16 / 33

HEX #AC8A90

RGB 172 138 144

HSL 349.41, 0.17%, 0.61%

LAB 60.75, 13.87, 1.7

 

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

CMYK 20 / 1 / 0 / 33

HEX #8AABAC

RGB 138 171 172

HSL 181.76, 0.17%, 0.61%

LAB 67.66, -10.98, -4.25

 

CMYK 3 / 20 / 0 / 33

HEX #A68AAC

RGB 166 138 172

HSL 289.41, 0.17%, 0.61%

LAB 61.01, 16.83, -13.93

 

CMYK 0 / 19 / 20 / 33

HEX #AC8B8A

RGB 172 139 138

HSL 1.76, 0.17%, 0.61%

LAB 60.84, 12.33, 5.26

 

CMYK 16 / 0 / 19 / 32

HEX #92AD8C

RGB 146 173 140

HSL 109.09, 0.17%, 0.61%

LAB 67.94, -15.68, 13.92

 

CMYK 20 / 6 / 0 / 33

HEX #8AA1AC

RGB 138 161 172

HSL 199.41, 0.17%, 0.61%

LAB 64.86, -5.58, -8.39

 

CMYK 3 / 20 / 0 / 33

HEX #A68AAC

RGB 166 138 172

HSL 289.41, 0.17%, 0.61%

LAB 61.01, 16.83, -13.93

 

CMYK 0 / 13 / 20 / 33

HEX #AC958A

RGB 172 149 138

HSL 19.41, 0.17%, 0.61%

LAB 63.43, 6.74, 8.95

 

Description

Color code: RGB 146 173 140 | qconv.com Color code: RGB 146 173 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 173 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 173 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 19 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 19% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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