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Color name
RGB 146 252 211

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 252 211 it is the complementary color RGB 109 3 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 252 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 252 211 shade: RGB 151 252 206, RGB 168 255 225, RGB 185 255 244, RGB 202 255 255 and RGB 219 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 252 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 252 211 shade: RGB 146 252 211, RGB 129 234 192, RGB 112 216 173, RGB 95 198 154 and RGB 78 180 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 252 211 shade: RGB 145 252 210, RGB 145 252 182, RGB 145 252 153, RGB 166 252 145 and RGB 195 252 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 252 211 shade: RGB 145 252 210, RGB 145 252 239, RGB 145 235 252, RGB 145 207 252 and RGB 145 178 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 252 211 shade matches the following richer shades: RGB 145 252 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 252 211 shade: RGB 145 252 210, RGB 154 243 208, RGB 163 234 206, RGB 172 224 204 and RGB 181 215 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 252 211 shade: RGB 145 252 152, RGB 145 252 181, RGB 145 252 209, RGB 145 252 237 and RGB 145 237 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 252 211 shade: RGB 65 250 178, RGB 105 251 194, RGB 145 252 210, RGB 185 253 227 and RGB 226 254 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 252 211 shade: RGB 146 252 211, RGB 145 166 252 and RGB 252 166 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 252 211 shade: RGB 146 252 211, RGB 209 145 252 and RGB 252 209 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 252 211 shade: RGB 146 252 211, RGB 145 166 252, RGB 252 145 188 and RGB 252 230 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 252 211 shade: RGB 146 252 211, RGB 156 145 252, RGB 252 145 188 and RGB 241 252 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

Complementary color

CMYK 0 / 97 / 60 / 57

HEX #6D032C

RGB 109 3 44

HSL 336.79, 0.95%, 0.22%

LAB 21.94, 43.98, 7.09

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 34 / 0 / 12 / 0

HEX #A8FFE1

RGB 168 255 225

HSL 159.31, 1%, 0.83%

LAB 94, -32.52, 6.06

 

CMYK 27 / 0 / 4 / 0

HEX #B9FFF4

RGB 185 255 244

HSL 170.57, 1%, 0.86%

LAB 95.31, -23.81, -1.73

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

CMYK 45 / 0 / 18 / 8

HEX #81EAC0

RGB 129 234 192

HSL 156, 0.71%, 0.71%

LAB 85.66, -40.06, 11.01

 

CMYK 48 / 0 / 20 / 15

HEX #70D8AD

RGB 112 216 173

HSL 155.19, 0.57%, 0.64%

LAB 79.37, -40.23, 11.99

 

CMYK 52 / 0 / 22 / 22

HEX #5FC69A

RGB 95 198 154

HSL 154.37, 0.47%, 0.57%

LAB 72.99, -40.36, 13.04

 

CMYK 57 / 0 / 25 / 29

HEX #4EB487

RGB 78 180 135

HSL 153.53, 0.4%, 0.51%

LAB 66.53, -40.42, 14.18

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 42 / 0 / 28 / 1

HEX #91FCB6

RGB 145 252 182

HSL 140.75, 0.95%, 0.78%

LAB 91.24, -45.77, 24.08

 

CMYK 42 / 0 / 39 / 1

HEX #91FC99

RGB 145 252 153

HSL 124.49, 0.95%, 0.78%

LAB 90.75, -50.58, 37.98

 

CMYK 34 / 0 / 42 / 1

HEX #A6FC91

RGB 166 252 145

HSL 108.22, 0.95%, 0.78%

LAB 91.58, -45.43, 43.15

 

CMYK 23 / 0 / 42 / 1

HEX #C3FC91

RGB 195 252 145

HSL 91.96, 0.95%, 0.78%

LAB 93.13, -35.77, 45.43

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 42 / 0 / 5 / 1

HEX #91FCEF

RGB 145 252 239

HSL 172.71, 0.95%, 0.78%

LAB 92.52, -33.96, -3.47

 

CMYK 42 / 7 / 0 / 1

HEX #91EBFC

RGB 145 235 252

HSL 189.53, 0.95%, 0.78%

LAB 88.19, -22.69, -16.67

 

CMYK 42 / 18 / 0 / 1

HEX #91CFFC

RGB 145 207 252

HSL 205.23, 0.95%, 0.78%

LAB 80.56, -8.41, -28.26

 

CMYK 42 / 29 / 0 / 1

HEX #91B2FC

RGB 145 178 252

HSL 221.5, 0.95%, 0.78%

LAB 72.82, 7.34, -40.21

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACE

RGB 163 234 206

HSL 156.34, 0.63%, 0.78%

LAB 87.53, -27.91, 6.56

 

CMYK 23 / 0 / 9 / 12

HEX #ACE0CC

RGB 172 224 204

HSL 156.92, 0.46%, 0.78%

LAB 85.22, -20.74, 4.34

 

CMYK 16 / 0 / 6 / 16

HEX #B5D7CA

RGB 181 215 202

HSL 157.06, 0.3%, 0.78%

LAB 83.28, -13.76, 2.66

 

CMYK 42 / 0 / 40 / 1

HEX #91FC98

RGB 145 252 152

HSL 123.93, 0.95%, 0.78%

LAB 90.74, -50.73, 38.45

 

CMYK 42 / 0 / 28 / 1

HEX #91FCB5

RGB 145 252 181

HSL 140.19, 0.95%, 0.78%

LAB 91.22, -45.95, 24.56

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD1

RGB 145 252 209

HSL 155.89, 0.95%, 0.78%

LAB 91.79, -40.54, 11

 

CMYK 42 / 0 / 6 / 1

HEX #91FCED

RGB 145 252 237

HSL 171.59, 0.95%, 0.78%

LAB 92.47, -34.43, -2.51

 

CMYK 42 / 6 / 0 / 1

HEX #91EDFC

RGB 145 237 252

HSL 188.41, 0.95%, 0.78%

LAB 88.74, -23.67, -15.85

 

CMYK 74 / 0 / 29 / 2

HEX #41FAB2

RGB 65 250 178

HSL 156.65, 0.95%, 0.62%

LAB 88.31, -61.65, 21.72

 

CMYK 58 / 0 / 23 / 2

HEX #69FBC2

RGB 105 251 194

HSL 156.58, 0.95%, 0.7%

LAB 89.81, -52.29, 15.73

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 27 / 0 / 10 / 1

HEX #B9FDE3

RGB 185 253 227

HSL 157.06, 0.94%, 0.86%

LAB 94.36, -26.32, 5.65

 

CMYK 11 / 0 / 4 / 0

HEX #E2FEF3

RGB 226 254 243

HSL 156.43, 0.93%, 0.94%

LAB 97.44, -11.08, 2.17

 

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

CMYK 42 / 34 / 0 / 1

HEX #91A6FC

RGB 145 166 252

HSL 228.22, 0.95%, 0.78%

LAB 69.7, 14.11, -45.1

 

CMYK 0 / 34 / 42 / 1

HEX #FCA691

RGB 252 166 145

HSL 11.78, 0.95%, 0.78%

LAB 76.08, 29.38, 23.95

 

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

CMYK 17 / 42 / 0 / 1

HEX #D191FC

RGB 209 145 252

HSL 275.89, 0.95%, 0.78%

LAB 70.06, 43.14, -44.15

 

CMYK 0 / 17 / 42 / 1

HEX #FCD191

RGB 252 209 145

HSL 35.89, 0.95%, 0.78%

LAB 86.18, 6.9, 37.37

 

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

CMYK 42 / 34 / 0 / 1

HEX #91A6FC

RGB 145 166 252

HSL 228.22, 0.95%, 0.78%

LAB 69.7, 14.11, -45.1

 

CMYK 0 / 42 / 25 / 1

HEX #FC91BC

RGB 252 145 188

HSL 335.89, 0.95%, 0.78%

LAB 72.61, 45.41, -4.6

 

CMYK 0 / 9 / 42 / 1

HEX #FCE691

RGB 252 230 145

HSL 47.66, 0.95%, 0.78%

LAB 91.38, -3.82, 44.06

 

CMYK 42 / 0 / 16 / 1

HEX #92FCD3

RGB 146 252 211

HSL 156.79, 0.95%, 0.78%

LAB 91.88, -39.87, 10.1

 

CMYK 38 / 42 / 0 / 1

HEX #9C91FC

RGB 156 145 252

HSL 246.17, 0.95%, 0.78%

LAB 65.24, 28.88, -52.08

 

CMYK 0 / 42 / 25 / 1

HEX #FC91BC

RGB 252 145 188

HSL 335.89, 0.95%, 0.78%

LAB 72.61, 45.41, -4.6

 

CMYK 4 / 0 / 42 / 1

HEX #F1FC91

RGB 241 252 145

HSL 66.17, 0.95%, 0.78%

LAB 96.15, -18.92, 49.86

 

Description

Color code: RGB 146 252 211 | qconv.com Color code: RGB 146 252 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 252 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 252 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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