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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 190 142 it is the complementary color RGB 108 65 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 190 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 190 142 shade: RGB 152 190 137, RGB 169 208 156, RGB 186 226 175, RGB 203 244 194 and RGB 220 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 190 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 190 142 shade: RGB 147 190 142, RGB 130 172 123, RGB 113 154 104, RGB 96 136 85 and RGB 79 118 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 190 142 shade: RGB 146 189 141, RGB 159 189 141, RGB 172 189 141, RGB 185 189 141 and RGB 189 181 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 190 142 shade: RGB 146 189 141, RGB 141 189 149, RGB 141 189 162, RGB 141 189 175 and RGB 141 189 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 190 142 shade matches the following richer shades: RGB 146 189 141, RGB 135 204 127, RGB 123 218 112, RGB 112 233 98 and RGB 100 247 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 190 142 shade: RGB 146 189 141, RGB 158 175 156, RGB 169 160 170, RGB 180 146 184 and RGB 192 132 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 190 142 shade: RGB 172 189 141, RGB 160 189 141, RGB 147 189 141, RGB 141 189 148 and RGB 141 189 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 190 142 shade: RGB 97 158 90, RGB 121 174 115, RGB 146 189 141, RGB 171 204 167 and RGB 196 219 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 190 142 shade: RGB 147 190 142, RGB 141 185 189 and RGB 189 141 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 190 142 shade: RGB 147 190 142, RGB 141 147 189 and RGB 189 141 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 190 142 shade: RGB 147 190 142, RGB 141 185 189, RGB 184 141 189 and RGB 189 145 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 190 142 shade: RGB 147 190 142, RGB 141 171 189, RGB 184 141 189 and RGB 189 160 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

Complementary color

CMYK 4 / 42 / 0 / 56

HEX #6C4171

RGB 108 65 113

HSL 293.75, 0.27%, 0.35%

LAB 34.32, 27.19, -20.12

 

CMYK 20 / 0 / 28 / 25

HEX #98BE89

RGB 152 190 137

HSL 103.02, 0.29%, 0.64%

LAB 73.09, -22.67, 22.72

 

CMYK 19 / 0 / 25 / 18

HEX #A9D09C

RGB 169 208 156

HSL 105, 0.36%, 0.71%

LAB 79.58, -22.54, 21.7

 

CMYK 18 / 0 / 23 / 11

HEX #BAE2AF

RGB 186 226 175

HSL 107.06, 0.47%, 0.79%

LAB 85.97, -22.41, 20.73

 

CMYK 17 / 0 / 20 / 4

HEX #CBF4C2

RGB 203 244 194

HSL 109.2, 0.69%, 0.86%

LAB 92.26, -22.29, 19.81

 

CMYK 14 / 0 / 16 / 0

HEX #DCFFD5

RGB 220 255 213

HSL 110, 1%, 0.92%

LAB 96.63, -18.8, 16.36

 

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

CMYK 24 / 0 / 28 / 33

HEX #82AC7B

RGB 130 172 123

HSL 111.43, 0.23%, 0.58%

LAB 66.28, -23.8, 20.75

 

CMYK 27 / 0 / 32 / 40

HEX #719A68

RGB 113 154 104

HSL 109.2, 0.2%, 0.51%

LAB 59.55, -24.01, 21.87

 

CMYK 29 / 0 / 38 / 47

HEX #608855

RGB 96 136 85

HSL 107.06, 0.23%, 0.43%

LAB 52.68, -24.22, 23.07

 

CMYK 33 / 0 / 44 / 54

HEX #4F7642

RGB 79 118 66

HSL 105, 0.28%, 0.36%

LAB 45.65, -24.42, 24.35

 

CMYK 23 / 0 / 25 / 26

HEX #92BD8D

RGB 146 189 141

HSL 113.75, 0.27%, 0.65%

LAB 72.51, -23.63, 19.73

 

CMYK 16 / 0 / 25 / 26

HEX #9FBD8D

RGB 159 189 141

HSL 97.5, 0.27%, 0.65%

LAB 73.34, -19.02, 21

 

CMYK 9 / 0 / 25 / 26

HEX #ACBD8D

RGB 172 189 141

HSL 81.25, 0.27%, 0.65%

LAB 74.25, -14.24, 22.38

 

CMYK 2 / 0 / 25 / 26

HEX #B9BD8D

RGB 185 189 141

HSL 65, 0.27%, 0.65%

LAB 75.22, -9.32, 23.87

 

CMYK 0 / 4 / 25 / 26

HEX #BDB58D

RGB 189 181 141

HSL 50, 0.27%, 0.65%

LAB 73.41, -3.59, 21.45

 

CMYK 23 / 0 / 25 / 26

HEX #92BD8D

RGB 146 189 141

HSL 113.75, 0.27%, 0.65%

LAB 72.51, -23.63, 19.73

 

CMYK 25 / 0 / 21 / 26

HEX #8DBD95

RGB 141 189 149

HSL 130, 0.27%, 0.65%

LAB 72.38, -23.91, 15.19

 

CMYK 25 / 0 / 14 / 26

HEX #8DBDA2

RGB 141 189 162

HSL 146.25, 0.27%, 0.65%

LAB 72.67, -21.44, 8.55

 

CMYK 25 / 0 / 7 / 26

HEX #8DBDAF

RGB 141 189 175

HSL 162.5, 0.27%, 0.65%

LAB 72.99, -18.77, 1.94

 

CMYK 25 / 0 / 1 / 26

HEX #8DBDBC

RGB 141 189 188

HSL 178.75, 0.27%, 0.65%

LAB 73.34, -15.92, -4.64

 

CMYK 23 / 0 / 25 / 26

HEX #92BD8D

RGB 146 189 141

HSL 113.75, 0.27%, 0.65%

LAB 72.51, -23.63, 19.73

 

CMYK 34 / 0 / 38 / 20

HEX #87CC7F

RGB 135 204 127

HSL 113.77, 0.43%, 0.65%

LAB 75.99, -36.71, 31.66

 

CMYK 44 / 0 / 49 / 15

HEX #7BDA70

RGB 123 218 112

HSL 113.77, 0.59%, 0.65%

LAB 79.34, -48.64, 43.33

 

CMYK 52 / 0 / 58 / 9

HEX #70E962

RGB 112 233 98

HSL 113.78, 0.75%, 0.65%

LAB 83.23, -59.31, 54.39

 

CMYK 60 / 0 / 66 / 3

HEX #64F753

RGB 100 247 83

HSL 113.78, 0.91%, 0.65%

LAB 86.93, -68.71, 64.62

 

CMYK 23 / 0 / 25 / 26

HEX #92BD8D

RGB 146 189 141

HSL 113.75, 0.27%, 0.65%

LAB 72.51, -23.63, 19.73

 

CMYK 10 / 0 / 11 / 31

HEX #9EAF9C

RGB 158 175 156

HSL 113.68, 0.11%, 0.65%

LAB 69.7, -9.56, 7.74

 

CMYK 1 / 6 / 0 / 33

HEX #A9A0AA

RGB 169 160 170

HSL 294, 0.06%, 0.65%

LAB 66.88, 5.13, -4.02

 

CMYK 2 / 21 / 0 / 28

HEX #B492B8

RGB 180 146 184

HSL 293.68, 0.21%, 0.65%

LAB 64.74, 19.52, -14.95

 

CMYK 4 / 34 / 0 / 22

HEX #C084C7

RGB 192 132 199

HSL 293.73, 0.37%, 0.65%

LAB 63.2, 34.23, -25.62

 

CMYK 9 / 0 / 25 / 26

HEX #ACBD8D

RGB 172 189 141

HSL 81.25, 0.27%, 0.65%

LAB 74.25, -14.24, 22.38

 

CMYK 15 / 0 / 25 / 26

HEX #A0BD8D

RGB 160 189 141

HSL 96.25, 0.27%, 0.65%

LAB 73.41, -18.66, 21.1

 

CMYK 22 / 0 / 25 / 26

HEX #93BD8D

RGB 147 189 141

HSL 112.5, 0.27%, 0.65%

LAB 72.58, -23.28, 19.82

 

CMYK 25 / 0 / 22 / 26

HEX #8DBD94

RGB 141 189 148

HSL 128.75, 0.27%, 0.65%

LAB 72.36, -24.1, 15.7

 

CMYK 25 / 0 / 15 / 26

HEX #8DBDA1

RGB 141 189 161

HSL 145, 0.27%, 0.65%

LAB 72.65, -21.64, 9.06

 

CMYK 39 / 0 / 43 / 38

HEX #619E5A

RGB 97 158 90

HSL 113.82, 0.27%, 0.49%

LAB 59.65, -33.7, 29.42

 

CMYK 30 / 0 / 34 / 32

HEX #79AE73

RGB 121 174 115

HSL 113.9, 0.27%, 0.57%

LAB 66.19, -29.23, 24.87

 

CMYK 23 / 0 / 25 / 26

HEX #92BD8D

RGB 146 189 141

HSL 113.75, 0.27%, 0.65%

LAB 72.51, -23.63, 19.73

 

CMYK 16 / 0 / 18 / 20

HEX #ABCCA7

RGB 171 204 167

HSL 113.51, 0.27%, 0.73%

LAB 78.83, -18.01, 14.84

 

CMYK 11 / 0 / 11 / 14

HEX #C4DBC2

RGB 196 219 194

HSL 115.2, 0.26%, 0.81%

LAB 85.15, -12.28, 9.71

 

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

CMYK 25 / 2 / 0 / 26

HEX #8DB9BD

RGB 141 185 189

HSL 185, 0.27%, 0.65%

LAB 72.25, -13.61, -6.8

 

CMYK 0 / 25 / 12 / 26

HEX #BD8DA6

RGB 189 141 166

HSL 328.75, 0.27%, 0.65%

LAB 63.85, 22.18, -6.04

 

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

CMYK 25 / 22 / 0 / 26

HEX #8D93BD

RGB 141 147 189

HSL 232.5, 0.27%, 0.65%

LAB 61.83, 7.23, -22.5

 

CMYK 0 / 25 / 22 / 26

HEX #BD8D93

RGB 189 141 147

HSL 352.5, 0.27%, 0.65%

LAB 63.32, 19.11, 3.94

 

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

CMYK 25 / 2 / 0 / 26

HEX #8DB9BD

RGB 141 185 189

HSL 185, 0.27%, 0.65%

LAB 72.25, -13.61, -6.8

 

CMYK 3 / 25 / 0 / 26

HEX #B88DBD

RGB 184 141 189

HSL 293.75, 0.27%, 0.65%

LAB 64.09, 24.66, -18.71

 

CMYK 0 / 23 / 25 / 26

HEX #BD918D

RGB 189 145 141

HSL 5, 0.27%, 0.65%

LAB 64.16, 16, 8.53

 

CMYK 23 / 0 / 25 / 25

HEX #93BE8E

RGB 147 190 142

HSL 113.75, 0.27%, 0.65%

LAB 72.88, -23.61, 19.7

 

CMYK 25 / 10 / 0 / 26

HEX #8DABBD

RGB 141 171 189

HSL 202.5, 0.27%, 0.65%

LAB 68.36, -6.15, -12.6

 

CMYK 3 / 25 / 0 / 26

HEX #B88DBD

RGB 184 141 189

HSL 293.75, 0.27%, 0.65%

LAB 64.09, 24.66, -18.71

 

CMYK 0 / 15 / 25 / 26

HEX #BDA08D

RGB 189 160 141

HSL 23.75, 0.27%, 0.65%

LAB 67.93, 7.73, 13.87

 

Description

Color code: RGB 147 190 142 | qconv.com Color code: RGB 147 190 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 190 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 190 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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