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Color name
RGB 147 72 61

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 72 61 it is the complementary color RGB 108 183 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 72 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 72 61 shade: RGB 152 72 56, RGB 169 90 75, RGB 186 108 94, RGB 203 126 113 and RGB 220 144 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 72 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 130 54 42, RGB 113 36 23, RGB 96 18 4 and RGB 79 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 72 61 shade: RGB 147 72 61 and RGB 147 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 147 95 61, RGB 147 118 61, RGB 147 142 61 and RGB 129 147 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 72 61 shade matches the following richer shades: RGB 147 72 61, RGB 164 60 44, RGB 181 47 27 and RGB 198 34 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 130 85 78, RGB 113 97 95, RGB 96 110 112 and RGB 79 123 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 72 61 shade: RGB 147 61 97, RGB 147 61 74, RGB 147 71 61, RGB 147 94 61 and RGB 147 117 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 72 61 shade: RGB 89 43 37, RGB 118 58 49, RGB 147 72 61, RGB 176 86 73 and RGB 190 112 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 120 147 61 and RGB 61 85 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 61 147 71 and RGB 71 61 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 120 147 61, RGB 61 137 147 and RGB 88 61 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 72 61 shade: RGB 147 72 61, RGB 94 147 61, RGB 61 137 147 and RGB 114 61 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

Complementary color

CMYK 44 / 6 / 0 / 24

HEX #6CB7C2

RGB 108 183 194

HSL 187.67, 0.41%, 0.59%

LAB 70.14, -20.39, -12.87

 

CMYK 0 / 53 / 63 / 40

HEX #984838

RGB 152 72 56

HSL 10, 0.46%, 0.41%

LAB 40.57, 32.14, 25.26

 

CMYK 0 / 47 / 56 / 34

HEX #A95A4B

RGB 169 90 75

HSL 9.57, 0.39%, 0.48%

LAB 47.31, 30.77, 23.1

 

CMYK 0 / 42 / 49 / 27

HEX #BA6C5E

RGB 186 108 94

HSL 9.13, 0.4%, 0.55%

LAB 54, 29.52, 21.27

 

CMYK 0 / 38 / 44 / 20

HEX #CB7E71

RGB 203 126 113

HSL 8.67, 0.46%, 0.62%

LAB 60.61, 28.39, 19.68

 

CMYK 0 / 35 / 40 / 14

HEX #DC9084

RGB 220 144 132

HSL 8.18, 0.56%, 0.69%

LAB 67.15, 27.38, 18.27

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 58 / 68 / 49

HEX #82362A

RGB 130 54 42

HSL 8.18, 0.51%, 0.34%

LAB 33.03, 31.9, 23.65

 

CMYK 0 / 68 / 80 / 56

HEX #712417

RGB 113 36 23

HSL 8.67, 0.66%, 0.27%

LAB 26.26, 33.22, 26.64

 

CMYK 0 / 81 / 96 / 62

HEX #601204

RGB 96 18 4

HSL 9.13, 0.92%, 0.2%

LAB 19.75, 34.01, 28.15

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 59 / 59 / 42

HEX #933D3D

RGB 147 61 61

HSL 0, 0.41%, 0.41%

LAB 37.62, 36.31, 18.27

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 35 / 59 / 42

HEX #935F3D

RGB 147 95 61

HSL 23.72, 0.41%, 0.41%

LAB 45.25, 17.5, 28

 

CMYK 0 / 20 / 59 / 42

HEX #93763D

RGB 147 118 61

HSL 39.77, 0.41%, 0.41%

LAB 51.26, 4.23, 35.25

 

CMYK 0 / 3 / 59 / 42

HEX #938E3D

RGB 147 142 61

HSL 56.51, 0.41%, 0.41%

LAB 57.93, -9.14, 42.93

 

CMYK 12 / 0 / 59 / 42

HEX #81933D

RGB 129 147 61

HSL 72.56, 0.41%, 0.41%

LAB 57.91, -19.58, 42.51

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 63 / 73 / 36

HEX #A43C2C

RGB 164 60 44

HSL 8, 0.58%, 0.41%

LAB 40.09, 42.03, 32.23

 

CMYK 0 / 74 / 85 / 29

HEX #B52F1B

RGB 181 47 27

HSL 7.79, 0.74%, 0.41%

LAB 41.11, 52.55, 43.41

 

CMYK 0 / 83 / 95 / 22

HEX #C6220A

RGB 198 34 10

HSL 7.66, 0.9%, 0.41%

LAB 43.02, 61.26, 53.09

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 35 / 40 / 49

HEX #82554E

RGB 130 85 78

HSL 8.08, 0.25%, 0.41%

LAB 40.89, 17.79, 11.75

 

CMYK 0 / 14 / 16 / 56

HEX #71615F

RGB 113 97 95

HSL 6.67, 0.09%, 0.41%

LAB 42.59, 6.05, 3.5

 

CMYK 14 / 2 / 0 / 56

HEX #606E70

RGB 96 110 112

HSL 187.5, 0.08%, 0.41%

LAB 45.37, -4.79, -2.9

 

CMYK 39 / 5 / 0 / 49

HEX #4F7B81

RGB 79 123 129

HSL 187.2, 0.24%, 0.41%

LAB 48.78, -13.46, -8.08

 

CMYK 0 / 59 / 34 / 42

HEX #933D61

RGB 147 61 97

HSL 334.88, 0.41%, 0.41%

LAB 38.56, 40.1, -3.09

 

CMYK 0 / 59 / 50 / 42

HEX #933D4A

RGB 147 61 74

HSL 350.93, 0.41%, 0.41%

LAB 37.91, 37.48, 10.49

 

CMYK 0 / 52 / 59 / 42

HEX #93473D

RGB 147 71 61

HSL 6.98, 0.41%, 0.41%

LAB 39.66, 31.06, 20.93

 

CMYK 0 / 36 / 59 / 42

HEX #935E3D

RGB 147 94 61

HSL 23.02, 0.41%, 0.41%

LAB 45.01, 18.08, 27.69

 

CMYK 0 / 20 / 59 / 42

HEX #93753D

RGB 147 117 61

HSL 39.07, 0.41%, 0.41%

LAB 50.99, 4.8, 34.93

 

CMYK 0 / 52 / 58 / 65

HEX #592B25

RGB 89 43 37

HSL 6.92, 0.41%, 0.25%

LAB 23.62, 20.45, 13.52

 

CMYK 0 / 51 / 58 / 54

HEX #763A31

RGB 118 58 49

HSL 7.83, 0.41%, 0.33%

LAB 32.03, 25.32, 17.61

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 0 / 51 / 59 / 31

HEX #B05649

RGB 176 86 73

HSL 7.57, 0.41%, 0.49%

LAB 47.45, 35.5, 24.67

 

CMYK 0 / 41 / 47 / 25

HEX #BE7065

RGB 190 112 101

HSL 7.42, 0.41%, 0.57%

LAB 55.56, 29.62, 19.41

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 18 / 0 / 59 / 42

HEX #78933D

RGB 120 147 61

HSL 78.84, 0.41%, 0.41%

LAB 57.27, -23.34, 41.6

 

CMYK 59 / 42 / 0 / 42

HEX #3D5593

RGB 61 85 147

HSL 223.26, 0.41%, 0.41%

LAB 37.11, 10.54, -36.98

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 59 / 0 / 52 / 42

HEX #3D9347

RGB 61 147 71

HSL 126.98, 0.41%, 0.41%

LAB 54.36, -42.42, 32.43

 

CMYK 52 / 59 / 0 / 42

HEX #473D93

RGB 71 61 147

HSL 246.98, 0.41%, 0.41%

LAB 31.31, 28.4, -46.23

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 18 / 0 / 59 / 42

HEX #78933D

RGB 120 147 61

HSL 78.84, 0.41%, 0.41%

LAB 57.27, -23.34, 41.6

 

CMYK 59 / 7 / 0 / 42

HEX #3D8993

RGB 61 137 147

HSL 186.98, 0.41%, 0.41%

LAB 52.94, -20.29, -12.44

 

CMYK 40 / 59 / 0 / 42

HEX #583D93

RGB 88 61 147

HSL 258.84, 0.41%, 0.41%

LAB 32.96, 32.33, -43.49

 

CMYK 0 / 51 / 59 / 42

HEX #93483D

RGB 147 72 61

HSL 7.67, 0.41%, 0.41%

LAB 39.87, 30.52, 21.21

 

CMYK 36 / 0 / 59 / 42

HEX #5E933D

RGB 94 147 61

HSL 96.98, 0.41%, 0.41%

LAB 55.67, -33.46, 39.35

 

CMYK 59 / 7 / 0 / 42

HEX #3D8993

RGB 61 137 147

HSL 186.98, 0.41%, 0.41%

LAB 52.94, -20.29, -12.44

 

CMYK 22 / 59 / 0 / 42

HEX #723D93

RGB 114 61 147

HSL 276.98, 0.41%, 0.41%

LAB 36.03, 39.02, -38.41

 

Description

Color code: RGB 147 72 61 | qconv.com Color code: RGB 147 72 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 72 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 72 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 59% 42% C M Y K

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Provide designers and agencies with accurate color values.

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