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Color name
RGB 148 191 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 191 109 it is the complementary color RGB 107 64 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 191 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 191 109 shade: RGB 153 191 104, RGB 170 209 123, RGB 187 227 142, RGB 204 245 161 and RGB 221 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 191 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 131 173 90, RGB 114 155 71, RGB 97 137 52 and RGB 80 119 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 170 191 109, RGB 191 190 109, RGB 191 168 109 and RGB 191 146 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 126 191 109, RGB 109 191 114, RGB 109 191 136 and RGB 109 191 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 191 109 shade matches the following richer shades: RGB 148 191 109, RGB 147 208 92, RGB 146 225 75 and RGB 145 241 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 149 174 126, RGB 150 157 143, RGB 150 140 160 and RGB 151 123 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 191 109 shade: RGB 191 189 109, RGB 170 191 109, RGB 149 191 109, RGB 127 191 109 and RGB 109 191 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 191 109 shade: RGB 107 151 66, RGB 127 178 81, RGB 148 191 109, RGB 169 203 138 and RGB 190 216 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 109 191 168 and RGB 191 109 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 109 149 191 and RGB 191 109 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 109 191 168, RGB 151 109 191 and RGB 191 109 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 191 109 shade: RGB 148 191 109, RGB 109 189 191, RGB 151 109 191 and RGB 191 111 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

Complementary color

CMYK 27 / 56 / 0 / 43

HEX #6B4092

RGB 107 64 146

HSL 271.46, 0.39%, 0.41%

LAB 35.73, 35.21, -38.32

 

CMYK 20 / 0 / 46 / 25

HEX #99BF68

RGB 153 191 104

HSL 86.21, 0.4%, 0.58%

LAB 72.91, -27.39, 39.64

 

CMYK 19 / 0 / 41 / 18

HEX #AAD17B

RGB 170 209 123

HSL 87.21, 0.48%, 0.65%

LAB 79.37, -27.39, 38.47

 

CMYK 18 / 0 / 37 / 11

HEX #BBE38E

RGB 187 227 142

HSL 88.24, 0.6%, 0.72%

LAB 85.73, -27.37, 37.33

 

CMYK 17 / 0 / 34 / 4

HEX #CCF5A1

RGB 204 245 161

HSL 89.29, 0.81%, 0.8%

LAB 92, -27.32, 36.23

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB4

RGB 221 255 180

HSL 87.2, 1%, 0.85%

LAB 96.07, -23.48, 32.33

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 24 / 0 / 48 / 32

HEX #83AD5A

RGB 131 173 90

HSL 90.36, 0.34%, 0.52%

LAB 66.1, -28.68, 37.94

 

CMYK 26 / 0 / 54 / 39

HEX #729B47

RGB 114 155 71

HSL 89.29, 0.37%, 0.44%

LAB 59.41, -28.66, 39.12

 

CMYK 29 / 0 / 62 / 46

HEX #618934

RGB 97 137 52

HSL 88.24, 0.45%, 0.37%

LAB 52.6, -28.55, 40.2

 

CMYK 33 / 0 / 72 / 53

HEX #507721

RGB 80 119 33

HSL 87.21, 0.57%, 0.3%

LAB 45.65, -28.27, 40.93

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 11 / 0 / 43 / 25

HEX #AABF6D

RGB 170 191 109

HSL 75.37, 0.39%, 0.59%

LAB 74.13, -20.26, 38.9

 

CMYK 0 / 1 / 43 / 25

HEX #BFBE6D

RGB 191 190 109

HSL 59.27, 0.39%, 0.59%

LAB 75.46, -11.39, 40.9

 

CMYK 0 / 12 / 43 / 25

HEX #BFA86D

RGB 191 168 109

HSL 43.17, 0.39%, 0.59%

LAB 69.6, 0.17, 33.51

 

CMYK 0 / 24 / 43 / 25

HEX #BF926D

RGB 191 146 109

HSL 27.07, 0.39%, 0.59%

LAB 63.95, 12.15, 26.14

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 34 / 0 / 43 / 25

HEX #7EBF6D

RGB 126 191 109

HSL 107.56, 0.39%, 0.59%

LAB 71.42, -36.4, 34.9

 

CMYK 43 / 0 / 40 / 25

HEX #6DBF72

RGB 109 191 114

HSL 123.66, 0.39%, 0.59%

LAB 70.68, -41.04, 31.21

 

CMYK 43 / 0 / 29 / 25

HEX #6DBF88

RGB 109 191 136

HSL 139.76, 0.39%, 0.59%

LAB 71.07, -37.23, 20.11

 

CMYK 43 / 0 / 17 / 25

HEX #6DBF9E

RGB 109 191 158

HSL 155.85, 0.39%, 0.59%

LAB 71.54, -32.76, 8.89

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 29 / 0 / 56 / 18

HEX #93D05C

RGB 147 208 92

HSL 91.55, 0.55%, 0.59%

LAB 77.33, -38.8, 50.64

 

CMYK 35 / 0 / 67 / 12

HEX #92E14B

RGB 146 225 75

HSL 91.6, 0.71%, 0.59%

LAB 82.09, -47.97, 63.11

 

CMYK 40 / 0 / 76 / 5

HEX #91F13A

RGB 145 241 58

HSL 91.48, 0.87%, 0.59%

LAB 86.62, -55.85, 73.52

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 14 / 0 / 28 / 32

HEX #95AE7E

RGB 149 174 126

HSL 91.25, 0.23%, 0.59%

LAB 68.14, -17.42, 21.87

 

CMYK 4 / 0 / 9 / 38

HEX #969D8F

RGB 150 157 143

HSL 90, 0.07%, 0.59%

LAB 63.82, -5.17, 6.45

 

CMYK 6 / 13 / 0 / 37

HEX #968CA0

RGB 150 140 160

HSL 270, 0.1%, 0.59%

LAB 59.69, 7.64, -9.23

 

CMYK 15 / 31 / 0 / 31

HEX #977BB1

RGB 151 123 177

HSL 271.11, 0.26%, 0.59%

LAB 56.01, 21.45, -24.55

 

CMYK 0 / 1 / 43 / 25

HEX #BFBD6D

RGB 191 189 109

HSL 58.54, 0.39%, 0.59%

LAB 75.19, -10.87, 40.56

 

CMYK 11 / 0 / 43 / 25

HEX #AABF6D

RGB 170 191 109

HSL 75.37, 0.39%, 0.59%

LAB 74.13, -20.26, 38.9

 

CMYK 22 / 0 / 43 / 25

HEX #95BF6D

RGB 149 191 109

HSL 90.73, 0.39%, 0.59%

LAB 72.73, -28.27, 36.84

 

CMYK 34 / 0 / 43 / 25

HEX #7FBF6D

RGB 127 191 109

HSL 106.83, 0.39%, 0.59%

LAB 71.47, -36.06, 34.98

 

CMYK 43 / 0 / 41 / 25

HEX #6DBF71

RGB 109 191 113

HSL 122.93, 0.39%, 0.59%

LAB 70.67, -41.2, 31.71

 

CMYK 29 / 0 / 56 / 41

HEX #6B9742

RGB 107 151 66

HSL 91.06, 0.39%, 0.43%

LAB 57.71, -29.96, 39.47

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 17 / 0 / 32 / 20

HEX #A9CB8A

RGB 169 203 138

HSL 91.38, 0.38%, 0.67%

LAB 77.86, -22.83, 28.81

 

CMYK 12 / 0 / 23 / 15

HEX #BED8A7

RGB 190 216 167

HSL 91.84, 0.39%, 0.75%

LAB 83.36, -17.35, 21.34

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 43 / 0 / 12 / 25

HEX #6DBFA8

RGB 109 191 168

HSL 163.17, 0.39%, 0.59%

LAB 71.79, -30.53, 3.8

 

CMYK 0 / 43 / 5 / 25

HEX #BF6DB5

RGB 191 109 181

HSL 307.32, 0.39%, 0.59%

LAB 57.41, 42.94, -24.3

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 43 / 22 / 0 / 25

HEX #6D95BF

RGB 109 149 191

HSL 210.73, 0.39%, 0.59%

LAB 60.34, -2.6, -26.09

 

CMYK 0 / 43 / 22 / 25

HEX #BF6D95

RGB 191 109 149

HSL 330.73, 0.39%, 0.59%

LAB 56.27, 37.69, -7.52

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 43 / 0 / 12 / 25

HEX #6DBFA8

RGB 109 191 168

HSL 163.17, 0.39%, 0.59%

LAB 71.79, -30.53, 3.8

 

CMYK 21 / 43 / 0 / 25

HEX #976DBF

RGB 151 109 191

HSL 270.73, 0.39%, 0.59%

LAB 53.25, 32.74, -36.87

 

CMYK 0 / 43 / 31 / 25

HEX #BF6D84

RGB 191 109 132

HSL 343.17, 0.39%, 0.59%

LAB 55.77, 35.28, 1.66

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 43 / 1 / 0 / 25

HEX #6DBDBF

RGB 109 189 191

HSL 181.46, 0.39%, 0.59%

LAB 71.83, -23.97, -8.69

 

CMYK 21 / 43 / 0 / 25

HEX #976DBF

RGB 151 109 191

HSL 270.73, 0.39%, 0.59%

LAB 53.25, 32.74, -36.87

 

CMYK 0 / 42 / 43 / 25

HEX #BF6F6D

RGB 191 111 109

HSL 1.46, 0.39%, 0.59%

LAB 55.63, 31.4, 14.9

 

Description

Color code: RGB 148 191 109 | qconv.com Color code: RGB 148 191 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 191 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 191 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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