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Color name
RGB 148 82 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 82 60 it is the complementary color RGB 107 173 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 82 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 82 60 shade: RGB 153 82 55, RGB 170 100 74, RGB 187 118 93, RGB 204 136 112 and RGB 221 154 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 82 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 131 64 41, RGB 114 46 22, RGB 97 28 3 and RGB 80 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 82 60 shade: RGB 148 82 60 and RGB 148 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 148 106 60, RGB 148 129 60, RGB 143 148 60 and RGB 119 148 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 82 60 shade matches the following richer shades: RGB 148 82 60, RGB 165 74 43, RGB 182 65 26 and RGB 199 57 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 131 91 77, RGB 114 99 94, RGB 97 107 111 and RGB 80 116 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 82 60 shade: RGB 148 60 85, RGB 148 60 62, RGB 148 82 60, RGB 148 106 60 and RGB 148 129 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 82 60 shade: RGB 89 49 36, RGB 119 66 48, RGB 148 82 60, RGB 177 98 72 and RGB 191 122 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 108 148 60 and RGB 60 73 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 60 148 82 and RGB 82 60 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 108 148 60, RGB 60 126 148 and RGB 100 60 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 82 60 shade: RGB 148 82 60, RGB 82 148 60, RGB 60 126 148 and RGB 126 60 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

Complementary color

CMYK 45 / 11 / 0 / 24

HEX #6BADC3

RGB 107 173 195

HSL 195, 0.42%, 0.59%

LAB 67.24, -15.16, -17.8

 

CMYK 0 / 46 / 64 / 40

HEX #995237

RGB 153 82 55

HSL 16.53, 0.47%, 0.41%

LAB 42.89, 27.02, 28.73

 

CMYK 0 / 41 / 56 / 33

HEX #AA644A

RGB 170 100 74

HSL 16.25, 0.39%, 0.48%

LAB 49.68, 25.59, 26.76

 

CMYK 0 / 37 / 50 / 27

HEX #BB765D

RGB 187 118 93

HSL 15.96, 0.41%, 0.55%

LAB 56.4, 24.34, 25.04

 

CMYK 0 / 33 / 45 / 20

HEX #CC8870

RGB 204 136 112

HSL 15.65, 0.47%, 0.62%

LAB 63.02, 23.24, 23.51

 

CMYK 0 / 30 / 41 / 13

HEX #DD9A83

RGB 221 154 131

HSL 15.33, 0.57%, 0.69%

LAB 69.56, 22.28, 22.14

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 51 / 69 / 49

HEX #834029

RGB 131 64 41

HSL 15.33, 0.52%, 0.34%

LAB 35.31, 26.82, 27.02

 

CMYK 0 / 60 / 81 / 55

HEX #722E16

RGB 114 46 22

HSL 15.65, 0.68%, 0.27%

LAB 28.35, 28.51, 29.47

 

CMYK 0 / 71 / 97 / 62

HEX #611C03

RGB 97 28 3

HSL 15.96, 0.94%, 0.2%

LAB 21.5, 30.12, 30.55

 

CMYK 0 / 88 / 100 / 69

HEX #500A00

RGB 80 10 0

HSL 7.5, 1%, 0.16%

LAB 15.08, 31.07, 23.26

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 59 / 59 / 42

HEX #943C3C

RGB 148 60 60

HSL 0, 0.42%, 0.41%

LAB 37.58, 37.1, 18.87

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 28 / 59 / 42

HEX #946A3C

RGB 148 106 60

HSL 31.36, 0.42%, 0.41%

LAB 48.17, 11.5, 32.14

 

CMYK 0 / 13 / 59 / 42

HEX #94813C

RGB 148 129 60

HSL 47.05, 0.42%, 0.41%

LAB 54.37, -1.62, 39.4

 

CMYK 3 / 0 / 59 / 42

HEX #8F943C

RGB 143 148 60

HSL 63.41, 0.42%, 0.41%

LAB 59.29, -14.17, 44.83

 

CMYK 20 / 0 / 59 / 42

HEX #77943C

RGB 119 148 60

HSL 79.77, 0.42%, 0.41%

LAB 57.49, -24.35, 42.31

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 55 / 74 / 35

HEX #A54A2B

RGB 165 74 43

HSL 15.25, 0.59%, 0.41%

LAB 42.87, 35.5, 35.92

 

CMYK 0 / 64 / 86 / 29

HEX #B6411A

RGB 182 65 26

HSL 15, 0.75%, 0.41%

LAB 43.95, 45.64, 46.4

 

CMYK 0 / 71 / 95 / 22

HEX #C73909

RGB 199 57 9

HSL 15.16, 0.91%, 0.41%

LAB 45.75, 54.46, 55.06

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 31 / 41 / 49

HEX #835B4D

RGB 131 91 77

HSL 15.56, 0.26%, 0.41%

LAB 42.53, 14.53, 14.64

 

CMYK 0 / 13 / 18 / 55

HEX #72635E

RGB 114 99 94

HSL 15, 0.1%, 0.41%

LAB 43.23, 5.09, 5.04

 

CMYK 13 / 4 / 0 / 56

HEX #616B6F

RGB 97 107 111

HSL 197.14, 0.07%, 0.41%

LAB 44.52, -2.89, -3.54

 

CMYK 38 / 9 / 0 / 50

HEX #507480

RGB 80 116 128

HSL 195, 0.23%, 0.41%

LAB 46.65, -9.49, -10.67

 

CMYK 0 / 59 / 43 / 42

HEX #943C55

RGB 148 60 85

HSL 342.95, 0.42%, 0.41%

LAB 38.17, 39.49, 3.94

 

CMYK 0 / 59 / 58 / 42

HEX #943C3E

RGB 148 60 62

HSL 358.64, 0.42%, 0.41%

LAB 37.62, 37.26, 17.68

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 28 / 59 / 42

HEX #946A3C

RGB 148 106 60

HSL 31.36, 0.42%, 0.41%

LAB 48.17, 11.5, 32.14

 

CMYK 0 / 13 / 59 / 42

HEX #94813C

RGB 148 129 60

HSL 47.05, 0.42%, 0.41%

LAB 54.37, -1.62, 39.4

 

CMYK 0 / 45 / 60 / 65

HEX #593124

RGB 89 49 36

HSL 14.72, 0.42%, 0.25%

LAB 25.1, 16.67, 16.09

 

CMYK 0 / 45 / 60 / 53

HEX #774230

RGB 119 66 48

HSL 15.21, 0.43%, 0.33%

LAB 34.05, 21.02, 20.85

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 0 / 45 / 59 / 31

HEX #B16248

RGB 177 98 72

HSL 14.86, 0.42%, 0.49%

LAB 50.16, 29.41, 28.71

 

CMYK 0 / 36 / 48 / 25

HEX #BF7A63

RGB 191 122 99

HSL 15, 0.42%, 0.57%

LAB 57.94, 24.35, 23.76

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 27 / 0 / 59 / 42

HEX #6C943C

RGB 108 148 60

HSL 87.27, 0.42%, 0.41%

LAB 56.78, -28.76, 41.31

 

CMYK 59 / 51 / 0 / 42

HEX #3C4994

RGB 60 73 148

HSL 231.14, 0.42%, 0.41%

LAB 33.7, 18.57, -43.04

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 59 / 0 / 45 / 42

HEX #3C9452

RGB 60 148 82

HSL 135, 0.42%, 0.41%

LAB 54.81, -41.32, 27.18

 

CMYK 45 / 59 / 0 / 42

HEX #523C94

RGB 82 60 148

HSL 255, 0.42%, 0.41%

LAB 32.18, 31.8, -45.39

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 27 / 0 / 59 / 42

HEX #6C943C

RGB 108 148 60

HSL 87.27, 0.42%, 0.41%

LAB 56.78, -28.76, 41.31

 

CMYK 59 / 15 / 0 / 42

HEX #3C7E94

RGB 60 126 148

HSL 195, 0.42%, 0.41%

LAB 49.52, -14.21, -18.21

 

CMYK 32 / 59 / 0 / 42

HEX #643C94

RGB 100 60 148

HSL 267.27, 0.42%, 0.41%

LAB 34.15, 36.18, -42.12

 

CMYK 0 / 45 / 59 / 42

HEX #94523C

RGB 148 82 60

HSL 15, 0.42%, 0.41%

LAB 42.24, 25.3, 24.85

 

CMYK 45 / 0 / 59 / 42

HEX #52943C

RGB 82 148 60

HSL 105, 0.42%, 0.41%

LAB 55.38, -38.16, 39.34

 

CMYK 59 / 15 / 0 / 42

HEX #3C7E94

RGB 60 126 148

HSL 195, 0.42%, 0.41%

LAB 49.52, -14.21, -18.21

 

CMYK 15 / 59 / 0 / 42

HEX #7E3C94

RGB 126 60 148

HSL 285, 0.42%, 0.41%

LAB 37.49, 42.99, -36.59

 

Description

Color code: RGB 148 82 60 | qconv.com Color code: RGB 148 82 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 82 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 82 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 59% 42% C M Y K

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Provide designers and agencies with accurate color values.

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