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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 108 99 it is the complementary color RGB 106 147 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 108 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 108 99 shade: RGB 154 108 94, RGB 171 126 113, RGB 188 144 132, RGB 205 162 151 and RGB 222 180 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 108 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 132 90 80, RGB 115 72 61, RGB 98 54 42 and RGB 81 36 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 108 99 shade: RGB 149 108 99 and RGB 149 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 149 122 99, RGB 149 135 99, RGB 149 149 99 and RGB 137 149 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 108 99 shade matches the following richer shades: RGB 149 108 99, RGB 170 96 79, RGB 190 83 59, RGB 210 70 39 and RGB 230 57 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 129 121 120, RGB 109 134 140, RGB 89 147 160 and RGB 69 160 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 108 99 shade: RGB 149 99 118, RGB 149 99 104, RGB 149 108 99, RGB 149 121 99 and RGB 149 134 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 108 99 shade: RGB 100 72 66, RGB 125 90 83, RGB 149 108 99, RGB 167 131 123 and RGB 183 154 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 131 149 99 and RGB 99 111 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 99 149 108 and RGB 108 99 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 131 149 99, RGB 99 141 149 and RGB 118 99 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 108 99 shade: RGB 149 108 99, RGB 116 149 99, RGB 99 141 149 and RGB 133 99 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

Complementary color

CMYK 32 / 6 / 0 / 39

HEX #6A939C

RGB 106 147 156

HSL 190.8, 0.2%, 0.51%

LAB 58.35, -11.73, -9.28

 

CMYK 0 / 30 / 39 / 40

HEX #9A6C5E

RGB 154 108 94

HSL 14, 0.24%, 0.49%

LAB 49.98, 16.47, 15.15

 

CMYK 0 / 26 / 34 / 33

HEX #AB7E71

RGB 171 126 113

HSL 13.45, 0.26%, 0.56%

LAB 56.85, 15.62, 13.91

 

CMYK 0 / 23 / 30 / 26

HEX #BC9084

RGB 188 144 132

HSL 12.86, 0.29%, 0.63%

LAB 63.59, 14.89, 12.79

 

CMYK 0 / 21 / 26 / 20

HEX #CDA297

RGB 205 162 151

HSL 12.22, 0.35%, 0.7%

LAB 70.21, 14.25, 11.77

 

CMYK 0 / 19 / 23 / 13

HEX #DEB4AA

RGB 222 180 170

HSL 11.54, 0.44%, 0.77%

LAB 76.72, 13.68, 10.83

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 32 / 39 / 48

HEX #845A50

RGB 132 90 80

HSL 11.54, 0.25%, 0.42%

LAB 42.46, 15.93, 12.74

 

CMYK 0 / 37 / 47 / 55

HEX #73483D

RGB 115 72 61

HSL 12.22, 0.31%, 0.35%

LAB 35.24, 17, 14.23

 

CMYK 0 / 45 / 57 / 62

HEX #62362A

RGB 98 54 42

HSL 12.86, 0.4%, 0.27%

LAB 27.85, 18.29, 16.04

 

CMYK 0 / 56 / 72 / 68

HEX #512417

RGB 81 36 23

HSL 13.45, 0.56%, 0.2%

LAB 20.33, 19.86, 18.34

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 18 / 34 / 42

HEX #957A63

RGB 149 122 99

HSL 27.6, 0.2%, 0.49%

LAB 53.18, 6.97, 16.53

 

CMYK 0 / 9 / 34 / 42

HEX #958763

RGB 149 135 99

HSL 43.2, 0.2%, 0.49%

LAB 56.7, -0.4, 21.31

 

CMYK 0 / 0 / 34 / 42

HEX #959563

RGB 149 149 99

HSL 60, 0.2%, 0.49%

LAB 60.59, -8.1, 26.47

 

CMYK 8 / 0 / 34 / 42

HEX #899563

RGB 137 149 99

HSL 74.4, 0.2%, 0.49%

LAB 59.63, -12.99, 25.02

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 44 / 54 / 33

HEX #AA604F

RGB 170 96 79

HSL 11.21, 0.37%, 0.49%

LAB 48.85, 28.25, 22.8

 

CMYK 0 / 56 / 69 / 25

HEX #BE533B

RGB 190 83 59

HSL 10.99, 0.53%, 0.49%

LAB 48.82, 41.46, 34.89

 

CMYK 0 / 67 / 81 / 18

HEX #D24627

RGB 210 70 39

HSL 10.88, 0.69%, 0.49%

LAB 49.77, 53.63, 47.46

 

CMYK 0 / 75 / 92 / 10

HEX #E63913

RGB 230 57 19

HSL 10.81, 0.85%, 0.49%

LAB 51.61, 64.27, 58.72

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 6 / 7 / 49

HEX #817978

RGB 129 121 120

HSL 6.67, 0.04%, 0.49%

LAB 51.49, 2.86, 1.64

 

CMYK 22 / 4 / 0 / 45

HEX #6D868C

RGB 109 134 140

HSL 191.61, 0.12%, 0.49%

LAB 54.23, -7.5, -6.19

 

CMYK 44 / 8 / 0 / 37

HEX #5993A0

RGB 89 147 160

HSL 190.99, 0.29%, 0.49%

LAB 57.59, -15.4, -12.8

 

CMYK 62 / 11 / 0 / 29

HEX #45A0B4

RGB 69 160 180

HSL 190.81, 0.45%, 0.49%

LAB 61.4, -20.84, -18.44

 

CMYK 0 / 34 / 21 / 42

HEX #956376

RGB 149 99 118

HSL 337.2, 0.2%, 0.49%

LAB 47.78, 23.11, -2.36

 

CMYK 0 / 34 / 30 / 42

HEX #956368

RGB 149 99 104

HSL 354, 0.2%, 0.49%

LAB 47.38, 20.96, 5.47

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 19 / 34 / 42

HEX #957963

RGB 149 121 99

HSL 26.4, 0.2%, 0.49%

LAB 52.91, 7.54, 16.17

 

CMYK 0 / 10 / 34 / 42

HEX #958663

RGB 149 134 99

HSL 42, 0.2%, 0.49%

LAB 56.43, 0.16, 20.94

 

CMYK 0 / 28 / 34 / 61

HEX #644842

RGB 100 72 66

HSL 10.59, 0.2%, 0.33%

LAB 33.43, 11.03, 8.29

 

CMYK 0 / 28 / 34 / 51

HEX #7D5A53

RGB 125 90 83

HSL 10, 0.2%, 0.41%

LAB 41.68, 13.36, 9.71

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 22 / 26 / 35

HEX #A7837B

RGB 167 131 123

HSL 10.91, 0.2%, 0.57%

LAB 57.92, 12.59, 9.6

 

CMYK 0 / 16 / 19 / 28

HEX #B79A94

RGB 183 154 148

HSL 10.29, 0.2%, 0.65%

LAB 65.99, 9.77, 7.14

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 12 / 0 / 34 / 42

HEX #839563

RGB 131 149 99

HSL 81.6, 0.2%, 0.49%

LAB 59.18, -15.39, 24.34

 

CMYK 34 / 26 / 0 / 42

HEX #636F95

RGB 99 111 149

HSL 225.6, 0.2%, 0.49%

LAB 47.22, 5.02, -22.14

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 34 / 0 / 28 / 42

HEX #63956C

RGB 99 149 108

HSL 130.8, 0.2%, 0.49%

LAB 57.3, -25.66, 16.46

 

CMYK 28 / 34 / 0 / 42

HEX #6C6395

RGB 108 99 149

HSL 250.8, 0.2%, 0.49%

LAB 44.63, 15.13, -26.09

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 12 / 0 / 34 / 42

HEX #839563

RGB 131 149 99

HSL 81.6, 0.2%, 0.49%

LAB 59.18, -15.39, 24.34

 

CMYK 34 / 5 / 0 / 42

HEX #638D95

RGB 99 141 149

HSL 189.6, 0.2%, 0.49%

LAB 55.96, -12.3, -8.88

 

CMYK 21 / 34 / 0 / 42

HEX #766395

RGB 118 99 149

HSL 262.8, 0.2%, 0.49%

LAB 45.56, 18.34, -24.59

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 22 / 0 / 34 / 42

HEX #749563

RGB 116 149 99

HSL 99.6, 0.2%, 0.49%

LAB 58.14, -21.18, 22.78

 

CMYK 34 / 5 / 0 / 42

HEX #638D95

RGB 99 141 149

HSL 189.6, 0.2%, 0.49%

LAB 55.96, -12.3, -8.88

 

CMYK 11 / 34 / 0 / 42

HEX #856395

RGB 133 99 149

HSL 280.8, 0.2%, 0.49%

LAB 47.08, 23.3, -22.11

 

Description

Color code: RGB 149 108 99 | qconv.com Color code: RGB 149 108 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 108 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 108 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - chrischen navigation
Link: http://chrischenchen.coding.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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