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Color name
RGB 149 129 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 129 18 it is the complementary color RGB 106 126 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 129 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 129 18 shade: RGB 154 129 13, RGB 171 147 32, RGB 188 165 51, RGB 205 183 70 and RGB 222 201 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 129 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 132 111 0, RGB 115 93 0, RGB 98 75 0 and RGB 81 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 149 94 18, RGB 149 58 18, RGB 149 23 18 and RGB 149 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 134 149 18, RGB 99 149 18, RGB 63 149 18 and RGB 28 149 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 129 18 shade matches the following richer shades: RGB 149 129 18 and RGB 163 139 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 136 120 32, RGB 122 110 45, RGB 108 101 59 and RGB 95 91 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 129 18 shade: RGB 149 57 18, RGB 149 92 18, RGB 149 127 18, RGB 136 149 18 and RGB 101 149 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 129 18 shade: RGB 76 66 9, RGB 113 97 13, RGB 149 129 18, RGB 186 161 23 and RGB 223 193 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 18 149 22 and RGB 75 18 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 18 149 127 and RGB 127 18 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 18 149 22, RGB 18 40 149 and RGB 149 18 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 129 18 shade: RGB 149 129 18, RGB 18 149 62, RGB 18 40 149 and RGB 149 18 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

Complementary color

CMYK 55 / 47 / 0 / 7

HEX #6A7EED

RGB 106 126 237

HSL 230.84, 0.78%, 0.67%

LAB 56.19, 24.25, -58.43

 

CMYK 0 / 16 / 92 / 40

HEX #9A810D

RGB 154 129 13

HSL 49.36, 0.84%, 0.33%

LAB 54.66, -1.1, 57.5

 

CMYK 0 / 14 / 81 / 33

HEX #AB9320

RGB 171 147 32

HSL 49.64, 0.68%, 0.4%

LAB 61.33, -2.68, 58.79

 

CMYK 0 / 12 / 73 / 26

HEX #BCA533

RGB 188 165 51

HSL 49.93, 0.57%, 0.47%

LAB 67.9, -3.98, 58.84

 

CMYK 0 / 11 / 66 / 20

HEX #CDB746

RGB 205 183 70

HSL 50.22, 0.57%, 0.54%

LAB 74.37, -5.06, 58.24

 

CMYK 0 / 9 / 60 / 13

HEX #DEC959

RGB 222 201 89

HSL 50.53, 0.67%, 0.61%

LAB 80.75, -5.97, 57.32

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 0 / 16 / 100 / 48

HEX #846F00

RGB 132 111 0

HSL 50.45, 1%, 0.26%

LAB 47.33, -1.59, 53.59

 

CMYK 0 / 19 / 100 / 55

HEX #735D00

RGB 115 93 0

HSL 48.52, 1%, 0.23%

LAB 40.37, 0.59, 47.84

 

CMYK 0 / 23 / 100 / 62

HEX #624B00

RGB 98 75 0

HSL 45.92, 1%, 0.19%

LAB 33.2, 2.91, 41.93

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81 57 0

HSL 42.22, 1%, 0.16%

LAB 25.79, 5.41, 35.22

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 0 / 37 / 88 / 42

HEX #955E12

RGB 149 94 18

HSL 34.81, 0.78%, 0.33%

LAB 44.86, 16.65, 48.16

 

CMYK 0 / 61 / 88 / 42

HEX #953A12

RGB 149 58 18

HSL 18.32, 0.78%, 0.33%

LAB 36.85, 36.34, 41.54

 

CMYK 0 / 85 / 88 / 42

HEX #951712

RGB 149 23 18

HSL 2.29, 0.78%, 0.33%

LAB 31.91, 49.84, 37.4

 

CMYK 0 / 88 / 88 / 42

HEX #951212

RGB 149 18 18

HSL 0, 0.78%, 0.33%

LAB 31.5, 51.01, 37.06

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 10 / 0 / 88 / 42

HEX #869512

RGB 134 149 18

HSL 66.87, 0.78%, 0.33%

LAB 58.61, -20.82, 58.89

 

CMYK 34 / 0 / 88 / 42

HEX #639512

RGB 99 149 18

HSL 82.9, 0.78%, 0.33%

LAB 56.28, -35.46, 56

 

CMYK 58 / 0 / 88 / 42

HEX #3F9512

RGB 63 149 18

HSL 99.39, 0.78%, 0.33%

LAB 54.65, -47.54, 53.95

 

CMYK 81 / 0 / 88 / 42

HEX #1C9512

RGB 28 149 18

HSL 115.42, 0.78%, 0.33%

LAB 53.8, -54.74, 52.87

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 0 / 15 / 98 / 36

HEX #A38B04

RGB 163 139 4

HSL 50.94, 0.95%, 0.33%

LAB 58.28, -2.59, 62.15

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 0 / 12 / 76 / 47

HEX #887820

RGB 136 120 32

HSL 50.77, 0.62%, 0.33%

LAB 50.42, -3.86, 47.55

 

CMYK 0 / 10 / 63 / 52

HEX #7A6E2D

RGB 122 110 45

HSL 50.65, 0.46%, 0.33%

LAB 46.28, -3.93, 37.09

 

CMYK 0 / 6 / 45 / 58

HEX #6C653B

RGB 108 101 59

HSL 51.43, 0.29%, 0.33%

LAB 42.48, -3.85, 24.73

 

CMYK 0 / 4 / 24 / 63

HEX #5F5B48

RGB 95 91 72

HSL 49.57, 0.14%, 0.33%

LAB 38.52, -1.91, 11.56

 

CMYK 0 / 62 / 88 / 42

HEX #953912

RGB 149 57 18

HSL 17.86, 0.78%, 0.33%

LAB 36.67, 36.83, 41.39

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92 18

HSL 33.89, 0.78%, 0.33%

LAB 44.36, 17.8, 47.75

 

CMYK 0 / 15 / 88 / 42

HEX #957F12

RGB 149 127 18

HSL 49.92, 0.78%, 0.33%

LAB 53.61, -2.2, 55.33

 

CMYK 9 / 0 / 88 / 42

HEX #889512

RGB 136 149 18

HSL 65.95, 0.78%, 0.33%

LAB 58.76, -19.94, 59.08

 

CMYK 32 / 0 / 88 / 42

HEX #659512

RGB 101 149 18

HSL 81.98, 0.78%, 0.33%

LAB 56.39, -34.68, 56.14

 

CMYK 0 / 13 / 88 / 70

HEX #4C4209

RGB 76 66 9

HSL 51.04, 0.79%, 0.17%

LAB 27.99, -2.53, 33.29

 

CMYK 0 / 14 / 88 / 56

HEX #71610D

RGB 113 97 13

HSL 50.4, 0.79%, 0.25%

LAB 41.36, -2.41, 45.04

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 0 / 13 / 88 / 27

HEX #BAA117

RGB 186 161 23

HSL 50.8, 0.78%, 0.41%

LAB 66.51, -3.71, 66.11

 

CMYK 0 / 13 / 88 / 13

HEX #DFC11B

RGB 223 193 27

HSL 50.82, 0.78%, 0.49%

LAB 78.41, -4.11, 76.23

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 88 / 0 / 85 / 42

HEX #129516

RGB 18 149 22

HSL 121.83, 0.78%, 0.33%

LAB 53.69, -55.67, 51.74

 

CMYK 50 / 88 / 0 / 42

HEX #4B1295

RGB 75 18 149

HSL 266.11, 0.78%, 0.33%

LAB 23.99, 51.58, -59.39

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 88 / 0 / 15 / 42

HEX #12957F

RGB 18 149 127

HSL 169.92, 0.78%, 0.33%

LAB 55.23, -37.87, 2.39

 

CMYK 15 / 88 / 0 / 42

HEX #7F1295

RGB 127 18 149

HSL 289.92, 0.78%, 0.33%

LAB 32.07, 59.33, -45.88

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 88 / 0 / 85 / 42

HEX #129516

RGB 18 149 22

HSL 121.83, 0.78%, 0.33%

LAB 53.69, -55.67, 51.74

 

CMYK 88 / 73 / 0 / 42

HEX #122895

RGB 18 40 149

HSL 229.92, 0.78%, 0.33%

LAB 23.05, 35.43, -61.1

 

CMYK 0 / 88 / 3 / 42

HEX #951291

RGB 149 18 145

HSL 301.83, 0.78%, 0.33%

LAB 35.73, 62.69, -37.34

 

CMYK 0 / 13 / 88 / 42

HEX #958112

RGB 149 129 18

HSL 50.84, 0.78%, 0.33%

LAB 54.17, -3.31, 55.78

 

CMYK 88 / 0 / 58 / 42

HEX #12953E

RGB 18 149 62

HSL 140.15, 0.78%, 0.33%

LAB 54, -51.81, 36.32

 

CMYK 88 / 73 / 0 / 42

HEX #122895

RGB 18 40 149

HSL 229.92, 0.78%, 0.33%

LAB 23.05, 35.43, -61.1

 

CMYK 0 / 88 / 29 / 42

HEX #95126A

RGB 149 18 106

HSL 319.69, 0.78%, 0.33%

LAB 33.7, 57.27, -16.1

 

Description

Color code: RGB 149 129 18 | qconv.com Color code: RGB 149 129 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 129 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 129 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 88 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 88% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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