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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 139 64 it is the complementary color RGB 106 116 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 139 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 139 64 shade: RGB 154 139 59, RGB 171 157 78, RGB 188 175 97, RGB 205 193 116 and RGB 222 211 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 139 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 132 121 45, RGB 115 103 26, RGB 98 85 7 and RGB 81 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 149 116 64, RGB 149 93 64, RGB 149 70 64 and RGB 149 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 136 149 64, RGB 113 149 64, RGB 90 149 64 and RGB 67 149 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 139 64 shade matches the following richer shades: RGB 149 139 64, RGB 167 153 46, RGB 184 166 29 and RGB 201 179 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 132 126 81, RGB 115 113 98, RGB 97 100 116 and RGB 80 86 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 139 64 shade: RGB 149 92 64, RGB 149 115 64, RGB 149 138 64, RGB 138 149 64 and RGB 115 149 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 139 64 shade: RGB 92 85 39, RGB 121 112 51, RGB 149 139 64, RGB 178 166 76 and RGB 191 180 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 64 149 69 and RGB 104 64 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 64 149 138 and RGB 138 64 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 64 149 69, RGB 64 75 149 and RGB 149 64 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 139 64 shade: RGB 149 139 64, RGB 64 149 95, RGB 64 75 149 and RGB 149 64 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

Complementary color

CMYK 45 / 39 / 0 / 25

HEX #6A74BF

RGB 106 116 191

HSL 232.94, 0.4%, 0.58%

LAB 51.06, 16.06, -40.6

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 0 / 8 / 54 / 33

HEX #AB9D4E

RGB 171 157 78

HSL 50.97, 0.37%, 0.49%

LAB 64.42, -5.35, 42.64

 

CMYK 0 / 7 / 48 / 26

HEX #BCAF61

RGB 188 175 97

HSL 51.43, 0.4%, 0.56%

LAB 71.02, -6.01, 41.41

 

CMYK 0 / 6 / 43 / 20

HEX #CDC174

RGB 205 193 116

HSL 51.91, 0.47%, 0.63%

LAB 77.51, -6.55, 40.18

 

CMYK 0 / 5 / 39 / 13

HEX #DED387

RGB 222 211 135

HSL 52.41, 0.57%, 0.7%

LAB 83.9, -7, 38.98

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 0 / 8 / 66 / 48

HEX #84792D

RGB 132 121 45

HSL 52.41, 0.49%, 0.35%

LAB 50.42, -5.53, 41.86

 

CMYK 0 / 10 / 77 / 55

HEX #73671A

RGB 115 103 26

HSL 51.91, 0.63%, 0.28%

LAB 43.39, -4.41, 42.47

 

CMYK 0 / 13 / 93 / 62

HEX #625507

RGB 98 85 7

HSL 51.43, 0.87%, 0.21%

LAB 36.19, -2.93, 41.83

 

CMYK 0 / 17 / 100 / 68

HEX #514300

RGB 81 67 0

HSL 49.63, 1%, 0.16%

LAB 28.81, -0.92, 37.83

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 0 / 22 / 57 / 42

HEX #957440

RGB 149 116 64

HSL 36.71, 0.4%, 0.42%

LAB 50.98, 6.52, 33.37

 

CMYK 0 / 38 / 57 / 42

HEX #955D40

RGB 149 93 64

HSL 20.47, 0.4%, 0.42%

LAB 45.07, 19.79, 26.1

 

CMYK 0 / 53 / 57 / 42

HEX #954640

RGB 149 70 64

HSL 4.24, 0.4%, 0.42%

LAB 39.82, 32.65, 19.36

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 9 / 0 / 57 / 42

HEX #889540

RGB 136 149 64

HSL 69.18, 0.4%, 0.42%

LAB 59.07, -17.38, 42.53

 

CMYK 24 / 0 / 57 / 42

HEX #719540

RGB 113 149 64

HSL 85.41, 0.4%, 0.42%

LAB 57.44, -26.87, 40.23

 

CMYK 40 / 0 / 57 / 42

HEX #5A9540

RGB 90 149 64

HSL 101.65, 0.4%, 0.42%

LAB 56.13, -35.45, 38.37

 

CMYK 55 / 0 / 57 / 42

HEX #439540

RGB 67 149 64

HSL 117.88, 0.4%, 0.42%

LAB 55.13, -42.62, 36.95

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 0 / 8 / 72 / 35

HEX #A7992E

RGB 167 153 46

HSL 53.06, 0.57%, 0.42%

LAB 62.67, -7.12, 54.99

 

CMYK 0 / 10 / 84 / 28

HEX #B8A61D

RGB 184 166 29

HSL 53.03, 0.73%, 0.42%

LAB 67.69, -7.1, 65.57

 

CMYK 0 / 11 / 94 / 21

HEX #C9B30C

RGB 201 179 12

HSL 53.02, 0.89%, 0.42%

LAB 72.68, -6.71, 73.36

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 0 / 5 / 39 / 48

HEX #847E51

RGB 132 126 81

HSL 52.94, 0.24%, 0.42%

LAB 52.31, -4.87, 25.33

 

CMYK 0 / 2 / 15 / 55

HEX #737162

RGB 115 113 98

HSL 52.94, 0.08%, 0.42%

LAB 47.41, -2.06, 8.61

 

CMYK 16 / 14 / 0 / 55

HEX #616474

RGB 97 100 116

HSL 230.53, 0.09%, 0.42%

LAB 42.64, 2.46, -9.37

 

CMYK 40 / 35 / 0 / 48

HEX #505685

RGB 80 86 133

HSL 233.21, 0.25%, 0.42%

LAB 37.94, 10.2, -27.07

 

CMYK 0 / 38 / 57 / 42

HEX #955C40

RGB 149 92 64

HSL 19.76, 0.4%, 0.42%

LAB 44.82, 20.36, 25.79

 

CMYK 0 / 23 / 57 / 42

HEX #957340

RGB 149 115 64

HSL 36, 0.4%, 0.42%

LAB 50.71, 7.09, 33.05

 

CMYK 0 / 7 / 57 / 42

HEX #958A40

RGB 149 138 64

HSL 52.24, 0.4%, 0.42%

LAB 57.01, -5.83, 40.47

 

CMYK 7 / 0 / 57 / 42

HEX #8A9540

RGB 138 149 64

HSL 67.76, 0.4%, 0.42%

LAB 59.22, -16.52, 42.75

 

CMYK 23 / 0 / 57 / 42

HEX #739540

RGB 115 149 64

HSL 84, 0.4%, 0.42%

LAB 57.57, -26.08, 40.42

 

CMYK 0 / 8 / 58 / 64

HEX #5C5527

RGB 92 85 39

HSL 52.08, 0.4%, 0.26%

LAB 35.83, -4.01, 27.52

 

CMYK 0 / 7 / 58 / 53

HEX #797033

RGB 121 112 51

HSL 52.29, 0.41%, 0.34%

LAB 46.83, -5.04, 34.64

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 0 / 7 / 57 / 30

HEX #B2A64C

RGB 178 166 76

HSL 52.94, 0.4%, 0.5%

LAB 67.47, -7.3, 47.3

 

CMYK 0 / 6 / 45 / 25

HEX #BFB469

RGB 191 180 105

HSL 52.33, 0.4%, 0.58%

LAB 72.72, -6.61, 39.52

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 54 / 42

HEX #409545

RGB 64 149 69

HSL 123.53, 0.4%, 0.42%

LAB 55.09, -42.76, 34.37

 

CMYK 30 / 57 / 0 / 42

HEX #684095

RGB 104 64 149

HSL 268.24, 0.4%, 0.42%

LAB 35.56, 35.17, -40.44

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 7 / 42

HEX #40958A

RGB 64 149 138

HSL 172.24, 0.4%, 0.42%

LAB 56.51, -28.35, -1.93

 

CMYK 7 / 57 / 0 / 42

HEX #8A4095

RGB 138 64 149

HSL 292.24, 0.4%, 0.42%

LAB 39.98, 44.44, -33.14

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 54 / 42

HEX #409545

RGB 64 149 69

HSL 123.53, 0.4%, 0.42%

LAB 55.09, -42.76, 34.37

 

CMYK 57 / 50 / 0 / 42

HEX #404B95

RGB 64 75 149

HSL 232.24, 0.4%, 0.42%

LAB 34.58, 18.44, -42.21

 

CMYK 0 / 57 / 3 / 42

HEX #954090

RGB 149 64 144

HSL 303.53, 0.4%, 0.42%

LAB 41.33, 46.59, -27.89

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 36 / 42

HEX #40955F

RGB 64 149 95

HSL 141.88, 0.4%, 0.42%

LAB 55.49, -38.4, 20.99

 

CMYK 57 / 50 / 0 / 42

HEX #404B95

RGB 64 75 149

HSL 232.24, 0.4%, 0.42%

LAB 34.58, 18.44, -42.21

 

CMYK 0 / 57 / 21 / 42

HEX #954076

RGB 149 64 118

HSL 321.88, 0.4%, 0.42%

LAB 40.19, 42.25, -13.72

 

Description

Color code: RGB 149 139 64 | qconv.com Color code: RGB 149 139 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 139 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 139 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 57% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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