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Color name
RGB 149 157 46

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 157 46 it is the complementary color RGB 106 98 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 157 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 157 46 shade: RGB 154 157 41, RGB 171 175 60, RGB 188 193 79, RGB 205 211 98 and RGB 222 229 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 157 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 157 46 shade: RGB 149 157 46, RGB 132 139 27, RGB 115 121 8, RGB 98 103 0 and RGB 81 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 157 46 shade: RGB 150 158 45, RGB 158 135 45, RGB 158 105 45, RGB 158 75 45 and RGB 158 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 157 46 shade: RGB 150 158 45, RGB 119 158 45, RGB 89 158 45, RGB 59 158 45 and RGB 45 158 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 157 46 shade matches the following richer shades: RGB 150 158 45, RGB 164 174 29 and RGB 178 191 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 157 46 shade: RGB 150 158 45, RGB 135 141 62, RGB 121 125 78, RGB 107 108 95 and RGB 93 92 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 157 46 shade: RGB 158 105 45, RGB 158 135 45, RGB 150 158 45, RGB 120 158 45 and RGB 90 158 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 157 46 shade: RGB 89 94 27, RGB 119 126 36, RGB 150 158 45, RGB 180 190 55 and RGB 195 204 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 157 46 shade: RGB 149 157 46, RGB 45 158 75 and RGB 120 45 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 157 46 shade: RGB 149 157 46, RGB 45 150 158 and RGB 158 45 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 157 46 shade: RGB 149 157 46, RGB 45 158 75, RGB 53 45 158 and RGB 158 45 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 157 46 shade: RGB 149 157 46, RGB 45 158 109, RGB 53 45 158 and RGB 158 45 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

Complementary color

CMYK 49 / 53 / 0 / 18

HEX #6A62D1

RGB 106 98 209

HSL 244.32, 0.55%, 0.6%

LAB 47.5, 32.45, -56.59

 

CMYK 2 / 0 / 74 / 38

HEX #9A9D29

RGB 154 157 41

HSL 61.55, 0.59%, 0.39%

LAB 62.63, -15.25, 56.41

 

CMYK 2 / 0 / 66 / 31

HEX #ABAF3C

RGB 171 175 60

HSL 62.09, 0.49%, 0.46%

LAB 69.22, -16.1, 56.12

 

CMYK 3 / 0 / 59 / 24

HEX #BCC14F

RGB 188 193 79

HSL 62.63, 0.48%, 0.53%

LAB 75.7, -16.78, 55.36

 

CMYK 3 / 0 / 54 / 17

HEX #CDD362

RGB 205 211 98

HSL 63.19, 0.56%, 0.61%

LAB 82.08, -17.33, 54.38

 

CMYK 3 / 0 / 49 / 10

HEX #DEE575

RGB 222 229 117

HSL 63.75, 0.68%, 0.68%

LAB 88.38, -17.78, 53.3

 

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

CMYK 5 / 0 / 81 / 45

HEX #848B1B

RGB 132 139 27

HSL 63.75, 0.67%, 0.33%

LAB 55.53, -16.25, 53.85

 

CMYK 5 / 0 / 93 / 53

HEX #737908

RGB 115 121 8

HSL 63.19, 0.88%, 0.25%

LAB 48.68, -15.05, 52.2

 

CMYK 5 / 0 / 100 / 60

HEX #626700

RGB 98 103 0

HSL 62.91, 1%, 0.2%

LAB 41.68, -13.49, 48.02

 

CMYK 5 / 0 / 100 / 67

HEX #515500

RGB 81 85 0

HSL 62.82, 1%, 0.17%

LAB 34.49, -11.69, 42.04

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 0 / 15 / 72 / 38

HEX #9E872D

RGB 158 135 45

HSL 47.79, 0.56%, 0.4%

LAB 56.87, -1.43, 49.35

 

CMYK 0 / 34 / 72 / 38

HEX #9E692D

RGB 158 105 45

HSL 31.86, 0.56%, 0.4%

LAB 48.96, 15.53, 41.16

 

CMYK 0 / 53 / 72 / 38

HEX #9E4B2D

RGB 158 75 45

HSL 15.93, 0.56%, 0.4%

LAB 41.99, 32.27, 33.53

 

CMYK 0 / 72 / 72 / 38

HEX #9E2D2D

RGB 158 45 45

HSL 0, 0.56%, 0.4%

LAB 36.62, 46.43, 27.34

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 25 / 0 / 72 / 38

HEX #779E2D

RGB 119 158 45

HSL 80.71, 0.56%, 0.4%

LAB 60.4, -30.38, 51.88

 

CMYK 44 / 0 / 72 / 38

HEX #599E2D

RGB 89 158 45

HSL 96.64, 0.56%, 0.4%

LAB 58.76, -41.52, 49.69

 

CMYK 63 / 0 / 72 / 38

HEX #3B9E2D

RGB 59 158 45

HSL 112.57, 0.56%, 0.4%

LAB 57.63, -50.18, 48.17

 

CMYK 72 / 0 / 61 / 38

HEX #2D9E3E

RGB 45 158 62

HSL 129.03, 0.56%, 0.4%

LAB 57.42, -51.31, 40.43

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 6 / 0 / 83 / 32

HEX #A4AE1D

RGB 164 174 29

HSL 64.14, 0.71%, 0.4%

LAB 68.21, -20.02, 65.33

 

CMYK 7 / 0 / 94 / 25

HEX #B2BF0C

RGB 178 191 12

HSL 64.36, 0.88%, 0.4%

LAB 74.03, -22.8, 73.54

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 4 / 0 / 56 / 45

HEX #878D3E

RGB 135 141 62

HSL 64.56, 0.39%, 0.4%

LAB 56.63, -13.78, 40.7

 

CMYK 3 / 0 / 38 / 51

HEX #797D4E

RGB 121 125 78

HSL 65.11, 0.23%, 0.4%

LAB 51.02, -9.41, 25.14

 

CMYK 1 / 0 / 12 / 58

HEX #6B6C5F

RGB 107 108 95

HSL 64.62, 0.06%, 0.4%

LAB 45.19, -2.92, 7.15

 

CMYK 16 / 17 / 0 / 56

HEX #5D5C6F

RGB 93 92 111

HSL 243.16, 0.09%, 0.4%

LAB 39.8, 4.7, -10.63

 

CMYK 0 / 34 / 72 / 38

HEX #9E692D

RGB 158 105 45

HSL 31.86, 0.56%, 0.4%

LAB 48.96, 15.53, 41.16

 

CMYK 0 / 15 / 72 / 38

HEX #9E872D

RGB 158 135 45

HSL 47.79, 0.56%, 0.4%

LAB 56.87, -1.43, 49.35

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 24 / 0 / 72 / 38

HEX #789E2D

RGB 120 158 45

HSL 80.18, 0.56%, 0.4%

LAB 60.46, -29.98, 51.96

 

CMYK 43 / 0 / 72 / 38

HEX #5A9E2D

RGB 90 158 45

HSL 96.11, 0.56%, 0.4%

LAB 58.8, -41.18, 49.75

 

CMYK 5 / 0 / 71 / 63

HEX #595E1B

RGB 89 94 27

HSL 64.48, 0.55%, 0.24%

LAB 38.21, -11.67, 36.11

 

CMYK 6 / 0 / 71 / 51

HEX #777E24

RGB 119 126 36

HSL 64.67, 0.56%, 0.32%

LAB 50.65, -14.79, 45.67

 

CMYK 5 / 0 / 72 / 38

HEX #969E2D

RGB 150 158 45

HSL 64.25, 0.56%, 0.4%

LAB 62.61, -17.31, 54.82

 

CMYK 5 / 0 / 71 / 25

HEX #B4BE37

RGB 180 190 55

HSL 64.44, 0.55%, 0.48%

LAB 74.07, -20.11, 63.14

 

CMYK 4 / 0 / 60 / 20

HEX #C3CC51

RGB 195 204 81

HSL 64.39, 0.55%, 0.56%

LAB 79.26, -19.23, 58.55

 

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

CMYK 72 / 0 / 53 / 38

HEX #2D9E4B

RGB 45 158 75

HSL 135.93, 0.56%, 0.4%

LAB 57.58, -49.5, 34.24

 

CMYK 24 / 72 / 0 / 38

HEX #782D9E

RGB 120 45 158

HSL 279.82, 0.56%, 0.4%

LAB 34.68, 50.89, -47.2

 

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

CMYK 72 / 5 / 0 / 38

HEX #2D969E

RGB 45 150 158

HSL 184.25, 0.56%, 0.4%

LAB 56.92, -26.32, -12.81

 

CMYK 0 / 72 / 5 / 38

HEX #9E2D96

RGB 158 45 150

HSL 304.25, 0.56%, 0.4%

LAB 40.16, 58, -33.26

 

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

CMYK 72 / 0 / 53 / 38

HEX #2D9E4B

RGB 45 158 75

HSL 135.93, 0.56%, 0.4%

LAB 57.58, -49.5, 34.24

 

CMYK 66 / 72 / 0 / 38

HEX #352D9E

RGB 53 45 158

HSL 244.25, 0.56%, 0.4%

LAB 27.02, 38.83, -60

 

CMYK 0 / 72 / 19 / 38

HEX #9E2D80

RGB 158 45 128

HSL 315.93, 0.56%, 0.4%

LAB 39.08, 54.62, -21.48

 

CMYK 5 / 0 / 71 / 38

HEX #959D2E

RGB 149 157 46

HSL 64.32, 0.55%, 0.4%

LAB 62.25, -17.18, 54.06

 

CMYK 72 / 0 / 31 / 38

HEX #2D9E6D

RGB 45 158 109

HSL 153.98, 0.56%, 0.4%

LAB 58.15, -43.12, 16.74

 

CMYK 66 / 72 / 0 / 38

HEX #352D9E

RGB 53 45 158

HSL 244.25, 0.56%, 0.4%

LAB 27.02, 38.83, -60

 

CMYK 0 / 72 / 41 / 38

HEX #9E2D5E

RGB 158 45 94

HSL 333.98, 0.56%, 0.4%

LAB 37.76, 50.32, -2.15

 

Description

Color code: RGB 149 157 46 | qconv.com Color code: RGB 149 157 46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 157 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 157 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 71 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 71% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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