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Color name
RGB 149 18 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 18 121 it is the complementary color RGB 106 237 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 18 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 18 121 shade: RGB 154 18 116, RGB 171 36 135, RGB 188 54 154, RGB 205 72 173 and RGB 222 90 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 18 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 132 0 102, RGB 115 0 83, RGB 98 0 64 and RGB 81 0 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 149 18 86, RGB 149 18 50 and RGB 149 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 142 18 149, RGB 107 18 149, RGB 71 18 149 and RGB 36 18 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 18 121 shade matches the following richer shades: RGB 149 18 121 and RGB 163 4 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 136 32 113, RGB 122 45 106, RGB 108 59 98 and RGB 95 72 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 18 121 shade: RGB 106 18 149, RGB 141 18 149, RGB 149 18 123, RGB 149 18 88 and RGB 149 18 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 18 121 shade: RGB 76 9 62, RGB 113 13 91, RGB 149 18 121, RGB 186 23 151 and RGB 223 27 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 149 71 18 and RGB 18 149 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 123 149 18 and RGB 18 123 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 149 71 18, RGB 18 149 44 and RGB 18 97 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 18 121 shade: RGB 149 18 121, RGB 149 110 18, RGB 18 149 44 and RGB 18 57 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

Complementary color

CMYK 55 / 0 / 43 / 7

HEX #6AED86

RGB 106 237 134

HSL 132.82, 0.78%, 0.67%

LAB 84.67, -57.56, 39.17

 

CMYK 0 / 88 / 25 / 40

HEX #9A1274

RGB 154 18 116

HSL 316.76, 0.79%, 0.34%

LAB 35.13, 59.63, -20.16

 

CMYK 0 / 79 / 21 / 33

HEX #AB2487

RGB 171 36 135

HSL 316, 0.65%, 0.41%

LAB 40.69, 61.72, -23.12

 

CMYK 0 / 71 / 18 / 26

HEX #BC369A

RGB 188 54 154

HSL 315.22, 0.55%, 0.47%

LAB 46.53, 62.74, -25.34

 

CMYK 0 / 65 / 16 / 20

HEX #CD48AD

RGB 205 72 173

HSL 314.44, 0.57%, 0.54%

LAB 52.54, 63.06, -27.03

 

CMYK 0 / 59 / 14 / 13

HEX #DE5AC0

RGB 222 90 192

HSL 313.64, 0.67%, 0.61%

LAB 58.65, 62.96, -28.36

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 100 / 23 / 48

HEX #840066

RGB 132 0 102

HSL 313.64, 1%, 0.26%

LAB 29.07, 55.97, -20.96

 

CMYK 0 / 100 / 28 / 55

HEX #730053

RGB 115 0 83

HSL 316.7, 1%, 0.23%

LAB 24.54, 49.99, -15.75

 

CMYK 0 / 100 / 35 / 62

HEX #620040

RGB 98 0 64

HSL 320.82, 1%, 0.19%

LAB 19.91, 43.88, -10.22

 

CMYK 0 / 100 / 44 / 68

HEX #51002D

RGB 81 0 45

HSL 326.67, 1%, 0.16%

LAB 15.16, 37.65, -4.25

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 88 / 42 / 42

HEX #951256

RGB 149 18 86

HSL 328.85, 0.78%, 0.33%

LAB 32.91, 55.07, -4.38

 

CMYK 0 / 88 / 66 / 42

HEX #951232

RGB 149 18 50

HSL 345.34, 0.78%, 0.33%

LAB 31.93, 52.26, 17.94

 

CMYK 0 / 88 / 88 / 42

HEX #951212

RGB 149 18 18

HSL 0, 0.78%, 0.33%

LAB 31.5, 51.01, 37.06

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 5 / 88 / 0 / 42

HEX #8E1295

RGB 142 18 149

HSL 296.79, 0.78%, 0.33%

LAB 34.71, 62.01, -41.49

 

CMYK 28 / 88 / 0 / 42

HEX #6B1295

RGB 107 18 149

HSL 280.76, 0.78%, 0.33%

LAB 28.72, 56.01, -51.47

 

CMYK 52 / 88 / 0 / 42

HEX #471295

RGB 71 18 149

HSL 264.27, 0.78%, 0.33%

LAB 23.48, 51.12, -60.26

 

CMYK 76 / 88 / 0 / 42

HEX #241295

RGB 36 18 149

HSL 248.24, 0.78%, 0.33%

LAB 19.95, 48.11, -66.2

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 98 / 21 / 36

HEX #A30481

RGB 163 4 129

HSL 312.83, 0.95%, 0.33%

LAB 36.85, 65.11, -25.5

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 76 / 17 / 47

HEX #882071

RGB 136 32 113

HSL 313.27, 0.62%, 0.33%

LAB 32.83, 51.36, -22.1

 

CMYK 0 / 63 / 13 / 52

HEX #7A2D6A

RGB 122 45 106

HSL 312.47, 0.46%, 0.33%

LAB 31.93, 41.17, -19.23

 

CMYK 0 / 45 / 9 / 58

HEX #6C3B62

RGB 108 59 98

HSL 312.24, 0.29%, 0.33%

LAB 32.25, 27.68, -13.8

 

CMYK 0 / 24 / 5 / 63

HEX #5F485A

RGB 95 72 90

HSL 313.04, 0.14%, 0.33%

LAB 33.58, 13.21, -6.85

 

CMYK 29 / 88 / 0 / 42

HEX #6A1295

RGB 106 18 149

HSL 280.31, 0.78%, 0.33%

LAB 28.56, 55.86, -51.74

 

CMYK 5 / 88 / 0 / 42

HEX #8D1295

RGB 141 18 149

HSL 296.34, 0.78%, 0.33%

LAB 34.53, 61.83, -41.79

 

CMYK 0 / 88 / 17 / 42

HEX #95127B

RGB 149 18 123

HSL 311.91, 0.78%, 0.33%

LAB 34.5, 59.46, -25.62

 

CMYK 0 / 88 / 41 / 42

HEX #951258

RGB 149 18 88

HSL 327.94, 0.78%, 0.33%

LAB 32.98, 55.27, -5.57

 

CMYK 0 / 88 / 64 / 42

HEX #951235

RGB 149 18 53

HSL 343.97, 0.78%, 0.33%

LAB 31.99, 52.44, 16.05

 

CMYK 0 / 88 / 18 / 70

HEX #4C093E

RGB 76 9 62

HSL 312.54, 0.79%, 0.17%

LAB 15.9, 35.66, -15.41

 

CMYK 0 / 88 / 19 / 56

HEX #710D5B

RGB 113 13 91

HSL 313.2, 0.79%, 0.25%

LAB 25.42, 48.01, -19.74

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 88 / 19 / 27

HEX #BA1797

RGB 186 23 151

HSL 312.88, 0.78%, 0.41%

LAB 43.19, 70.03, -28.76

 

CMYK 0 / 88 / 19 / 13

HEX #DF1BB5

RGB 223 27 181

HSL 312.86, 0.78%, 0.49%

LAB 51.62, 80.6, -32.91

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 52 / 88 / 42

HEX #954712

RGB 149 71 18

HSL 24.27, 0.78%, 0.33%

LAB 39.48, 29.6, 43.72

 

CMYK 88 / 0 / 17 / 42

HEX #12957B

RGB 18 149 123

HSL 168.09, 0.78%, 0.33%

LAB 55.13, -38.98, 4.53

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 17 / 0 / 88 / 42

HEX #7B9512

RGB 123 149 18

HSL 71.91, 0.78%, 0.33%

LAB 57.8, -25.62, 57.89

 

CMYK 88 / 17 / 0 / 42

HEX #127B95

RGB 18 123 149

HSL 191.91, 0.78%, 0.33%

LAB 47.58, -18.04, -21.87

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 52 / 88 / 42

HEX #954712

RGB 149 71 18

HSL 24.27, 0.78%, 0.33%

LAB 39.48, 29.6, 43.72

 

CMYK 88 / 0 / 70 / 42

HEX #12952C

RGB 18 149 44

HSL 131.91, 0.78%, 0.33%

LAB 53.82, -54, 44.32

 

CMYK 88 / 35 / 0 / 42

HEX #126195

RGB 18 97 149

HSL 203.82, 0.78%, 0.33%

LAB 39.32, -2.82, -34.76

 

CMYK 0 / 88 / 19 / 42

HEX #951279

RGB 149 18 121

HSL 312.82, 0.78%, 0.33%

LAB 34.4, 59.19, -24.52

 

CMYK 0 / 26 / 88 / 42

HEX #956E12

RGB 149 110 18

HSL 42.14, 0.78%, 0.33%

LAB 48.99, 7.43, 51.55

 

CMYK 88 / 0 / 70 / 42

HEX #12952C

RGB 18 149 44

HSL 131.91, 0.78%, 0.33%

LAB 53.82, -54, 44.32

 

CMYK 88 / 62 / 0 / 42

HEX #123995

RGB 18 57 149

HSL 222.14, 0.78%, 0.33%

LAB 27.37, 24.02, -54.01

 

Description

Color code: RGB 149 18 121 | qconv.com Color code: RGB 149 18 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 18 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 18 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 19% 42% C M Y K

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Provide designers and agencies with accurate color values.

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