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Color name
RGB 149 200 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 200 88 it is the complementary color RGB 106 55 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 200 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 200 88 shade: RGB 154 200 83, RGB 171 218 102, RGB 188 236 121, RGB 205 254 140 and RGB 222 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 200 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 200 88 shade: RGB 149 200 88, RGB 132 182 69, RGB 115 164 50, RGB 98 146 31 and RGB 81 128 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 200 88 shade: RGB 147 198 86, RGB 178 198 86, RGB 198 189 86, RGB 198 159 86 and RGB 198 128 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 200 88 shade: RGB 147 198 86, RGB 117 198 86, RGB 87 198 86, RGB 86 198 116 and RGB 86 198 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 200 88 shade matches the following richer shades: RGB 147 198 86, RGB 149 217 68, RGB 151 235 50 and RGB 152 253 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 200 88 shade: RGB 147 198 86, RGB 146 180 104, RGB 144 162 123, RGB 142 144 141 and RGB 141 126 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 200 88 shade: RGB 198 189 86, RGB 178 198 86, RGB 148 198 86, RGB 118 198 86 and RGB 88 198 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 200 88 shade: RGB 106 152 50, RGB 127 183 61, RGB 147 198 86, RGB 167 209 117 and RGB 187 219 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 200 88 shade: RGB 149 200 88, RGB 86 198 159 and RGB 198 86 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 200 88 shade: RGB 149 200 88, RGB 86 148 198 and RGB 198 86 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 200 88 shade: RGB 149 200 88, RGB 86 198 159, RGB 137 86 198 and RGB 198 86 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 200 88 shade: RGB 149 200 88, RGB 86 198 193, RGB 137 86 198 and RGB 198 86 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

Complementary color

CMYK 37 / 67 / 0 / 35

HEX #6A37A7

RGB 106 55 167

HSL 267.32, 0.5%, 0.44%

LAB 35.18, 45.25, -51.91

 

CMYK 23 / 0 / 59 / 22

HEX #9AC853

RGB 154 200 83

HSL 83.59, 0.52%, 0.55%

LAB 75.33, -33.44, 52.52

 

CMYK 22 / 0 / 53 / 15

HEX #ABDA66

RGB 171 218 102

HSL 84.31, 0.61%, 0.63%

LAB 81.71, -33.59, 51.51

 

CMYK 20 / 0 / 49 / 7

HEX #BCEC79

RGB 188 236 121

HSL 85.04, 0.75%, 0.7%

LAB 88, -33.68, 50.42

 

CMYK 19 / 0 / 45 / 0

HEX #CDFE8C

RGB 205 254 140

HSL 85.79, 0.98%, 0.77%

LAB 94.21, -33.72, 49.3

 

CMYK 13 / 0 / 38 / 0

HEX #DEFF9F

RGB 222 255 159

HSL 80.63, 1%, 0.81%

LAB 95.81, -25.85, 42.4

 

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

CMYK 27 / 0 / 62 / 29

HEX #84B645

RGB 132 182 69

HSL 86.55, 0.45%, 0.49%

LAB 68.6, -34.69, 50.84

 

CMYK 30 / 0 / 70 / 36

HEX #73A432

RGB 115 164 50

HSL 85.79, 0.53%, 0.42%

LAB 62.02, -34.4, 51.5

 

CMYK 33 / 0 / 79 / 43

HEX #62921F

RGB 98 146 31

HSL 85.04, 0.65%, 0.35%

LAB 55.33, -33.93, 51.54

 

CMYK 37 / 0 / 91 / 50

HEX #51800C

RGB 81 128 12

HSL 84.31, 0.83%, 0.27%

LAB 48.53, -33.17, 50.31

 

CMYK 26 / 0 / 57 / 22

HEX #93C656

RGB 147 198 86

HSL 87.32, 0.5%, 0.56%

LAB 74.36, -34.86, 49.94

 

CMYK 10 / 0 / 57 / 22

HEX #B2C656

RGB 178 198 86

HSL 70.71, 0.5%, 0.56%

LAB 76.39, -22.81, 52.8

 

CMYK 0 / 5 / 57 / 22

HEX #C6BD56

RGB 198 189 86

HSL 55.18, 0.5%, 0.56%

LAB 75.5, -10.05, 52.21

 

CMYK 0 / 20 / 57 / 22

HEX #C69F56

RGB 198 159 86

HSL 39.11, 0.5%, 0.56%

LAB 67.63, 5.81, 43.08

 

CMYK 0 / 35 / 57 / 22

HEX #C68056

RGB 198 128 86

HSL 22.5, 0.5%, 0.56%

LAB 59.99, 22.75, 33.8

 

CMYK 26 / 0 / 57 / 22

HEX #93C656

RGB 147 198 86

HSL 87.32, 0.5%, 0.56%

LAB 74.36, -34.86, 49.94

 

CMYK 41 / 0 / 57 / 22

HEX #75C656

RGB 117 198 86

HSL 103.39, 0.5%, 0.56%

LAB 72.79, -45.29, 47.72

 

CMYK 56 / 0 / 57 / 22

HEX #57C656

RGB 87 198 86

HSL 119.46, 0.5%, 0.56%

LAB 71.61, -53.89, 46.05

 

CMYK 57 / 0 / 41 / 22

HEX #56C674

RGB 86 198 116

HSL 136.07, 0.5%, 0.56%

LAB 71.98, -49.79, 31.7

 

CMYK 57 / 0 / 26 / 22

HEX #56C692

RGB 86 198 146

HSL 152.14, 0.5%, 0.56%

LAB 72.52, -44.11, 16.63

 

CMYK 26 / 0 / 57 / 22

HEX #93C656

RGB 147 198 86

HSL 87.32, 0.5%, 0.56%

LAB 74.36, -34.86, 49.94

 

CMYK 31 / 0 / 69 / 15

HEX #95D944

RGB 149 217 68

HSL 87.38, 0.66%, 0.56%

LAB 79.86, -44.04, 63.51

 

CMYK 36 / 0 / 79 / 8

HEX #97EB32

RGB 151 235 50

HSL 87.24, 0.82%, 0.56%

LAB 85.11, -51.85, 74.52

 

CMYK 40 / 0 / 87 / 1

HEX #98FD20

RGB 152 253 32

HSL 87.42, 0.98%, 0.56%

LAB 90.34, -59.25, 83.15

 

CMYK 26 / 0 / 57 / 22

HEX #93C656

RGB 147 198 86

HSL 87.32, 0.5%, 0.56%

LAB 74.36, -34.86, 49.94

 

CMYK 19 / 0 / 42 / 29

HEX #92B468

RGB 146 180 104

HSL 86.84, 0.34%, 0.56%

LAB 69.29, -24.68, 35

 

CMYK 11 / 0 / 24 / 36

HEX #90A27B

RGB 144 162 123

HSL 87.69, 0.17%, 0.56%

LAB 64.32, -13.54, 18.23

 

CMYK 1 / 0 / 2 / 44

HEX #8E908D

RGB 142 144 141

HSL 100, 0.01%, 0.56%

LAB 59.54, -1.31, 1.33

 

CMYK 11 / 21 / 0 / 38

HEX #8D7E9F

RGB 141 126 159

HSL 267.27, 0.15%, 0.56%

LAB 55.16, 12.35, -15.55

 

CMYK 0 / 5 / 57 / 22

HEX #C6BD56

RGB 198 189 86

HSL 55.18, 0.5%, 0.56%

LAB 75.5, -10.05, 52.21

 

CMYK 10 / 0 / 57 / 22

HEX #B2C656

RGB 178 198 86

HSL 70.71, 0.5%, 0.56%

LAB 76.39, -22.81, 52.8

 

CMYK 25 / 0 / 57 / 22

HEX #94C656

RGB 148 198 86

HSL 86.79, 0.5%, 0.56%

LAB 74.42, -34.49, 50.03

 

CMYK 40 / 0 / 57 / 22

HEX #76C656

RGB 118 198 86

HSL 102.86, 0.5%, 0.56%

LAB 72.83, -44.97, 47.78

 

CMYK 56 / 0 / 57 / 22

HEX #58C656

RGB 88 198 86

HSL 118.93, 0.5%, 0.56%

LAB 71.65, -53.63, 46.09

 

CMYK 30 / 0 / 67 / 40

HEX #6A9832

RGB 106 152 50

HSL 87.06, 0.5%, 0.4%

LAB 57.8, -32.32, 46.92

 

CMYK 31 / 0 / 67 / 28

HEX #7FB73D

RGB 127 183 61

HSL 87.54, 0.5%, 0.48%

LAB 68.54, -37.66, 54.08

 

CMYK 26 / 0 / 57 / 22

HEX #93C656

RGB 147 198 86

HSL 87.32, 0.5%, 0.56%

LAB 74.36, -34.86, 49.94

 

CMYK 20 / 0 / 44 / 18

HEX #A7D175

RGB 167 209 117

HSL 87.39, 0.5%, 0.64%

LAB 79.1, -29.23, 41.08

 

CMYK 15 / 0 / 32 / 14

HEX #BBDB94

RGB 187 219 148

HSL 87.04, 0.5%, 0.72%

LAB 83.63, -22.71, 31.53

 

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

CMYK 57 / 0 / 20 / 22

HEX #56C69F

RGB 86 198 159

HSL 159.11, 0.5%, 0.56%

LAB 72.81, -41.26, 10.04

 

CMYK 0 / 57 / 3 / 22

HEX #C656C1

RGB 198 86 193

HSL 302.68, 0.5%, 0.56%

LAB 54.57, 58.41, -35.55

 

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

CMYK 57 / 25 / 0 / 22

HEX #5694C6

RGB 86 148 198

HSL 206.79, 0.5%, 0.56%

LAB 59.19, -5.37, -31.91

 

CMYK 0 / 57 / 25 / 22

HEX #C65694

RGB 198 86 148

HSL 326.79, 0.5%, 0.56%

LAB 52.73, 51.45, -12.14

 

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

CMYK 57 / 0 / 20 / 22

HEX #56C69F

RGB 86 198 159

HSL 159.11, 0.5%, 0.56%

LAB 72.81, -41.26, 10.04

 

CMYK 31 / 57 / 0 / 22

HEX #8956C6

RGB 137 86 198

HSL 267.32, 0.5%, 0.56%

LAB 47.04, 43.58, -50.85

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 26 / 0 / 56 / 22

HEX #95C858

RGB 149 200 88

HSL 87.32, 0.5%, 0.56%

LAB 75.08, -34.85, 49.89

 

CMYK 57 / 0 / 3 / 22

HEX #56C6C1

RGB 86 198 193

HSL 177.32, 0.5%, 0.56%

LAB 73.69, -32.84, -7.12

 

CMYK 31 / 57 / 0 / 22

HEX #8956C6

RGB 137 86 198

HSL 267.32, 0.5%, 0.56%

LAB 47.04, 43.58, -50.85

 

CMYK 0 / 57 / 54 / 22

HEX #C6565C

RGB 198 86 92

HSL 356.79, 0.5%, 0.56%

LAB 51.19, 45.23, 18.98

 

Description

Color code: RGB 149 200 88 | qconv.com Color code: RGB 149 200 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 200 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 200 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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