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Color name
RGB 149 21 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 21 172 it is the complementary color RGB 106 234 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 21 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 21 172 shade: RGB 154 21 167, RGB 171 39 186, RGB 188 57 205, RGB 205 75 224 and RGB 222 93 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 21 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 132 3 153, RGB 115 0 134, RGB 98 0 115 and RGB 81 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 172 21 154, RGB 172 21 113, RGB 172 21 73 and RGB 172 21 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 108 21 172, RGB 67 21 172, RGB 27 21 172 and RGB 21 21 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 21 172 shade matches the following richer shades: RGB 149 21 172 and RGB 160 5 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 138 36 156, RGB 127 52 141, RGB 116 68 125 and RGB 105 84 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 21 172 shade: RGB 66 21 172, RGB 106 21 172, RGB 147 21 172, RGB 172 21 157 and RGB 172 21 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 21 172 shade: RGB 85 12 99, RGB 117 16 135, RGB 149 21 172, RGB 181 25 209 and RGB 201 47 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 172 26 21 and RGB 21 172 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 172 147 21 and RGB 21 172 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 172 26 21, RGB 46 172 21 and RGB 21 167 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 21 172 shade: RGB 149 21 172, RGB 172 71 21, RGB 46 172 21 and RGB 21 122 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

Complementary color

CMYK 55 / 0 / 65 / 8

HEX #6AEA53

RGB 106 234 83

HSL 110.86, 0.78%, 0.62%

LAB 83.2, -62.73, 60.64

 

CMYK 8 / 87 / 0 / 35

HEX #9A15A7

RGB 154 21 167

HSL 294.66, 0.78%, 0.37%

LAB 38.19, 66.6, -46.68

 

CMYK 8 / 79 / 0 / 27

HEX #AB27BA

RGB 171 39 186

HSL 293.88, 0.65%, 0.44%

LAB 43.73, 68.69, -48.91

 

CMYK 8 / 72 / 0 / 20

HEX #BC39CD

RGB 188 57 205

HSL 293.11, 0.6%, 0.51%

LAB 49.53, 69.76, -50.52

 

CMYK 8 / 67 / 0 / 12

HEX #CD4BE0

RGB 205 75 224

HSL 292.35, 0.71%, 0.59%

LAB 55.47, 70.16, -51.71

 

CMYK 9 / 62 / 0 / 5

HEX #DE5DF3

RGB 222 93 243

HSL 291.6, 0.86%, 0.66%

LAB 61.51, 70.13, -52.6

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 14 / 98 / 0 / 40

HEX #840399

RGB 132 3 153

HSL 291.6, 0.96%, 0.31%

LAB 32.42, 63.29, -47.72

 

CMYK 14 / 100 / 0 / 47

HEX #730086

RGB 115 0 134

HSL 291.49, 1%, 0.26%

LAB 27.75, 57.8, -43.66

 

CMYK 15 / 100 / 0 / 55

HEX #620073

RGB 98 0 115

HSL 291.13, 1%, 0.23%

LAB 23.12, 51.71, -39.25

 

CMYK 16 / 100 / 0 / 62

HEX #510060

RGB 81 0 96

HSL 290.63, 1%, 0.19%

LAB 18.34, 45.44, -34.72

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 0 / 88 / 10 / 33

HEX #AC159A

RGB 172 21 154

HSL 307.15, 0.78%, 0.38%

LAB 40.64, 67.96, -34.76

 

CMYK 0 / 88 / 34 / 33

HEX #AC1571

RGB 172 21 113

HSL 323.44, 0.78%, 0.38%

LAB 38.72, 62.81, -12.45

 

CMYK 0 / 88 / 58 / 33

HEX #AC1549

RGB 172 21 73

HSL 339.34, 0.78%, 0.38%

LAB 37.46, 59.25, 11.23

 

CMYK 0 / 88 / 81 / 33

HEX #AC1520

RGB 172 21 32

HSL 355.63, 0.78%, 0.38%

LAB 36.76, 57.24, 36.02

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 37 / 88 / 0 / 33

HEX #6C15AC

RGB 108 21 172

HSL 274.57, 0.78%, 0.38%

LAB 31.12, 60.31, -61.51

 

CMYK 61 / 88 / 0 / 33

HEX #4315AC

RGB 67 21 172

HSL 258.28, 0.78%, 0.38%

LAB 25.89, 55.73, -70.31

 

CMYK 84 / 88 / 0 / 33

HEX #1B15AC

RGB 27 21 172

HSL 242.38, 0.78%, 0.38%

LAB 22.82, 53.31, -75.5

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 15 / 97 / 0 / 26

HEX #A005BC

RGB 160 5 188

HSL 290.82, 0.95%, 0.38%

LAB 39.94, 73.28, -56.29

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 12 / 77 / 0 / 39

HEX #8A249C

RGB 138 36 156

HSL 291, 0.63%, 0.38%

LAB 36.11, 57.72, -43.54

 

CMYK 10 / 63 / 0 / 45

HEX #7F348D

RGB 127 52 141

HSL 290.56, 0.46%, 0.38%

LAB 35.77, 45.76, -35.03

 

CMYK 7 / 46 / 0 / 51

HEX #74447D

RGB 116 68 125

HSL 290.53, 0.3%, 0.38%

LAB 36.61, 30.67, -23.96

 

CMYK 4 / 23 / 0 / 57

HEX #69546D

RGB 105 84 109

HSL 290.4, 0.13%, 0.38%

LAB 38.63, 13.63, -11.04

 

CMYK 62 / 88 / 0 / 33

HEX #4215AC

RGB 66 21 172

HSL 257.88, 0.78%, 0.38%

LAB 25.78, 55.64, -70.49

 

CMYK 38 / 88 / 0 / 33

HEX #6A15AC

RGB 106 21 172

HSL 273.77, 0.78%, 0.38%

LAB 30.83, 60.04, -62

 

CMYK 15 / 88 / 0 / 33

HEX #9315AC

RGB 147 21 172

HSL 290.07, 0.78%, 0.38%

LAB 37.33, 66.26, -51.13

 

CMYK 0 / 88 / 9 / 33

HEX #AC159D

RGB 172 21 157

HSL 305.96, 0.78%, 0.38%

LAB 40.8, 68.39, -36.32

 

CMYK 0 / 88 / 32 / 33

HEX #AC1575

RGB 172 21 117

HSL 321.85, 0.78%, 0.38%

LAB 38.88, 63.25, -14.72

 

CMYK 14 / 88 / 0 / 61

HEX #550C63

RGB 85 12 99

HSL 290.34, 0.78%, 0.22%

LAB 20.42, 43.53, -33.3

 

CMYK 13 / 88 / 0 / 47

HEX #751087

RGB 117 16 135

HSL 290.92, 0.79%, 0.3%

LAB 29.16, 55.43, -41.99

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 13 / 88 / 0 / 18

HEX #B519D1

RGB 181 25 209

HSL 290.87, 0.79%, 0.46%

LAB 45.8, 77.46, -58.87

 

CMYK 12 / 79 / 0 / 10

HEX #C92FE5

RGB 201 47 229

HSL 290.77, 0.78%, 0.54%

LAB 51.96, 79.4, -60.2

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 0 / 85 / 88 / 33

HEX #AC1A15

RGB 172 26 21

HSL 1.99, 0.78%, 0.38%

LAB 37.05, 55.89, 42.15

 

CMYK 88 / 0 / 50 / 33

HEX #15AC56

RGB 21 172 86

HSL 145.83, 0.78%, 0.38%

LAB 61.94, -55.69, 33.98

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 0 / 15 / 88 / 33

HEX #AC9315

RGB 172 147 21

HSL 50.07, 0.78%, 0.38%

LAB 61.39, -2.54, 61.87

 

CMYK 88 / 0 / 15 / 33

HEX #15AC93

RGB 21 172 147

HSL 170.07, 0.78%, 0.38%

LAB 63.15, -42.16, 2.58

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 0 / 85 / 88 / 33

HEX #AC1A15

RGB 172 26 21

HSL 1.99, 0.78%, 0.38%

LAB 37.05, 55.89, 42.15

 

CMYK 73 / 0 / 88 / 33

HEX #2EAC15

RGB 46 172 21

HSL 110.07, 0.78%, 0.38%

LAB 61.77, -59.08, 59.35

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 0 / 59 / 88 / 33

HEX #AC4715

RGB 172 71 21

HSL 19.87, 0.78%, 0.38%

LAB 43.26, 38.98, 47.2

 

CMYK 73 / 0 / 88 / 33

HEX #2EAC15

RGB 46 172 21

HSL 110.07, 0.78%, 0.38%

LAB 61.77, -59.08, 59.35

 

CMYK 88 / 29 / 0 / 33

HEX #157AAC

RGB 21 122 172

HSL 199.87, 0.78%, 0.38%

LAB 48.33, -8.81, -34.15

 

Description

Color code: RGB 149 21 172 | qconv.com Color code: RGB 149 21 172 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 21 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 21 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 88 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 88% 0% 33% C M Y K

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