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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 56 214 it is the complementary color RGB 106 199 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 56 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 56 214 shade: RGB 154 56 209, RGB 171 74 228, RGB 188 92 247, RGB 205 110 255 and RGB 222 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 56 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 132 38 195, RGB 115 20 176, RGB 98 2 157 and RGB 81 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 191 56 214, RGB 214 56 194, RGB 214 56 151 and RGB 214 56 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 106 56 214, RGB 63 56 214 and RGB 56 56 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 56 214 shade matches the following richer shades: RGB 149 56 214, RGB 152 36 233 and RGB 156 17 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 145 75 194, RGB 142 94 175, RGB 138 114 156 and RGB 135 133 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 56 214 shade: RGB 63 56 214, RGB 106 56 214, RGB 148 56 214, RGB 190 56 214 and RGB 214 56 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 56 214 shade: RGB 104 31 155, RGB 127 38 190, RGB 149 56 214, RGB 167 90 221 and RGB 185 124 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 214 56 90 and RGB 56 214 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 214 148 56 and RGB 56 214 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 214 56 90, RGB 121 214 56 and RGB 56 214 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 56 214 shade: RGB 149 56 214, RGB 214 69 56, RGB 121 214 56 and RGB 56 201 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

Complementary color

CMYK 47 / 0 / 79 / 22

HEX #6AC729

RGB 106 199 41

HSL 95.32, 0.66%, 0.47%

LAB 72.28, -52.76, 64.46

 

CMYK 26 / 73 / 0 / 18

HEX #9A38D1

RGB 154 56 209

HSL 278.43, 0.62%, 0.52%

LAB 44.66, 64.13, -60.91

 

CMYK 25 / 68 / 0 / 11

HEX #AB4AE4

RGB 171 74 228

HSL 277.79, 0.74%, 0.59%

LAB 50.87, 64.06, -61.61

 

CMYK 24 / 63 / 0 / 3

HEX #BC5CF7

RGB 188 92 247

HSL 277.16, 0.91%, 0.66%

LAB 57.13, 63.64, -62.06

 

CMYK 20 / 57 / 0 / 0

HEX #CD6EFF

RGB 205 110 255

HSL 279.31, 1%, 0.72%

LAB 62.8, 60.71, -57.29

 

CMYK 13 / 50 / 0 / 0

HEX #DE80FF

RGB 222 128 255

HSL 284.41, 1%, 0.75%

LAB 68.16, 56.15, -48.68

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 32 / 81 / 0 / 24

HEX #8426C3

RGB 132 38 195

HSL 275.92, 0.67%, 0.46%

LAB 38.26, 63.83, -63.33

 

CMYK 35 / 89 / 0 / 31

HEX #7314B0

RGB 115 20 176

HSL 276.54, 0.8%, 0.38%

LAB 32.44, 62.37, -61.71

 

CMYK 38 / 99 / 0 / 38

HEX #62029D

RGB 98 2 157

HSL 277.16, 0.97%, 0.31%

LAB 26.95, 59.61, -59.33

 

CMYK 41 / 100 / 0 / 46

HEX #51008A

RGB 81 0 138

HSL 275.22, 1%, 0.27%

LAB 22.25, 54.09, -55.4

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 11 / 74 / 0 / 16

HEX #BF38D6

RGB 191 56 214

HSL 291.27, 0.66%, 0.53%

LAB 50.4, 72.28, -54.25

 

CMYK 0 / 74 / 9 / 16

HEX #D638C2

RGB 214 56 194

HSL 307.59, 0.66%, 0.53%

LAB 52.97, 73.89, -38.46

 

CMYK 0 / 74 / 29 / 16

HEX #D63897

RGB 214 56 151

HSL 323.92, 0.66%, 0.53%

LAB 51.1, 68.22, -16.13

 

CMYK 0 / 74 / 50 / 16

HEX #D6386C

RGB 214 56 108

HSL 340.25, 0.66%, 0.53%

LAB 49.75, 63.91, 7.77

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 50 / 74 / 0 / 16

HEX #6A38D6

RGB 106 56 214

HSL 258.99, 0.66%, 0.53%

LAB 39.15, 57.15, -73.02

 

CMYK 71 / 74 / 0 / 16

HEX #3F38D6

RGB 63 56 214

HSL 242.66, 0.66%, 0.53%

LAB 35.48, 51.87, -79.2

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 35 / 85 / 0 / 9

HEX #9824E9

RGB 152 36 233

HSL 275.33, 0.82%, 0.53%

LAB 43.97, 75.32, -75.75

 

CMYK 38 / 93 / 0 / 1

HEX #9C11FD

RGB 156 17 253

HSL 275.34, 0.98%, 0.53%

LAB 45.03, 83.48, -85.27

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 25 / 61 / 0 / 24

HEX #914BC2

RGB 145 75 194

HSL 275.29, 0.49%, 0.53%

LAB 45.56, 50.37, -50.85

 

CMYK 19 / 46 / 0 / 31

HEX #8E5EAF

RGB 142 94 175

HSL 275.56, 0.34%, 0.53%

LAB 48.07, 34.93, -35.81

 

CMYK 12 / 27 / 0 / 39

HEX #8A729C

RGB 138 114 156

HSL 274.29, 0.18%, 0.53%

LAB 51.65, 17.69, -19.17

 

CMYK 1 / 2 / 0 / 47

HEX #878588

RGB 135 133 136

HSL 280, 0.01%, 0.53%

LAB 55.79, 1.34, -1.35

 

CMYK 71 / 74 / 0 / 16

HEX #3F38D6

RGB 63 56 214

HSL 242.66, 0.66%, 0.53%

LAB 35.48, 51.87, -79.2

 

CMYK 50 / 74 / 0 / 16

HEX #6A38D6

RGB 106 56 214

HSL 258.99, 0.66%, 0.53%

LAB 39.15, 57.15, -73.02

 

CMYK 31 / 74 / 0 / 16

HEX #9438D6

RGB 148 56 214

HSL 274.94, 0.66%, 0.53%

LAB 44.2, 64.1, -64.57

 

CMYK 11 / 74 / 0 / 16

HEX #BE38D6

RGB 190 56 214

HSL 290.89, 0.66%, 0.53%

LAB 50.25, 72.08, -54.5

 

CMYK 0 / 74 / 9 / 16

HEX #D638C3

RGB 214 56 195

HSL 307.22, 0.66%, 0.53%

LAB 53.02, 74.03, -38.96

 

CMYK 33 / 80 / 0 / 39

HEX #681F9B

RGB 104 31 155

HSL 275.32, 0.67%, 0.36%

LAB 30.13, 52.79, -52.86

 

CMYK 33 / 80 / 0 / 25

HEX #7F26BE

RGB 127 38 190

HSL 275.13, 0.67%, 0.45%

LAB 37.14, 61.94, -62.24

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 24 / 59 / 0 / 13

HEX #A75ADD

RGB 167 90 221

HSL 275.27, 0.66%, 0.61%

LAB 52.67, 54.15, -54.78

 

CMYK 19 / 46 / 0 / 11

HEX #B97CE4

RGB 185 124 228

HSL 275.19, 0.66%, 0.69%

LAB 61.94, 42.52, -43.87

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 0 / 74 / 58 / 16

HEX #D6385A

RGB 214 56 90

HSL 347.09, 0.66%, 0.53%

LAB 49.33, 62.55, 18.13

 

CMYK 74 / 0 / 60 / 16

HEX #38D655

RGB 56 214 85

HSL 131.01, 0.66%, 0.53%

LAB 75.82, -65.8, 51.19

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 0 / 31 / 74 / 16

HEX #D69438

RGB 214 148 56

HSL 34.94, 0.66%, 0.53%

LAB 66.34, 16.76, 56.19

 

CMYK 74 / 0 / 31 / 16

HEX #38D694

RGB 56 214 148

HSL 154.94, 0.66%, 0.53%

LAB 76.72, -55.41, 21.26

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 0 / 74 / 58 / 16

HEX #D6385A

RGB 214 56 90

HSL 347.09, 0.66%, 0.53%

LAB 49.33, 62.55, 18.13

 

CMYK 43 / 0 / 74 / 16

HEX #79D638

RGB 121 214 56

HSL 95.32, 0.66%, 0.53%

LAB 77.55, -53.05, 65.02

 

CMYK 74 / 0 / 16 / 16

HEX #38D6B3

RGB 56 214 179

HSL 166.71, 0.66%, 0.53%

LAB 77.39, -48.27, 5.76

 

CMYK 30 / 74 / 0 / 16

HEX #9538D6

RGB 149 56 214

HSL 275.32, 0.66%, 0.53%

LAB 44.34, 64.28, -64.34

 

CMYK 0 / 68 / 74 / 16

HEX #D64538

RGB 214 69 56

HSL 4.94, 0.66%, 0.53%

LAB 50.5, 55.96, 39.54

 

CMYK 43 / 0 / 74 / 16

HEX #79D638

RGB 121 214 56

HSL 95.32, 0.66%, 0.53%

LAB 77.55, -53.05, 65.02

 

CMYK 74 / 6 / 0 / 16

HEX #38C9D6

RGB 56 201 214

HSL 184.94, 0.66%, 0.53%

LAB 74.49, -32.84, -17.38

 

Description

Color code: RGB 149 56 214 | qconv.com Color code: RGB 149 56 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 56 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 56 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 74 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 74% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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