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Color name
RGB 149 89 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 89 100 it is the complementary color RGB 106 166 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 89 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 89 100 shade: RGB 154 89 95, RGB 171 107 114, RGB 188 125 133, RGB 205 143 152 and RGB 222 161 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 89 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 132 71 81, RGB 115 53 62, RGB 98 35 43 and RGB 81 17 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 89 100 shade: RGB 149 89 100 and RGB 149 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 149 89 117, RGB 149 89 133, RGB 149 89 149 and RGB 134 89 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 89 100 shade matches the following richer shades: RGB 149 89 100, RGB 169 70 88, RGB 188 51 76, RGB 207 31 64 and RGB 227 12 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 130 109 113, RGB 111 128 125, RGB 91 148 137 and RGB 72 167 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 89 100 shade: RGB 149 89 132, RGB 149 89 116, RGB 149 89 100, RGB 149 94 89 and RGB 149 110 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 89 100 shade: RGB 98 58 66, RGB 124 74 83, RGB 149 89 100, RGB 169 111 122 and RGB 184 137 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 148 149 89 and RGB 89 124 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 100 149 89 and RGB 89 100 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 148 149 89, RGB 89 149 138 and RGB 90 89 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 89 100 shade: RGB 149 89 100, RGB 130 149 89, RGB 89 149 138 and RGB 108 89 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

Complementary color

CMYK 36 / 0 / 7 / 35

HEX #6AA69B

RGB 106 166 155

HSL 169, 0.25%, 0.53%

LAB 63.92, -22.02, -0.48

 

CMYK 0 / 42 / 38 / 40

HEX #9A595F

RGB 154 89 95

HSL 354.46, 0.27%, 0.48%

LAB 45.42, 27.45, 8.19

 

CMYK 0 / 37 / 33 / 33

HEX #AB6B72

RGB 171 107 114

HSL 353.44, 0.28%, 0.55%

LAB 52.27, 26.46, 6.87

 

CMYK 0 / 34 / 29 / 26

HEX #BC7D85

RGB 188 125 133

HSL 352.38, 0.32%, 0.61%

LAB 59.02, 25.57, 5.73

 

CMYK 0 / 30 / 26 / 20

HEX #CD8F98

RGB 205 143 152

HSL 351.29, 0.38%, 0.68%

LAB 65.66, 24.77, 4.72

 

CMYK 0 / 27 / 23 / 13

HEX #DEA1AB

RGB 222 161 171

HSL 350.16, 0.48%, 0.75%

LAB 72.2, 24.04, 3.8

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 46 / 39 / 48

HEX #844751

RGB 132 71 81

HSL 350.16, 0.3%, 0.4%

LAB 37.85, 27.16, 5.67

 

CMYK 0 / 54 / 46 / 55

HEX #73353E

RGB 115 53 62

HSL 351.29, 0.37%, 0.33%

LAB 30.73, 28.24, 7.39

 

CMYK 0 / 64 / 56 / 62

HEX #62232B

RGB 98 35 43

HSL 352.38, 0.47%, 0.26%

LAB 23.58, 29.29, 9.69

 

CMYK 0 / 79 / 70 / 68

HEX #511118

RGB 81 17 24

HSL 353.44, 0.65%, 0.19%

LAB 16.58, 29.9, 13.02

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 40 / 21 / 42

HEX #955975

RGB 149 89 117

HSL 332, 0.25%, 0.47%

LAB 45.38, 28.67, -5.29

 

CMYK 0 / 40 / 11 / 42

HEX #955985

RGB 149 89 133

HSL 316, 0.25%, 0.47%

LAB 45.94, 31.38, -14.12

 

CMYK 0 / 40 / 0 / 42

HEX #955995

RGB 149 89 149

HSL 300, 0.25%, 0.47%

LAB 46.58, 34.38, -22.72

 

CMYK 10 / 40 / 0 / 42

HEX #865995

RGB 134 89 149

HSL 285, 0.25%, 0.47%

LAB 44.78, 29.5, -25.67

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 59 / 48 / 34

HEX #A94658

RGB 169 70 88

HSL 349.09, 0.41%, 0.47%

LAB 43.54, 42.32, 10.15

 

CMYK 0 / 73 / 60 / 26

HEX #BC334C

RGB 188 51 76

HSL 349.05, 0.57%, 0.47%

LAB 43.63, 55.59, 18.22

 

CMYK 0 / 85 / 69 / 19

HEX #CF1F40

RGB 207 31 64

HSL 348.75, 0.74%, 0.47%

LAB 45.1, 65.91, 28.24

 

CMYK 0 / 95 / 78 / 11

HEX #E30C33

RGB 227 12 51

HSL 349.12, 0.9%, 0.47%

LAB 48.05, 73.23, 40.41

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 16 / 13 / 49

HEX #826D71

RGB 130 109 113

HSL 348.57, 0.09%, 0.47%

LAB 48.1, 8.98, 0.86

 

CMYK 13 / 0 / 2 / 50

HEX #6F807D

RGB 111 128 125

HSL 169.41, 0.07%, 0.47%

LAB 52.17, -6.84, -0.48

 

CMYK 39 / 0 / 7 / 42

HEX #5B9489

RGB 91 148 137

HSL 168.42, 0.24%, 0.47%

LAB 57.28, -21.37, -0.09

 

CMYK 57 / 0 / 11 / 35

HEX #48A795

RGB 72 167 149

HSL 168.63, 0.4%, 0.47%

LAB 62.66, -32.46, 0.88

 

CMYK 0 / 40 / 11 / 42

HEX #955984

RGB 149 89 132

HSL 317, 0.25%, 0.47%

LAB 45.91, 31.2, -13.58

 

CMYK 0 / 40 / 22 / 42

HEX #955974

RGB 149 89 116

HSL 333, 0.25%, 0.47%

LAB 45.35, 28.51, -4.73

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 37 / 40 / 42

HEX #955E59

RGB 149 94 89

HSL 5, 0.25%, 0.47%

LAB 45.79, 21.84, 12.25

 

CMYK 0 / 26 / 40 / 42

HEX #956E59

RGB 149 110 89

HSL 21, 0.25%, 0.47%

LAB 49.81, 12.59, 17.76

 

CMYK 0 / 41 / 33 / 62

HEX #623A42

RGB 98 58 66

HSL 348, 0.26%, 0.31%

LAB 29.45, 18.86, 2.61

 

CMYK 0 / 40 / 33 / 51

HEX #7C4A53

RGB 124 74 83

HSL 349.2, 0.25%, 0.39%

LAB 37.49, 22.48, 3.75

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 0 / 34 / 28 / 34

HEX #A96F7A

RGB 169 111 122

HSL 348.62, 0.25%, 0.55%

LAB 53.18, 24.55, 3.43

 

CMYK 0 / 26 / 21 / 28

HEX #B88992

RGB 184 137 146

HSL 348.51, 0.25%, 0.63%

LAB 61.79, 19.29, 2.23

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 1 / 0 / 40 / 42

HEX #949559

RGB 148 149 89

HSL 61, 0.25%, 0.47%

LAB 60.35, -9.74, 31.54

 

CMYK 40 / 17 / 0 / 42

HEX #597C95

RGB 89 124 149

HSL 205, 0.25%, 0.47%

LAB 50.35, -5.63, -17.41

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 33 / 0 / 40 / 42

HEX #649559

RGB 100 149 89

HSL 109, 0.25%, 0.47%

LAB 57, -28.57, 26.57

 

CMYK 40 / 33 / 0 / 42

HEX #596495

RGB 89 100 149

HSL 229, 0.25%, 0.47%

LAB 43.37, 8.78, -28.18

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 1 / 0 / 40 / 42

HEX #949559

RGB 148 149 89

HSL 61, 0.25%, 0.47%

LAB 60.35, -9.74, 31.54

 

CMYK 40 / 0 / 7 / 42

HEX #59958A

RGB 89 149 138

HSL 169, 0.25%, 0.47%

LAB 57.51, -22.21, -0.33

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 0 / 40 / 33 / 42

HEX #955964

RGB 149 89 100

HSL 349, 0.25%, 0.47%

LAB 44.88, 26.14, 4.3

 

CMYK 13 / 0 / 40 / 42

HEX #829559

RGB 130 149 89

HSL 79, 0.25%, 0.47%

LAB 58.94, -17.16, 29.46

 

CMYK 40 / 0 / 7 / 42

HEX #59958A

RGB 89 149 138

HSL 169, 0.25%, 0.47%

LAB 57.51, -22.21, -0.33

 

CMYK 28 / 40 / 0 / 42

HEX #6C5995

RGB 108 89 149

HSL 259, 0.25%, 0.47%

LAB 42, 21.27, -30.2

 

Description

Color code: RGB 149 89 100 | qconv.com Color code: RGB 149 89 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 89 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 89 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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