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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 93 210 it is the complementary color RGB 241 162 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 93 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 93 210 shade: RGB 19 93 205, RGB 36 111 224, RGB 53 129 243, RGB 70 147 255 and RGB 87 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 93 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 93 210 shade: RGB 14 93 210, RGB 0 75 191, RGB 0 57 172, RGB 0 39 153 and RGB 0 21 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 93 210 shade: RGB 13 93 210, RGB 13 39 210, RGB 40 13 210, RGB 93 13 210 and RGB 146 13 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 93 210 shade: RGB 13 93 210, RGB 13 39 210 and RGB 13 13 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 93 210 shade matches the following richer shades: RGB 13 93 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 93 210 shade: RGB 13 93 210, RGB 31 96 192, RGB 49 100 174, RGB 67 103 156 and RGB 86 107 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 93 210 shade: RGB 13 201 210, RGB 13 148 210, RGB 13 95 210, RGB 13 43 210 and RGB 36 13 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 93 210 shade: RGB 8 58 133, RGB 10 75 172, RGB 13 93 210, RGB 25 111 240 and RGB 64 136 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 93 210 shade: RGB 14 93 210, RGB 168 13 210 and RGB 174 210 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 93 210 shade: RGB 14 93 210, RGB 210 13 95 and RGB 95 210 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 93 210 shade: RGB 14 93 210, RGB 168 13 210, RGB 210 128 13 and RGB 56 210 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 93 210 shade: RGB 14 93 210, RGB 210 13 194, RGB 210 128 13 and RGB 13 210 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

Complementary color

CMYK 0 / 33 / 81 / 5

HEX #F1A22D

RGB 241 162 45

HSL 35.82, 0.88%, 0.56%

LAB 72.71, 20.35, 67.48

 

CMYK 91 / 55 / 0 / 20

HEX #135DCD

RGB 19 93 205

HSL 216.13, 0.83%, 0.44%

LAB 41.81, 22.25, -63.7

 

CMYK 84 / 50 / 0 / 12

HEX #246FE0

RGB 36 111 224

HSL 216.06, 0.75%, 0.51%

LAB 48.42, 19.07, -63.8

 

CMYK 78 / 47 / 0 / 5

HEX #3581F3

RGB 53 129 243

HSL 216, 0.89%, 0.58%

LAB 55, 16.44, -63.8

 

CMYK 73 / 42 / 0 / 0

HEX #4693FF

RGB 70 147 255

HSL 215.03, 1%, 0.64%

LAB 61.12, 11.78, -60.55

 

CMYK 66 / 35 / 0 / 0

HEX #57A5FF

RGB 87 165 255

HSL 212.14, 1%, 0.67%

LAB 66.64, 3.66, -51.74

 

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

CMYK 100 / 61 / 0 / 25

HEX #004BBF

RGB 0 75 191

HSL 216.44, 1%, 0.37%

LAB 35.58, 27.93, -65.73

 

CMYK 100 / 67 / 0 / 33

HEX #0039AC

RGB 0 57 172

HSL 220.12, 1%, 0.34%

LAB 29.17, 32.43, -65

 

CMYK 100 / 75 / 0 / 40

HEX #002799

RGB 0 39 153

HSL 224.71, 1%, 0.3%

LAB 22.83, 36.84, -63.94

 

CMYK 100 / 84 / 0 / 47

HEX #001586

RGB 0 21 134

HSL 230.6, 1%, 0.26%

LAB 16.78, 40.52, -62.15

 

CMYK 94 / 56 / 0 / 18

HEX #0D5DD2

RGB 13 93 210

HSL 215.63, 0.88%, 0.44%

LAB 42.1, 23.97, -66.1

 

CMYK 94 / 81 / 0 / 18

HEX #0D27D2

RGB 13 39 210

HSL 232.08, 0.88%, 0.44%

LAB 29.89, 56.65, -86.22

 

CMYK 81 / 94 / 0 / 18

HEX #280DD2

RGB 40 13 210

HSL 248.22, 0.88%, 0.44%

LAB 27.82, 66.4, -89.63

 

CMYK 56 / 94 / 0 / 18

HEX #5D0DD2

RGB 93 13 210

HSL 264.37, 0.88%, 0.44%

LAB 32.41, 69.08, -81.87

 

CMYK 30 / 94 / 0 / 18

HEX #920DD2

RGB 146 13 210

HSL 280.51, 0.88%, 0.44%

LAB 39.67, 74.45, -69.67

 

CMYK 94 / 56 / 0 / 18

HEX #0D5DD2

RGB 13 93 210

HSL 215.63, 0.88%, 0.44%

LAB 42.1, 23.97, -66.1

 

CMYK 94 / 81 / 0 / 18

HEX #0D27D2

RGB 13 39 210

HSL 232.08, 0.88%, 0.44%

LAB 29.89, 56.65, -86.22

 

CMYK 94 / 94 / 0 / 18

HEX #0D0DD2

RGB 13 13 210

HSL 240, 0.88%, 0.44%

LAB 26.81, 65.91, -91.35

 

CMYK 94 / 56 / 0 / 18

HEX #0D5DD2

RGB 13 93 210

HSL 215.63, 0.88%, 0.44%

LAB 42.1, 23.97, -66.1

 

CMYK 94 / 56 / 0 / 18

HEX #0D5DD2

RGB 13 93 210

HSL 215.63, 0.88%, 0.44%

LAB 42.1, 23.97, -66.1

 

CMYK 84 / 50 / 0 / 25

HEX #1F60C0

RGB 31 96 192

HSL 215.78, 0.72%, 0.44%

LAB 41.94, 15.95, -55.95

 

CMYK 72 / 43 / 0 / 32

HEX #3164AE

RGB 49 100 174

HSL 215.52, 0.56%, 0.44%

LAB 42.5, 8.51, -44.51

 

CMYK 57 / 34 / 0 / 39

HEX #43679C

RGB 67 103 156

HSL 215.73, 0.4%, 0.44%

LAB 43.2, 3.52, -32.71

 

CMYK 38 / 22 / 0 / 46

HEX #566B8A

RGB 86 107 138

HSL 215.77, 0.23%, 0.44%

LAB 44.7, 0.41, -19.57

 

CMYK 94 / 4 / 0 / 18

HEX #0DC9D2

RGB 13 201 210

HSL 182.74, 0.88%, 0.44%

LAB 73.88, -37.1, -16.19

 

CMYK 94 / 30 / 0 / 18

HEX #0D94D2

RGB 13 148 210

HSL 198.88, 0.88%, 0.44%

LAB 57.96, -10, -40.71

 

CMYK 94 / 55 / 0 / 18

HEX #0D5FD2

RGB 13 95 210

HSL 215.03, 0.88%, 0.44%

LAB 42.65, 22.66, -65.21

 

CMYK 94 / 80 / 0 / 18

HEX #0D2BD2

RGB 13 43 210

HSL 230.86, 0.88%, 0.44%

LAB 30.56, 54.68, -85.1

 

CMYK 83 / 94 / 0 / 18

HEX #240DD2

RGB 36 13 210

HSL 247.01, 0.88%, 0.44%

LAB 27.62, 66.29, -89.98

 

CMYK 94 / 56 / 0 / 48

HEX #083A85

RGB 8 58 133

HSL 216, 0.89%, 0.28%

LAB 26.07, 16.03, -46.23

 

CMYK 94 / 56 / 0 / 33

HEX #0A4BAC

RGB 10 75 172

HSL 215.93, 0.89%, 0.36%

LAB 34.14, 20.61, -56.86

 

CMYK 94 / 56 / 0 / 18

HEX #0D5DD2

RGB 13 93 210

HSL 215.63, 0.88%, 0.44%

LAB 42.1, 23.97, -66.1

 

CMYK 90 / 54 / 0 / 6

HEX #196FF0

RGB 25 111 240

HSL 216, 0.88%, 0.52%

LAB 49.33, 24.51, -71.32

 

CMYK 74 / 44 / 0 / 5

HEX #4088F2

RGB 64 136 242

HSL 215.73, 0.87%, 0.6%

LAB 57.18, 13.02, -59.72

 

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

CMYK 20 / 94 / 0 / 18

HEX #A80DD2

RGB 168 13 210

HSL 287.21, 0.88%, 0.44%

LAB 43.16, 77.39, -63.82

 

CMYK 17 / 0 / 94 / 18

HEX #AED20D

RGB 174 210 13

HSL 70.96, 0.88%, 0.44%

LAB 79.11, -33.48, 77.25

 

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

CMYK 0 / 94 / 55 / 18

HEX #D20D5F

RGB 210 13 95

HSL 335.03, 0.88%, 0.44%

LAB 45.38, 71.21, 9.49

 

CMYK 55 / 0 / 94 / 18

HEX #5FD20D

RGB 95 210 13

HSL 95.03, 0.88%, 0.44%

LAB 75.17, -60.94, 72.44

 

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

CMYK 20 / 94 / 0 / 18

HEX #A80DD2

RGB 168 13 210

HSL 287.21, 0.88%, 0.44%

LAB 43.16, 77.39, -63.82

 

CMYK 0 / 39 / 94 / 18

HEX #D2800D

RGB 210 128 13

HSL 35.03, 0.88%, 0.44%

LAB 60.93, 24.62, 65.07

 

CMYK 73 / 0 / 94 / 18

HEX #38D20D

RGB 56 210 13

HSL 106.9, 0.88%, 0.44%

LAB 74.17, -69.36, 71.2

 

CMYK 93 / 56 / 0 / 18

HEX #0E5DD2

RGB 14 93 210

HSL 215.82, 0.88%, 0.44%

LAB 42.12, 24.01, -66.08

 

CMYK 0 / 94 / 8 / 18

HEX #D20DC2

RGB 210 13 194

HSL 304.87, 0.88%, 0.44%

LAB 49.36, 81.59, -44.22

 

CMYK 0 / 39 / 94 / 18

HEX #D2800D

RGB 210 128 13

HSL 35.03, 0.88%, 0.44%

LAB 60.93, 24.62, 65.07

 

CMYK 94 / 0 / 86 / 18

HEX #0DD21D

RGB 13 210 29

HSL 124.87, 0.88%, 0.44%

LAB 73.72, -73.19, 68.03

 

Description

Color code: RGB 14 93 210 | qconv.com Color code: RGB 14 93 210 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 93 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 93 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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