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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 9 16 it is the complementary color RGB 241 246 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 9 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 9 16 shade: RGB 19 9 11, RGB 36 27 30, RGB 53 45 49, RGB 70 63 68 and RGB 87 81 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 9 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 9 16 shade: RGB 14 9 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 16 9 16, RGB 16 9 14, RGB 16 9 12 and RGB 16 9 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 12 9 16, RGB 10 9 16 and RGB 9 9 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 9 16 shade matches the following richer shades: RGB 14 9 16, RGB 15 7 18, RGB 16 5 20, RGB 16 2 22 and RGB 17 0 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 13 11 14, RGB 12 13 12, RGB 11 15 10 and RGB 10 17 8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 9 16 shade: RGB 10 9 16, RGB 12 9 16, RGB 14 9 16, RGB 16 9 16 and RGB 16 9 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 16 9 9 and RGB 9 16 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 16 14 9 and RGB 9 16 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 16 9 9, RGB 11 16 9 and RGB 9 16 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 9 16 shade: RGB 14 9 16, RGB 16 10 9, RGB 11 16 9 and RGB 9 14 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

Complementary color

CMYK 2 / 0 / 3 / 4

HEX #F1F6EF

RGB 241 246 239

HSL 102.86, 0.28%, 0.95%

LAB 96.35, -2.88, 2.77

 

CMYK 0 / 53 / 42 / 93

HEX #13090B

RGB 19 9 11

HSL 348, 0.36%, 0.05%

LAB 3.23, 3.54, 0.38

 

CMYK 0 / 25 / 17 / 86

HEX #241B1E

RGB 36 27 30

HSL 340, 0.14%, 0.12%

LAB 10.94, 5.08, -0.39

 

CMYK 0 / 15 / 8 / 79

HEX #352D31

RGB 53 45 49

HSL 330, 0.08%, 0.19%

LAB 19.46, 4.5, -1.23

 

CMYK 0 / 10 / 3 / 73

HEX #463F44

RGB 70 63 68

HSL 317.14, 0.05%, 0.26%

LAB 27.5, 4.07, -1.96

 

CMYK 0 / 7 / 0 / 66

HEX #575157

RGB 87 81 87

HSL 300, 0.04%, 0.33%

LAB 35.2, 3.72, -2.63

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 44 / 0 / 94

HEX #100910

RGB 16 9 16

HSL 300, 0.28%, 0.05%

LAB 3.1, 3.23, -2.31

 

CMYK 0 / 44 / 13 / 94

HEX #10090E

RGB 16 9 14

HSL 317.14, 0.28%, 0.05%

LAB 3.05, 2.87, -1.33

 

CMYK 0 / 44 / 25 / 94

HEX #10090C

RGB 16 9 12

HSL 334.29, 0.28%, 0.05%

LAB 3, 2.54, -0.44

 

CMYK 0 / 44 / 38 / 94

HEX #10090A

RGB 16 9 10

HSL 351.43, 0.28%, 0.05%

LAB 2.96, 2.25, 0.36

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 25 / 44 / 0 / 94

HEX #0C0910

RGB 12 9 16

HSL 265.71, 0.28%, 0.05%

LAB 2.81, 1.94, -2.77

 

CMYK 38 / 44 / 0 / 94

HEX #0A0910

RGB 10 9 16

HSL 248.57, 0.28%, 0.05%

LAB 2.69, 1.38, -2.96

 

CMYK 44 / 44 / 0 / 94

HEX #090910

RGB 9 9 16

HSL 240, 0.28%, 0.05%

LAB 2.63, 1.12, -3.06

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 17 / 61 / 0 / 93

HEX #0F0712

RGB 15 7 18

HSL 283.64, 0.44%, 0.05%

LAB 2.68, 4.08, -4.09

 

CMYK 20 / 75 / 0 / 92

HEX #100514

RGB 16 5 20

HSL 284, 0.6%, 0.05%

LAB 2.43, 5.67, -5.72

 

CMYK 27 / 91 / 0 / 91

HEX #100216

RGB 16 2 22

HSL 282, 0.83%, 0.05%

LAB 1.91, 7.34, -7.86

 

CMYK 29 / 100 / 0 / 91

HEX #110018

RGB 17 0 24

HSL 282.5, 1%, 0.05%

LAB 1.67, 9.02, -9.69

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 7 / 21 / 0 / 95

HEX #0D0B0E

RGB 13 11 14

HSL 280, 0.12%, 0.05%

LAB 3.22, 1.06, -1.1

 

CMYK 8 / 0 / 8 / 95

HEX #0C0D0C

RGB 12 13 12

HSL 120, 0.04%, 0.05%

LAB 3.55, -0.46, 0.33

 

CMYK 27 / 0 / 33 / 94

HEX #0B0F0A

RGB 11 15 10

HSL 108, 0.2%, 0.05%

LAB 3.93, -2.03, 1.74

 

CMYK 41 / 0 / 53 / 93

HEX #0A1108

RGB 10 17 8

HSL 106.67, 0.36%, 0.05%

LAB 4.36, -3.67, 3.18

 

CMYK 38 / 44 / 0 / 94

HEX #0A0910

RGB 10 9 16

HSL 248.57, 0.28%, 0.05%

LAB 2.69, 1.38, -2.96

 

CMYK 25 / 44 / 0 / 94

HEX #0C0910

RGB 12 9 16

HSL 265.71, 0.28%, 0.05%

LAB 2.81, 1.94, -2.77

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 44 / 0 / 94

HEX #100910

RGB 16 9 16

HSL 300, 0.28%, 0.05%

LAB 3.1, 3.23, -2.31

 

CMYK 0 / 44 / 13 / 94

HEX #10090E

RGB 16 9 14

HSL 317.14, 0.28%, 0.05%

LAB 3.05, 2.87, -1.33

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 44 / 44 / 94

HEX #100909

RGB 16 9 9

HSL 0, 0.28%, 0.05%

LAB 2.94, 2.11, 0.74

 

CMYK 44 / 0 / 31 / 94

HEX #09100B

RGB 9 16 11

HSL 137.14, 0.28%, 0.05%

LAB 4.09, -2.95, 1.54

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 13 / 44 / 94

HEX #100E09

RGB 16 14 9

HSL 42.86, 0.28%, 0.05%

LAB 4.01, -0.08, 2.31

 

CMYK 44 / 0 / 13 / 94

HEX #09100E

RGB 9 16 14

HSL 162.86, 0.28%, 0.05%

LAB 4.16, -2.47, 0.24

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 44 / 44 / 94

HEX #100909

RGB 16 9 9

HSL 0, 0.28%, 0.05%

LAB 2.94, 2.11, 0.74

 

CMYK 31 / 0 / 44 / 94

HEX #0B1009

RGB 11 16 9

HSL 102.86, 0.28%, 0.05%

LAB 4.17, -2.7, 2.5

 

CMYK 44 / 0 / 6 / 94

HEX #09100F

RGB 9 16 15

HSL 171.43, 0.28%, 0.05%

LAB 4.18, -2.3, -0.24

 

CMYK 13 / 44 / 0 / 94

HEX #0E0910

RGB 14 9 16

HSL 282.86, 0.28%, 0.05%

LAB 2.95, 2.55, -2.55

 

CMYK 0 / 38 / 44 / 94

HEX #100A09

RGB 16 10 9

HSL 8.57, 0.28%, 0.05%

LAB 3.13, 1.71, 1.03

 

CMYK 31 / 0 / 44 / 94

HEX #0B1009

RGB 11 16 9

HSL 102.86, 0.28%, 0.05%

LAB 4.17, -2.7, 2.5

 

CMYK 44 / 13 / 0 / 94

HEX #090E10

RGB 9 14 16

HSL 197.14, 0.28%, 0.05%

LAB 3.7, -1.07, -1.49

 

Description

Color code: RGB 14 9 16 | qconv.com Color code: RGB 14 9 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 9 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 9 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 44 magenta, none yellow and 94 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 44% 0% 94% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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