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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 178 110 it is the complementary color RGB 241 77 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 178 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 178 110 shade: RGB 19 178 105, RGB 36 196 124, RGB 53 214 143, RGB 70 232 162 and RGB 87 250 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 178 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 178 110 shade: RGB 14 178 110, RGB 0 160 91, RGB 0 142 72, RGB 0 124 53 and RGB 0 106 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 178 110 shade: RGB 14 179 110, RGB 14 179 66, RGB 14 179 22, RGB 51 179 14 and RGB 95 179 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 178 110 shade: RGB 14 179 110, RGB 14 179 155, RGB 14 158 179, RGB 14 114 179 and RGB 14 69 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 178 110 shade matches the following richer shades: RGB 14 179 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 178 110 shade: RGB 14 179 110, RGB 30 163 108, RGB 45 147 105, RGB 61 132 102 and RGB 77 116 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 178 110 shade: RGB 14 179 22, RGB 14 179 66, RGB 14 179 110, RGB 14 179 154 and RGB 14 160 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 178 110 shade: RGB 8 102 63, RGB 11 141 87, RGB 14 179 110, RGB 17 217 134 and RGB 38 237 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 178 110 shade: RGB 14 178 110, RGB 14 50 179 and RGB 179 44 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 178 110 shade: RGB 14 178 110, RGB 110 14 179 and RGB 179 110 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 178 110 shade: RGB 14 178 110, RGB 14 50 179, RGB 179 14 83 and RGB 179 143 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 178 110 shade: RGB 14 178 110, RGB 28 14 179, RGB 179 14 83 and RGB 165 179 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

Complementary color

CMYK 0 / 68 / 40 / 5

HEX #F14D91

RGB 241 77 145

HSL 335.12, 0.85%, 0.62%

LAB 58.09, 67.57, -1.67

 

CMYK 89 / 0 / 41 / 30

HEX #13B269

RGB 19 178 105

HSL 152.45, 0.81%, 0.39%

LAB 64.16, -54.51, 26.94

 

CMYK 82 / 0 / 37 / 23

HEX #24C47C

RGB 36 196 124

HSL 153, 0.69%, 0.45%

LAB 70.39, -55.89, 25.24

 

CMYK 75 / 0 / 33 / 16

HEX #35D68F

RGB 53 214 143

HSL 153.54, 0.66%, 0.52%

LAB 76.58, -56.83, 23.68

 

CMYK 70 / 0 / 30 / 9

HEX #46E8A2

RGB 70 232 162

HSL 154.07, 0.78%, 0.59%

LAB 82.71, -57.46, 22.24

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

CMYK 100 / 0 / 43 / 37

HEX #00A05B

RGB 0 160 91

HSL 154.13, 1%, 0.31%

LAB 57.94, -51.79, 26.21

 

CMYK 100 / 0 / 49 / 44

HEX #008E48

RGB 0 142 72

HSL 150.42, 1%, 0.28%

LAB 51.63, -49, 28.25

 

CMYK 100 / 0 / 57 / 51

HEX #007C35

RGB 0 124 53

HSL 145.65, 1%, 0.24%

LAB 45.18, -45.97, 30.29

 

CMYK 100 / 0 / 68 / 58

HEX #006A22

RGB 0 106 34

HSL 139.25, 1%, 0.21%

LAB 38.59, -42.59, 32.16

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 92 / 0 / 63 / 30

HEX #0EB342

RGB 14 179 66

HSL 138.91, 0.85%, 0.38%

LAB 63.94, -61.29, 45.94

 

CMYK 92 / 0 / 88 / 30

HEX #0EB316

RGB 14 179 22

HSL 122.91, 0.85%, 0.38%

LAB 63.67, -64.77, 60.64

 

CMYK 72 / 0 / 92 / 30

HEX #33B30E

RGB 51 179 14

HSL 106.55, 0.85%, 0.38%

LAB 64.14, -60.64, 62.69

 

CMYK 47 / 0 / 92 / 30

HEX #5FB30E

RGB 95 179 14

HSL 90.55, 0.85%, 0.38%

LAB 65.52, -49.49, 64.39

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 92 / 0 / 13 / 30

HEX #0EB39B

RGB 14 179 155

HSL 171.27, 0.85%, 0.38%

LAB 65.51, -43.35, 1.56

 

CMYK 92 / 12 / 0 / 30

HEX #0E9EB3

RGB 14 158 179

HSL 187.64, 0.85%, 0.38%

LAB 59.71, -26.26, -20.54

 

CMYK 92 / 36 / 0 / 30

HEX #0E72B3

RGB 14 114 179

HSL 203.64, 0.85%, 0.38%

LAB 46.15, -1.76, -41.66

 

CMYK 92 / 61 / 0 / 30

HEX #0E45B3

RGB 14 69 179

HSL 220, 0.85%, 0.38%

LAB 33.14, 27.67, -62.64

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 82 / 0 / 34 / 36

HEX #1EA36C

RGB 30 163 108

HSL 155.19, 0.69%, 0.38%

LAB 59.48, -47.34, 19.08

 

CMYK 69 / 0 / 29 / 42

HEX #2D9369

RGB 45 147 105

HSL 155.29, 0.53%, 0.38%

LAB 54.5, -39.39, 13.94

 

CMYK 54 / 0 / 23 / 48

HEX #3D8466

RGB 61 132 102

HSL 154.65, 0.37%, 0.38%

LAB 50.04, -29.89, 9.51

 

CMYK 34 / 0 / 14 / 55

HEX #4D7464

RGB 77 116 100

HSL 155.38, 0.2%, 0.38%

LAB 45.62, -17.54, 4.49

 

CMYK 92 / 0 / 88 / 30

HEX #0EB316

RGB 14 179 22

HSL 122.91, 0.85%, 0.38%

LAB 63.67, -64.77, 60.64

 

CMYK 92 / 0 / 63 / 30

HEX #0EB342

RGB 14 179 66

HSL 138.91, 0.85%, 0.38%

LAB 63.94, -61.29, 45.94

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 92 / 0 / 14 / 30

HEX #0EB39A

RGB 14 179 154

HSL 170.91, 0.85%, 0.38%

LAB 65.49, -43.63, 2.08

 

CMYK 92 / 11 / 0 / 30

HEX #0EA0B3

RGB 14 160 179

HSL 186.91, 0.85%, 0.38%

LAB 60.33, -27.27, -19.6

 

CMYK 92 / 0 / 38 / 60

HEX #08663F

RGB 8 102 63

HSL 155.11, 0.85%, 0.22%

LAB 37.69, -35.14, 15.15

 

CMYK 92 / 0 / 38 / 45

HEX #0B8D57

RGB 11 141 87

HSL 155.08, 0.86%, 0.3%

LAB 51.62, -45.01, 20.06

 

CMYK 92 / 0 / 39 / 30

HEX #0EB36E

RGB 14 179 110

HSL 154.91, 0.85%, 0.38%

LAB 64.53, -54.17, 24.77

 

CMYK 92 / 0 / 38 / 15

HEX #11D986

RGB 17 217 134

HSL 155.1, 0.85%, 0.46%

LAB 76.96, -62.75, 28.79

 

CMYK 84 / 0 / 35 / 7

HEX #26ED9B

RGB 38 237 155

HSL 155.28, 0.85%, 0.54%

LAB 83.62, -64.33, 27.01

 

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

CMYK 92 / 72 / 0 / 30

HEX #0E32B3

RGB 14 50 179

HSL 226.91, 0.85%, 0.38%

LAB 28.46, 40.08, -70.35

 

CMYK 0 / 75 / 92 / 30

HEX #B32C0E

RGB 179 44 14

HSL 10.91, 0.85%, 0.38%

LAB 40.27, 52.69, 48.16

 

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

CMYK 39 / 92 / 0 / 30

HEX #6E0EB3

RGB 110 14 179

HSL 274.91, 0.85%, 0.38%

LAB 31.54, 63.62, -65

 

CMYK 0 / 39 / 92 / 30

HEX #B36E0E

RGB 179 110 14

HSL 34.91, 0.85%, 0.38%

LAB 52.69, 21.01, 57.07

 

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

CMYK 92 / 72 / 0 / 30

HEX #0E32B3

RGB 14 50 179

HSL 226.91, 0.85%, 0.38%

LAB 28.46, 40.08, -70.35

 

CMYK 0 / 92 / 54 / 30

HEX #B30E53

RGB 179 14 83

HSL 334.91, 0.85%, 0.38%

LAB 38.76, 62.87, 6.84

 

CMYK 0 / 20 / 92 / 30

HEX #B38F0E

RGB 179 143 14

HSL 46.91, 0.85%, 0.38%

LAB 61.01, 2.69, 63.31

 

CMYK 92 / 0 / 38 / 30

HEX #0EB26E

RGB 14 178 110

HSL 155.12, 0.85%, 0.38%

LAB 64.21, -53.81, 24.35

 

CMYK 84 / 92 / 0 / 30

HEX #1C0EB3

RGB 28 14 179

HSL 245.09, 0.85%, 0.38%

LAB 23.05, 57.63, -79.31

 

CMYK 0 / 92 / 54 / 30

HEX #B30E53

RGB 179 14 83

HSL 334.91, 0.85%, 0.38%

LAB 38.76, 62.87, 6.84

 

CMYK 8 / 0 / 92 / 30

HEX #A5B30E

RGB 165 179 14

HSL 65.09, 0.85%, 0.38%

LAB 69.66, -22.43, 69.46

 

Description

Color code: RGB 14 178 110 | qconv.com Color code: RGB 14 178 110 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 178 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 178 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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