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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 189 122 it is the complementary color RGB 241 66 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 189 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 189 122 shade: RGB 19 189 117, RGB 36 207 136, RGB 53 225 155, RGB 70 243 174 and RGB 87 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 189 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 0 171 103, RGB 0 153 84, RGB 0 135 65 and RGB 0 117 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 14 189 75, RGB 14 189 27, RGB 47 189 14 and RGB 95 189 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 14 189 169, RGB 14 162 189, RGB 14 114 189 and RGB 14 67 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 189 122 shade matches the following richer shades: RGB 14 189 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 30 173 118, RGB 47 156 114, RGB 63 140 110 and RGB 80 123 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 189 122 shade: RGB 14 189 28, RGB 14 189 75, RGB 14 189 122, RGB 14 189 169 and RGB 14 163 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 189 122 shade: RGB 8 112 72, RGB 11 151 97, RGB 14 189 122, RGB 17 228 147 and RGB 47 239 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 14 46 189 and RGB 189 52 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 122 14 189 and RGB 189 122 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 14 46 189, RGB 189 14 81 and RGB 189 157 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 189 122 shade: RGB 14 189 122, RGB 34 14 189, RGB 189 14 81 and RGB 169 189 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

Complementary color

CMYK 0 / 73 / 45 / 5

HEX #F14285

RGB 241 66 133

HSL 337.03, 0.86%, 0.6%

LAB 56.38, 70.24, 2.91

 

CMYK 90 / 0 / 38 / 26

HEX #13BD75

RGB 19 189 117

HSL 154.59, 0.82%, 0.41%

LAB 67.89, -56.09, 25.54

 

CMYK 83 / 0 / 34 / 19

HEX #24CF88

RGB 36 207 136

HSL 155.09, 0.7%, 0.48%

LAB 74.05, -57.5, 23.86

 

CMYK 76 / 0 / 31 / 12

HEX #35E19B

RGB 53 225 155

HSL 155.58, 0.74%, 0.55%

LAB 80.16, -58.49, 22.32

 

CMYK 71 / 0 / 28 / 5

HEX #46F3AE

RGB 70 243 174

HSL 156.07, 0.88%, 0.61%

LAB 86.24, -59.18, 20.91

 

CMYK 66 / 0 / 24 / 0

HEX #57FFC1

RGB 87 255 193

HSL 157.86, 1%, 0.67%

LAB 90.5, -57.29, 17.15

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 100 / 0 / 40 / 33

HEX #00AB67

RGB 0 171 103

HSL 156.14, 1%, 0.34%

LAB 61.74, -53.33, 24.8

 

CMYK 100 / 0 / 45 / 40

HEX #009954

RGB 0 153 84

HSL 152.94, 1%, 0.3%

LAB 55.5, -50.65, 26.8

 

CMYK 100 / 0 / 52 / 47

HEX #008741

RGB 0 135 65

HSL 148.89, 1%, 0.26%

LAB 49.14, -47.79, 28.85

 

CMYK 100 / 0 / 61 / 54

HEX #00752E

RGB 0 117 46

HSL 143.59, 1%, 0.23%

LAB 42.64, -44.65, 30.86

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 0 / 60 / 26

HEX #0EBD4B

RGB 14 189 75

HSL 140.91, 0.86%, 0.4%

LAB 67.27, -63.3, 45.7

 

CMYK 93 / 0 / 86 / 26

HEX #0EBD1B

RGB 14 189 27

HSL 124.46, 0.86%, 0.4%

LAB 66.95, -67.38, 62.46

 

CMYK 75 / 0 / 93 / 26

HEX #2FBD0E

RGB 47 189 14

HSL 108.69, 0.86%, 0.4%

LAB 67.3, -64.41, 65.3

 

CMYK 50 / 0 / 93 / 26

HEX #5FBD0E

RGB 95 189 14

HSL 92.23, 0.86%, 0.4%

LAB 68.65, -53.31, 66.97

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 0 / 11 / 26

HEX #0EBDA9

RGB 14 189 169

HSL 173.14, 0.86%, 0.4%

LAB 69.01, -43.76, -1.06

 

CMYK 93 / 14 / 0 / 26

HEX #0EA2BD

RGB 14 162 189

HSL 189.26, 0.86%, 0.4%

LAB 61.31, -24.93, -23.71

 

CMYK 93 / 40 / 0 / 26

HEX #0E72BD

RGB 14 114 189

HSL 205.71, 0.86%, 0.4%

LAB 46.71, 2.17, -46.57

 

CMYK 93 / 65 / 0 / 26

HEX #0E43BD

RGB 14 67 189

HSL 221.83, 0.86%, 0.4%

LAB 33.52, 32.92, -67.93

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 83 / 0 / 32 / 32

HEX #1EAD76

RGB 30 173 118

HSL 156.92, 0.7%, 0.4%

LAB 62.9, -49.04, 18.28

 

CMYK 70 / 0 / 27 / 39

HEX #2F9C72

RGB 47 156 114

HSL 156.88, 0.54%, 0.4%

LAB 57.65, -40.82, 13.27

 

CMYK 55 / 0 / 21 / 45

HEX #3F8C6E

RGB 63 140 110

HSL 156.62, 0.38%, 0.4%

LAB 52.88, -31.33, 8.91

 

CMYK 35 / 0 / 13 / 52

HEX #507B6B

RGB 80 123 107

HSL 157.67, 0.21%, 0.4%

LAB 48.18, -18.71, 4.04

 

CMYK 93 / 0 / 85 / 26

HEX #0EBD1C

RGB 14 189 28

HSL 124.8, 0.86%, 0.4%

LAB 66.95, -67.34, 62.23

 

CMYK 93 / 0 / 60 / 26

HEX #0EBD4B

RGB 14 189 75

HSL 140.91, 0.86%, 0.4%

LAB 67.27, -63.3, 45.7

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 0 / 11 / 26

HEX #0EBDA9

RGB 14 189 169

HSL 173.14, 0.86%, 0.4%

LAB 69.01, -43.76, -1.06

 

CMYK 93 / 14 / 0 / 26

HEX #0EA3BD

RGB 14 163 189

HSL 188.91, 0.86%, 0.4%

LAB 61.62, -25.44, -23.24

 

CMYK 93 / 0 / 36 / 56

HEX #087048

RGB 8 112 72

HSL 156.92, 0.87%, 0.24%

LAB 41.39, -37.14, 14.84

 

CMYK 93 / 0 / 36 / 41

HEX #0B9761

RGB 11 151 97

HSL 156.86, 0.86%, 0.32%

LAB 55.14, -46.66, 19.23

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 0 / 36 / 11

HEX #11E493

RGB 17 228 147

HSL 156.97, 0.86%, 0.48%

LAB 80.58, -64.01, 26.96

 

CMYK 80 / 0 / 31 / 6

HEX #2FEFA5

RGB 47 239 165

HSL 156.88, 0.86%, 0.56%

LAB 84.51, -62.23, 23.11

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 76 / 0 / 26

HEX #0E2EBD

RGB 14 46 189

HSL 229.03, 0.86%, 0.4%

LAB 28.7, 46.05, -75.89

 

CMYK 0 / 72 / 93 / 26

HEX #BD340E

RGB 189 52 14

HSL 13.03, 0.86%, 0.4%

LAB 43.22, 53.09, 51.07

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 35 / 93 / 0 / 26

HEX #7A0EBD

RGB 122 14 189

HSL 277.03, 0.86%, 0.4%

LAB 34.24, 67.17, -66.43

 

CMYK 0 / 35 / 93 / 26

HEX #BD7A0E

RGB 189 122 14

HSL 37.03, 0.86%, 0.4%

LAB 56.85, 18.78, 60.71

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 93 / 76 / 0 / 26

HEX #0E2EBD

RGB 14 46 189

HSL 229.03, 0.86%, 0.4%

LAB 28.7, 46.05, -75.89

 

CMYK 0 / 93 / 57 / 26

HEX #BD0E51

RGB 189 14 81

HSL 337.03, 0.86%, 0.4%

LAB 40.78, 65.15, 11.24

 

CMYK 0 / 17 / 93 / 26

HEX #BD9D0E

RGB 189 157 14

HSL 49.03, 0.86%, 0.4%

LAB 65.72, -0.39, 67.33

 

CMYK 93 / 0 / 35 / 26

HEX #0EBD7A

RGB 14 189 122

HSL 157.03, 0.86%, 0.4%

LAB 67.94, -55.33, 22.96

 

CMYK 82 / 93 / 0 / 26

HEX #220EBD

RGB 34 14 189

HSL 246.86, 0.86%, 0.4%

LAB 24.73, 60.51, -82.47

 

CMYK 0 / 93 / 57 / 26

HEX #BD0E51

RGB 189 14 81

HSL 337.03, 0.86%, 0.4%

LAB 40.78, 65.15, 11.24

 

CMYK 11 / 0 / 93 / 26

HEX #A9BD0E

RGB 169 189 14

HSL 66.86, 0.86%, 0.4%

LAB 72.8, -25.62, 72.05

 

Description

Color code: RGB 14 189 122 | qconv.com Color code: RGB 14 189 122 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 189 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 189 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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