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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 116 102 it is the complementary color RGB 105 139 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 116 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 116 102 shade: RGB 155 116 97, RGB 172 134 116, RGB 189 152 135, RGB 206 170 154 and RGB 223 188 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 116 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 116 102 shade: RGB 150 116 102, RGB 133 98 83, RGB 116 80 64, RGB 99 62 45 and RGB 82 44 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 116 102 shade: RGB 148 115 101, RGB 148 102 101 and RGB 148 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 116 102 shade: RGB 148 115 101, RGB 148 127 101, RGB 148 140 101, RGB 143 148 101 and RGB 131 148 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 116 102 shade matches the following richer shades: RGB 148 115 101, RGB 168 106 80, RGB 189 98 60, RGB 209 89 40 and RGB 229 81 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 116 102 shade: RGB 148 115 101, RGB 128 123 121, RGB 108 131 141, RGB 88 140 161 and RGB 67 148 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 116 102 shade: RGB 148 101 113, RGB 148 102 101, RGB 148 114 101, RGB 148 127 101 and RGB 148 139 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 116 102 shade: RGB 99 77 67, RGB 124 96 84, RGB 148 115 101, RGB 166 136 124 and RGB 183 159 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 116 102 shade: RGB 150 116 102, RGB 125 148 101 and RGB 101 106 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 116 102 shade: RGB 150 116 102, RGB 101 148 114 and RGB 114 101 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 116 102 shade: RGB 150 116 102, RGB 125 148 101, RGB 101 135 148 and RGB 124 101 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 116 102 shade: RGB 150 116 102, RGB 111 148 101, RGB 101 135 148 and RGB 138 101 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

Complementary color

CMYK 31 / 9 / 0 / 40

HEX #698B99

RGB 105 139 153

HSL 197.5, 0.19%, 0.51%

LAB 55.86, -8.37, -11.3

 

CMYK 0 / 25 / 37 / 39

HEX #9B7461

RGB 155 116 97

HSL 19.66, 0.23%, 0.49%

LAB 52.2, 12.66, 16.46

 

CMYK 0 / 22 / 33 / 33

HEX #AC8674

RGB 172 134 116

HSL 19.29, 0.25%, 0.56%

LAB 59.05, 11.91, 15.26

 

CMYK 0 / 20 / 29 / 26

HEX #BD9887

RGB 189 152 135

HSL 18.89, 0.29%, 0.64%

LAB 65.77, 11.27, 14.17

 

CMYK 0 / 17 / 25 / 19

HEX #CEAA9A

RGB 206 170 154

HSL 18.46, 0.35%, 0.71%

LAB 72.36, 10.71, 13.17

 

CMYK 0 / 16 / 22 / 13

HEX #DFBCAD

RGB 223 188 173

HSL 18, 0.44%, 0.78%

LAB 78.85, 10.22, 12.24

 

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

CMYK 0 / 26 / 38 / 48

HEX #856253

RGB 133 98 83

HSL 18, 0.23%, 0.42%

LAB 44.73, 12.02, 14.07

 

CMYK 0 / 31 / 45 / 55

HEX #745040

RGB 116 80 64

HSL 18.46, 0.29%, 0.35%

LAB 37.52, 12.95, 15.47

 

CMYK 0 / 37 / 55 / 61

HEX #633E2D

RGB 99 62 45

HSL 18.89, 0.38%, 0.28%

LAB 30.13, 14.12, 17.11

 

CMYK 0 / 46 / 68 / 68

HEX #522C1A

RGB 82 44 26

HSL 19.29, 0.52%, 0.21%

LAB 22.55, 15.62, 19.11

 

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 31 / 32 / 42

HEX #946665

RGB 148 102 101

HSL 1.28, 0.19%, 0.49%

LAB 47.93, 18.4, 8.03

 

CMYK 0 / 32 / 32 / 42

HEX #946565

RGB 148 101 101

HSL 0, 0.19%, 0.49%

LAB 47.68, 18.98, 7.68

 

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 14 / 32 / 42

HEX #947F65

RGB 148 127 101

HSL 33.19, 0.19%, 0.49%

LAB 54.46, 3.97, 17.13

RGB 148 127 101

CMYK 0 / 5 / 32 / 42

HEX #948C65

RGB 148 140 101

HSL 49.79, 0.19%, 0.49%

LAB 58.03, -3.33, 21.95

RGB 148 140 101

CMYK 3 / 0 / 32 / 42

HEX #8F9465

RGB 143 148 101

HSL 66.38, 0.19%, 0.49%

LAB 59.85, -9.75, 24.3

RGB 143 148 101

CMYK 11 / 0 / 32 / 42

HEX #839465

RGB 131 148 101

HSL 81.7, 0.19%, 0.49%

LAB 58.92, -14.57, 22.9

RGB 131 148 101

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 37 / 52 / 34

HEX #A86A50

RGB 168 106 80

HSL 17.73, 0.35%, 0.49%

LAB 50.93, 21.94, 24.87

 

CMYK 0 / 48 / 68 / 26

HEX #BD623C

RGB 189 98 60

HSL 17.67, 0.52%, 0.49%

LAB 51.7, 33.46, 37.64

 

CMYK 0 / 57 / 81 / 18

HEX #D15928

RGB 209 89 40

HSL 17.4, 0.68%, 0.49%

LAB 52.79, 44.87, 49.77

 

CMYK 0 / 65 / 91 / 10

HEX #E55114

RGB 229 81 20

HSL 17.51, 0.84%, 0.49%

LAB 54.65, 55.15, 60.36

 

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 4 / 5 / 50

HEX #807B79

RGB 128 123 121

HSL 17.14, 0.03%, 0.49%

LAB 51.99, 1.51, 1.76

RGB 128 123 121

CMYK 23 / 7 / 0 / 45

HEX #6C838D

RGB 108 131 141

HSL 198.18, 0.13%, 0.49%

LAB 53.32, -5.9, -8.13

RGB 108 131 141

CMYK 45 / 13 / 0 / 37

HEX #588CA1

RGB 88 140 161

HSL 197.26, 0.29%, 0.49%

LAB 55.49, -11.55, -16.55

RGB 88 140 161

CMYK 63 / 19 / 0 / 29

HEX #4394B6

RGB 67 148 182

HSL 197.74, 0.46%, 0.49%

LAB 57.8, -14.17, -25.08

RGB 67 148 182

CMYK 0 / 32 / 24 / 42

HEX #946571

RGB 148 101 113

HSL 344.68, 0.19%, 0.49%

LAB 48, 20.77, 0.95

 

CMYK 0 / 31 / 32 / 42

HEX #946665

RGB 148 102 101

HSL 1.28, 0.19%, 0.49%

LAB 47.93, 18.4, 8.03

 

CMYK 0 / 23 / 32 / 42

HEX #947265

RGB 148 114 101

HSL 16.6, 0.19%, 0.49%

LAB 51, 11.44, 12.35

 

CMYK 0 / 14 / 32 / 42

HEX #947F65

RGB 148 127 101

HSL 33.19, 0.19%, 0.49%

LAB 54.46, 3.97, 17.13

RGB 148 127 101

CMYK 0 / 6 / 32 / 42

HEX #948B65

RGB 148 139 101

HSL 48.51, 0.19%, 0.49%

LAB 57.75, -2.77, 21.58

RGB 148 139 101

CMYK 0 / 22 / 32 / 61

HEX #634D43

RGB 99 77 67

HSL 18.75, 0.19%, 0.33%

LAB 34.73, 7.63, 9.46

 

CMYK 0 / 23 / 32 / 51

HEX #7C6054

RGB 124 96 84

HSL 18, 0.19%, 0.41%

LAB 43.2, 9.49, 11.2

 

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 18 / 25 / 35

HEX #A6887C

RGB 166 136 124

HSL 17.14, 0.19%, 0.57%

LAB 59.13, 9.51, 10.72

 

CMYK 0 / 13 / 19 / 28

HEX #B79F95

RGB 183 159 149

HSL 17.65, 0.19%, 0.65%

LAB 67.3, 7.17, 8.45

 

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

CMYK 16 / 0 / 32 / 42

HEX #7D9465

RGB 125 148 101

HSL 89.36, 0.19%, 0.49%

LAB 58.49, -16.91, 22.24

 

CMYK 32 / 28 / 0 / 42

HEX #656A94

RGB 101 106 148

HSL 233.62, 0.19%, 0.49%

LAB 45.92, 8.39, -23.54

 

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

CMYK 32 / 0 / 23 / 42

HEX #659472

RGB 101 148 114

HSL 136.6, 0.19%, 0.49%

LAB 57.23, -23.33, 13

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

CMYK 16 / 0 / 32 / 42

HEX #7D9465

RGB 125 148 101

HSL 89.36, 0.19%, 0.49%

LAB 58.49, -16.91, 22.24

 

CMYK 32 / 9 / 0 / 42

HEX #658794

RGB 101 135 148

HSL 196.6, 0.19%, 0.49%

LAB 54.27, -8.63, -10.82

 

CMYK 16 / 32 / 0 / 42

HEX #7C6594

RGB 124 101 148

HSL 269.36, 0.19%, 0.49%

LAB 46.62, 18.87, -22.31

 

CMYK 0 / 23 / 32 / 41

HEX #967466

RGB 150 116 102

HSL 17.5, 0.19%, 0.49%

LAB 51.76, 11.25, 12.86

 

CMYK 25 / 0 / 32 / 42

HEX #6F9465

RGB 111 148 101

HSL 107.23, 0.19%, 0.49%

LAB 57.56, -22.19, 20.83

 

CMYK 32 / 9 / 0 / 42

HEX #658794

RGB 101 135 148

HSL 196.6, 0.19%, 0.49%

LAB 54.27, -8.63, -10.82

 

CMYK 7 / 32 / 0 / 42

HEX #8A6594

RGB 138 101 148

HSL 287.23, 0.19%, 0.49%

LAB 48.07, 23.6, -19.95

 

Description

Color code: RGB 150 116 102 | qconv.com Color code: RGB 150 116 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 116 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 116 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 32 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 32% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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