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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 124 131 it is the complementary color RGB 105 131 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 124 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 124 131 shade: RGB 155 124 126, RGB 172 142 145, RGB 189 160 164, RGB 206 178 183 and RGB 223 196 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 124 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 133 106 112, RGB 116 88 93, RGB 99 70 74 and RGB 82 52 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 124 131 shade: RGB 150 124 131 and RGB 150 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 150 124 138, RGB 150 124 145, RGB 148 124 150 and RGB 141 124 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 124 131 shade matches the following richer shades: RGB 150 124 131, RGB 169 105 122, RGB 188 86 114, RGB 207 67 105 and RGB 226 48 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 131 143 140, RGB 112 162 149, RGB 93 181 158 and RGB 74 200 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 124 131 shade: RGB 150 124 145, RGB 150 124 138, RGB 150 124 132, RGB 150 124 125 and RGB 150 131 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 124 131 shade: RGB 107 85 91, RGB 129 104 111, RGB 150 124 131, RGB 168 147 153 and RGB 187 170 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 150 148 124 and RGB 124 142 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 132 150 124 and RGB 124 132 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 150 148 124, RGB 124 150 143 and RGB 124 126 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 124 131 shade: RGB 150 124 131, RGB 145 150 124, RGB 124 150 143 and RGB 130 124 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

Complementary color

CMYK 20 / 0 / 5 / 49

HEX #69837C

RGB 105 131 124

HSL 163.85, 0.11%, 0.46%

LAB 52.61, -10.85, 0.69

 

CMYK 0 / 20 / 19 / 39

HEX #9B7C7E

RGB 155 124 126

HSL 356.13, 0.13%, 0.55%

LAB 54.96, 12.31, 3.46

 

CMYK 0 / 17 / 16 / 33

HEX #AC8E91

RGB 172 142 145

HSL 354, 0.15%, 0.62%

LAB 61.79, 11.78, 2.65

 

CMYK 0 / 15 / 13 / 26

HEX #BDA0A4

RGB 189 160 164

HSL 351.72, 0.18%, 0.68%

LAB 68.49, 11.32, 1.89

 

CMYK 0 / 14 / 11 / 19

HEX #CEB2B7

RGB 206 178 183

HSL 349.29, 0.22%, 0.75%

LAB 75.06, 10.89, 1.17

 

CMYK 0 / 12 / 9 / 13

HEX #DFC4CA

RGB 223 196 202

HSL 346.67, 0.3%, 0.82%

LAB 81.53, 10.51, 0.49

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 20 / 16 / 48

HEX #856A70

RGB 133 106 112

HSL 346.67, 0.11%, 0.47%

LAB 47.58, 11.76, 0.73

 

CMYK 0 / 24 / 20 / 55

HEX #74585D

RGB 116 88 93

HSL 349.29, 0.14%, 0.4%

LAB 40.38, 12.38, 1.58

 

CMYK 0 / 29 / 25 / 61

HEX #63464A

RGB 99 70 74

HSL 351.72, 0.17%, 0.33%

LAB 32.98, 13.11, 2.54

 

CMYK 0 / 37 / 33 / 68

HEX #523437

RGB 82 52 55

HSL 354, 0.22%, 0.26%

LAB 25.34, 14, 3.68

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 17 / 17 / 41

HEX #967C7C

RGB 150 124 124

HSL 0, 0.11%, 0.54%

LAB 54.4, 10.02, 3.76

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 17 / 8 / 41

HEX #967C8A

RGB 150 124 138

HSL 327.69, 0.11%, 0.54%

LAB 54.8, 12.5, -3.82

 

CMYK 0 / 17 / 3 / 41

HEX #967C91

RGB 150 124 145

HSL 311.54, 0.11%, 0.54%

LAB 55.01, 13.82, -7.57

 

CMYK 1 / 17 / 0 / 41

HEX #947C96

RGB 148 124 150

HSL 295.38, 0.11%, 0.54%

LAB 54.98, 14.08, -10.54

 

CMYK 6 / 17 / 0 / 41

HEX #8D7C96

RGB 141 124 150

HSL 279.23, 0.11%, 0.54%

LAB 54.32, 11.58, -11.59

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 38 / 28 / 34

HEX #A9697A

RGB 169 105 122

HSL 344.06, 0.27%, 0.54%

LAB 51.77, 27.92, 1.39

 

CMYK 0 / 54 / 39 / 26

HEX #BC5672

RGB 188 86 114

HSL 343.53, 0.43%, 0.54%

LAB 50.17, 43.89, 4.17

 

CMYK 0 / 68 / 49 / 19

HEX #CF4369

RGB 207 67 105

HSL 343.71, 0.59%, 0.54%

LAB 49.86, 57.65, 9.57

 

CMYK 0 / 79 / 58 / 11

HEX #E23060

RGB 226 48 96

HSL 343.82, 0.75%, 0.54%

LAB 50.84, 68.69, 16.91

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 8 / 0 / 2 / 44

HEX #838F8C

RGB 131 143 140

HSL 165, 0.05%, 0.54%

LAB 58.38, -4.95, 0.1

 

CMYK 31 / 0 / 8 / 36

HEX #70A295

RGB 112 162 149

HSL 164.4, 0.21%, 0.54%

LAB 62.89, -19.57, 1.42

 

CMYK 49 / 0 / 13 / 29

HEX #5DB59E

RGB 93 181 158

HSL 164.32, 0.37%, 0.54%

LAB 67.91, -32.13, 3.58

 

CMYK 63 / 0 / 17 / 22

HEX #4AC8A6

RGB 74 200 166

HSL 163.81, 0.53%, 0.54%

LAB 73.23, -42.82, 6.82

 

CMYK 0 / 17 / 3 / 41

HEX #967C91

RGB 150 124 145

HSL 311.54, 0.11%, 0.54%

LAB 55.01, 13.82, -7.57

 

CMYK 0 / 17 / 8 / 41

HEX #967C8A

RGB 150 124 138

HSL 327.69, 0.11%, 0.54%

LAB 54.8, 12.5, -3.82

 

CMYK 0 / 17 / 12 / 41

HEX #967C84

RGB 150 124 132

HSL 341.54, 0.11%, 0.54%

LAB 54.62, 11.41, -0.58

 

CMYK 0 / 17 / 17 / 41

HEX #967C7D

RGB 150 124 125

HSL 357.69, 0.11%, 0.54%

LAB 54.43, 10.19, 3.21

 

CMYK 0 / 13 / 17 / 41

HEX #96837C

RGB 150 131 124

HSL 16.15, 0.11%, 0.54%

LAB 56.26, 6.02, 6.43

 

CMYK 0 / 21 / 15 / 58

HEX #6B555B

RGB 107 85 91

HSL 343.64, 0.11%, 0.38%

LAB 38.51, 10.16, -0.03

 

CMYK 0 / 19 / 14 / 49

HEX #81686F

RGB 129 104 111

HSL 343.2, 0.11%, 0.46%

LAB 46.6, 11.19, -0.15

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 13 / 9 / 34

HEX #A89399

RGB 168 147 153

HSL 342.86, 0.11%, 0.62%

LAB 62.92, 8.86, -0.29

 

CMYK 0 / 9 / 6 / 27

HEX #BBAAAF

RGB 187 170 175

HSL 342.35, 0.11%, 0.7%

LAB 71.15, 7, -0.35

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 1 / 17 / 41

HEX #96947C

RGB 150 148 124

HSL 55.38, 0.11%, 0.54%

LAB 60.89, -3.51, 12.98

 

CMYK 17 / 5 / 0 / 41

HEX #7C8E96

RGB 124 142 150

HSL 198.46, 0.11%, 0.54%

LAB 57.88, -4.67, -6.42

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 12 / 0 / 17 / 41

HEX #84967C

RGB 132 150 124

HSL 101.54, 0.11%, 0.54%

LAB 60.05, -11.49, 11.59

 

CMYK 17 / 12 / 0 / 41

HEX #7C8496

RGB 124 132 150

HSL 221.54, 0.11%, 0.54%

LAB 55.06, 1.01, -10.63

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 0 / 1 / 17 / 41

HEX #96947C

RGB 150 148 124

HSL 55.38, 0.11%, 0.54%

LAB 60.89, -3.51, 12.98

 

CMYK 17 / 0 / 5 / 41

HEX #7C968F

RGB 124 150 143

HSL 163.85, 0.11%, 0.54%

LAB 59.96, -10.62, 0.64

 

CMYK 17 / 16 / 0 / 41

HEX #7C7E96

RGB 124 126 150

HSL 235.38, 0.11%, 0.54%

LAB 53.39, 4.49, -13.14

 

CMYK 0 / 17 / 13 / 41

HEX #967C83

RGB 150 124 131

HSL 343.85, 0.11%, 0.54%

LAB 54.59, 11.23, -0.04

 

CMYK 3 / 0 / 17 / 41

HEX #91967C

RGB 145 150 124

HSL 71.54, 0.11%, 0.54%

LAB 61.03, -6.55, 13.12

 

CMYK 17 / 0 / 5 / 41

HEX #7C968F

RGB 124 150 143

HSL 163.85, 0.11%, 0.54%

LAB 59.96, -10.62, 0.64

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

Description

Color code: RGB 150 124 131 | qconv.com Color code: RGB 150 124 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 124 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 124 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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