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Color name
RGB 150 128 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 128 114 it is the complementary color RGB 105 127 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 128 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 128 114 shade: RGB 155 128 109, RGB 172 146 128, RGB 189 164 147, RGB 206 182 166 and RGB 223 200 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 128 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 133 110 95, RGB 116 92 76, RGB 99 74 57 and RGB 82 56 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 150 118 114 and RGB 150 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 150 138 114, RGB 150 148 114, RGB 143 150 114 and RGB 133 150 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 128 114 shade matches the following richer shades: RGB 150 128 114, RGB 170 124 94, RGB 190 119 74, RGB 210 115 54 and RGB 230 110 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 131 132 134, RGB 111 137 153, RGB 91 141 173 and RGB 71 146 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 128 114 shade: RGB 150 114 119, RGB 150 118 114, RGB 150 128 114, RGB 150 138 114 and RGB 150 147 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 128 114 shade: RGB 105 88 77, RGB 128 108 95, RGB 150 128 114, RGB 168 149 137 and RGB 186 171 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 129 150 114 and RGB 114 114 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 114 150 128 and RGB 128 114 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 129 150 114, RGB 114 136 150 and RGB 135 114 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 128 114 shade: RGB 150 128 114, RGB 118 150 114, RGB 114 136 150 and RGB 146 114 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

Complementary color

CMYK 26 / 10 / 0 / 45

HEX #697F8D

RGB 105 127 141

HSL 203.33, 0.15%, 0.48%

LAB 51.96, -4.6, -10.2

 

CMYK 0 / 17 / 30 / 39

HEX #9B806D

RGB 155 128 109

HSL 24.78, 0.19%, 0.52%

LAB 55.59, 7.42, 14.2

 

CMYK 0 / 15 / 26 / 33

HEX #AC9280

RGB 172 146 128

HSL 24.55, 0.21%, 0.59%

LAB 62.41, 6.89, 13.15

 

CMYK 0 / 13 / 22 / 26

HEX #BDA493

RGB 189 164 147

HSL 24.29, 0.24%, 0.66%

LAB 69.09, 6.43, 12.18

 

CMYK 0 / 12 / 19 / 19

HEX #CEB6A6

RGB 206 182 166

HSL 24, 0.29%, 0.73%

LAB 75.66, 6.02, 11.28

 

CMYK 0 / 10 / 17 / 13

HEX #DFC8B9

RGB 223 200 185

HSL 23.68, 0.37%, 0.8%

LAB 82.11, 5.66, 10.43

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 17 / 29 / 48

HEX #856E5F

RGB 133 110 95

HSL 23.68, 0.17%, 0.45%

LAB 48.22, 6.65, 11.76

 

CMYK 0 / 21 / 34 / 55

HEX #745C4C

RGB 116 92 76

HSL 24, 0.21%, 0.38%

LAB 41.04, 7.28, 12.93

 

CMYK 0 / 25 / 42 / 61

HEX #634A39

RGB 99 74 57

HSL 24.29, 0.27%, 0.31%

LAB 33.66, 8.07, 14.26

 

CMYK 0 / 32 / 54 / 68

HEX #523826

RGB 82 56 38

HSL 24.55, 0.37%, 0.24%

LAB 26.05, 9.11, 15.83

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 21 / 24 / 41

HEX #967672

RGB 150 118 114

HSL 6.67, 0.15%, 0.52%

LAB 52.57, 11.87, 6.97

 

CMYK 0 / 24 / 24 / 41

HEX #967272

RGB 150 114 114

HSL 0, 0.15%, 0.52%

LAB 51.53, 14.18, 5.49

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 8 / 24 / 41

HEX #968A72

RGB 150 138 114

HSL 40, 0.15%, 0.52%

LAB 57.92, 0.47, 14.5

 

CMYK 0 / 1 / 24 / 41

HEX #969472

RGB 150 148 114

HSL 56.67, 0.15%, 0.52%

LAB 60.67, -5.07, 18.29

 

CMYK 5 / 0 / 24 / 41

HEX #8F9672

RGB 143 150 114

HSL 71.67, 0.15%, 0.52%

LAB 60.66, -8.94, 18.19

 

CMYK 11 / 0 / 24 / 41

HEX #859672

RGB 133 150 114

HSL 88.33, 0.15%, 0.52%

LAB 59.9, -12.82, 17.02

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 27 / 45 / 33

HEX #AA7C5E

RGB 170 124 94

HSL 23.68, 0.31%, 0.52%

LAB 55.86, 14.04, 23.39

 

CMYK 0 / 37 / 61 / 25

HEX #BE774A

RGB 190 119 74

HSL 23.28, 0.47%, 0.52%

LAB 56.72, 23.43, 36.05

 

CMYK 0 / 45 / 74 / 18

HEX #D27336

RGB 210 115 54

HSL 23.46, 0.63%, 0.52%

LAB 58.25, 32.69, 48.7

 

CMYK 0 / 52 / 85 / 10

HEX #E66E23

RGB 230 110 35

HSL 23.08, 0.8%, 0.52%

LAB 59.98, 42.51, 59.45

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 2 / 1 / 0 / 47

HEX #838486

RGB 131 132 134

HSL 220, 0.01%, 0.52%

LAB 55.12, 0.03, -1.21

 

CMYK 27 / 10 / 0 / 40

HEX #6F8999

RGB 111 137 153

HSL 202.86, 0.17%, 0.52%

LAB 55.66, -5.39, -11.56

 

CMYK 47 / 18 / 0 / 32

HEX #5B8DAD

RGB 91 141 173

HSL 203.41, 0.33%, 0.52%

LAB 56.38, -7.88, -22.06

 

CMYK 63 / 24 / 0 / 24

HEX #4792C1

RGB 71 146 193

HSL 203.11, 0.5%, 0.52%

LAB 57.8, -8.77, -31.3

 

CMYK 0 / 24 / 21 / 41

HEX #967277

RGB 150 114 119

HSL 351.67, 0.15%, 0.52%

LAB 51.67, 14.97, 2.74

 

CMYK 0 / 21 / 24 / 41

HEX #967672

RGB 150 118 114

HSL 6.67, 0.15%, 0.52%

LAB 52.57, 11.87, 6.97

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 8 / 24 / 41

HEX #968A72

RGB 150 138 114

HSL 40, 0.15%, 0.52%

LAB 57.92, 0.47, 14.5

 

CMYK 0 / 2 / 24 / 41

HEX #969372

RGB 150 147 114

HSL 55, 0.15%, 0.52%

LAB 60.4, -4.52, 17.91

 

CMYK 0 / 16 / 27 / 59

HEX #69584D

RGB 105 88 77

HSL 23.57, 0.15%, 0.36%

LAB 38.76, 5.06, 8.97

 

CMYK 0 / 16 / 26 / 50

HEX #806C5F

RGB 128 108 95

HSL 23.64, 0.15%, 0.44%

LAB 47.16, 5.73, 10.21

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 0 / 11 / 18 / 34

HEX #A89589

RGB 168 149 137

HSL 23.23, 0.15%, 0.6%

LAB 63.03, 5.03, 8.9

 

CMYK 0 / 8 / 13 / 27

HEX #BAABA1

RGB 186 171 161

HSL 24, 0.15%, 0.68%

LAB 70.97, 3.69, 7.09

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 14 / 0 / 24 / 41

HEX #819672

RGB 129 150 114

HSL 95, 0.15%, 0.52%

LAB 59.61, -14.35, 16.58

 

CMYK 24 / 24 / 0 / 41

HEX #727296

RGB 114 114 150

HSL 240, 0.15%, 0.52%

LAB 49.27, 8.23, -19.49

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 24 / 0 / 15 / 41

HEX #729680

RGB 114 150 128

HSL 143.33, 0.15%, 0.52%

LAB 58.93, -17.17, 7.57

 

CMYK 15 / 24 / 0 / 41

HEX #807296

RGB 128 114 150

HSL 263.33, 0.15%, 0.52%

LAB 50.48, 12.92, -17.53

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 14 / 0 / 24 / 41

HEX #819672

RGB 129 150 114

HSL 95, 0.15%, 0.52%

LAB 59.61, -14.35, 16.58

 

CMYK 24 / 9 / 0 / 41

HEX #728896

RGB 114 136 150

HSL 203.33, 0.15%, 0.52%

LAB 55.47, -4.6, -10.09

 

CMYK 10 / 24 / 0 / 41

HEX #877296

RGB 135 114 150

HSL 275, 0.15%, 0.52%

LAB 51.14, 15.33, -16.47

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 21 / 0 / 24 / 41

HEX #769672

RGB 118 150 114

HSL 113.33, 0.15%, 0.52%

LAB 58.86, -18.43, 15.42

 

CMYK 24 / 9 / 0 / 41

HEX #728896

RGB 114 136 150

HSL 203.33, 0.15%, 0.52%

LAB 55.47, -4.6, -10.09

 

CMYK 3 / 24 / 0 / 41

HEX #927296

RGB 146 114 150

HSL 293.33, 0.15%, 0.52%

LAB 52.23, 19.18, -14.71

 

Description

Color code: RGB 150 128 114 | qconv.com Color code: RGB 150 128 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 128 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 128 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 24 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 24% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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