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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 130 94 it is the complementary color RGB 105 125 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 130 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 130 94 shade: RGB 155 130 89, RGB 172 148 108, RGB 189 166 127, RGB 206 184 146 and RGB 223 202 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 130 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 133 112 75, RGB 116 94 56, RGB 99 76 37 and RGB 82 58 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 150 115 94, RGB 150 100 94 and RGB 150 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 150 145 94, RGB 140 150 94, RGB 125 150 94 and RGB 109 150 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 130 94 shade matches the following richer shades: RGB 150 130 94, RGB 170 136 74, RGB 190 141 54, RGB 209 147 34 and RGB 229 153 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 130 124 114, RGB 110 119 133, RGB 91 113 153 and RGB 71 107 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 130 94 shade: RGB 150 99 94, RGB 150 114 94, RGB 150 129 94, RGB 150 144 94 and RGB 141 150 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 130 94 shade: RGB 99 86 62, RGB 125 108 78, RGB 150 130 94, RGB 168 150 117 and RGB 184 169 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 103 150 94 and RGB 107 94 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 94 150 129 and RGB 129 94 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 103 150 94, RGB 94 114 150 and RGB 141 94 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 130 94 shade: RGB 150 130 94, RGB 94 150 101, RGB 94 114 150 and RGB 150 94 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

Complementary color

CMYK 35 / 22 / 0 / 37

HEX #697DA1

RGB 105 125 161

HSL 218.57, 0.23%, 0.52%

LAB 52.11, 1.78, -21.62

 

CMYK 0 / 16 / 43 / 39

HEX #9B8259

RGB 155 130 89

HSL 37.27, 0.27%, 0.48%

LAB 55.74, 3.71, 25.74

 

CMYK 0 / 14 / 37 / 33

HEX #AC946C

RGB 172 148 108

HSL 37.5, 0.28%, 0.55%

LAB 62.54, 3.09, 24.47

 

CMYK 0 / 12 / 33 / 26

HEX #BDA67F

RGB 189 166 127

HSL 37.74, 0.32%, 0.62%

LAB 69.2, 2.56, 23.3

 

CMYK 0 / 11 / 29 / 19

HEX #CEB892

RGB 206 184 146

HSL 38, 0.38%, 0.69%

LAB 75.75, 2.1, 22.2

 

CMYK 0 / 9 / 26 / 13

HEX #DFCAA5

RGB 223 202 165

HSL 38.28, 0.48%, 0.76%

LAB 82.19, 1.71, 21.17

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 16 / 44 / 48

HEX #85704B

RGB 133 112 75

HSL 38.28, 0.28%, 0.41%

LAB 48.36, 2.82, 23.62

 

CMYK 0 / 19 / 52 / 55

HEX #745E38

RGB 116 94 56

HSL 38, 0.35%, 0.34%

LAB 41.22, 3.62, 25.04

 

CMYK 0 / 23 / 63 / 61

HEX #634C25

RGB 99 76 37

HSL 37.74, 0.46%, 0.27%

LAB 33.89, 4.67, 26.56

 

CMYK 0 / 29 / 78 / 68

HEX #523A12

RGB 82 58 18

HSL 37.5, 0.64%, 0.2%

LAB 26.34, 6.1, 27.98

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 23 / 37 / 41

HEX #96735E

RGB 150 115 94

HSL 22.5, 0.23%, 0.48%

LAB 51.33, 10.75, 16.92

 

CMYK 0 / 33 / 37 / 41

HEX #96645E

RGB 150 100 94

HSL 6.43, 0.23%, 0.48%

LAB 47.5, 19.43, 11.65

 

CMYK 0 / 37 / 37 / 41

HEX #965E5E

RGB 150 94 94

HSL 0, 0.23%, 0.48%

LAB 46.04, 22.88, 9.6

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 3 / 37 / 41

HEX #96915E

RGB 150 145 94

HSL 54.64, 0.23%, 0.48%

LAB 59.47, -6.14, 27.75

 

CMYK 7 / 0 / 37 / 41

HEX #8C965E

RGB 140 150 94

HSL 70.71, 0.23%, 0.48%

LAB 60.07, -12.98, 28.36

 

CMYK 17 / 0 / 37 / 41

HEX #7D965E

RGB 125 150 94

HSL 86.79, 0.23%, 0.48%

LAB 58.96, -18.99, 26.7

 

CMYK 27 / 0 / 37 / 41

HEX #6D965E

RGB 109 150 94

HSL 103.93, 0.23%, 0.48%

LAB 57.92, -25.06, 25.14

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 20 / 56 / 33

HEX #AA884A

RGB 170 136 74

HSL 38.75, 0.39%, 0.48%

LAB 58.65, 5.37, 37.81

 

CMYK 0 / 26 / 72 / 25

HEX #BE8D36

RGB 190 141 54

HSL 38.38, 0.56%, 0.48%

LAB 61.88, 10.05, 51.66

 

CMYK 0 / 30 / 84 / 18

HEX #D19322

RGB 209 147 34

HSL 38.74, 0.72%, 0.48%

LAB 65.39, 14.33, 63.26

 

CMYK 0 / 33 / 93 / 10

HEX #E5990F

RGB 229 153 15

HSL 38.69, 0.88%, 0.48%

LAB 69.09, 19.39, 71.62

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 5 / 12 / 49

HEX #827C72

RGB 130 124 114

HSL 37.5, 0.07%, 0.48%

LAB 52.26, 0.42, 6.27

 

CMYK 17 / 11 / 0 / 48

HEX #6E7785

RGB 110 119 133

HSL 216.52, 0.09%, 0.48%

LAB 49.74, -0.22, -8.79

 

CMYK 41 / 26 / 0 / 40

HEX #5B7199

RGB 91 113 153

HSL 218.71, 0.25%, 0.48%

LAB 47.41, 2.58, -24.26

 

CMYK 59 / 38 / 0 / 32

HEX #476BAD

RGB 71 107 173

HSL 218.82, 0.42%, 0.48%

LAB 45.46, 7.67, -39.15

 

CMYK 0 / 34 / 37 / 41

HEX #96635E

RGB 150 99 94

HSL 5.36, 0.23%, 0.48%

LAB 47.26, 20, 11.31

 

CMYK 0 / 24 / 37 / 41

HEX #96725E

RGB 150 114 94

HSL 21.43, 0.23%, 0.48%

LAB 51.07, 11.33, 16.56

 

CMYK 0 / 14 / 37 / 41

HEX #96815E

RGB 150 129 94

HSL 37.5, 0.23%, 0.48%

LAB 55.06, 2.75, 21.96

 

CMYK 0 / 4 / 37 / 41

HEX #96905E

RGB 150 144 94

HSL 53.57, 0.23%, 0.48%

LAB 59.19, -5.6, 27.39

 

CMYK 6 / 0 / 37 / 41

HEX #8D965E

RGB 141 150 94

HSL 69.64, 0.23%, 0.48%

LAB 60.14, -12.57, 28.48

 

CMYK 0 / 13 / 37 / 61

HEX #63563E

RGB 99 86 62

HSL 38.92, 0.23%, 0.32%

LAB 37.22, 1.37, 15.95

 

CMYK 0 / 14 / 38 / 51

HEX #7D6C4E

RGB 125 108 78

HSL 38.3, 0.23%, 0.4%

LAB 46.49, 2.01, 19.27

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 0 / 11 / 30 / 34

HEX #A89675

RGB 168 150 117

HSL 38.82, 0.23%, 0.56%

LAB 62.86, 1.51, 19.87

 

CMYK 0 / 8 / 23 / 28

HEX #B8A98E

RGB 184 169 142

HSL 38.57, 0.23%, 0.64%

LAB 69.84, 1.04, 15.91

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 31 / 0 / 37 / 41

HEX #67965E

RGB 103 150 94

HSL 110.36, 0.23%, 0.48%

LAB 57.56, -27.21, 24.62

 

CMYK 29 / 37 / 0 / 41

HEX #6B5E96

RGB 107 94 150

HSL 253.93, 0.23%, 0.48%

LAB 43.26, 18.15, -28.84

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 37 / 0 / 14 / 41

HEX #5E9681

RGB 94 150 129

HSL 157.5, 0.23%, 0.48%

LAB 57.83, -23.39, 5.28

 

CMYK 14 / 37 / 0 / 41

HEX #815E96

RGB 129 94 150

HSL 277.5, 0.23%, 0.48%

LAB 45.46, 25.16, -25.24

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 31 / 0 / 37 / 41

HEX #67965E

RGB 103 150 94

HSL 110.36, 0.23%, 0.48%

LAB 57.56, -27.21, 24.62

 

CMYK 37 / 24 / 0 / 41

HEX #5E7296

RGB 94 114 150

HSL 218.57, 0.23%, 0.48%

LAB 47.77, 1.99, -21.92

 

CMYK 6 / 37 / 0 / 41

HEX #8D5E96

RGB 141 94 150

HSL 290.36, 0.23%, 0.48%

LAB 46.8, 29.11, -23.06

 

CMYK 0 / 13 / 37 / 41

HEX #96825E

RGB 150 130 94

HSL 38.57, 0.23%, 0.48%

LAB 55.34, 2.19, 22.32

 

CMYK 37 / 0 / 33 / 41

HEX #5E9665

RGB 94 150 101

HSL 127.5, 0.23%, 0.48%

LAB 57.2, -29.09, 20.19

 

CMYK 37 / 24 / 0 / 41

HEX #5E7296

RGB 94 114 150

HSL 218.57, 0.23%, 0.48%

LAB 47.77, 1.99, -21.92

 

CMYK 0 / 37 / 5 / 41

HEX #965E8F

RGB 150 94 143

HSL 307.5, 0.23%, 0.48%

LAB 47.59, 30.74, -17.59

 

Description

Color code: RGB 150 130 94 | qconv.com Color code: RGB 150 130 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 130 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 130 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 37 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 37% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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