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Color name
RGB 150 142 64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 142 64 it is the complementary color RGB 105 113 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 142 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 142 64 shade: RGB 155 142 59, RGB 172 160 78, RGB 189 178 97, RGB 206 196 116 and RGB 223 214 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 142 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 142 64 shade: RGB 150 142 64, RGB 133 124 45, RGB 116 106 26, RGB 99 88 7 and RGB 82 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 142 64 shade: RGB 149 141 64, RGB 149 118 64, RGB 149 95 64, RGB 149 72 64 and RGB 149 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 142 64 shade: RGB 149 141 64, RGB 134 149 64, RGB 111 149 64, RGB 88 149 64 and RGB 65 149 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 142 64 shade matches the following richer shades: RGB 149 141 64, RGB 167 156 46, RGB 184 170 29 and RGB 201 184 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 142 64 shade: RGB 149 141 64, RGB 132 127 81, RGB 115 113 98, RGB 97 99 116 and RGB 80 85 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 142 64 shade: RGB 149 95 64, RGB 149 118 64, RGB 149 141 64, RGB 135 149 64 and RGB 112 149 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 142 64 shade: RGB 92 87 39, RGB 121 114 51, RGB 149 141 64, RGB 178 169 76 and RGB 191 183 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 142 64 shade: RGB 150 142 64, RGB 64 149 72 and RGB 107 64 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 142 64 shade: RGB 150 142 64, RGB 64 149 141 and RGB 141 64 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 142 64 shade: RGB 150 142 64, RGB 64 149 72, RGB 64 72 149 and RGB 149 64 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 142 64 shade: RGB 150 142 64, RGB 64 149 98, RGB 64 72 149 and RGB 149 64 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

Complementary color

CMYK 45 / 41 / 0 / 25

HEX #6971BF

RGB 105 113 191

HSL 234.42, 0.4%, 0.58%

LAB 50.19, 17.63, -41.98

 

CMYK 0 / 8 / 62 / 39

HEX #9B8E3B

RGB 155 142 59

HSL 51.88, 0.45%, 0.42%

LAB 58.63, -5.74, 44.86

 

CMYK 0 / 7 / 55 / 33

HEX #ACA04E

RGB 172 160 78

HSL 52.34, 0.38%, 0.49%

LAB 65.33, -6.53, 43.73

 

CMYK 0 / 6 / 49 / 26

HEX #BDB261

RGB 189 178 97

HSL 52.83, 0.41%, 0.56%

LAB 71.91, -7.17, 42.51

 

CMYK 0 / 5 / 44 / 19

HEX #CEC474

RGB 206 196 116

HSL 53.33, 0.48%, 0.63%

LAB 78.38, -7.69, 41.29

 

CMYK 0 / 4 / 39 / 13

HEX #DFD687

RGB 223 214 135

HSL 53.86, 0.58%, 0.7%

LAB 84.76, -8.13, 40.1

 

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

CMYK 0 / 7 / 66 / 48

HEX #857C2D

RGB 133 124 45

HSL 53.86, 0.49%, 0.35%

LAB 51.37, -6.74, 42.91

 

CMYK 0 / 9 / 78 / 55

HEX #746A1A

RGB 116 106 26

HSL 53.33, 0.63%, 0.28%

LAB 44.37, -5.65, 43.43

 

CMYK 0 / 11 / 93 / 61

HEX #635807

RGB 99 88 7

HSL 52.83, 0.87%, 0.21%

LAB 37.2, -4.21, 42.68

 

CMYK 0 / 15 / 100 / 68

HEX #524600

RGB 82 70 0

HSL 51.22, 1%, 0.16%

LAB 29.85, -2.25, 38.69

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 0 / 21 / 57 / 42

HEX #957640

RGB 149 118 64

HSL 38.12, 0.4%, 0.42%

LAB 51.52, 5.38, 34.01

 

CMYK 0 / 36 / 57 / 42

HEX #955F40

RGB 149 95 64

HSL 21.88, 0.4%, 0.42%

LAB 45.56, 18.64, 26.72

 

CMYK 0 / 52 / 57 / 42

HEX #954840

RGB 149 72 64

HSL 5.65, 0.4%, 0.42%

LAB 40.24, 31.57, 19.91

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 10 / 0 / 57 / 42

HEX #869540

RGB 134 149 64

HSL 70.59, 0.4%, 0.42%

LAB 58.91, -18.23, 42.31

 

CMYK 26 / 0 / 57 / 42

HEX #6F9540

RGB 111 149 64

HSL 86.82, 0.4%, 0.42%

LAB 57.31, -27.66, 40.05

 

CMYK 41 / 0 / 57 / 42

HEX #589540

RGB 88 149 64

HSL 103.06, 0.4%, 0.42%

LAB 56.03, -36.14, 38.23

 

CMYK 56 / 0 / 57 / 42

HEX #419540

RGB 65 149 64

HSL 119.29, 0.4%, 0.42%

LAB 55.06, -43.17, 36.85

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 0 / 7 / 72 / 35

HEX #A79C2E

RGB 167 156 46

HSL 54.55, 0.57%, 0.42%

LAB 63.5, -8.72, 55.8

 

CMYK 0 / 8 / 84 / 28

HEX #B8AA1D

RGB 184 170 29

HSL 54.58, 0.73%, 0.42%

LAB 68.77, -9.2, 66.48

 

CMYK 0 / 8 / 94 / 21

HEX #C9B80C

RGB 201 184 12

HSL 54.6, 0.89%, 0.42%

LAB 74.01, -9.3, 74.36

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 0 / 4 / 39 / 48

HEX #847F51

RGB 132 127 81

HSL 54.12, 0.24%, 0.42%

LAB 52.6, -5.43, 25.7

 

CMYK 0 / 2 / 15 / 55

HEX #737162

RGB 115 113 98

HSL 52.94, 0.08%, 0.42%

LAB 47.41, -2.06, 8.61

 

CMYK 16 / 15 / 0 / 55

HEX #616374

RGB 97 99 116

HSL 233.68, 0.09%, 0.42%

LAB 42.35, 3.07, -9.81

 

CMYK 40 / 36 / 0 / 48

HEX #505585

RGB 80 85 133

HSL 234.34, 0.25%, 0.42%

LAB 37.65, 10.83, -27.51

 

CMYK 0 / 36 / 57 / 42

HEX #955F40

RGB 149 95 64

HSL 21.88, 0.4%, 0.42%

LAB 45.56, 18.64, 26.72

 

CMYK 0 / 21 / 57 / 42

HEX #957640

RGB 149 118 64

HSL 38.12, 0.4%, 0.42%

LAB 51.52, 5.38, 34.01

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 9 / 0 / 57 / 42

HEX #879540

RGB 135 149 64

HSL 69.88, 0.4%, 0.42%

LAB 58.99, -17.8, 42.42

 

CMYK 25 / 0 / 57 / 42

HEX #709540

RGB 112 149 64

HSL 86.12, 0.4%, 0.42%

LAB 57.38, -27.27, 40.14

 

CMYK 0 / 5 / 58 / 64

HEX #5C5727

RGB 92 87 39

HSL 54.34, 0.4%, 0.26%

LAB 36.44, -5.2, 28.24

 

CMYK 0 / 6 / 58 / 53

HEX #797233

RGB 121 114 51

HSL 54, 0.41%, 0.34%

LAB 47.42, -6.18, 35.31

 

CMYK 0 / 5 / 57 / 42

HEX #958D40

RGB 149 141 64

HSL 54.35, 0.4%, 0.42%

LAB 57.86, -7.47, 41.43

 

CMYK 0 / 5 / 57 / 30

HEX #B2A94C

RGB 178 169 76

HSL 54.71, 0.4%, 0.5%

LAB 68.29, -8.88, 48.23

 

CMYK 0 / 4 / 45 / 25

HEX #BFB769

RGB 191 183 105

HSL 54.42, 0.4%, 0.58%

LAB 73.52, -8.17, 40.51

 

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

CMYK 57 / 0 / 52 / 42

HEX #409548

RGB 64 149 72

HSL 125.65, 0.4%, 0.42%

LAB 55.13, -42.32, 32.88

 

CMYK 28 / 57 / 0 / 42

HEX #6B4095

RGB 107 64 149

HSL 270.35, 0.4%, 0.42%

LAB 35.91, 35.96, -39.86

 

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

CMYK 57 / 0 / 5 / 42

HEX #40958D

RGB 64 149 141

HSL 174.35, 0.4%, 0.42%

LAB 56.59, -27.54, -3.52

 

CMYK 5 / 57 / 0 / 42

HEX #8D4095

RGB 141 64 149

HSL 294.35, 0.4%, 0.42%

LAB 40.41, 45.27, -32.44

 

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

CMYK 57 / 0 / 52 / 42

HEX #409548

RGB 64 149 72

HSL 125.65, 0.4%, 0.42%

LAB 55.13, -42.32, 32.88

 

CMYK 57 / 52 / 0 / 42

HEX #404895

RGB 64 72 149

HSL 234.35, 0.4%, 0.42%

LAB 33.76, 20.41, -43.53

 

CMYK 0 / 57 / 5 / 42

HEX #95408D

RGB 149 64 141

HSL 305.65, 0.4%, 0.42%

LAB 41.18, 46.06, -26.29

 

CMYK 0 / 5 / 57 / 41

HEX #968E40

RGB 150 142 64

HSL 54.42, 0.4%, 0.42%

LAB 58.23, -7.57, 41.88

 

CMYK 57 / 0 / 34 / 42

HEX #409562

RGB 64 149 98

HSL 144, 0.4%, 0.42%

LAB 55.55, -37.81, 19.41

 

CMYK 57 / 52 / 0 / 42

HEX #404895

RGB 64 72 149

HSL 234.35, 0.4%, 0.42%

LAB 33.76, 20.41, -43.53

 

CMYK 0 / 57 / 23 / 42

HEX #954073

RGB 149 64 115

HSL 324, 0.4%, 0.42%

LAB 40.07, 41.79, -12.04

 

Description

Color code: RGB 150 142 64 | qconv.com Color code: RGB 150 142 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 142 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 142 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 57 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 57% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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