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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 173 65 it is the complementary color RGB 105 82 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 173 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 173 65 shade: RGB 155 173 60, RGB 172 191 79, RGB 189 209 98, RGB 206 227 117 and RGB 223 245 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 173 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 133 155 46, RGB 116 137 27, RGB 99 119 8 and RGB 82 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 173 167 65, RGB 173 138 65, RGB 173 109 65 and RGB 173 80 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 121 173 65, RGB 92 173 65, RGB 65 173 68 and RGB 65 173 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 173 65 shade matches the following richer shades: RGB 150 173 65, RGB 161 193 46, RGB 173 212 27 and RGB 184 231 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 139 154 85, RGB 128 134 104, RGB 117 115 124 and RGB 106 96 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 173 65 shade: RGB 173 137 65, RGB 173 166 65, RGB 152 173 65, RGB 123 173 65 and RGB 94 173 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 173 65 shade: RGB 98 113 43, RGB 124 143 54, RGB 150 173 65, RGB 170 192 88 and RGB 185 203 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 65 173 109 and RGB 152 65 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 65 152 173 and RGB 173 65 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 65 173 109, RGB 87 65 173 and RGB 173 65 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 173 65 shade: RGB 150 173 65, RGB 65 173 141, RGB 87 65 173 and RGB 173 65 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

Complementary color

CMYK 45 / 57 / 0 / 25

HEX #6952BE

RGB 105 82 190

HSL 252.78, 0.45%, 0.53%

LAB 42.39, 36.17, -53.85

 

CMYK 10 / 0 / 65 / 32

HEX #9BAD3C

RGB 155 173 60

HSL 69.56, 0.48%, 0.46%

LAB 67.41, -21.87, 53.86

 

CMYK 10 / 0 / 59 / 25

HEX #ACBF4F

RGB 172 191 79

HSL 70.18, 0.47%, 0.53%

LAB 73.93, -22.37, 53.07

 

CMYK 10 / 0 / 53 / 18

HEX #BDD162

RGB 189 209 98

HSL 70.81, 0.55%, 0.6%

LAB 80.35, -22.76, 52.07

 

CMYK 9 / 0 / 48 / 11

HEX #CEE375

RGB 206 227 117

HSL 71.45, 0.66%, 0.67%

LAB 86.67, -23.06, 50.98

 

CMYK 9 / 0 / 44 / 4

HEX #DFF588

RGB 223 245 136

HSL 72.11, 0.84%, 0.75%

LAB 92.91, -23.3, 49.86

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 14 / 0 / 70 / 39

HEX #859B2E

RGB 133 155 46

HSL 72.11, 0.54%, 0.39%

LAB 60.45, -23.06, 51.86

 

CMYK 15 / 0 / 80 / 46

HEX #74891B

RGB 116 137 27

HSL 71.45, 0.67%, 0.32%

LAB 53.69, -22.33, 51.73

 

CMYK 17 / 0 / 93 / 53

HEX #637708

RGB 99 119 8

HSL 70.81, 0.87%, 0.25%

LAB 46.8, -21.34, 50.16

 

CMYK 19 / 0 / 100 / 60

HEX #526500

RGB 82 101 0

HSL 71.29, 1%, 0.2%

LAB 39.75, -19.97, 46

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 0 / 3 / 62 / 32

HEX #ADA741

RGB 173 167 65

HSL 56.67, 0.45%, 0.47%

LAB 67.2, -10.78, 51.92

 

CMYK 0 / 20 / 62 / 32

HEX #AD8A41

RGB 173 138 65

HSL 40.56, 0.45%, 0.47%

LAB 59.38, 4.88, 43.3

 

CMYK 0 / 37 / 62 / 32

HEX #AD6D41

RGB 173 109 65

HSL 24.44, 0.45%, 0.47%

LAB 52.07, 21.13, 34.81

 

CMYK 0 / 54 / 62 / 32

HEX #AD5041

RGB 173 80 65

HSL 8.33, 0.45%, 0.47%

LAB 45.64, 36.86, 26.97

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 30 / 0 / 62 / 32

HEX #79AD41

RGB 121 173 65

HSL 88.89, 0.45%, 0.47%

LAB 65.23, -35.04, 48.7

 

CMYK 47 / 0 / 62 / 32

HEX #5CAD41

RGB 92 173 65

HSL 105, 0.45%, 0.47%

LAB 63.79, -44.99, 46.7

 

CMYK 62 / 0 / 61 / 32

HEX #41AD44

RGB 65 173 68

HSL 121.67, 0.45%, 0.47%

LAB 62.87, -51.93, 44.04

 

CMYK 62 / 0 / 44 / 32

HEX #41AD61

RGB 65 173 97

HSL 137.78, 0.45%, 0.47%

LAB 63.24, -47.76, 30.11

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 17 / 0 / 76 / 24

HEX #A1C12E

RGB 161 193 46

HSL 73.06, 0.62%, 0.47%

LAB 73.49, -29.89, 65.15

 

CMYK 18 / 0 / 87 / 17

HEX #ADD41B

RGB 173 212 27

HSL 72.65, 0.77%, 0.47%

LAB 79.64, -34.54, 75.59

 

CMYK 20 / 0 / 97 / 9

HEX #B8E707

RGB 184 231 7

HSL 72.59, 0.94%, 0.47%

LAB 85.68, -39.07, 83.16

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 10 / 0 / 45 / 40

HEX #8B9A55

RGB 139 154 85

HSL 73.04, 0.29%, 0.47%

LAB 61.01, -16.59, 34.33

 

CMYK 4 / 0 / 22 / 47

HEX #808668

RGB 128 134 104

HSL 72, 0.13%, 0.47%

LAB 54.7, -7.71, 15.45

 

CMYK 6 / 7 / 0 / 51

HEX #75737C

RGB 117 115 124

HSL 253.33, 0.04%, 0.47%

LAB 48.88, 2.63, -4.68

 

CMYK 26 / 33 / 0 / 44

HEX #6A608F

RGB 106 96 143

HSL 252.77, 0.2%, 0.47%

LAB 43.38, 14.76, -24.47

 

CMYK 0 / 21 / 62 / 32

HEX #AD8941

RGB 173 137 65

HSL 40, 0.45%, 0.47%

LAB 59.12, 5.43, 43

 

CMYK 0 / 4 / 62 / 32

HEX #ADA641

RGB 173 166 65

HSL 56.11, 0.45%, 0.47%

LAB 66.93, -10.26, 51.63

 

CMYK 12 / 0 / 62 / 32

HEX #98AD41

RGB 152 173 65

HSL 71.67, 0.45%, 0.47%

LAB 67.24, -22.76, 51.47

 

CMYK 29 / 0 / 62 / 32

HEX #7BAD41

RGB 123 173 65

HSL 87.78, 0.45%, 0.47%

LAB 65.34, -34.29, 48.86

 

CMYK 46 / 0 / 62 / 32

HEX #5EAD41

RGB 94 173 65

HSL 103.89, 0.45%, 0.47%

LAB 63.88, -44.37, 46.82

 

CMYK 13 / 0 / 62 / 56

HEX #62712B

RGB 98 113 43

HSL 72.86, 0.45%, 0.31%

LAB 45.06, -16.75, 36.12

 

CMYK 13 / 0 / 62 / 44

HEX #7C8F36

RGB 124 143 54

HSL 72.81, 0.45%, 0.39%

LAB 56.28, -20.24, 43.87

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 11 / 0 / 54 / 25

HEX #AAC058

RGB 170 192 88

HSL 72.69, 0.45%, 0.55%

LAB 74.16, -22.91, 49.17

 

CMYK 9 / 0 / 42 / 20

HEX #B9CB76

RGB 185 203 118

HSL 72.71, 0.45%, 0.63%

LAB 78.66, -19.36, 40.29

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 62 / 0 / 37 / 32

HEX #41AD6D

RGB 65 173 109

HSL 144.44, 0.45%, 0.47%

LAB 63.44, -45.59, 24

 

CMYK 12 / 62 / 0 / 32

HEX #9841AD

RGB 152 65 173

HSL 288.33, 0.45%, 0.47%

LAB 43.47, 52.44, -41.84

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 62 / 12 / 0 / 32

HEX #4198AD

RGB 65 152 173

HSL 191.67, 0.45%, 0.47%

LAB 58.6, -19.51, -18.75

 

CMYK 0 / 62 / 12 / 32

HEX #AD4198

RGB 173 65 152

HSL 311.67, 0.45%, 0.47%

LAB 45.54, 54.2, -25.86

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 62 / 0 / 37 / 32

HEX #41AD6D

RGB 65 173 109

HSL 144.44, 0.45%, 0.47%

LAB 63.44, -45.59, 24

 

CMYK 50 / 62 / 0 / 32

HEX #5741AD

RGB 87 65 173

HSL 252.22, 0.45%, 0.47%

LAB 35.64, 37.4, -54.83

 

CMYK 0 / 62 / 25 / 32

HEX #AD4182

RGB 173 65 130

HSL 323.89, 0.45%, 0.47%

LAB 44.63, 50.94, -13.98

 

CMYK 13 / 0 / 62 / 32

HEX #96AD41

RGB 150 173 65

HSL 72.78, 0.45%, 0.47%

LAB 67.09, -23.59, 51.27

 

CMYK 62 / 0 / 18 / 32

HEX #41AD8D

RGB 65 173 141

HSL 162.22, 0.45%, 0.47%

LAB 64.11, -38.62, 7.4

 

CMYK 50 / 62 / 0 / 32

HEX #5741AD

RGB 87 65 173

HSL 252.22, 0.45%, 0.47%

LAB 35.64, 37.4, -54.83

 

CMYK 0 / 62 / 43 / 32

HEX #AD4162

RGB 173 65 98

HSL 341.67, 0.45%, 0.47%

LAB 43.58, 47.05, 4.12

 

Description

Color code: RGB 150 173 65 | qconv.com Color code: RGB 150 173 65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 173 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 173 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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