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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 180 151 it is the complementary color RGB 105 75 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 180 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 180 151 shade: RGB 155 180 146, RGB 172 198 165, RGB 189 216 184, RGB 206 234 203 and RGB 223 252 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 180 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 133 162 132, RGB 116 144 113, RGB 99 126 94 and RGB 82 108 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 157 180 150, RGB 165 180 150, RGB 174 180 150 and RGB 180 179 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 150 180 159, RGB 150 180 167, RGB 150 180 176 and RGB 150 177 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 180 151 shade matches the following richer shades: RGB 150 180 151, RGB 136 195 138, RGB 121 209 124, RGB 107 224 111 and RGB 92 238 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 165 166 165, RGB 179 152 178, RGB 193 137 192 and RGB 208 123 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 180 151 shade: RGB 165 180 150, RGB 157 180 150, RGB 150 180 151, RGB 150 180 159 and RGB 150 180 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 180 151 shade: RGB 103 145 104, RGB 126 163 127, RGB 150 180 151, RGB 174 198 175 and RGB 198 215 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 150 173 180 and RGB 180 150 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 151 150 180 and RGB 180 151 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 150 173 180, RGB 180 150 179 and RGB 180 157 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 180 151 shade: RGB 150 180 151, RGB 150 164 180, RGB 180 150 179 and RGB 180 166 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

Complementary color

CMYK 0 / 29 / 1 / 59

HEX #694B68

RGB 105 75 104

HSL 302, 0.17%, 0.35%

LAB 36.05, 18.12, -11.84

 

CMYK 14 / 0 / 19 / 29

HEX #9BB492

RGB 155 180 146

HSL 104.12, 0.18%, 0.64%

LAB 70.65, -15.03, 14.53

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A5

RGB 172 198 165

HSL 107.27, 0.22%, 0.71%

LAB 77.21, -14.96, 13.64

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B8

RGB 189 216 184

HSL 110.63, 0.29%, 0.78%

LAB 83.65, -14.91, 12.79

 

CMYK 12 / 0 / 13 / 8

HEX #CEEACB

RGB 206 234 203

HSL 114.19, 0.42%, 0.86%

LAB 89.99, -14.86, 11.98

 

CMYK 12 / 0 / 12 / 1

HEX #DFFCDE

RGB 223 252 222

HSL 118, 0.83%, 0.93%

LAB 96.24, -14.81, 11.21

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 18 / 0 / 19 / 36

HEX #85A284

RGB 133 162 132

HSL 118, 0.14%, 0.58%

LAB 63.75, -16.04, 12.33

 

CMYK 19 / 0 / 22 / 44

HEX #749071

RGB 116 144 113

HSL 114.19, 0.12%, 0.5%

LAB 56.93, -16.19, 13.28

 

CMYK 21 / 0 / 25 / 51

HEX #637E5E

RGB 99 126 94

HSL 110.63, 0.15%, 0.43%

LAB 49.96, -16.35, 14.32

 

CMYK 24 / 0 / 31 / 58

HEX #526C4B

RGB 82 108 75

HSL 107.27, 0.18%, 0.36%

LAB 42.8, -16.54, 15.45

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 13 / 0 / 17 / 29

HEX #9DB496

RGB 157 180 150

HSL 106, 0.17%, 0.65%

LAB 70.88, -13.62, 12.68

 

CMYK 8 / 0 / 17 / 29

HEX #A5B496

RGB 165 180 150

HSL 90, 0.17%, 0.65%

LAB 71.45, -10.73, 13.57

 

CMYK 3 / 0 / 17 / 29

HEX #AEB496

RGB 174 180 150

HSL 72, 0.17%, 0.65%

LAB 72.12, -7.4, 14.61

 

CMYK 0 / 1 / 17 / 29

HEX #B4B396

RGB 180 179 150

HSL 58, 0.17%, 0.65%

LAB 72.33, -4.63, 14.97

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 17 / 0 / 12 / 29

HEX #96B49F

RGB 150 180 159

HSL 138, 0.17%, 0.65%

LAB 70.61, -14.42, 7.32

 

CMYK 17 / 0 / 7 / 29

HEX #96B4A7

RGB 150 180 167

HSL 154, 0.17%, 0.65%

LAB 70.81, -12.85, 3.22

 

CMYK 17 / 0 / 2 / 29

HEX #96B4B0

RGB 150 180 176

HSL 172, 0.17%, 0.65%

LAB 71.05, -11.01, -1.38

 

CMYK 17 / 2 / 0 / 29

HEX #96B1B4

RGB 150 177 180

HSL 186, 0.17%, 0.65%

LAB 70.33, -8.57, -4.64

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 30 / 0 / 29 / 24

HEX #88C38A

RGB 136 195 138

HSL 122.03, 0.33%, 0.65%

LAB 73.61, -30.43, 22.73

 

CMYK 42 / 0 / 41 / 18

HEX #79D17C

RGB 121 209 124

HSL 122.05, 0.49%, 0.65%

LAB 76.75, -43.74, 34.07

 

CMYK 52 / 0 / 50 / 12

HEX #6BE06F

RGB 107 224 111

HSL 122.05, 0.65%, 0.65%

LAB 80.51, -55.6, 45.11

 

CMYK 61 / 0 / 59 / 7

HEX #5CEE61

RGB 92 238 97

HSL 122.05, 0.81%, 0.65%

LAB 84.12, -65.97, 55.68

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 1 / 0 / 1 / 35

HEX #A5A6A5

RGB 165 166 165

HSL 120, 0.01%, 0.65%

LAB 68.01, -0.54, 0.38

 

CMYK 0 / 15 / 1 / 30

HEX #B398B2

RGB 179 152 178

HSL 302.22, 0.15%, 0.65%

LAB 65.95, 14.65, -9.79

 

CMYK 0 / 29 / 1 / 24

HEX #C189C0

RGB 193 137 192

HSL 301.07, 0.31%, 0.65%

LAB 64.19, 30.46, -20.16

 

CMYK 0 / 41 / 1 / 18

HEX #D07BCD

RGB 208 123 205

HSL 302.12, 0.47%, 0.65%

LAB 63.33, 45.19, -28.64

 

CMYK 8 / 0 / 17 / 29

HEX #A5B496

RGB 165 180 150

HSL 90, 0.17%, 0.65%

LAB 71.45, -10.73, 13.57

 

CMYK 13 / 0 / 17 / 29

HEX #9DB496

RGB 157 180 150

HSL 106, 0.17%, 0.65%

LAB 70.88, -13.62, 12.68

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 17 / 0 / 12 / 29

HEX #96B49F

RGB 150 180 159

HSL 138, 0.17%, 0.65%

LAB 70.61, -14.42, 7.32

 

CMYK 17 / 0 / 7 / 29

HEX #96B4A7

RGB 150 180 167

HSL 154, 0.17%, 0.65%

LAB 70.81, -12.85, 3.22

 

CMYK 29 / 0 / 28 / 43

HEX #679168

RGB 103 145 104

HSL 121.43, 0.17%, 0.49%

LAB 56.22, -23.02, 17.26

 

CMYK 23 / 0 / 22 / 36

HEX #7EA37F

RGB 126 163 127

HSL 121.62, 0.17%, 0.57%

LAB 63.48, -19.96, 14.66

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 12 / 0 / 12 / 22

HEX #AEC6AF

RGB 174 198 175

HSL 122.5, 0.17%, 0.73%

LAB 77.57, -12.5, 8.8

 

CMYK 8 / 0 / 7 / 16

HEX #C6D7C7

RGB 198 215 199

HSL 123.53, 0.18%, 0.81%

LAB 84.34, -8.67, 5.93

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 17 / 4 / 0 / 29

HEX #96ADB4

RGB 150 173 180

HSL 194, 0.17%, 0.65%

LAB 69.23, -6.42, -6.26

 

CMYK 0 / 17 / 11 / 29

HEX #B496A1

RGB 180 150 161

HSL 338, 0.17%, 0.65%

LAB 65.03, 13.02, -1.58

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 16 / 17 / 0 / 29

HEX #9796B4

RGB 151 150 180

HSL 242, 0.17%, 0.65%

LAB 63.08, 6.62, -15.46

 

CMYK 0 / 16 / 17 / 29

HEX #B49796

RGB 180 151 150

HSL 2, 0.17%, 0.65%

LAB 64.99, 10.61, 4.55

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 17 / 4 / 0 / 29

HEX #96ADB4

RGB 150 173 180

HSL 194, 0.17%, 0.65%

LAB 69.23, -6.42, -6.26

 

CMYK 0 / 17 / 1 / 29

HEX #B496B3

RGB 180 150 179

HSL 302, 0.17%, 0.65%

LAB 65.57, 16.31, -10.9

 

CMYK 0 / 13 / 17 / 29

HEX #B49D96

RGB 180 157 150

HSL 14, 0.17%, 0.65%

LAB 66.53, 7.29, 6.76

 

CMYK 17 / 0 / 16 / 29

HEX #96B497

RGB 150 180 151

HSL 122, 0.17%, 0.65%

LAB 70.43, -15.92, 11.43

 

CMYK 17 / 9 / 0 / 29

HEX #96A4B4

RGB 150 164 180

HSL 212, 0.17%, 0.65%

LAB 66.77, -1.52, -9.92

 

CMYK 0 / 17 / 1 / 29

HEX #B496B3

RGB 180 150 179

HSL 302, 0.17%, 0.65%

LAB 65.57, 16.31, -10.9

 

CMYK 0 / 8 / 17 / 29

HEX #B4A696

RGB 180 166 150

HSL 32, 0.17%, 0.65%

LAB 68.88, 2.36, 10.11

 

Description

Color code: RGB 150 180 151 | qconv.com Color code: RGB 150 180 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 180 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 180 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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