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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 183 196 it is the complementary color RGB 105 72 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 183 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 183 196 shade: RGB 155 183 191, RGB 172 201 210, RGB 189 219 229, RGB 206 237 248 and RGB 223 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 183 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 133 165 177, RGB 116 147 158, RGB 99 129 139 and RGB 82 111 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 150 171 196, RGB 150 158 196, RGB 154 150 196 and RGB 167 150 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 150 171 196, RGB 150 158 196 and RGB 150 150 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 183 196 shade matches the following richer shades: RGB 150 183 196, RGB 137 189 209, RGB 124 194 222, RGB 110 200 235 and RGB 97 206 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 163 177 183, RGB 176 171 169, RGB 190 166 156 and RGB 203 160 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 183 196 shade: RGB 150 196 184, RGB 150 196 196, RGB 150 184 196, RGB 150 171 196 and RGB 150 159 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 183 196 shade: RGB 97 147 166, RGB 124 165 181, RGB 150 183 196, RGB 176 201 211 and RGB 203 219 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 171 150 196 and RGB 196 190 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 196 150 184 and RGB 184 196 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 171 150 196, RGB 196 162 150 and RGB 174 196 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 183 196 shade: RGB 150 183 196, RGB 185 150 196, RGB 196 162 150 and RGB 161 196 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

Complementary color

CMYK 0 / 31 / 44 / 59

HEX #69483B

RGB 105 72 59

HSL 16.96, 0.28%, 0.32%

LAB 33.89, 12.3, 13.44

 

CMYK 19 / 4 / 0 / 25

HEX #9BB7BF

RGB 155 183 191

HSL 193.33, 0.22%, 0.68%

LAB 72.63, -7.77, -7.24

 

CMYK 18 / 4 / 0 / 18

HEX #ACC9D2

RGB 172 201 210

HSL 194.21, 0.3%, 0.75%

LAB 79.15, -7.78, -7.74

 

CMYK 17 / 4 / 0 / 10

HEX #BDDBE5

RGB 189 219 229

HSL 195, 0.43%, 0.82%

LAB 85.57, -7.81, -8.23

 

CMYK 17 / 4 / 0 / 3

HEX #CEEDF8

RGB 206 237 248

HSL 195.71, 0.75%, 0.89%

LAB 91.89, -7.84, -8.71

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 25 / 7 / 0 / 31

HEX #85A5B1

RGB 133 165 177

HSL 196.36, 0.22%, 0.61%

LAB 65.8, -8.19, -9.82

 

CMYK 27 / 7 / 0 / 38

HEX #74939E

RGB 116 147 158

HSL 195.71, 0.18%, 0.54%

LAB 59.02, -8.18, -9.35

 

CMYK 29 / 7 / 0 / 45

HEX #63818B

RGB 99 129 139

HSL 195, 0.17%, 0.47%

LAB 52.08, -8.17, -8.88

 

CMYK 32 / 8 / 0 / 53

HEX #526F78

RGB 82 111 120

HSL 194.21, 0.19%, 0.4%

LAB 44.97, -8.16, -8.4

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 23 / 13 / 0 / 23

HEX #96ABC4

RGB 150 171 196

HSL 212.61, 0.28%, 0.68%

LAB 69.18, -1.73, -15.18

 

CMYK 23 / 19 / 0 / 23

HEX #969EC4

RGB 150 158 196

HSL 229.57, 0.28%, 0.68%

LAB 65.69, 5.48, -20.47

 

CMYK 21 / 23 / 0 / 23

HEX #9A96C4

RGB 154 150 196

HSL 245.22, 0.28%, 0.68%

LAB 63.89, 11.26, -23.19

 

CMYK 15 / 23 / 0 / 23

HEX #A796C4

RGB 167 150 196

HSL 262.17, 0.28%, 0.68%

LAB 64.97, 15.42, -21.44

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 23 / 13 / 0 / 23

HEX #96ABC4

RGB 150 171 196

HSL 212.61, 0.28%, 0.68%

LAB 69.18, -1.73, -15.18

 

CMYK 23 / 19 / 0 / 23

HEX #969EC4

RGB 150 158 196

HSL 229.57, 0.28%, 0.68%

LAB 65.69, 5.48, -20.47

 

CMYK 23 / 23 / 0 / 23

HEX #9696C4

RGB 150 150 196

HSL 240, 0.28%, 0.68%

LAB 63.58, 10.01, -23.7

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 34 / 10 / 0 / 18

HEX #89BDD1

RGB 137 189 209

HSL 196.67, 0.44%, 0.68%

LAB 73.75, -12.09, -15.5

 

CMYK 44 / 13 / 0 / 13

HEX #7CC2DE

RGB 124 194 222

HSL 197.14, 0.6%, 0.68%

LAB 74.91, -14.73, -20.86

 

CMYK 53 / 15 / 0 / 8

HEX #6EC8EB

RGB 110 200 235

HSL 196.8, 0.76%, 0.68%

LAB 76.45, -17.41, -25.59

 

CMYK 61 / 17 / 0 / 2

HEX #61CEF9

RGB 97 206 249

HSL 196.97, 0.93%, 0.68%

LAB 78.18, -18.88, -30.47

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 11 / 3 / 0 / 28

HEX #A3B1B7

RGB 163 177 183

HSL 198, 0.12%, 0.68%

LAB 71.32, -3.64, -4.73

 

CMYK 0 / 3 / 4 / 31

HEX #B0ABA9

RGB 176 171 169

HSL 17.14, 0.04%, 0.68%

LAB 70.33, 1.42, 1.65

 

CMYK 0 / 13 / 18 / 25

HEX #BEA69C

RGB 190 166 156

HSL 17.65, 0.21%, 0.68%

LAB 69.91, 7.1, 8.38

 

CMYK 0 / 21 / 30 / 20

HEX #CBA08F

RGB 203 160 143

HSL 17, 0.37%, 0.68%

LAB 69.34, 13.46, 14.93

 

CMYK 23 / 0 / 6 / 23

HEX #96C4B8

RGB 150 196 184

HSL 164.35, 0.28%, 0.68%

LAB 75.71, -17.63, 1.07

 

CMYK 23 / 0 / 0 / 23

HEX #96C4C4

RGB 150 196 196

HSL 180, 0.28%, 0.68%

LAB 76.04, -15.03, -4.95

 

CMYK 23 / 6 / 0 / 23

HEX #96B8C4

RGB 150 184 196

HSL 195.65, 0.28%, 0.68%

LAB 72.73, -8.75, -9.86

 

CMYK 23 / 13 / 0 / 23

HEX #96ABC4

RGB 150 171 196

HSL 212.61, 0.28%, 0.68%

LAB 69.18, -1.73, -15.18

 

CMYK 23 / 19 / 0 / 23

HEX #969FC4

RGB 150 159 196

HSL 228.26, 0.28%, 0.68%

LAB 65.96, 4.92, -20.07

 

CMYK 42 / 11 / 0 / 35

HEX #6193A6

RGB 97 147 166

HSL 196.52, 0.28%, 0.52%

LAB 58.19, -11.65, -15.27

 

CMYK 31 / 9 / 0 / 29

HEX #7CA5B5

RGB 124 165 181

HSL 196.84, 0.28%, 0.6%

LAB 65.38, -9.95, -12.74

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 17 / 5 / 0 / 17

HEX #B0C9D3

RGB 176 201 211

HSL 197.14, 0.28%, 0.76%

LAB 79.45, -6.31, -7.82

 

CMYK 10 / 3 / 0 / 12

HEX #CBDBE1

RGB 203 219 225

HSL 196.36, 0.27%, 0.84%

LAB 86.4, -4.17, -4.78

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 13 / 23 / 0 / 23

HEX #AB96C4

RGB 171 150 196

HSL 267.39, 0.28%, 0.68%

LAB 65.32, 16.73, -20.87

 

CMYK 0 / 3 / 23 / 23

HEX #C4BE96

RGB 196 190 150

HSL 52.17, 0.28%, 0.68%

LAB 76.54, -4.37, 21

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 0 / 23 / 6 / 23

HEX #C496B8

RGB 196 150 184

HSL 315.65, 0.28%, 0.68%

LAB 67.28, 22.83, -10.97

 

CMYK 6 / 0 / 23 / 23

HEX #B8C496

RGB 184 196 150

HSL 75.65, 0.28%, 0.68%

LAB 77.2, -12.01, 21.77

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 13 / 23 / 0 / 23

HEX #AB96C4

RGB 171 150 196

HSL 267.39, 0.28%, 0.68%

LAB 65.32, 16.73, -20.87

 

CMYK 0 / 17 / 23 / 23

HEX #C4A296

RGB 196 162 150

HSL 15.65, 0.28%, 0.68%

LAB 69.31, 10.65, 10.92

 

CMYK 11 / 0 / 23 / 23

HEX #AEC496

RGB 174 196 150

HSL 88.7, 0.28%, 0.68%

LAB 76.49, -15.7, 20.67

 

CMYK 23 / 7 / 0 / 23

HEX #96B7C4

RGB 150 183 196

HSL 196.96, 0.28%, 0.68%

LAB 72.45, -8.21, -10.27

 

CMYK 6 / 23 / 0 / 23

HEX #B996C4

RGB 185 150 196

HSL 285.65, 0.28%, 0.68%

LAB 66.61, 21.36, -18.8

 

CMYK 0 / 17 / 23 / 23

HEX #C4A296

RGB 196 162 150

HSL 15.65, 0.28%, 0.68%

LAB 69.31, 10.65, 10.92

 

CMYK 18 / 0 / 23 / 23

HEX #A1C496

RGB 161 196 150

HSL 105.65, 0.28%, 0.68%

LAB 75.61, -20.36, 19.33

 

Description

Color code: RGB 150 183 196 | qconv.com Color code: RGB 150 183 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 183 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 183 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 7 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 7% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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