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Color name
RGB 150 197 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 197 108 it is the complementary color RGB 105 58 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 197 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 197 108 shade: RGB 155 197 103, RGB 172 215 122, RGB 189 233 141, RGB 206 251 160 and RGB 223 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 197 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 197 108 shade: RGB 150 197 108, RGB 133 179 89, RGB 116 161 70, RGB 99 143 51 and RGB 82 125 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 197 108 shade: RGB 150 196 109, RGB 174 196 109, RGB 196 195 109, RGB 196 172 109 and RGB 196 148 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 197 108 shade: RGB 150 196 109, RGB 126 196 109, RGB 109 196 115, RGB 109 196 138 and RGB 109 196 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 197 108 shade matches the following richer shades: RGB 150 196 109, RGB 149 213 92, RGB 148 229 76 and RGB 147 246 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 197 108 shade: RGB 150 196 109, RGB 151 180 125, RGB 152 163 142, RGB 153 147 158 and RGB 154 130 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 197 108 shade: RGB 196 195 109, RGB 174 196 109, RGB 151 196 109, RGB 128 196 109 and RGB 109 196 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 197 108 shade: RGB 109 159 63, RGB 129 185 79, RGB 150 196 109, RGB 171 208 138 and RGB 192 220 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 197 108 shade: RGB 150 197 108, RGB 109 196 172 and RGB 196 109 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 197 108 shade: RGB 150 197 108, RGB 109 151 196 and RGB 196 109 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 197 108 shade: RGB 150 197 108, RGB 109 196 172, RGB 154 109 196 and RGB 196 109 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 197 108 shade: RGB 150 197 108, RGB 109 195 196, RGB 154 109 196 and RGB 196 110 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

Complementary color

CMYK 29 / 61 / 0 / 42

HEX #693A93

RGB 105 58 147

HSL 271.69, 0.43%, 0.4%

LAB 34.26, 38.32, -41.29

 

CMYK 21 / 0 / 48 / 23

HEX #9BC567

RGB 155 197 103

HSL 86.81, 0.45%, 0.59%

LAB 74.75, -29.63, 42.44

 

CMYK 20 / 0 / 43 / 16

HEX #ACD77A

RGB 172 215 122

HSL 87.74, 0.54%, 0.66%

LAB 81.17, -29.63, 41.27

 

CMYK 19 / 0 / 39 / 9

HEX #BDE98D

RGB 189 233 141

HSL 88.7, 0.68%, 0.73%

LAB 87.49, -29.61, 40.13

 

CMYK 18 / 0 / 36 / 2

HEX #CEFBA0

RGB 206 251 160

HSL 89.67, 0.92%, 0.81%

LAB 93.73, -29.57, 39.01

 

CMYK 13 / 0 / 30 / 0

HEX #DFFFB3

RGB 223 255 179

HSL 85.26, 1%, 0.85%

LAB 96.19, -22.92, 33.01

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 26 / 0 / 50 / 30

HEX #85B359

RGB 133 179 89

HSL 90.67, 0.37%, 0.53%

LAB 67.98, -30.91, 40.77

 

CMYK 28 / 0 / 57 / 37

HEX #74A146

RGB 116 161 70

HSL 89.67, 0.39%, 0.45%

LAB 61.35, -30.87, 41.91

 

CMYK 31 / 0 / 64 / 44

HEX #638F33

RGB 99 143 51

HSL 88.7, 0.47%, 0.38%

LAB 54.59, -30.72, 42.9

 

CMYK 34 / 0 / 74 / 51

HEX #527D20

RGB 82 125 32

HSL 87.74, 0.59%, 0.31%

LAB 47.71, -30.39, 43.46

 

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 11 / 0 / 44 / 23

HEX #AEC46D

RGB 174 196 109

HSL 75.17, 0.42%, 0.6%

LAB 75.81, -21.19, 41.06

 

CMYK 0 / 1 / 44 / 23

HEX #C4C36D

RGB 196 195 109

HSL 59.31, 0.42%, 0.6%

LAB 77.2, -11.92, 43.15

 

CMYK 0 / 12 / 44 / 23

HEX #C4AC6D

RGB 196 172 109

HSL 43.45, 0.42%, 0.6%

LAB 71.11, 0.09, 35.52

 

CMYK 0 / 24 / 44 / 23

HEX #C4946D

RGB 196 148 109

HSL 26.9, 0.42%, 0.6%

LAB 64.98, 13.1, 27.6

 

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 36 / 0 / 44 / 23

HEX #7EC46D

RGB 126 196 109

HSL 108.28, 0.42%, 0.6%

LAB 72.9, -38.65, 36.79

 

CMYK 44 / 0 / 41 / 23

HEX #6DC473

RGB 109 196 115

HSL 124.14, 0.42%, 0.6%

LAB 72.21, -43.05, 32.68

 

CMYK 44 / 0 / 30 / 23

HEX #6DC48A

RGB 109 196 138

HSL 140, 0.42%, 0.6%

LAB 72.61, -39.11, 21.15

 

CMYK 44 / 0 / 17 / 23

HEX #6DC4A2

RGB 109 196 162

HSL 156.55, 0.42%, 0.6%

LAB 73.12, -34.23, 8.97

 

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 30 / 0 / 57 / 16

HEX #95D55C

RGB 149 213 92

HSL 91.74, 0.59%, 0.6%

LAB 78.9, -40.31, 52.48

 

CMYK 35 / 0 / 67 / 10

HEX #94E54C

RGB 148 229 76

HSL 91.76, 0.75%, 0.6%

LAB 83.37, -48.87, 64.09

 

CMYK 40 / 0 / 76 / 4

HEX #93F63B

RGB 147 246 59

HSL 91.76, 0.91%, 0.6%

LAB 88.18, -57.1, 74.72

 

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 16 / 0 / 31 / 29

HEX #97B47D

RGB 151 180 125

HSL 91.64, 0.27%, 0.6%

LAB 69.97, -19.89, 24.89

 

CMYK 7 / 0 / 13 / 36

HEX #98A38E

RGB 152 163 142

HSL 91.43, 0.1%, 0.6%

LAB 65.61, -7.86, 9.59

 

CMYK 3 / 7 / 0 / 38

HEX #99939E

RGB 153 147 158

HSL 272.73, 0.05%, 0.6%

LAB 61.75, 4.34, -5

 

CMYK 12 / 26 / 0 / 31

HEX #9A82AF

RGB 154 130 175

HSL 272, 0.22%, 0.6%

LAB 57.97, 17.95, -20.36

 

CMYK 0 / 1 / 44 / 23

HEX #C4C36D

RGB 196 195 109

HSL 59.31, 0.42%, 0.6%

LAB 77.2, -11.92, 43.15

 

CMYK 11 / 0 / 44 / 23

HEX #AEC46D

RGB 174 196 109

HSL 75.17, 0.42%, 0.6%

LAB 75.81, -21.19, 41.06

 

CMYK 23 / 0 / 44 / 23

HEX #97C46D

RGB 151 196 109

HSL 91.03, 0.42%, 0.6%

LAB 74.29, -29.92, 38.83

 

CMYK 35 / 0 / 44 / 23

HEX #80C46D

RGB 128 196 109

HSL 106.9, 0.42%, 0.6%

LAB 73.01, -37.99, 36.94

 

CMYK 44 / 0 / 42 / 23

HEX #6DC471

RGB 109 196 113

HSL 122.76, 0.42%, 0.6%

LAB 72.18, -43.36, 33.66

 

CMYK 31 / 0 / 60 / 38

HEX #6D9F3F

RGB 109 159 63

HSL 91.25, 0.43%, 0.44%

LAB 60.25, -33.27, 43.86

 

CMYK 30 / 0 / 57 / 27

HEX #81B94F

RGB 129 185 79

HSL 91.7, 0.43%, 0.52%

LAB 69.42, -36.23, 47.21

 

CMYK 23 / 0 / 44 / 23

HEX #96C46D

RGB 150 196 109

HSL 91.72, 0.42%, 0.6%

LAB 74.23, -30.29, 38.74

 

CMYK 18 / 0 / 34 / 18

HEX #ABD08A

RGB 171 208 138

HSL 91.71, 0.43%, 0.68%

LAB 79.39, -24.55, 30.85

 

CMYK 13 / 0 / 24 / 14

HEX #C0DCA8

RGB 192 220 168

HSL 92.31, 0.43%, 0.76%

LAB 84.6, -18.47, 22.54

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 44 / 0 / 12 / 23

HEX #6DC4AC

RGB 109 196 172

HSL 163.45, 0.42%, 0.6%

LAB 73.36, -32, 3.9

 

CMYK 0 / 44 / 5 / 23

HEX #C46DBA

RGB 196 109 186

HSL 306.9, 0.42%, 0.6%

LAB 58.24, 45.38, -25.84

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 44 / 23 / 0 / 23

HEX #6D97C4

RGB 109 151 196

HSL 211.03, 0.42%, 0.6%

LAB 61.11, -2.31, -27.73

 

CMYK 0 / 44 / 23 / 23

HEX #C46D97

RGB 196 109 151

HSL 331.03, 0.42%, 0.6%

LAB 56.99, 39.72, -7.55

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 44 / 0 / 12 / 23

HEX #6DC4AC

RGB 109 196 172

HSL 163.45, 0.42%, 0.6%

LAB 73.36, -32, 3.9

 

CMYK 21 / 44 / 0 / 23

HEX #9A6DC4

RGB 154 109 196

HSL 271.03, 0.42%, 0.6%

LAB 53.81, 34.78, -38.84

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 24 / 0 / 45 / 23

HEX #96C56C

RGB 150 197 108

HSL 91.69, 0.43%, 0.6%

LAB 74.51, -30.88, 39.59

 

CMYK 44 / 1 / 0 / 23

HEX #6DC3C4

RGB 109 195 196

HSL 180.69, 0.42%, 0.6%

LAB 73.72, -25.67, -8.61

 

CMYK 21 / 44 / 0 / 23

HEX #9A6DC4

RGB 154 109 196

HSL 271.03, 0.42%, 0.6%

LAB 53.81, 34.78, -38.84

 

CMYK 0 / 44 / 44 / 23

HEX #C46E6D

RGB 196 110 109

HSL 0.69, 0.42%, 0.6%

LAB 56.08, 33.86, 15.62

 

Description

Color code: RGB 150 197 108 | qconv.com Color code: RGB 150 197 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 197 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 197 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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