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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 37 49 it is the complementary color RGB 105 218 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 37 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 37 49 shade: RGB 155 37 44, RGB 172 55 63, RGB 189 73 82, RGB 206 91 101 and RGB 223 109 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 37 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 133 19 30, RGB 116 1 11, RGB 99 0 0 and RGB 82 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 37 49 shade: RGB 150 37 49 and RGB 150 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 150 37 80, RGB 150 37 110, RGB 150 37 141 and RGB 130 37 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 37 49 shade matches the following richer shades: RGB 150 37 49, RGB 166 22 37 and RGB 181 7 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 135 53 61, RGB 120 68 73, RGB 105 83 85 and RGB 89 98 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 37 49 shade: RGB 150 37 111, RGB 150 37 81, RGB 150 37 50, RGB 150 54 37 and RGB 150 84 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 37 49 shade: RGB 84 21 28, RGB 117 29 38, RGB 150 37 49, RGB 183 45 60 and RGB 207 63 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 141 150 37 and RGB 37 96 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 50 150 37 and RGB 37 50 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 141 150 37, RGB 37 150 137 and RGB 47 37 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 37 49 shade: RGB 150 37 49, RGB 107 150 37, RGB 37 150 137 and RGB 81 37 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

Complementary color

CMYK 52 / 0 / 6 / 15

HEX #69DACE

RGB 105 218 206

HSL 173.63, 0.6%, 0.63%

LAB 80.52, -35.07, -3.95

 

CMYK 0 / 76 / 72 / 39

HEX #9B252C

RGB 155 37 44

HSL 356.44, 0.61%, 0.38%

LAB 34.95, 48.37, 25.82

 

CMYK 0 / 68 / 63 / 33

HEX #AC373F

RGB 172 55 63

HSL 355.9, 0.52%, 0.45%

LAB 41, 48.09, 22.26

 

CMYK 0 / 61 / 57 / 26

HEX #BD4952

RGB 189 73 82

HSL 355.34, 0.47%, 0.51%

LAB 47.23, 47.37, 19.39

 

CMYK 0 / 56 / 51 / 19

HEX #CE5B65

RGB 206 91 101

HSL 354.78, 0.54%, 0.58%

LAB 53.54, 46.44, 17.05

 

CMYK 0 / 51 / 46 / 13

HEX #DF6D78

RGB 223 109 120

HSL 354.21, 0.64%, 0.65%

LAB 59.87, 45.43, 15.08

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 86 / 77 / 48

HEX #85131E

RGB 133 19 30

HSL 354.21, 0.75%, 0.3%

LAB 28.24, 46.46, 25.66

 

CMYK 0 / 99 / 91 / 55

HEX #74010B

RGB 116 1 11

HSL 354.78, 0.98%, 0.23%

LAB 22.86, 44.79, 29.99

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 75 / 75 / 41

HEX #962525

RGB 150 37 37

HSL 0, 0.6%, 0.37%

LAB 33.86, 46.44, 28.61

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 75 / 47 / 41

HEX #962550

RGB 150 37 80

HSL 337.17, 0.6%, 0.37%

LAB 34.77, 49.45, 2.29

 

CMYK 0 / 75 / 27 / 41

HEX #96256E

RGB 150 37 110

HSL 321.24, 0.6%, 0.37%

LAB 35.85, 52.87, -15.31

 

CMYK 0 / 75 / 6 / 41

HEX #96258D

RGB 150 37 141

HSL 304.78, 0.6%, 0.37%

LAB 37.35, 57.41, -32.29

 

CMYK 13 / 75 / 0 / 41

HEX #822596

RGB 130 37 150

HSL 289.38, 0.6%, 0.37%

LAB 34.54, 54.57, -42.48

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 87 / 78 / 35

HEX #A61625

RGB 166 22 37

HSL 353.75, 0.77%, 0.37%

LAB 35.62, 55.54, 31.49

 

CMYK 0 / 96 / 86 / 29

HEX #B50719

RGB 181 7 25

HSL 353.79, 0.93%, 0.37%

LAB 37.92, 61.49, 41.64

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 61 / 55 / 47

HEX #87353D

RGB 135 53 61

HSL 354.15, 0.44%, 0.37%

LAB 34.05, 35.83, 13.15

 

CMYK 0 / 43 / 39 / 53

HEX #784449

RGB 120 68 73

HSL 354.23, 0.28%, 0.37%

LAB 35.22, 23, 6.75

 

CMYK 0 / 21 / 19 / 59

HEX #695355

RGB 105 83 85

HSL 354.55, 0.12%, 0.37%

LAB 37.56, 9.48, 2.3

 

CMYK 9 / 0 / 1 / 62

HEX #596261

RGB 89 98 97

HSL 173.33, 0.05%, 0.37%

LAB 40.77, -3.69, -0.63

 

CMYK 0 / 75 / 26 / 41

HEX #96256F

RGB 150 37 111

HSL 320.71, 0.6%, 0.37%

LAB 35.9, 53, -15.88

 

CMYK 0 / 75 / 46 / 41

HEX #962551

RGB 150 37 81

HSL 336.64, 0.6%, 0.37%

LAB 34.8, 49.55, 1.68

 

CMYK 0 / 75 / 67 / 41

HEX #962532

RGB 150 37 50

HSL 353.1, 0.6%, 0.37%

LAB 34.06, 47.11, 20.72

 

CMYK 0 / 64 / 75 / 41

HEX #963625

RGB 150 54 37

HSL 9.03, 0.6%, 0.37%

LAB 36.47, 39.33, 31.53

 

CMYK 0 / 44 / 75 / 41

HEX #965425

RGB 150 84 37

HSL 24.96, 0.6%, 0.37%

LAB 42.7, 23.53, 38.2

 

CMYK 0 / 75 / 67 / 67

HEX #54151C

RGB 84 21 28

HSL 353.33, 0.6%, 0.21%

LAB 17.94, 29.54, 12.07

 

CMYK 0 / 75 / 68 / 54

HEX #751D26

RGB 117 29 38

HSL 353.86, 0.6%, 0.29%

LAB 26.16, 38.54, 17.15

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 0 / 75 / 67 / 28

HEX #B72D3C

RGB 183 45 60

HSL 353.48, 0.61%, 0.45%

LAB 41.64, 55.16, 25.36

 

CMYK 0 / 70 / 62 / 19

HEX #CF3F4F

RGB 207 63 79

HSL 353.33, 0.6%, 0.53%

LAB 48.74, 57.24, 23.77

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 6 / 0 / 75 / 41

HEX #8D9625

RGB 141 150 37

HSL 64.78, 0.6%, 0.37%

LAB 59.53, -17.54, 54.51

 

CMYK 75 / 36 / 0 / 41

HEX #256096

RGB 37 96 150

HSL 208.67, 0.6%, 0.37%

LAB 39.51, 0.25, -35.03

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 67 / 0 / 75 / 41

HEX #329625

RGB 50 150 37

HSL 113.1, 0.6%, 0.37%

LAB 54.68, -50.02, 48.14

 

CMYK 75 / 67 / 0 / 41

HEX #253296

RGB 37 50 150

HSL 233.1, 0.6%, 0.37%

LAB 26.38, 30.91, -56.21

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 6 / 0 / 75 / 41

HEX #8D9625

RGB 141 150 37

HSL 64.78, 0.6%, 0.37%

LAB 59.53, -17.54, 54.51

 

CMYK 75 / 0 / 9 / 41

HEX #259689

RGB 37 150 137

HSL 173.1, 0.6%, 0.37%

LAB 56.1, -33.64, -2.03

 

CMYK 69 / 75 / 0 / 41

HEX #2F2596

RGB 47 37 150

HSL 245.31, 0.6%, 0.37%

LAB 24.09, 40.09, -59.94

 

CMYK 0 / 75 / 67 / 41

HEX #962531

RGB 150 37 49

HSL 353.63, 0.6%, 0.37%

LAB 34.04, 47.05, 21.33

 

CMYK 29 / 0 / 75 / 41

HEX #6B9625

RGB 107 150 37

HSL 82.83, 0.6%, 0.37%

LAB 57.15, -31.9, 51.39

 

CMYK 75 / 0 / 9 / 41

HEX #259689

RGB 37 150 137

HSL 173.1, 0.6%, 0.37%

LAB 56.1, -33.64, -2.03

 

CMYK 46 / 75 / 0 / 41

HEX #512596

RGB 81 37 150

HSL 263.36, 0.6%, 0.37%

LAB 27.5, 45.02, -54.22

 

Description

Color code: RGB 150 37 49 | qconv.com Color code: RGB 150 37 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 37 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 37 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 67 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 67% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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