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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 65 241 it is the complementary color RGB 105 190 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 65 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 65 241 shade: RGB 155 65 236, RGB 172 83 255, RGB 189 101 255, RGB 206 119 255 and RGB 223 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 65 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 65 241 shade: RGB 150 65 241, RGB 133 47 222, RGB 116 29 203, RGB 99 11 184 and RGB 82 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 65 241 shade: RGB 150 65 240, RGB 197 65 240, RGB 240 65 236, RGB 240 65 189 and RGB 240 65 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 65 241 shade: RGB 150 65 240, RGB 102 65 240 and RGB 65 65 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 65 241 shade matches the following richer shades: RGB 150 65 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 65 241 shade: RGB 150 65 240, RGB 150 81 224, RGB 151 98 207, RGB 151 114 191 and RGB 152 131 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 65 241 shade: RGB 65 76 240, RGB 100 65 240, RGB 147 65 240, RGB 193 65 240 and RGB 240 65 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 65 241 shade: RGB 108 15 207, RGB 128 26 237, RGB 150 65 240, RGB 171 103 243 and RGB 192 142 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 65 241 shade: RGB 150 65 241, RGB 240 65 123 and RGB 65 240 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 65 241 shade: RGB 150 65 241, RGB 240 147 65 and RGB 65 240 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 65 241 shade: RGB 150 65 241, RGB 240 65 123, RGB 158 240 65 and RGB 65 240 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 65 241 shade: RGB 150 65 241, RGB 240 65 71, RGB 158 240 65 and RGB 65 240 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

Complementary color

CMYK 45 / 0 / 93 / 25

HEX #69BE0E

RGB 105 190 14

HSL 88.98, 0.86%, 0.4%

LAB 69.37, -50.56, 67.73

 

CMYK 34 / 72 / 0 / 7

HEX #9B41EC

RGB 155 65 236

HSL 271.58, 0.82%, 0.59%

LAB 48.01, 66.57, -70.84

 

CMYK 33 / 67 / 0 / 0

HEX #AC53FF

RGB 172 83 255

HSL 271.05, 1%, 0.66%

LAB 54.21, 66.2, -71.3

 

CMYK 26 / 60 / 0 / 0

HEX #BD65FF

RGB 189 101 255

HSL 274.29, 1%, 0.7%

LAB 59.29, 61.34, -63.01

 

CMYK 19 / 53 / 0 / 0

HEX #CE77FF

RGB 206 119 255

HSL 278.38, 1%, 0.73%

LAB 64.59, 56.52, -54.44

 

CMYK 13 / 46 / 0 / 0

HEX #DF89FF

RGB 223 137 255

HSL 283.73, 1%, 0.77%

LAB 70.04, 51.86, -45.72

 

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

CMYK 40 / 79 / 0 / 13

HEX #852FDE

RGB 133 47 222

HSL 269.49, 0.73%, 0.53%

LAB 41.68, 66.86, -73.35

 

CMYK 43 / 86 / 0 / 20

HEX #741DCB

RGB 116 29 203

HSL 270, 0.75%, 0.45%

LAB 35.8, 66.09, -72.12

 

CMYK 46 / 94 / 0 / 28

HEX #630BB8

RGB 99 11 184

HSL 270.52, 0.89%, 0.38%

LAB 30.29, 64.03, -70.09

 

CMYK 50 / 100 / 0 / 35

HEX #5200A5

RGB 82 0 165

HSL 269.82, 1%, 0.32%

LAB 25.29, 60.18, -67.01

 

CMYK 38 / 73 / 0 / 6

HEX #9641F0

RGB 150 65 240

HSL 269.14, 0.85%, 0.6%

LAB 47.7, 66.62, -73.64

 

CMYK 18 / 73 / 0 / 6

HEX #C541F0

RGB 197 65 240

HSL 285.26, 0.85%, 0.6%

LAB 53.97, 75.12, -63.19

 

CMYK 0 / 73 / 2 / 6

HEX #F041EC

RGB 240 65 236

HSL 301.37, 0.85%, 0.6%

LAB 60.21, 82.94, -50.59

 

CMYK 0 / 73 / 21 / 6

HEX #F041BD

RGB 240 65 189

HSL 317.49, 0.85%, 0.6%

LAB 58.02, 76.37, -27.38

 

CMYK 0 / 73 / 41 / 6

HEX #F0418E

RGB 240 65 142

HSL 333.6, 0.85%, 0.6%

LAB 56.35, 71.13, -2.48

 

CMYK 38 / 73 / 0 / 6

HEX #9641F0

RGB 150 65 240

HSL 269.14, 0.85%, 0.6%

LAB 47.7, 66.62, -73.64

 

CMYK 58 / 73 / 0 / 6

HEX #6641F0

RGB 102 65 240

HSL 252.69, 0.85%, 0.6%

LAB 42.61, 59.4, -82.17

 

CMYK 73 / 73 / 0 / 6

HEX #4141F0

RGB 65 65 240

HSL 240, 0.85%, 0.6%

LAB 39.91, 55.41, -86.71

 

CMYK 38 / 73 / 0 / 6

HEX #9641F0

RGB 150 65 240

HSL 269.14, 0.85%, 0.6%

LAB 47.7, 66.62, -73.64

 

CMYK 38 / 73 / 0 / 6

HEX #9641F0

RGB 150 65 240

HSL 269.14, 0.85%, 0.6%

LAB 47.7, 66.62, -73.64

 

CMYK 33 / 64 / 0 / 12

HEX #9651E0

RGB 150 81 224

HSL 268.95, 0.7%, 0.6%

LAB 49.19, 55.51, -62.18

 

CMYK 27 / 53 / 0 / 19

HEX #9762CF

RGB 151 98 207

HSL 269.17, 0.53%, 0.6%

LAB 51.63, 42.72, -48.59

 

CMYK 21 / 40 / 0 / 25

HEX #9772BF

RGB 151 114 191

HSL 268.83, 0.38%, 0.6%

LAB 54.42, 29.87, -35.04

 

CMYK 13 / 25 / 0 / 32

HEX #9883AE

RGB 152 131 174

HSL 269.3, 0.21%, 0.6%

LAB 58, 16.48, -19.76

 

CMYK 73 / 68 / 0 / 6

HEX #414CF0

RGB 65 76 240

HSL 236.23, 0.85%, 0.6%

LAB 42.13, 49.26, -83.05

 

CMYK 58 / 73 / 0 / 6

HEX #6441F0

RGB 100 65 240

HSL 252, 0.85%, 0.6%

LAB 42.43, 59.15, -82.47

 

CMYK 39 / 73 / 0 / 6

HEX #9341F0

RGB 147 65 240

HSL 268.11, 0.85%, 0.6%

LAB 47.33, 66.12, -74.25

 

CMYK 20 / 73 / 0 / 6

HEX #C141F0

RGB 193 65 240

HSL 283.89, 0.85%, 0.6%

LAB 53.39, 74.36, -64.13

 

CMYK 0 / 73 / 0 / 6

HEX #F041F0

RGB 240 65 240

HSL 300, 0.85%, 0.6%

LAB 60.42, 83.56, -52.49

 

CMYK 48 / 93 / 0 / 19

HEX #6C0FCF

RGB 108 15 207

HSL 269.06, 0.86%, 0.44%

LAB 34.06, 69.33, -77.35

 

CMYK 46 / 89 / 0 / 7

HEX #801AED

RGB 128 26 237

HSL 269, 0.85%, 0.52%

LAB 40.32, 75.72, -84.15

 

CMYK 38 / 73 / 0 / 6

HEX #9641F0

RGB 150 65 240

HSL 269.14, 0.85%, 0.6%

LAB 47.7, 66.62, -73.64

 

CMYK 30 / 58 / 0 / 5

HEX #AB67F3

RGB 171 103 243

HSL 269.14, 0.85%, 0.68%

LAB 56.91, 53.51, -60.3

 

CMYK 22 / 42 / 0 / 4

HEX #C08EF6

RGB 192 142 246

HSL 268.85, 0.85%, 0.76%

LAB 67.43, 38.68, -45.12

 

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

CMYK 0 / 73 / 49 / 6

HEX #F0417B

RGB 240 65 123

HSL 340.11, 0.85%, 0.6%

LAB 55.82, 69.44, 8.03

 

CMYK 73 / 0 / 68 / 6

HEX #41F04C

RGB 65 240 76

HSL 123.77, 0.85%, 0.6%

LAB 83.95, -73.65, 63.88

 

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

CMYK 0 / 39 / 73 / 6

HEX #F09341

RGB 240 147 65

HSL 28.11, 0.85%, 0.6%

LAB 69.31, 28.58, 56.3

 

CMYK 73 / 0 / 39 / 6

HEX #41F093

RGB 65 240 147

HSL 148.11, 0.85%, 0.6%

LAB 84.77, -64.05, 32.65

 

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

CMYK 0 / 73 / 49 / 6

HEX #F0417B

RGB 240 65 123

HSL 340.11, 0.85%, 0.6%

LAB 55.82, 69.44, 8.03

 

CMYK 34 / 0 / 73 / 6

HEX #9EF041

RGB 158 240 65

HSL 88.11, 0.85%, 0.6%

LAB 86.98, -50.72, 71.86

 

CMYK 73 / 0 / 24 / 6

HEX #41F0B6

RGB 65 240 182

HSL 160.11, 0.85%, 0.6%

LAB 85.41, -56.95, 15.62

 

CMYK 38 / 73 / 0 / 5

HEX #9641F1

RGB 150 65 241

HSL 268.98, 0.86%, 0.6%

LAB 47.77, 66.85, -74.08

 

CMYK 0 / 73 / 70 / 6

HEX #F04147

RGB 240 65 71

HSL 357.94, 0.85%, 0.6%

LAB 54.83, 66.15, 37.31

 

CMYK 34 / 0 / 73 / 6

HEX #9EF041

RGB 158 240 65

HSL 88.11, 0.85%, 0.6%

LAB 86.98, -50.72, 71.86

 

CMYK 73 / 0 / 3 / 6

HEX #41F0EA

RGB 65 240 234

HSL 177.94, 0.85%, 0.6%

LAB 86.69, -43.95, -9.73

 

Description

Color code: RGB 150 65 241 | qconv.com Color code: RGB 150 65 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 65 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 65 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 73 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 73% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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