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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 81 69 it is the complementary color RGB 105 174 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 81 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 81 69 shade: RGB 155 81 64, RGB 172 99 83, RGB 189 117 102, RGB 206 135 121 and RGB 223 153 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 81 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 133 63 50, RGB 116 45 31, RGB 99 27 12 and RGB 82 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 81 69 shade: RGB 150 81 69 and RGB 150 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 150 102 69, RGB 150 124 69, RGB 150 146 69 and RGB 131 150 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 81 69 shade matches the following richer shades: RGB 150 81 69, RGB 167 68 51, RGB 185 56 33 and RGB 203 43 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 132 93 86, RGB 114 106 104, RGB 96 118 122 and RGB 79 131 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 81 69 shade: RGB 150 69 101, RGB 150 69 79, RGB 150 79 69, RGB 150 101 69 and RGB 150 123 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 81 69 shade: RGB 93 50 43, RGB 121 65 56, RGB 150 81 69, RGB 176 97 84 and RGB 189 123 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 123 150 69 and RGB 69 90 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 69 150 79 and RGB 79 69 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 123 150 69, RGB 69 139 150 and RGB 96 69 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 81 69 shade: RGB 150 81 69, RGB 98 150 69, RGB 69 139 150 and RGB 120 69 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

Complementary color

CMYK 44 / 6 / 0 / 27

HEX #69AEBA

RGB 105 174 186

HSL 188.89, 0.37%, 0.57%

LAB 67.14, -18.6, -12.97

 

CMYK 0 / 48 / 59 / 39

HEX #9B5140

RGB 155 81 64

HSL 11.21, 0.42%, 0.43%

LAB 43.1, 29.09, 23.78

 

CMYK 0 / 42 / 52 / 33

HEX #AC6353

RGB 172 99 83

HSL 10.79, 0.35%, 0.5%

LAB 49.88, 27.77, 21.86

 

CMYK 0 / 38 / 46 / 26

HEX #BD7566

RGB 189 117 102

HSL 10.34, 0.4%, 0.57%

LAB 56.59, 26.6, 20.2

 

CMYK 0 / 34 / 41 / 19

HEX #CE8779

RGB 206 135 121

HSL 9.88, 0.46%, 0.64%

LAB 63.2, 25.55, 18.75

 

CMYK 0 / 31 / 37 / 13

HEX #DF998C

RGB 223 153 140

HSL 9.4, 0.56%, 0.71%

LAB 69.73, 24.62, 17.45

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 53 / 62 / 48

HEX #853F32

RGB 133 63 50

HSL 9.4, 0.45%, 0.36%

LAB 35.54, 28.85, 21.95

 

CMYK 0 / 61 / 73 / 55

HEX #742D1F

RGB 116 45 31

HSL 9.88, 0.58%, 0.29%

LAB 28.61, 30.31, 24.57

 

CMYK 0 / 73 / 88 / 61

HEX #631B0C

RGB 99 27 12

HSL 10.34, 0.78%, 0.22%

LAB 21.81, 31.63, 27.29

 

CMYK 0 / 89 / 100 / 68

HEX #520900

RGB 82 9 0

HSL 6.59, 1%, 0.16%

LAB 15.43, 32.09, 23.81

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 54 / 54 / 41

HEX #964545

RGB 150 69 69

HSL 0, 0.37%, 0.43%

LAB 39.87, 34.01, 16.37

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 32 / 54 / 41

HEX #966645

RGB 150 102 69

HSL 24.44, 0.37%, 0.43%

LAB 47.52, 15.48, 26.34

 

CMYK 0 / 17 / 54 / 41

HEX #967C45

RGB 150 124 69

HSL 40.74, 0.37%, 0.43%

LAB 53.31, 2.86, 33.53

 

CMYK 0 / 3 / 54 / 41

HEX #969245

RGB 150 146 69

HSL 57.04, 0.37%, 0.43%

LAB 59.41, -9.31, 40.78

 

CMYK 13 / 0 / 54 / 41

HEX #839645

RGB 131 150 69

HSL 74.07, 0.37%, 0.43%

LAB 59.04, -19.54, 39.96

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 59 / 69 / 35

HEX #A74433

RGB 167 68 51

HSL 8.79, 0.53%, 0.43%

LAB 42.14, 39.7, 30.67

 

CMYK 0 / 70 / 82 / 27

HEX #B93821

RGB 185 56 33

HSL 9.08, 0.7%, 0.43%

LAB 43.14, 50.66, 42.56

 

CMYK 0 / 79 / 93 / 20

HEX #CB2B0F

RGB 203 43 15

HSL 8.94, 0.86%, 0.43%

LAB 44.88, 60.38, 53.15

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 30 / 35 / 48

HEX #845D56

RGB 132 93 86

HSL 9.13, 0.21%, 0.43%

LAB 43.37, 14.96, 10.37

 

CMYK 0 / 7 / 9 / 55

HEX #726A68

RGB 114 106 104

HSL 12, 0.05%, 0.43%

LAB 45.48, 2.75, 2.24

 

CMYK 21 / 3 / 0 / 52

HEX #60767A

RGB 96 118 122

HSL 189.23, 0.12%, 0.43%

LAB 48.07, -7.07, -4.88

 

CMYK 44 / 6 / 0 / 45

HEX #4F838C

RGB 79 131 140

HSL 188.85, 0.28%, 0.43%

LAB 51.6, -14.86, -10.31

 

CMYK 0 / 54 / 33 / 41

HEX #964565

RGB 150 69 101

HSL 336.3, 0.37%, 0.43%

LAB 40.7, 37.61, -2.38

 

CMYK 0 / 54 / 47 / 41

HEX #96454F

RGB 150 69 79

HSL 352.59, 0.37%, 0.43%

LAB 40.09, 34.99, 10.47

 

CMYK 0 / 47 / 54 / 41

HEX #964F45

RGB 150 79 69

HSL 7.41, 0.37%, 0.43%

LAB 42.01, 28.59, 19.22

 

CMYK 0 / 33 / 54 / 41

HEX #966545

RGB 150 101 69

HSL 23.7, 0.37%, 0.43%

LAB 47.26, 16.06, 26.02

 

CMYK 0 / 18 / 54 / 41

HEX #967B45

RGB 150 123 69

HSL 40, 0.37%, 0.43%

LAB 53.04, 3.42, 33.2

 

CMYK 0 / 46 / 54 / 64

HEX #5D322B

RGB 93 50 43

HSL 8.4, 0.37%, 0.27%

LAB 26.11, 18.59, 12.96

 

CMYK 0 / 46 / 54 / 53

HEX #794138

RGB 121 65 56

HSL 8.31, 0.37%, 0.35%

LAB 34.25, 23.22, 16.2

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 45 / 52 / 31

HEX #B06154

RGB 176 97 84

HSL 8.48, 0.37%, 0.51%

LAB 50, 30.57, 21.53

 

CMYK 0 / 35 / 41 / 26

HEX #BD7B70

RGB 189 123 112

HSL 8.57, 0.37%, 0.59%

LAB 58.18, 24.39, 16.64

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 18 / 0 / 54 / 41

HEX #7B9645

RGB 123 150 69

HSL 80, 0.37%, 0.43%

LAB 58.46, -22.84, 39.14

 

CMYK 54 / 40 / 0 / 41

HEX #455A96

RGB 69 90 150

HSL 224.44, 0.37%, 0.43%

LAB 39.21, 10.16, -35.42

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 54 / 0 / 47 / 41

HEX #45964F

RGB 69 150 79

HSL 127.41, 0.37%, 0.43%

LAB 55.73, -40.35, 30.01

 

CMYK 47 / 54 / 0 / 41

HEX #4F4596

RGB 79 69 150

HSL 247.41, 0.37%, 0.43%

LAB 34.23, 26.09, -43.32

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 18 / 0 / 54 / 41

HEX #7B9645

RGB 123 150 69

HSL 80, 0.37%, 0.43%

LAB 58.46, -22.84, 39.14

 

CMYK 54 / 7 / 0 / 41

HEX #458B96

RGB 69 139 150

HSL 188.15, 0.37%, 0.43%

LAB 53.96, -18.76, -12.61

 

CMYK 36 / 54 / 0 / 41

HEX #604596

RGB 96 69 150

HSL 260, 0.37%, 0.43%

LAB 35.88, 30.36, -40.59

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 35 / 0 / 54 / 41

HEX #629645

RGB 98 150 69

HSL 98.52, 0.37%, 0.43%

LAB 56.92, -32.49, 36.93

 

CMYK 54 / 7 / 0 / 41

HEX #458B96

RGB 69 139 150

HSL 188.15, 0.37%, 0.43%

LAB 53.96, -18.76, -12.61

 

CMYK 20 / 54 / 0 / 41

HEX #784596

RGB 120 69 150

HSL 277.78, 0.37%, 0.43%

LAB 38.64, 36.94, -36.02

 

Description

Color code: RGB 150 81 69 | qconv.com Color code: RGB 150 81 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 81 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 81 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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