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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 13 118 it is the complementary color RGB 104 242 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 13 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 13 118 shade: RGB 156 13 113, RGB 173 31 132, RGB 190 49 151, RGB 207 67 170 and RGB 224 85 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 13 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 13 118 shade: RGB 151 13 118, RGB 134 0 99, RGB 117 0 80, RGB 100 0 61 and RGB 83 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 13 118 shade: RGB 150 13 117, RGB 150 13 80, RGB 150 13 43 and RGB 150 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 13 118 shade: RGB 150 13 117, RGB 145 13 150, RGB 108 13 150, RGB 72 13 150 and RGB 35 13 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 13 118 shade matches the following richer shades: RGB 150 13 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 13 118 shade: RGB 150 13 117, RGB 136 26 110, RGB 123 39 103, RGB 110 52 96 and RGB 97 65 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 13 118 shade: RGB 109 13 150, RGB 145 13 150, RGB 150 13 118, RGB 150 13 81 and RGB 150 13 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 13 118 shade: RGB 74 6 58, RGB 112 9 87, RGB 150 13 117, RGB 188 16 147 and RGB 226 19 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 13 118 shade: RGB 151 13 118, RGB 150 72 13 and RGB 13 150 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 13 118 shade: RGB 151 13 118, RGB 118 150 13 and RGB 13 118 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 13 118 shade: RGB 151 13 118, RGB 150 72 13, RGB 13 150 45 and RGB 13 90 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 13 118 shade: RGB 151 13 118, RGB 150 113 13, RGB 13 150 45 and RGB 13 49 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

Complementary color

CMYK 57 / 0 / 43 / 5

HEX #68F289

RGB 104 242 137

HSL 134.35, 0.84%, 0.68%

LAB 86.13, -59.46, 39.57

 

CMYK 0 / 92 / 28 / 39

HEX #9C0D71

RGB 156 13 113

HSL 318.04, 0.85%, 0.33%

LAB 35.1, 60.54, -18.28

 

CMYK 0 / 82 / 24 / 32

HEX #AD1F84

RGB 173 31 132

HSL 317.32, 0.7%, 0.4%

LAB 40.46, 63.12, -21.6

 

CMYK 0 / 74 / 21 / 25

HEX #BE3197

RGB 190 49 151

HSL 316.6, 0.59%, 0.47%

LAB 46.15, 64.49, -24.1

 

CMYK 0 / 68 / 18 / 19

HEX #CF43AA

RGB 207 67 170

HSL 315.86, 0.59%, 0.54%

LAB 52.04, 65.08, -26.02

 

CMYK 0 / 62 / 16 / 12

HEX #E055BD

RGB 224 85 189

HSL 315.11, 0.69%, 0.61%

LAB 58.05, 65.15, -27.53

 

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

CMYK 0 / 100 / 26 / 47

HEX #860063

RGB 134 0 99

HSL 315.67, 1%, 0.26%

LAB 29.33, 56.01, -18.57

 

CMYK 0 / 100 / 32 / 54

HEX #750050

RGB 117 0 80

HSL 318.97, 1%, 0.23%

LAB 24.83, 50.06, -13.26

 

CMYK 0 / 100 / 39 / 61

HEX #64003D

RGB 100 0 61

HSL 323.4, 1%, 0.2%

LAB 20.23, 44.01, -7.6

 

CMYK 0 / 100 / 49 / 67

HEX #53002A

RGB 83 0 42

HSL 329.64, 1%, 0.16%

LAB 15.52, 37.84, -1.48

 

CMYK 0 / 91 / 22 / 41

HEX #960D75

RGB 150 13 117

HSL 314.45, 0.84%, 0.32%

LAB 34.1, 59.74, -22.45

 

CMYK 0 / 91 / 47 / 41

HEX #960D50

RGB 150 13 80

HSL 330.66, 0.84%, 0.32%

LAB 32.59, 55.67, -0.89

 

CMYK 0 / 91 / 71 / 41

HEX #960D2B

RGB 150 13 43

HSL 346.86, 0.84%, 0.32%

LAB 31.68, 53.12, 22.26

 

CMYK 0 / 91 / 91 / 41

HEX #960D0D

RGB 150 13 13

HSL 0, 0.84%, 0.32%

LAB 31.35, 52.16, 39.49

 

CMYK 0 / 91 / 22 / 41

HEX #960D75

RGB 150 13 117

HSL 314.45, 0.84%, 0.32%

LAB 34.1, 59.74, -22.45

 

CMYK 3 / 91 / 0 / 41

HEX #910D96

RGB 145 13 150

HSL 297.81, 0.84%, 0.32%

LAB 35.02, 63.58, -41.57

 

CMYK 28 / 91 / 0 / 41

HEX #6C0D96

RGB 108 13 150

HSL 281.61, 0.84%, 0.32%

LAB 28.59, 57.49, -52.29

 

CMYK 52 / 91 / 0 / 41

HEX #480D96

RGB 72 13 150

HSL 265.84, 0.84%, 0.32%

LAB 23.23, 52.93, -61.28

 

CMYK 77 / 91 / 0 / 41

HEX #230D96

RGB 35 13 150

HSL 249.64, 0.84%, 0.32%

LAB 19.42, 50.12, -67.71

 

CMYK 0 / 91 / 22 / 41

HEX #960D75

RGB 150 13 117

HSL 314.45, 0.84%, 0.32%

LAB 34.1, 59.74, -22.45

 

CMYK 0 / 91 / 22 / 41

HEX #960D75

RGB 150 13 117

HSL 314.45, 0.84%, 0.32%

LAB 34.1, 59.74, -22.45

 

CMYK 0 / 81 / 19 / 47

HEX #881A6E

RGB 136 26 110

HSL 314.18, 0.68%, 0.32%

LAB 32.03, 52.79, -21.44

 

CMYK 0 / 68 / 16 / 52

HEX #7B2767

RGB 123 39 103

HSL 314.29, 0.52%, 0.32%

LAB 30.98, 43.68, -18.78

 

CMYK 0 / 53 / 13 / 57

HEX #6E3460

RGB 110 52 96

HSL 314.48, 0.36%, 0.32%

LAB 30.92, 32, -14.54

 

CMYK 0 / 33 / 8 / 62

HEX #614159

RGB 97 65 89

HSL 315, 0.2%, 0.32%

LAB 31.91, 18.18, -8.7

 

CMYK 27 / 91 / 0 / 41

HEX #6D0D96

RGB 109 13 150

HSL 282.04, 0.84%, 0.32%

LAB 28.75, 57.64, -52.01

 

CMYK 3 / 91 / 0 / 41

HEX #910D96

RGB 145 13 150

HSL 297.81, 0.84%, 0.32%

LAB 35.02, 63.58, -41.57

 

CMYK 0 / 91 / 21 / 41

HEX #960D76

RGB 150 13 118

HSL 314.01, 0.84%, 0.32%

LAB 34.15, 59.87, -23.01

 

CMYK 0 / 91 / 46 / 41

HEX #960D51

RGB 150 13 81

HSL 330.22, 0.84%, 0.32%

LAB 32.63, 55.76, -1.5

 

CMYK 0 / 91 / 70 / 41

HEX #960D2D

RGB 150 13 45

HSL 345.99, 0.84%, 0.32%

LAB 31.72, 53.21, 21

 

CMYK 0 / 92 / 22 / 71

HEX #4A063A

RGB 74 6 58

HSL 314.12, 0.85%, 0.16%

LAB 14.91, 35.51, -14.16

 

CMYK 0 / 92 / 22 / 56

HEX #700957

RGB 112 9 87

HSL 314.56, 0.85%, 0.24%

LAB 24.73, 48.04, -18.19

 

CMYK 0 / 91 / 22 / 41

HEX #960D75

RGB 150 13 117

HSL 314.45, 0.84%, 0.32%

LAB 34.1, 59.74, -22.45

 

CMYK 0 / 91 / 22 / 26

HEX #BC1093

RGB 188 16 147

HSL 314.3, 0.84%, 0.4%

LAB 43.02, 70.99, -26.58

 

CMYK 0 / 92 / 22 / 11

HEX #E213B0

RGB 226 19 176

HSL 314.49, 0.84%, 0.48%

LAB 51.58, 81.64, -30.01

 

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

CMYK 0 / 52 / 91 / 41

HEX #96480D

RGB 150 72 13

HSL 25.84, 0.84%, 0.32%

LAB 39.83, 29.37, 45.84

 

CMYK 91 / 0 / 15 / 41

HEX #0D967F

RGB 13 150 127

HSL 169.93, 0.84%, 0.32%

LAB 55.51, -38.63, 2.8

 

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

CMYK 21 / 0 / 91 / 41

HEX #76960D

RGB 118 150 13

HSL 74.01, 0.84%, 0.32%

LAB 57.74, -28.36, 58.68

 

CMYK 91 / 21 / 0 / 41

HEX #0D7696

RGB 13 118 150

HSL 194.01, 0.84%, 0.32%

LAB 45.97, -15.23, -24.95

 

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

CMYK 0 / 52 / 91 / 41

HEX #96480D

RGB 150 72 13

HSL 25.84, 0.84%, 0.32%

LAB 39.83, 29.37, 45.84

 

CMYK 91 / 0 / 70 / 41

HEX #0D962D

RGB 13 150 45

HSL 134.01, 0.84%, 0.32%

LAB 54.12, -54.61, 44.21

 

CMYK 91 / 40 / 0 / 41

HEX #0D5A96

RGB 13 90 150

HSL 206.28, 0.84%, 0.32%

LAB 37.11, 1.68, -38.88

 

CMYK 0 / 91 / 22 / 41

HEX #970D76

RGB 151 13 118

HSL 314.35, 0.84%, 0.32%

LAB 34.35, 60.08, -22.69

 

CMYK 0 / 25 / 91 / 41

HEX #96710D

RGB 150 113 13

HSL 43.8, 0.84%, 0.32%

LAB 49.89, 6.06, 53.6

 

CMYK 91 / 0 / 70 / 41

HEX #0D962D

RGB 13 150 45

HSL 134.01, 0.84%, 0.32%

LAB 54.12, -54.61, 44.21

 

CMYK 91 / 67 / 0 / 41

HEX #0D3196

RGB 13 49 150

HSL 224.23, 0.84%, 0.32%

LAB 25.21, 29.62, -58.16

 

Description

Color code: RGB 151 13 118 | qconv.com Color code: RGB 151 13 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 13 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 13 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 22 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 22% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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