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Color name
RGB 151 198 20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 198 20 it is the complementary color RGB 104 57 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 198 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 198 20 shade: RGB 156 198 15, RGB 173 216 34, RGB 190 234 53, RGB 207 252 72 and RGB 224 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 198 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 198 20 shade: RGB 151 198 20, RGB 134 180 1, RGB 117 162 0, RGB 100 144 0 and RGB 83 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 198 20 shade: RGB 152 199 19, RGB 199 198 19, RGB 199 150 19, RGB 199 101 19 and RGB 199 53 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 198 20 shade: RGB 152 199 19, RGB 103 199 19, RGB 55 199 19, RGB 19 199 32 and RGB 19 199 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 198 20 shade matches the following richer shades: RGB 152 199 19 and RGB 160 217 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 198 20 shade: RGB 152 199 19, RGB 143 181 37, RGB 135 164 55, RGB 126 146 72 and RGB 118 128 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 198 20 shade: RGB 199 148 19, RGB 199 196 19, RGB 154 199 19, RGB 106 199 19 and RGB 58 199 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 198 20 shade: RGB 94 124 12, RGB 123 162 16, RGB 152 199 19, RGB 178 232 28 and RGB 191 236 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 198 20 shade: RGB 151 198 20, RGB 19 199 100 and RGB 172 19 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 198 20 shade: RGB 151 198 20, RGB 19 154 199 and RGB 199 19 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 198 20 shade: RGB 151 198 20, RGB 19 199 100, RGB 64 19 199 and RGB 199 19 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 198 20 shade: RGB 151 198 20, RGB 19 199 154, RGB 64 19 199 and RGB 199 19 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

Complementary color

CMYK 56 / 76 / 0 / 8

HEX #6839EB

RGB 104 57 235

HSL 255.84, 0.82%, 0.57%

LAB 41, 62.06, -81.98

 

CMYK 21 / 0 / 92 / 22

HEX #9CC60F

RGB 156 198 15

HSL 73.77, 0.86%, 0.42%

LAB 74.5, -35.19, 72.88

 

CMYK 20 / 0 / 84 / 15

HEX #ADD822

RGB 173 216 34

HSL 74.18, 0.73%, 0.49%

LAB 80.8, -36.17, 75.15

 

CMYK 19 / 0 / 77 / 8

HEX #BEEA35

RGB 190 234 53

HSL 74.59, 0.81%, 0.56%

LAB 87.02, -36.96, 76.23

 

CMYK 18 / 0 / 71 / 1

HEX #CFFC48

RGB 207 252 72

HSL 75, 0.97%, 0.64%

LAB 93.17, -37.6, 76.52

 

CMYK 12 / 0 / 64 / 0

HEX #E0FF5B

RGB 224 255 91

HSL 71.34, 1%, 0.68%

LAB 95.21, -31.32, 72.11

 

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

CMYK 26 / 0 / 99 / 29

HEX #86B401

RGB 134 180 1

HSL 75.42, 0.99%, 0.35%

LAB 67.81, -36.01, 68.69

 

CMYK 28 / 0 / 100 / 36

HEX #75A200

RGB 117 162 0

HSL 76.67, 1%, 0.32%

LAB 61.33, -34.65, 63.41

 

CMYK 31 / 0 / 100 / 44

HEX #649000

RGB 100 144 0

HSL 78.33, 1%, 0.28%

LAB 54.72, -33.24, 57.91

 

CMYK 34 / 0 / 100 / 51

HEX #537E00

RGB 83 126 0

HSL 80.48, 1%, 0.25%

LAB 47.96, -31.81, 52.28

 

CMYK 24 / 0 / 90 / 22

HEX #98C713

RGB 152 199 19

HSL 75.67, 0.83%, 0.43%

LAB 74.55, -37.16, 72.24

 

CMYK 0 / 1 / 90 / 22

HEX #C7C613

RGB 199 198 19

HSL 59.67, 0.83%, 0.43%

LAB 77.62, -17.16, 76.1

 

CMYK 0 / 25 / 90 / 22

HEX #C79613

RGB 199 150 19

HSL 43.67, 0.83%, 0.43%

LAB 64.96, 7.95, 66.31

 

CMYK 0 / 49 / 90 / 22

HEX #C76513

RGB 199 101 19

HSL 27.33, 0.83%, 0.43%

LAB 53.49, 34.45, 57.63

 

CMYK 0 / 73 / 90 / 22

HEX #C73513

RGB 199 53 19

HSL 11.33, 0.83%, 0.43%

LAB 45.27, 56.03, 51.62

 

CMYK 24 / 0 / 90 / 22

HEX #98C713

RGB 152 199 19

HSL 75.67, 0.83%, 0.43%

LAB 74.55, -37.16, 72.24

 

CMYK 48 / 0 / 90 / 22

HEX #67C713

RGB 103 199 19

HSL 92, 0.83%, 0.43%

LAB 72.08, -54.52, 69.2

 

CMYK 72 / 0 / 90 / 22

HEX #37C713

RGB 55 199 19

HSL 108, 0.83%, 0.43%

LAB 70.67, -66.03, 67.44

 

CMYK 90 / 0 / 84 / 22

HEX #13C720

RGB 19 199 32

HSL 124.33, 0.83%, 0.43%

LAB 70.24, -69.67, 64.25

 

CMYK 90 / 0 / 59 / 22

HEX #13C751

RGB 19 199 81

HSL 140.67, 0.83%, 0.43%

LAB 70.58, -65.37, 46.81

 

CMYK 24 / 0 / 90 / 22

HEX #98C713

RGB 152 199 19

HSL 75.67, 0.83%, 0.43%

LAB 74.55, -37.16, 72.24

 

CMYK 26 / 0 / 100 / 15

HEX #A0D901

RGB 160 217 1

HSL 75.83, 0.99%, 0.43%

LAB 80.24, -42.27, 78.87

 

CMYK 24 / 0 / 90 / 22

HEX #98C713

RGB 152 199 19

HSL 75.67, 0.83%, 0.43%

LAB 74.55, -37.16, 72.24

 

CMYK 21 / 0 / 80 / 29

HEX #8FB525

RGB 143 181 37

HSL 75.83, 0.66%, 0.43%

LAB 68.77, -31.95, 63.1

 

CMYK 18 / 0 / 66 / 36

HEX #87A437

RGB 135 164 55

HSL 75.96, 0.5%, 0.43%

LAB 63.32, -26.08, 51.21

 

CMYK 14 / 0 / 51 / 43

HEX #7E9248

RGB 126 146 72

HSL 76.22, 0.34%, 0.43%

LAB 57.52, -19.25, 36.56

 

CMYK 8 / 0 / 30 / 50

HEX #76805A

RGB 118 128 90

HSL 75.79, 0.17%, 0.43%

LAB 51.87, -10.63, 19.45

 

CMYK 0 / 26 / 90 / 22

HEX #C79413

RGB 199 148 19

HSL 43, 0.83%, 0.43%

LAB 64.46, 9.04, 65.92

 

CMYK 0 / 2 / 90 / 22

HEX #C7C413

RGB 199 196 19

HSL 59, 0.83%, 0.43%

LAB 77.08, -16.16, 75.68

 

CMYK 23 / 0 / 90 / 22

HEX #9AC713

RGB 154 199 19

HSL 75, 0.83%, 0.43%

LAB 74.68, -36.37, 72.39

 

CMYK 47 / 0 / 90 / 22

HEX #6AC713

RGB 106 199 19

HSL 91, 0.83%, 0.43%

LAB 72.2, -53.59, 69.35

 

CMYK 71 / 0 / 90 / 22

HEX #3AC713

RGB 58 199 19

HSL 107, 0.83%, 0.43%

LAB 70.73, -65.51, 67.52

 

CMYK 24 / 0 / 90 / 51

HEX #5E7C0C

RGB 94 124 12

HSL 76.07, 0.82%, 0.27%

LAB 48.03, -25.95, 50.21

 

CMYK 24 / 0 / 90 / 36

HEX #7BA210

RGB 123 162 16

HSL 76.03, 0.82%, 0.35%

LAB 61.73, -31.9, 61.54

 

CMYK 24 / 0 / 90 / 22

HEX #98C713

RGB 152 199 19

HSL 75.67, 0.83%, 0.43%

LAB 74.55, -37.16, 72.24

 

CMYK 23 / 0 / 88 / 9

HEX #B2E81C

RGB 178 232 28

HSL 75.88, 0.82%, 0.51%

LAB 85.64, -41.51, 80.47

 

CMYK 19 / 0 / 72 / 7

HEX #BFEC41

RGB 191 236 65

HSL 75.79, 0.82%, 0.59%

LAB 87.7, -36.92, 73.2

 

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

CMYK 90 / 0 / 50 / 22

HEX #13C764

RGB 19 199 100

HSL 147, 0.83%, 0.43%

LAB 70.81, -62.62, 38.03

 

CMYK 14 / 90 / 0 / 22

HEX #AC13C7

RGB 172 19 199

HSL 291, 0.83%, 0.43%

LAB 43.3, 75.31, -57.19

 

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

CMYK 90 / 23 / 0 / 22

HEX #139AC7

RGB 19 154 199

HSL 195, 0.83%, 0.43%

LAB 59.32, -17.03, -32.41

 

CMYK 0 / 90 / 23 / 22

HEX #C7139A

RGB 199 19 154

HSL 315, 0.83%, 0.43%

LAB 45.55, 73.67, -26.7

 

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

CMYK 90 / 0 / 50 / 22

HEX #13C764

RGB 19 199 100

HSL 147, 0.83%, 0.43%

LAB 70.81, -62.62, 38.03

 

CMYK 68 / 90 / 0 / 22

HEX #4013C7

RGB 64 19 199

HSL 255, 0.83%, 0.43%

LAB 28.59, 63.13, -81.88

 

CMYK 0 / 90 / 41 / 22

HEX #C71376

RGB 199 19 118

HSL 327, 0.83%, 0.43%

LAB 44.11, 69.81, -6.93

 

CMYK 24 / 0 / 90 / 22

HEX #97C614

RGB 151 198 20

HSL 75.84, 0.82%, 0.43%

LAB 74.2, -37.08, 71.77

 

CMYK 90 / 0 / 23 / 22

HEX #13C79A

RGB 19 199 154

HSL 165, 0.83%, 0.43%

LAB 71.77, -51.58, 11.09

 

CMYK 68 / 90 / 0 / 22

HEX #4013C7

RGB 64 19 199

HSL 255, 0.83%, 0.43%

LAB 28.59, 63.13, -81.88

 

CMYK 0 / 90 / 68 / 22

HEX #C71340

RGB 199 19 64

HSL 345, 0.83%, 0.43%

LAB 42.73, 65.97, 24.93

 

Description

Color code: RGB 151 198 20 | qconv.com Color code: RGB 151 198 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 198 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 198 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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