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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 68 67 it is the complementary color RGB 104 187 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 68 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 68 67 shade: RGB 156 68 62, RGB 173 86 81, RGB 190 104 100, RGB 207 122 119 and RGB 224 140 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 68 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 68 67 shade: RGB 151 68 67, RGB 134 50 48, RGB 117 32 29, RGB 100 14 10 and RGB 83 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 68 67 shade: RGB 152 67 66 and RGB 152 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 68 67 shade: RGB 152 67 66, RGB 152 90 66, RGB 152 114 66, RGB 152 137 66 and RGB 144 152 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 68 67 shade matches the following richer shades: RGB 152 67 66, RGB 170 50 49, RGB 187 33 31 and RGB 205 15 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 68 67 shade: RGB 152 67 66, RGB 134 85 84, RGB 116 102 102, RGB 99 119 120 and RGB 81 137 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 68 67 shade: RGB 152 66 112, RGB 152 66 89, RGB 152 66 66, RGB 152 89 66 and RGB 152 112 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 68 67 shade: RGB 95 42 41, RGB 123 55 54, RGB 152 67 66, RGB 178 82 81 and RGB 191 111 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 68 67 shade: RGB 151 68 67, RGB 135 152 66 and RGB 66 101 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 68 67 shade: RGB 151 68 67, RGB 66 152 66 and RGB 66 66 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 68 67 shade: RGB 151 68 67, RGB 135 152 66, RGB 66 152 152 and RGB 83 66 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 68 67 shade: RGB 151 68 67, RGB 109 152 66, RGB 66 152 152 and RGB 109 66 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

Complementary color

CMYK 45 / 1 / 0 / 26

HEX #68BBBC

RGB 104 187 188

HSL 180.71, 0.39%, 0.57%

LAB 70.95, -24.94, -8.39

 

CMYK 0 / 56 / 60 / 39

HEX #9C443E

RGB 156 68 62

HSL 3.83, 0.43%, 0.43%

LAB 40.49, 36.25, 21.68

 

CMYK 0 / 50 / 53 / 32

HEX #AD5651

RGB 173 86 81

HSL 3.26, 0.36%, 0.5%

LAB 47.15, 35.01, 19.44

 

CMYK 0 / 45 / 47 / 25

HEX #BE6864

RGB 190 104 100

HSL 2.67, 0.41%, 0.57%

LAB 53.78, 33.83, 17.58

 

CMYK 0 / 41 / 43 / 19

HEX #CF7A77

RGB 207 122 119

HSL 2.05, 0.48%, 0.64%

LAB 60.35, 32.73, 15.98

 

CMYK 0 / 38 / 38 / 12

HEX #E08C8A

RGB 224 140 138

HSL 1.4, 0.58%, 0.71%

LAB 66.85, 31.72, 14.58

 

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

CMYK 0 / 63 / 64 / 47

HEX #863230

RGB 134 50 48

HSL 1.4, 0.47%, 0.36%

LAB 33.06, 35.89, 20.09

 

CMYK 0 / 73 / 75 / 54

HEX #75201D

RGB 117 32 29

HSL 2.05, 0.6%, 0.29%

LAB 26.46, 36.79, 23.38

 

CMYK 0 / 86 / 90 / 61

HEX #640E0A

RGB 100 14 10

HSL 2.67, 0.82%, 0.22%

LAB 20.22, 36.87, 26.48

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 56 / 57 / 40

HEX #984342

RGB 152 67 66

HSL 0.7, 0.39%, 0.43%

LAB 39.72, 35.56, 18.09

 

CMYK 0 / 57 / 57 / 40

HEX #984242

RGB 152 66 66

HSL 0, 0.39%, 0.43%

LAB 39.52, 36.07, 17.83

 

CMYK 0 / 56 / 57 / 40

HEX #984342

RGB 152 67 66

HSL 0.7, 0.39%, 0.43%

LAB 39.72, 35.56, 18.09

 

CMYK 0 / 41 / 57 / 40

HEX #985A42

RGB 152 90 66

HSL 16.74, 0.39%, 0.43%

LAB 44.77, 22.97, 24.65

 

CMYK 0 / 25 / 57 / 40

HEX #987242

RGB 152 114 66

HSL 33.49, 0.39%, 0.43%

LAB 50.81, 9.18, 32.16

 

CMYK 0 / 10 / 57 / 40

HEX #988942

RGB 152 137 66

HSL 49.53, 0.39%, 0.43%

LAB 57.04, -3.79, 39.56

 

CMYK 5 / 0 / 57 / 40

HEX #909842

RGB 144 152 66

HSL 65.58, 0.39%, 0.43%

LAB 60.59, -15.35, 43.47

 

CMYK 0 / 56 / 57 / 40

HEX #984342

RGB 152 67 66

HSL 0.7, 0.39%, 0.43%

LAB 39.72, 35.56, 18.09

 

CMYK 0 / 71 / 71 / 33

HEX #AA3231

RGB 170 50 49

HSL 0.5, 0.55%, 0.43%

LAB 39.66, 48.65, 29.07

 

CMYK 0 / 82 / 83 / 27

HEX #BB211F

RGB 187 33 31

HSL 0.77, 0.72%, 0.43%

LAB 40.82, 58.72, 41.56

 

CMYK 0 / 93 / 94 / 20

HEX #CD0F0D

RGB 205 15 13

HSL 0.63, 0.88%, 0.43%

LAB 43.29, 66.6, 53.05

 

CMYK 0 / 56 / 57 / 40

HEX #984342

RGB 152 67 66

HSL 0.7, 0.39%, 0.43%

LAB 39.72, 35.56, 18.09

 

CMYK 0 / 37 / 37 / 47

HEX #865554

RGB 134 85 84

HSL 1.2, 0.23%, 0.43%

LAB 41.54, 20.25, 9.06

 

CMYK 0 / 12 / 12 / 55

HEX #746666

RGB 116 102 102

HSL 0, 0.06%, 0.43%

LAB 44.48, 5.55, 2.03

 

CMYK 18 / 1 / 0 / 53

HEX #637778

RGB 99 119 120

HSL 182.86, 0.1%, 0.43%

LAB 48.51, -7.08, -3.01

 

CMYK 41 / 0 / 0 / 46

HEX #518989

RGB 81 137 137

HSL 180, 0.26%, 0.43%

LAB 53.44, -18.38, -5.81

 

CMYK 0 / 57 / 26 / 40

HEX #984270

RGB 152 66 112

HSL 327.91, 0.39%, 0.43%

LAB 40.8, 41.34, -9.03

 

CMYK 0 / 57 / 41 / 40

HEX #984259

RGB 152 66 89

HSL 343.95, 0.39%, 0.43%

LAB 40.07, 38.37, 4.23

 

CMYK 0 / 57 / 57 / 40

HEX #984242

RGB 152 66 66

HSL 0, 0.39%, 0.43%

LAB 39.52, 36.07, 17.83

 

CMYK 0 / 41 / 57 / 40

HEX #985942

RGB 152 89 66

HSL 16.05, 0.39%, 0.43%

LAB 44.54, 23.54, 24.35

 

CMYK 0 / 26 / 57 / 40

HEX #987042

RGB 152 112 66

HSL 32.09, 0.39%, 0.43%

LAB 50.28, 10.33, 31.52

 

CMYK 0 / 56 / 57 / 63

HEX #5F2A29

RGB 95 42 41

HSL 1.11, 0.4%, 0.27%

LAB 24.48, 24.03, 12.16

 

CMYK 0 / 55 / 56 / 52

HEX #7B3736

RGB 123 55 54

HSL 0.87, 0.39%, 0.35%

LAB 32.28, 29.51, 14.9

 

CMYK 0 / 56 / 57 / 40

HEX #984342

RGB 152 67 66

HSL 0.7, 0.39%, 0.43%

LAB 39.72, 35.56, 18.09

 

CMYK 0 / 54 / 54 / 30

HEX #B25251

RGB 178 82 81

HSL 0.62, 0.39%, 0.51%

LAB 47.1, 38.99, 19.51

 

CMYK 0 / 42 / 42 / 25

HEX #BF6F6E

RGB 191 111 110

HSL 0.74, 0.39%, 0.59%

LAB 55.66, 31.51, 14.35

 

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

CMYK 11 / 0 / 57 / 40

HEX #879842

RGB 135 152 66

HSL 71.86, 0.39%, 0.43%

LAB 59.89, -19.17, 42.49

 

CMYK 57 / 34 / 0 / 40

HEX #426598

RGB 66 101 152

HSL 215.58, 0.39%, 0.43%

LAB 42.36, 3.19, -31.66

 

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

CMYK 57 / 0 / 57 / 40

HEX #429842

RGB 66 152 66

HSL 120, 0.39%, 0.43%

LAB 56.1, -43.85, 37.1

 

CMYK 57 / 57 / 0 / 40

HEX #424298

RGB 66 66 152

HSL 240, 0.39%, 0.43%

LAB 32.53, 25.78, -47.33

 

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

CMYK 11 / 0 / 57 / 40

HEX #879842

RGB 135 152 66

HSL 71.86, 0.39%, 0.43%

LAB 59.89, -19.17, 42.49

 

CMYK 57 / 0 / 0 / 40

HEX #429898

RGB 66 152 152

HSL 180, 0.39%, 0.43%

LAB 57.92, -25.56, -7.82

 

CMYK 45 / 57 / 0 / 40

HEX #534298

RGB 83 66 152

HSL 251.86, 0.39%, 0.43%

LAB 33.99, 29.54, -44.9

 

CMYK 0 / 55 / 56 / 41

HEX #974443

RGB 151 68 67

HSL 0.71, 0.39%, 0.43%

LAB 39.78, 34.74, 17.52

 

CMYK 28 / 0 / 57 / 40

HEX #6D9842

RGB 109 152 66

HSL 90, 0.39%, 0.43%

LAB 58.13, -29.68, 40

 

CMYK 57 / 0 / 0 / 40

HEX #429898

RGB 66 152 152

HSL 180, 0.39%, 0.43%

LAB 57.92, -25.56, -7.82

 

CMYK 28 / 57 / 0 / 40

HEX #6D4298

RGB 109 66 152

HSL 270, 0.39%, 0.43%

LAB 36.77, 36.11, -40.29

 

Description

Color code: RGB 151 68 67 | qconv.com Color code: RGB 151 68 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 68 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 68 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 56 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 56% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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