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Color name
RGB 151 90 165

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 90 165 it is the complementary color RGB 104 165 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 90 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 90 165 shade: RGB 156 90 160, RGB 173 108 179, RGB 190 126 198, RGB 207 144 217 and RGB 224 162 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 90 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 90 165 shade: RGB 151 90 165, RGB 134 72 146, RGB 117 54 127, RGB 100 36 108 and RGB 83 18 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 90 165 shade: RGB 150 90 164, RGB 164 90 158, RGB 164 90 138, RGB 164 90 118 and RGB 164 90 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 90 165 shade: RGB 150 90 164, RGB 130 90 164, RGB 110 90 164, RGB 90 90 164 and RGB 90 90 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 90 165 shade matches the following richer shades: RGB 150 90 164, RGB 163 69 185, RGB 176 49 205, RGB 189 28 226 and RGB 202 8 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 90 165 shade: RGB 150 90 164, RGB 137 111 143, RGB 124 131 123, RGB 111 152 102 and RGB 98 173 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 90 165 shade: RGB 110 90 164, RGB 129 90 164, RGB 149 90 164, RGB 164 90 159 and RGB 164 90 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 90 165 shade: RGB 101 61 111, RGB 126 75 137, RGB 150 90 164, RGB 167 117 179 and RGB 184 143 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 90 165 shade: RGB 151 90 165, RGB 164 90 90 and RGB 90 164 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 90 165 shade: RGB 151 90 165, RGB 164 149 90 and RGB 90 164 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 90 165 shade: RGB 151 90 165, RGB 164 90 90, RGB 105 164 90 and RGB 90 164 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 90 165 shade: RGB 151 90 165, RGB 164 112 90, RGB 105 164 90 and RGB 90 142 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

Complementary color

CMYK 37 / 0 / 45 / 35

HEX #68A55A

RGB 104 165 90

HSL 108.8, 0.29%, 0.5%

LAB 62.16, -34.59, 32.7

 

CMYK 2 / 44 / 0 / 37

HEX #9C5AA0

RGB 156 90 160

HSL 296.57, 0.28%, 0.49%

LAB 48.16, 38.22, -26.74

 

CMYK 3 / 40 / 0 / 30

HEX #AD6CB3

RGB 173 108 179

HSL 294.93, 0.32%, 0.56%

LAB 54.93, 37.44, -27.16

 

CMYK 4 / 36 / 0 / 22

HEX #BE7EC6

RGB 190 126 198

HSL 293.33, 0.39%, 0.64%

LAB 61.61, 36.68, -27.53

 

CMYK 5 / 34 / 0 / 15

HEX #CF90D9

RGB 207 144 217

HSL 291.78, 0.49%, 0.71%

LAB 68.18, 35.95, -27.86

 

CMYK 5 / 31 / 0 / 7

HEX #E0A2EC

RGB 224 162 236

HSL 290.27, 0.66%, 0.78%

LAB 74.66, 35.25, -28.18

 

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

CMYK 8 / 51 / 0 / 43

HEX #864892

RGB 134 72 146

HSL 290.27, 0.34%, 0.43%

LAB 40.86, 38.47, -29.98

 

CMYK 8 / 57 / 0 / 50

HEX #75367F

RGB 117 54 127

HSL 291.78, 0.4%, 0.35%

LAB 33.88, 39.16, -29.47

 

CMYK 7 / 67 / 0 / 58

HEX #64246C

RGB 100 36 108

HSL 293.33, 0.5%, 0.28%

LAB 26.89, 39.55, -28.68

 

CMYK 7 / 80 / 0 / 65

HEX #531259

RGB 83 18 89

HSL 294.93, 0.66%, 0.21%

LAB 20.02, 39.17, -27.33

 

CMYK 9 / 45 / 0 / 36

HEX #965AA4

RGB 150 90 164

HSL 288.65, 0.29%, 0.5%

LAB 47.59, 37.17, -30.04

 

CMYK 0 / 45 / 4 / 36

HEX #A45A9E

RGB 164 90 158

HSL 304.86, 0.29%, 0.5%

LAB 49.1, 40.35, -24.02

 

CMYK 0 / 45 / 16 / 36

HEX #A45A8A

RGB 164 90 138

HSL 321.08, 0.29%, 0.5%

LAB 48.31, 36.86, -13.35

 

CMYK 0 / 45 / 28 / 36

HEX #A45A76

RGB 164 90 118

HSL 337.3, 0.29%, 0.5%

LAB 47.64, 33.78, -2.34

 

CMYK 0 / 45 / 40 / 36

HEX #A45A62

RGB 164 90 98

HSL 353.51, 0.29%, 0.5%

LAB 47.09, 31.16, 8.93

 

CMYK 9 / 45 / 0 / 36

HEX #965AA4

RGB 150 90 164

HSL 288.65, 0.29%, 0.5%

LAB 47.59, 37.17, -30.04

 

CMYK 21 / 45 / 0 / 36

HEX #825AA4

RGB 130 90 164

HSL 272.43, 0.29%, 0.5%

LAB 45.27, 31.1, -33.84

 

CMYK 33 / 45 / 0 / 36

HEX #6E5AA4

RGB 110 90 164

HSL 256.22, 0.29%, 0.5%

LAB 43.22, 25.26, -37.21

 

CMYK 45 / 45 / 0 / 36

HEX #5A5AA4

RGB 90 90 164

HSL 240, 0.29%, 0.5%

LAB 41.48, 19.86, -40.09

 

CMYK 45 / 45 / 0 / 36

HEX #5A5AA4

RGB 90 90 164

HSL 240, 0.29%, 0.5%

LAB 41.48, 19.86, -40.09

 

CMYK 9 / 45 / 0 / 36

HEX #965AA4

RGB 150 90 164

HSL 288.65, 0.29%, 0.5%

LAB 47.59, 37.17, -30.04

 

CMYK 12 / 63 / 0 / 27

HEX #A345B9

RGB 163 69 185

HSL 288.62, 0.46%, 0.5%

LAB 46.37, 55.68, -44.18

 

CMYK 14 / 76 / 0 / 20

HEX #B031CD

RGB 176 49 205

HSL 288.85, 0.61%, 0.5%

LAB 46.76, 70.01, -55.06

 

CMYK 16 / 88 / 0 / 11

HEX #BD1CE2

RGB 189 28 226

HSL 288.79, 0.78%, 0.5%

LAB 48.44, 81.08, -64.27

 

CMYK 18 / 97 / 0 / 4

HEX #CA08F6

RGB 202 8 246

HSL 288.91, 0.94%, 0.5%

LAB 51.13, 88.66, -71.09

 

CMYK 9 / 45 / 0 / 36

HEX #965AA4

RGB 150 90 164

HSL 288.65, 0.29%, 0.5%

LAB 47.59, 37.17, -30.04

 

CMYK 4 / 22 / 0 / 44

HEX #896F8F

RGB 137 111 143

HSL 288.75, 0.13%, 0.5%

LAB 50.3, 16.3, -13.61

 

CMYK 5 / 0 / 6 / 49

HEX #7C837B

RGB 124 131 123

HSL 112.5, 0.03%, 0.5%

LAB 53.97, -4.19, 3.42

 

CMYK 27 / 0 / 33 / 40

HEX #6F9866

RGB 111 152 102

HSL 109.2, 0.2%, 0.5%

LAB 58.78, -24.05, 21.93

 

CMYK 43 / 0 / 53 / 32

HEX #62AD51

RGB 98 173 81

HSL 108.91, 0.36%, 0.5%

LAB 64.22, -41.3, 39.74

 

CMYK 33 / 45 / 0 / 36

HEX #6E5AA4

RGB 110 90 164

HSL 256.22, 0.29%, 0.5%

LAB 43.22, 25.26, -37.21

 

CMYK 21 / 45 / 0 / 36

HEX #815AA4

RGB 129 90 164

HSL 271.62, 0.29%, 0.5%

LAB 45.16, 30.8, -34.02

 

CMYK 9 / 45 / 0 / 36

HEX #955AA4

RGB 149 90 164

HSL 287.84, 0.29%, 0.5%

LAB 47.47, 36.86, -30.24

 

CMYK 0 / 45 / 3 / 36

HEX #A45A9F

RGB 164 90 159

HSL 304.05, 0.29%, 0.5%

LAB 49.14, 40.54, -24.55

 

CMYK 0 / 45 / 15 / 36

HEX #A45A8B

RGB 164 90 139

HSL 320.27, 0.29%, 0.5%

LAB 48.35, 37.02, -13.89

 

CMYK 9 / 45 / 0 / 56

HEX #653D6F

RGB 101 61 111

HSL 288, 0.29%, 0.34%

LAB 32.37, 26.78, -21.95

 

CMYK 8 / 45 / 0 / 46

HEX #7E4B89

RGB 126 75 137

HSL 289.35, 0.29%, 0.42%

LAB 40.04, 32.42, -25.88

 

CMYK 9 / 45 / 0 / 36

HEX #965AA4

RGB 150 90 164

HSL 288.65, 0.29%, 0.5%

LAB 47.59, 37.17, -30.04

 

CMYK 7 / 35 / 0 / 30

HEX #A775B3

RGB 167 117 179

HSL 288.39, 0.29%, 0.58%

LAB 56.28, 30.51, -25.14

 

CMYK 5 / 26 / 0 / 24

HEX #B88FC1

RGB 184 143 193

HSL 289.2, 0.29%, 0.66%

LAB 64.71, 24.33, -20.01

 

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

CMYK 0 / 45 / 45 / 36

HEX #A45A5A

RGB 164 90 90

HSL 0, 0.29%, 0.5%

LAB 46.9, 30.24, 13.49

 

CMYK 45 / 0 / 27 / 36

HEX #5AA478

RGB 90 164 120

HSL 144.32, 0.29%, 0.5%

LAB 61.72, -33.31, 15.81

 

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

CMYK 0 / 9 / 45 / 36

HEX #A4955A

RGB 164 149 90

HSL 47.84, 0.29%, 0.5%

LAB 61.76, -2.88, 33.09

 

CMYK 45 / 0 / 9 / 36

HEX #5AA495

RGB 90 164 149

HSL 167.84, 0.29%, 0.5%

LAB 62.42, -26.81, 0.61

 

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

CMYK 0 / 45 / 45 / 36

HEX #A45A5A

RGB 164 90 90

HSL 0, 0.29%, 0.5%

LAB 46.9, 30.24, 13.49

 

CMYK 36 / 0 / 45 / 36

HEX #69A45A

RGB 105 164 90

HSL 107.84, 0.29%, 0.5%

LAB 61.91, -33.79, 32.39

 

CMYK 45 / 0 / 0 / 36

HEX #5AA4A4

RGB 90 164 164

HSL 180, 0.29%, 0.5%

LAB 62.85, -22.99, -7.19

 

CMYK 8 / 45 / 0 / 35

HEX #975AA5

RGB 151 90 165

HSL 288.8, 0.29%, 0.5%

LAB 47.76, 37.69, -30.35

 

CMYK 0 / 32 / 45 / 36

HEX #A4705A

RGB 164 112 90

HSL 17.84, 0.29%, 0.5%

LAB 52.08, 17.88, 20.53

 

CMYK 36 / 0 / 45 / 36

HEX #69A45A

RGB 105 164 90

HSL 107.84, 0.29%, 0.5%

LAB 61.91, -33.79, 32.39

 

CMYK 45 / 13 / 0 / 36

HEX #5A8EA4

RGB 90 142 164

HSL 197.84, 0.29%, 0.5%

LAB 56.29, -11.29, -17.05

 

Description

Color code: RGB 151 90 165 | qconv.com Color code: RGB 151 90 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 90 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 90 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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