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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 109 87 it is the complementary color RGB 103 146 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 109 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 109 87 shade: RGB 157 109 82, RGB 174 127 101, RGB 191 145 120, RGB 208 163 139 and RGB 225 181 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 109 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 135 91 68, RGB 118 73 49, RGB 101 55 30 and RGB 84 37 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 152 91 87 and RGB 152 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 152 126 87, RGB 152 144 87, RGB 142 152 87 and RGB 125 152 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 109 87 shade matches the following richer shades: RGB 152 109 87, RGB 171 103 68, RGB 190 96 48, RGB 210 90 29 and RGB 229 84 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 132 115 106, RGB 113 121 126, RGB 94 128 145 and RGB 74 134 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 109 87 shade: RGB 152 87 100, RGB 152 91 87, RGB 152 109 87, RGB 152 126 87 and RGB 152 143 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 109 87 shade: RGB 99 71 57, RGB 126 90 72, RGB 152 109 87, RGB 171 130 109 and RGB 186 152 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 117 152 87 and RGB 87 91 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 87 152 109 and RGB 109 87 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 117 152 87, RGB 87 130 152 and RGB 122 87 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 109 87 shade: RGB 152 109 87, RGB 98 152 87, RGB 87 130 152 and RGB 141 87 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

Complementary color

CMYK 39 / 13 / 0 / 34

HEX #6792A8

RGB 103 146 168

HSL 200.31, 0.27%, 0.53%

LAB 58.29, -8.91, -16.23

 

CMYK 0 / 31 / 48 / 38

HEX #9D6D52

RGB 157 109 82

HSL 21.6, 0.31%, 0.47%

LAB 50.35, 15.77, 22.7

 

CMYK 0 / 27 / 42 / 32

HEX #AE7F65

RGB 174 127 101

HSL 21.37, 0.31%, 0.54%

LAB 57.19, 14.8, 21.28

 

CMYK 0 / 24 / 37 / 25

HEX #BF9178

RGB 191 145 120

HSL 21.13, 0.36%, 0.61%

LAB 63.9, 13.98, 19.99

 

CMYK 0 / 22 / 33 / 18

HEX #D0A38B

RGB 208 163 139

HSL 20.87, 0.42%, 0.68%

LAB 70.5, 13.26, 18.82

 

CMYK 0 / 20 / 30 / 12

HEX #E1B59E

RGB 225 181 158

HSL 20.6, 0.53%, 0.75%

LAB 77, 12.63, 17.74

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 33 / 50 / 47

HEX #875B44

RGB 135 91 68

HSL 20.6, 0.33%, 0.4%

LAB 42.84, 15.23, 20.54

 

CMYK 0 / 38 / 58 / 54

HEX #764931

RGB 118 73 49

HSL 20.87, 0.41%, 0.33%

LAB 35.67, 16.49, 22.25

 

CMYK 0 / 46 / 70 / 60

HEX #65371E

RGB 101 55 30

HSL 21.13, 0.54%, 0.26%

LAB 28.36, 18.05, 24.24

 

CMYK 0 / 56 / 87 / 67

HEX #54250B

RGB 84 37 11

HSL 21.37, 0.77%, 0.19%

LAB 20.95, 19.96, 25.97

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 43 / 43 / 40

HEX #985757

RGB 152 87 87

HSL 0, 0.27%, 0.47%

LAB 44.49, 26.81, 11.71

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 17 / 43 / 40

HEX #987E57

RGB 152 126 87

HSL 36, 0.27%, 0.47%

LAB 54.33, 4.46, 24.96

 

CMYK 0 / 5 / 43 / 40

HEX #989057

RGB 152 144 87

HSL 52.62, 0.27%, 0.47%

LAB 59.26, -5.57, 31.3

 

CMYK 7 / 0 / 43 / 40

HEX #8E9857

RGB 142 152 87

HSL 69.23, 0.27%, 0.47%

LAB 60.69, -14.07, 32.93

 

CMYK 18 / 0 / 43 / 40

HEX #7D9857

RGB 125 152 87

HSL 84.92, 0.27%, 0.47%

LAB 59.44, -20.96, 31.09

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 40 / 60 / 33

HEX #AB6744

RGB 171 103 68

HSL 20.39, 0.43%, 0.47%

LAB 50.42, 23.85, 31.12

 

CMYK 0 / 49 / 75 / 25

HEX #BE6030

RGB 190 96 48

HSL 20.28, 0.6%, 0.47%

LAB 51.3, 34.3, 43.48

 

CMYK 0 / 57 / 86 / 18

HEX #D25A1D

RGB 210 90 29

HSL 20.22, 0.76%, 0.47%

LAB 53.06, 44.47, 54.7

 

CMYK 0 / 63 / 96 / 10

HEX #E55409

RGB 229 84 9

HSL 20.45, 0.92%, 0.47%

LAB 55.09, 53.76, 63.34

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 13 / 20 / 48

HEX #84736A

RGB 132 115 106

HSL 20.77, 0.11%, 0.47%

LAB 49.75, 5.05, 7.4

 

CMYK 10 / 4 / 0 / 51

HEX #71797E

RGB 113 121 126

HSL 203.08, 0.05%, 0.47%

LAB 50.32, -1.9, -3.76

 

CMYK 35 / 12 / 0 / 43

HEX #5E8091

RGB 94 128 145

HSL 200, 0.21%, 0.47%

LAB 51.68, -7.57, -13.02

 

CMYK 55 / 19 / 0 / 35

HEX #4A86A5

RGB 74 134 165

HSL 200.44, 0.38%, 0.47%

LAB 53.19, -10.36, -22.42

 

CMYK 0 / 43 / 34 / 40

HEX #985764

RGB 152 87 100

HSL 348, 0.27%, 0.47%

LAB 44.82, 28.44, 4.26

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 17 / 43 / 40

HEX #987E57

RGB 152 126 87

HSL 36, 0.27%, 0.47%

LAB 54.33, 4.46, 24.96

 

CMYK 0 / 6 / 43 / 40

HEX #988F57

RGB 152 143 87

HSL 51.69, 0.27%, 0.47%

LAB 58.98, -5.03, 30.95

 

CMYK 0 / 28 / 42 / 61

HEX #634739

RGB 99 71 57

HSL 20, 0.27%, 0.31%

LAB 32.82, 9.94, 13.13

 

CMYK 0 / 29 / 43 / 51

HEX #7E5A48

RGB 126 90 72

HSL 20, 0.27%, 0.39%

LAB 41.56, 12.33, 16.24

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 0 / 24 / 36 / 33

HEX #AB826D

RGB 171 130 109

HSL 20.32, 0.27%, 0.55%

LAB 57.78, 12.85, 17.47

 

CMYK 0 / 18 / 27 / 27

HEX #BA9887

RGB 186 152 135

HSL 20, 0.27%, 0.63%

LAB 65.47, 10.1, 13.71

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 23 / 0 / 43 / 40

HEX #759857

RGB 117 152 87

HSL 92.31, 0.27%, 0.47%

LAB 58.91, -24.07, 30.3

 

CMYK 43 / 40 / 0 / 40

HEX #575B98

RGB 87 91 152

HSL 236.31, 0.27%, 0.47%

LAB 40.86, 14.76, -33.93

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 43 / 0 / 28 / 40

HEX #57986D

RGB 87 152 109

HSL 140.31, 0.27%, 0.47%

LAB 57.64, -30.73, 16.27

 

CMYK 28 / 43 / 0 / 40

HEX #6D5798

RGB 109 87 152

HSL 260.31, 0.27%, 0.47%

LAB 41.74, 23.59, -32.4

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 23 / 0 / 43 / 40

HEX #759857

RGB 117 152 87

HSL 92.31, 0.27%, 0.47%

LAB 58.91, -24.07, 30.3

 

CMYK 43 / 14 / 0 / 40

HEX #578298

RGB 87 130 152

HSL 200.31, 0.27%, 0.47%

LAB 52.13, -8.77, -16.46

 

CMYK 20 / 43 / 0 / 40

HEX #7A5798

RGB 122 87 152

HSL 272.31, 0.27%, 0.47%

LAB 43.09, 27.56, -30.19

 

CMYK 0 / 28 / 43 / 40

HEX #986D57

RGB 152 109 87

HSL 20.31, 0.27%, 0.47%

LAB 49.86, 14.2, 19.04

 

CMYK 36 / 0 / 43 / 40

HEX #629857

RGB 98 152 87

HSL 109.85, 0.27%, 0.47%

LAB 57.79, -31.01, 28.65

 

CMYK 43 / 14 / 0 / 40

HEX #578298

RGB 87 130 152

HSL 200.31, 0.27%, 0.47%

LAB 52.13, -8.77, -16.46

 

CMYK 7 / 43 / 0 / 40

HEX #8D5798

RGB 141 87 152

HSL 289.85, 0.27%, 0.47%

LAB 45.28, 33.54, -26.61

 

Description

Color code: RGB 152 109 87 | qconv.com Color code: RGB 152 109 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 109 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 109 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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