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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 124 123 it is the complementary color RGB 103 131 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 124 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 124 123 shade: RGB 157 124 118, RGB 174 142 137, RGB 191 160 156, RGB 208 178 175 and RGB 225 196 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 124 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 124 123 shade: RGB 152 124 123, RGB 135 106 104, RGB 118 88 85, RGB 101 70 66 and RGB 84 52 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 124 123 shade: RGB 151 124 123 and RGB 151 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 124 123 shade: RGB 151 124 123, RGB 151 132 123, RGB 151 139 123, RGB 151 147 123 and RGB 148 151 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 124 123 shade matches the following richer shades: RGB 151 124 123, RGB 170 106 104, RGB 189 89 85, RGB 208 71 66 and RGB 227 53 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 124 123 shade: RGB 151 124 123, RGB 132 142 142, RGB 113 159 161, RGB 94 177 180 and RGB 75 195 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 124 123 shade: RGB 151 123 137, RGB 151 123 130, RGB 151 124 123, RGB 151 132 123 and RGB 151 139 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 124 123 shade: RGB 108 85 84, RGB 131 103 103, RGB 151 124 123, RGB 169 147 146 and RGB 188 170 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 124 123 shade: RGB 152 124 123, RGB 145 151 123 and RGB 123 133 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 124 123 shade: RGB 152 124 123, RGB 123 151 124 and RGB 124 123 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 124 123 shade: RGB 152 124 123, RGB 145 151 123, RGB 123 150 151 and RGB 130 123 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 124 123 shade: RGB 152 124 123, RGB 136 151 123, RGB 123 150 151 and RGB 138 123 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

Complementary color

CMYK 22 / 1 / 0 / 48

HEX #678384

RGB 103 131 132

HSL 182.07, 0.12%, 0.46%

LAB 52.71, -9.7, -3.84

 

CMYK 0 / 21 / 25 / 38

HEX #9D7C76

RGB 157 124 118

HSL 9.23, 0.17%, 0.54%

LAB 54.96, 11.84, 8.14

 

CMYK 0 / 18 / 21 / 32

HEX #AE8E89

RGB 174 142 137

HSL 8.11, 0.19%, 0.61%

LAB 61.78, 11.26, 7.2

 

CMYK 0 / 16 / 18 / 25

HEX #BFA09C

RGB 191 160 156

HSL 6.86, 0.21%, 0.68%

LAB 68.47, 10.76, 6.34

 

CMYK 0 / 14 / 16 / 18

HEX #D0B2AF

RGB 208 178 175

HSL 5.45, 0.26%, 0.75%

LAB 75.04, 10.31, 5.53

 

CMYK 0 / 13 / 14 / 12

HEX #E1C4C2

RGB 225 196 194

HSL 3.87, 0.34%, 0.82%

LAB 81.5, 9.91, 4.77

 

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

CMYK 0 / 21 / 23 / 47

HEX #876A68

RGB 135 106 104

HSL 3.87, 0.13%, 0.47%

LAB 47.57, 11.22, 5.53

 

CMYK 0 / 25 / 28 / 54

HEX #765855

RGB 118 88 85

HSL 5.45, 0.16%, 0.4%

LAB 40.39, 11.9, 6.55

 

CMYK 0 / 31 / 35 / 60

HEX #654642

RGB 101 70 66

HSL 6.86, 0.21%, 0.33%

LAB 33.01, 12.71, 7.72

 

CMYK 0 / 38 / 44 / 67

HEX #54342F

RGB 84 52 47

HSL 8.11, 0.28%, 0.26%

LAB 25.4, 13.73, 9.13

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 0 / 19 / 19 / 41

HEX #977B7B

RGB 151 123 123

HSL 0, 0.12%, 0.54%

LAB 54.21, 10.83, 4.08

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 0 / 13 / 19 / 41

HEX #97847B

RGB 151 132 123

HSL 19.29, 0.12%, 0.54%

LAB 56.6, 5.68, 7.5

 

CMYK 0 / 8 / 19 / 41

HEX #978B7B

RGB 151 139 123

HSL 34.29, 0.12%, 0.54%

LAB 58.48, 1.72, 10.18

 

CMYK 0 / 3 / 19 / 41

HEX #97937B

RGB 151 147 123

HSL 51.43, 0.12%, 0.54%

LAB 60.67, -2.73, 13.25

 

CMYK 2 / 0 / 19 / 41

HEX #94977B

RGB 148 151 123

HSL 66.43, 0.12%, 0.54%

LAB 61.53, -6.1, 14.42

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 0 / 38 / 39 / 33

HEX #AA6A68

RGB 170 106 104

HSL 1.82, 0.28%, 0.54%

LAB 51.67, 25.35, 11.91

 

CMYK 0 / 53 / 55 / 26

HEX #BD5955

RGB 189 89 85

HSL 2.31, 0.44%, 0.54%

LAB 50.24, 39.89, 21.6

 

CMYK 0 / 66 / 68 / 18

HEX #D04742

RGB 208 71 66

HSL 2.11, 0.6%, 0.54%

LAB 49.87, 53.65, 32.89

 

CMYK 0 / 77 / 79 / 11

HEX #E3352F

RGB 227 53 47

HSL 2, 0.76%, 0.54%

LAB 50.78, 65.2, 45.44

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 7 / 0 / 0 / 44

HEX #848E8E

RGB 132 142 142

HSL 180, 0.04%, 0.54%

LAB 58.23, -3.62, -1.26

 

CMYK 30 / 1 / 0 / 37

HEX #719FA1

RGB 113 159 161

HSL 182.5, 0.2%, 0.54%

LAB 62.41, -14.88, -6.03

 

CMYK 48 / 2 / 0 / 29

HEX #5EB1B4

RGB 94 177 180

HSL 182.09, 0.36%, 0.54%

LAB 67.37, -24.38, -9.36

 

CMYK 62 / 2 / 0 / 22

HEX #4BC3C7

RGB 75 195 199

HSL 181.94, 0.53%, 0.54%

LAB 72.66, -31.71, -11.94

 

CMYK 0 / 19 / 9 / 41

HEX #977B89

RGB 151 123 137

HSL 330, 0.12%, 0.54%

LAB 54.61, 13.26, -3.5

 

CMYK 0 / 19 / 14 / 41

HEX #977B82

RGB 151 123 130

HSL 345, 0.12%, 0.54%

LAB 54.4, 12.01, 0.28

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 0 / 13 / 19 / 41

HEX #97847B

RGB 151 132 123

HSL 19.29, 0.12%, 0.54%

LAB 56.6, 5.68, 7.5

 

CMYK 0 / 8 / 19 / 41

HEX #978B7B

RGB 151 139 123

HSL 34.29, 0.12%, 0.54%

LAB 58.48, 1.72, 10.18

 

CMYK 0 / 21 / 22 / 58

HEX #6C5554

RGB 108 85 84

HSL 2.5, 0.13%, 0.38%

LAB 38.42, 9.34, 4.2

 

CMYK 0 / 21 / 21 / 49

HEX #836767

RGB 131 103 103

HSL 0, 0.12%, 0.46%

LAB 46.32, 11.2, 4.27

 

CMYK 0 / 18 / 19 / 41

HEX #977C7B

RGB 151 124 123

HSL 2.14, 0.12%, 0.54%

LAB 54.47, 10.25, 4.46

 

CMYK 0 / 13 / 14 / 34

HEX #A99392

RGB 169 147 146

HSL 2.61, 0.12%, 0.62%

LAB 62.83, 8.01, 3.54

 

CMYK 0 / 10 / 10 / 26

HEX #BCAAA9

RGB 188 170 169

HSL 3.16, 0.12%, 0.7%

LAB 71.08, 6.32, 2.87

 

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

CMYK 4 / 0 / 19 / 41

HEX #91977B

RGB 145 151 123

HSL 72.86, 0.12%, 0.54%

LAB 61.29, -7.26, 14.05

 

CMYK 19 / 12 / 0 / 41

HEX #7B8597

RGB 123 133 151

HSL 218.57, 0.12%, 0.54%

LAB 55.3, 0.33, -10.86

 

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

CMYK 19 / 0 / 18 / 41

HEX #7B977C

RGB 123 151 124

HSL 122.14, 0.12%, 0.54%

LAB 59.71, -15.32, 11.02

 

CMYK 18 / 19 / 0 / 41

HEX #7C7B97

RGB 124 123 151

HSL 242.14, 0.12%, 0.54%

LAB 52.6, 6.48, -14.92

 

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

CMYK 4 / 0 / 19 / 41

HEX #91977B

RGB 145 151 123

HSL 72.86, 0.12%, 0.54%

LAB 61.29, -7.26, 14.05

 

CMYK 19 / 1 / 0 / 41

HEX #7B9697

RGB 123 150 151

HSL 182.14, 0.12%, 0.54%

LAB 60.12, -9.21, -3.68

 

CMYK 14 / 19 / 0 / 41

HEX #827B97

RGB 130 123 151

HSL 255, 0.12%, 0.54%

LAB 53.11, 8.53, -14.1

 

CMYK 0 / 18 / 19 / 40

HEX #987C7B

RGB 152 124 123

HSL 2.07, 0.12%, 0.54%

LAB 54.58, 10.64, 4.62

 

CMYK 10 / 0 / 19 / 41

HEX #88977B

RGB 136 151 123

HSL 92.14, 0.12%, 0.54%

LAB 60.6, -10.7, 12.98

 

CMYK 19 / 1 / 0 / 41

HEX #7B9697

RGB 123 150 151

HSL 182.14, 0.12%, 0.54%

LAB 60.12, -9.21, -3.68

 

CMYK 9 / 19 / 0 / 41

HEX #8A7B97

RGB 138 123 151

HSL 272.14, 0.12%, 0.54%

LAB 53.82, 11.31, -12.96

 

Description

Color code: RGB 152 124 123 | qconv.com Color code: RGB 152 124 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 124 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 124 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 19 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 19% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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