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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 145 71 it is the complementary color RGB 103 110 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 145 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 145 71 shade: RGB 157 145 66, RGB 174 163 85, RGB 191 181 104, RGB 208 199 123 and RGB 225 217 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 145 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 135 127 52, RGB 118 109 33, RGB 101 91 14 and RGB 84 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 152 123 71, RGB 152 102 71, RGB 152 80 71 and RGB 152 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 137 152 71, RGB 116 152 71, RGB 94 152 71 and RGB 72 152 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 145 71 shade matches the following richer shades: RGB 152 145 71, RGB 170 160 53, RGB 188 175 35 and RGB 207 190 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 134 130 89, RGB 116 115 108, RGB 98 100 126 and RGB 79 85 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 145 71 shade: RGB 152 101 71, RGB 152 122 71, RGB 152 144 71, RGB 139 152 71 and RGB 117 152 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 145 71 shade: RGB 96 92 45, RGB 124 118 58, RGB 152 145 71, RGB 176 169 88 and RGB 190 183 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 71 152 79 and RGB 112 71 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 71 152 144 and RGB 144 71 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 71 152 79, RGB 71 79 152 and RGB 152 71 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 145 71 shade: RGB 152 145 71, RGB 71 152 104, RGB 71 79 152 and RGB 152 71 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

Complementary color

CMYK 44 / 40 / 0 / 28

HEX #676EB8

RGB 103 110 184

HSL 234.81, 0.36%, 0.56%

LAB 48.88, 16.85, -40.02

 

CMYK 0 / 8 / 58 / 38

HEX #9D9142

RGB 157 145 66

HSL 52.09, 0.41%, 0.44%

LAB 59.72, -5.96, 42.77

 

CMYK 0 / 6 / 51 / 32

HEX #AEA355

RGB 174 163 85

HSL 52.58, 0.35%, 0.51%

LAB 66.4, -6.66, 41.57

 

CMYK 0 / 5 / 46 / 25

HEX #BFB568

RGB 191 181 104

HSL 53.1, 0.4%, 0.58%

LAB 72.97, -7.23, 40.34

 

CMYK 0 / 4 / 41 / 18

HEX #D0C77B

RGB 208 199 123

HSL 53.65, 0.47%, 0.65%

LAB 79.44, -7.7, 39.12

 

CMYK 0 / 4 / 37 / 12

HEX #E1D98E

RGB 225 217 142

HSL 54.22, 0.58%, 0.72%

LAB 85.8, -8.1, 37.95

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 0 / 6 / 61 / 47

HEX #877F34

RGB 135 127 52

HSL 54.22, 0.44%, 0.37%

LAB 52.48, -6.99, 40.88

 

CMYK 0 / 8 / 72 / 54

HEX #766D21

RGB 118 109 33

HSL 53.65, 0.56%, 0.3%

LAB 45.5, -6.04, 41.73

 

CMYK 0 / 10 / 86 / 60

HEX #655B0E

RGB 101 91 14

HSL 53.1, 0.76%, 0.23%

LAB 38.34, -4.76, 41.68

 

CMYK 0 / 13 / 100 / 67

HEX #544900

RGB 84 73 0

HSL 52.14, 1%, 0.16%

LAB 31, -3.06, 39.63

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 0 / 19 / 53 / 40

HEX #987B47

RGB 152 123 71

HSL 38.52, 0.36%, 0.44%

LAB 53.27, 4.49, 32.46

 

CMYK 0 / 33 / 53 / 40

HEX #986647

RGB 152 102 71

HSL 22.96, 0.36%, 0.44%

LAB 47.79, 16.54, 25.6

 

CMYK 0 / 47 / 53 / 40

HEX #985047

RGB 152 80 71

HSL 6.67, 0.36%, 0.44%

LAB 42.56, 29.04, 18.8

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 10 / 0 / 53 / 40

HEX #899847

RGB 137 152 71

HSL 71.11, 0.36%, 0.44%

LAB 60.1, -17.86, 40.32

 

CMYK 24 / 0 / 53 / 40

HEX #749847

RGB 116 152 71

HSL 86.67, 0.36%, 0.44%

LAB 58.63, -26.42, 38.22

 

CMYK 38 / 0 / 53 / 40

HEX #5E9847

RGB 94 152 71

HSL 102.96, 0.36%, 0.44%

LAB 57.36, -34.59, 36.4

 

CMYK 53 / 0 / 53 / 40

HEX #489847

RGB 72 152 71

HSL 119.26, 0.36%, 0.44%

LAB 56.38, -41.54, 34.98

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 0 / 6 / 69 / 33

HEX #AAA035

RGB 170 160 53

HSL 54.87, 0.52%, 0.44%

LAB 64.92, -9.15, 54.54

 

CMYK 0 / 7 / 81 / 26

HEX #BCAF23

RGB 188 175 35

HSL 54.9, 0.69%, 0.44%

LAB 70.51, -9.86, 66.52

 

CMYK 0 / 8 / 92 / 19

HEX #CFBE11

RGB 207 190 17

HSL 54.63, 0.85%, 0.44%

LAB 76.15, -9.69, 75.55

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 0 / 3 / 34 / 47

HEX #868259

RGB 134 130 89

HSL 54.67, 0.2%, 0.44%

LAB 53.77, -5.23, 22.78

 

CMYK 0 / 1 / 7 / 55

HEX #74736C

RGB 116 115 108

HSL 52.5, 0.04%, 0.44%

LAB 48.33, -0.99, 4

 

CMYK 22 / 21 / 0 / 51

HEX #62647E

RGB 98 100 126

HSL 235.71, 0.13%, 0.44%

LAB 43.09, 5.28, -14.74

 

CMYK 45 / 41 / 0 / 44

HEX #4F5590

RGB 79 85 144

HSL 234.46, 0.29%, 0.44%

LAB 38.15, 13.94, -33.43

 

CMYK 0 / 34 / 53 / 40

HEX #986547

RGB 152 101 71

HSL 22.22, 0.36%, 0.44%

LAB 47.54, 17.12, 25.28

 

CMYK 0 / 20 / 53 / 40

HEX #987A47

RGB 152 122 71

HSL 37.78, 0.36%, 0.44%

LAB 53, 5.06, 32.13

 

CMYK 0 / 5 / 53 / 40

HEX #989047

RGB 152 144 71

HSL 54.07, 0.36%, 0.44%

LAB 59.05, -7.18, 39.4

 

CMYK 9 / 0 / 53 / 40

HEX #8B9847

RGB 139 152 71

HSL 69.63, 0.36%, 0.44%

LAB 60.25, -17.02, 40.54

 

CMYK 23 / 0 / 53 / 40

HEX #759847

RGB 117 152 71

HSL 85.93, 0.36%, 0.44%

LAB 58.69, -26.03, 38.31

 

CMYK 0 / 4 / 53 / 62

HEX #605C2D

RGB 96 92 45

HSL 55.29, 0.36%, 0.28%

LAB 38.43, -5.66, 27.38

 

CMYK 0 / 5 / 53 / 51

HEX #7C763A

RGB 124 118 58

HSL 54.55, 0.36%, 0.36%

LAB 48.94, -6.44, 33.52

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 0 / 4 / 50 / 31

HEX #B0A958

RGB 176 169 88

HSL 55.23, 0.36%, 0.52%

LAB 68.25, -8.71, 42.32

 

CMYK 0 / 4 / 39 / 25

HEX #BEB774

RGB 190 183 116

HSL 54.32, 0.36%, 0.6%

LAB 73.59, -7.41, 34.95

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 53 / 0 / 48 / 40

HEX #47984F

RGB 71 152 79

HSL 125.93, 0.36%, 0.44%

LAB 56.45, -40.65, 30.93

 

CMYK 26 / 53 / 0 / 40

HEX #704798

RGB 112 71 152

HSL 270.37, 0.36%, 0.44%

LAB 38.23, 34.04, -37.94

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 53 / 0 / 5 / 40

HEX #479890

RGB 71 152 144

HSL 174.07, 0.36%, 0.44%

LAB 57.86, -26.71, -3.34

 

CMYK 5 / 53 / 0 / 40

HEX #904798

RGB 144 71 152

HSL 294.07, 0.36%, 0.44%

LAB 42.31, 43.16, -31.22

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 53 / 0 / 48 / 40

HEX #47984F

RGB 71 152 79

HSL 125.93, 0.36%, 0.44%

LAB 56.45, -40.65, 30.93

 

CMYK 53 / 48 / 0 / 40

HEX #474F98

RGB 71 79 152

HSL 234.07, 0.36%, 0.44%

LAB 36.36, 18.41, -41.15

 

CMYK 0 / 53 / 5 / 40

HEX #984790

RGB 152 71 144

HSL 305.93, 0.36%, 0.44%

LAB 43.06, 44.01, -25.16

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 53 / 0 / 32 / 40

HEX #479868

RGB 71 152 104

HSL 144.44, 0.36%, 0.44%

LAB 56.88, -36.18, 17.91

 

CMYK 53 / 48 / 0 / 40

HEX #474F98

RGB 71 79 152

HSL 234.07, 0.36%, 0.44%

LAB 36.36, 18.41, -41.15

 

CMYK 0 / 53 / 21 / 40

HEX #984778

RGB 152 71 120

HSL 323.7, 0.36%, 0.44%

LAB 42.06, 39.99, -12.07

 

Description

Color code: RGB 152 145 71 | qconv.com Color code: RGB 152 145 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 145 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 145 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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