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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 246 240 it is the complementary color RGB 103 9 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 246 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 246 240 shade: RGB 157 246 235, RGB 174 255 254, RGB 191 255 255, RGB 208 255 255 and RGB 225 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 246 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 246 240 shade: RGB 152 246 240, RGB 135 228 221, RGB 118 210 202, RGB 101 192 183 and RGB 84 174 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 246 240 shade: RGB 151 246 240, RGB 151 246 214, RGB 151 246 189, RGB 151 246 163 and RGB 165 246 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 246 240 shade: RGB 151 246 240, RGB 151 226 246, RGB 151 201 246, RGB 151 175 246 and RGB 151 151 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 246 240 shade matches the following richer shades: RGB 151 246 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 246 240 shade: RGB 151 246 240, RGB 160 236 232, RGB 169 227 224, RGB 179 218 216 and RGB 188 209 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 246 240 shade: RGB 151 246 189, RGB 151 246 214, RGB 151 246 239, RGB 151 227 246 and RGB 151 202 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 246 240 shade: RGB 75 239 228, RGB 113 242 234, RGB 151 246 240, RGB 189 249 245 and RGB 227 252 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 246 240 shade: RGB 152 246 240, RGB 164 151 246 and RGB 246 202 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 246 240 shade: RGB 152 246 240, RGB 239 151 246 and RGB 246 239 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 246 240 shade: RGB 152 246 240, RGB 164 151 246, RGB 246 151 158 and RGB 233 246 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 246 240 shade: RGB 152 246 240, RGB 192 151 246, RGB 246 151 158 and RGB 205 246 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

Complementary color

CMYK 0 / 91 / 85 / 60

HEX #67090F

RGB 103 9 15

HSL 356.17, 0.84%, 0.22%

LAB 20.49, 39.3, 24.63

 

CMYK 36 / 0 / 4 / 4

HEX #9DF6EB

RGB 157 246 235

HSL 172.58, 0.83%, 0.79%

LAB 91.27, -29.07, -3.17

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFE

RGB 174 255 254

HSL 179.26, 1%, 0.84%

LAB 95.02, -24.65, -7.38

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

CMYK 41 / 0 / 3 / 11

HEX #87E4DD

RGB 135 228 221

HSL 175.48, 0.63%, 0.71%

LAB 84.92, -29.29, -5.28

 

CMYK 44 / 0 / 4 / 18

HEX #76D2CA

RGB 118 210 202

HSL 174.78, 0.51%, 0.64%

LAB 78.58, -29.35, -4.61

 

CMYK 47 / 0 / 5 / 25

HEX #65C0B7

RGB 101 192 183

HSL 174.07, 0.42%, 0.57%

LAB 72.15, -29.38, -3.89

 

CMYK 52 / 0 / 6 / 32

HEX #54AEA4

RGB 84 174 164

HSL 173.33, 0.36%, 0.51%

LAB 65.62, -29.37, -3.11

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F0

RGB 151 246 240

HSL 176.21, 0.84%, 0.78%

LAB 91.14, -29.45, -5.99

 

CMYK 39 / 0 / 13 / 4

HEX #97F6D6

RGB 151 246 214

HSL 159.79, 0.84%, 0.78%

LAB 90.48, -35.22, 6.57

 

CMYK 39 / 0 / 23 / 4

HEX #97F6BD

RGB 151 246 189

HSL 144, 0.84%, 0.78%

LAB 89.94, -40.21, 18.72

 

CMYK 39 / 0 / 34 / 4

HEX #97F6A3

RGB 151 246 163

HSL 127.58, 0.84%, 0.78%

LAB 89.46, -44.75, 31.32

 

CMYK 33 / 0 / 39 / 4

HEX #A5F697

RGB 165 246 151

HSL 111.16, 0.84%, 0.78%

LAB 89.93, -42.31, 38.06

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F0

RGB 151 246 240

HSL 176.21, 0.84%, 0.78%

LAB 91.14, -29.45, -5.99

 

CMYK 39 / 8 / 0 / 4

HEX #97E2F6

RGB 151 226 246

HSL 192.63, 0.84%, 0.78%

LAB 85.82, -18.23, -17.06

 

CMYK 39 / 18 / 0 / 4

HEX #97C9F6

RGB 151 201 246

HSL 208.42, 0.84%, 0.78%

LAB 79.04, -5.29, -27.34

 

CMYK 39 / 29 / 0 / 4

HEX #97AFF6

RGB 151 175 246

HSL 224.84, 0.84%, 0.78%

LAB 72.16, 8.92, -37.97

 

CMYK 39 / 39 / 0 / 4

HEX #9797F6

RGB 151 151 246

HSL 240, 0.84%, 0.78%

LAB 66.03, 22.55, -47.56

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F0

RGB 151 246 240

HSL 176.21, 0.84%, 0.78%

LAB 91.14, -29.45, -5.99

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F0

RGB 151 246 240

HSL 176.21, 0.84%, 0.78%

LAB 91.14, -29.45, -5.99

 

CMYK 32 / 0 / 2 / 7

HEX #A0ECE8

RGB 160 236 232

HSL 176.84, 0.67%, 0.78%

LAB 88.59, -24.14, -5.54

 

CMYK 26 / 0 / 1 / 11

HEX #A9E3E0

RGB 169 227 224

HSL 176.9, 0.51%, 0.78%

LAB 86.38, -18.95, -4.53

 

CMYK 18 / 0 / 1 / 15

HEX #B3DAD8

RGB 179 218 216

HSL 176.92, 0.35%, 0.78%

LAB 84.32, -13.11, -3.27

 

CMYK 10 / 0 / 0 / 18

HEX #BCD1D0

RGB 188 209 208

HSL 177.14, 0.19%, 0.78%

LAB 82.3, -7.22, -1.92

 

CMYK 39 / 0 / 23 / 4

HEX #97F6BD

RGB 151 246 189

HSL 144, 0.84%, 0.78%

LAB 89.94, -40.21, 18.72

 

CMYK 39 / 0 / 13 / 4

HEX #97F6D6

RGB 151 246 214

HSL 159.79, 0.84%, 0.78%

LAB 90.48, -35.22, 6.57

 

CMYK 39 / 0 / 3 / 4

HEX #97F6EF

RGB 151 246 239

HSL 175.58, 0.84%, 0.78%

LAB 91.11, -29.69, -5.51

 

CMYK 39 / 8 / 0 / 4

HEX #97E3F6

RGB 151 227 246

HSL 192, 0.84%, 0.78%

LAB 86.09, -18.74, -16.65

 

CMYK 39 / 18 / 0 / 4

HEX #97CAF6

RGB 151 202 246

HSL 207.79, 0.84%, 0.78%

LAB 79.31, -5.82, -26.93

 

CMYK 69 / 0 / 5 / 6

HEX #4BEFE4

RGB 75 239 228

HSL 175.98, 0.84%, 0.62%

LAB 86.42, -43.93, -6.96

 

CMYK 53 / 0 / 3 / 5

HEX #71F2EA

RGB 113 242 234

HSL 176.28, 0.83%, 0.7%

LAB 88.43, -37.5, -7.03

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F0

RGB 151 246 240

HSL 176.21, 0.84%, 0.78%

LAB 91.14, -29.45, -5.99

 

CMYK 24 / 0 / 2 / 2

HEX #BDF9F5

RGB 189 249 245

HSL 176, 0.83%, 0.86%

LAB 93.95, -19.53, -4.22

 

CMYK 10 / 0 / 0 / 1

HEX #E3FCFB

RGB 227 252 251

HSL 177.6, 0.81%, 0.94%

LAB 97.19, -8.27, -2.29

 

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

CMYK 33 / 39 / 0 / 4

HEX #A497F6

RGB 164 151 246

HSL 248.21, 0.84%, 0.78%

LAB 67.04, 25.96, -45.91

 

CMYK 0 / 18 / 39 / 4

HEX #F6CA97

RGB 246 202 151

HSL 32.21, 0.84%, 0.78%

LAB 84, 8.83, 31.32

 

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

CMYK 3 / 39 / 0 / 4

HEX #EF97F6

RGB 239 151 246

HSL 295.58, 0.84%, 0.78%

LAB 74.28, 47.51, -34.08

 

CMYK 0 / 3 / 39 / 4

HEX #F6EF97

RGB 246 239 151

HSL 55.58, 0.84%, 0.78%

LAB 93.26, -10.02, 43.39

 

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

CMYK 33 / 39 / 0 / 4

HEX #A497F6

RGB 164 151 246

HSL 248.21, 0.84%, 0.78%

LAB 67.04, 25.96, -45.91

 

CMYK 0 / 39 / 36 / 4

HEX #F6979E

RGB 246 151 158

HSL 355.58, 0.84%, 0.78%

LAB 72.36, 36.42, 11.57

 

CMYK 5 / 0 / 39 / 4

HEX #E9F697

RGB 233 246 151

HSL 68.21, 0.84%, 0.78%

LAB 94.09, -18.4, 44.24

 

CMYK 38 / 0 / 2 / 4

HEX #98F6F0

RGB 152 246 240

HSL 176.17, 0.84%, 0.78%

LAB 91.18, -29.21, -5.93

 

CMYK 22 / 39 / 0 / 4

HEX #C097F6

RGB 192 151 246

HSL 265.89, 0.84%, 0.78%

LAB 69.46, 33.73, -41.93

 

CMYK 0 / 39 / 36 / 4

HEX #F6979E

RGB 246 151 158

HSL 355.58, 0.84%, 0.78%

LAB 72.36, 36.42, 11.57

 

CMYK 17 / 0 / 39 / 4

HEX #CDF697

RGB 205 246 151

HSL 85.89, 0.84%, 0.78%

LAB 92.19, -28.72, 41.43

 

Description

Color code: RGB 152 246 240 | qconv.com Color code: RGB 152 246 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 246 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 246 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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