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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 249 56 it is the complementary color RGB 103 6 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 249 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 249 56 shade: RGB 157 249 51, RGB 174 255 70, RGB 191 255 89, RGB 208 255 108 and RGB 225 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 249 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 249 56 shade: RGB 152 249 56, RGB 135 231 37, RGB 118 213 18, RGB 101 195 0 and RGB 84 177 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 249 56 shade: RGB 152 248 57, RGB 204 248 57, RGB 248 241 57, RGB 248 190 57 and RGB 248 138 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 249 56 shade: RGB 152 248 57, RGB 100 248 57, RGB 57 248 65, RGB 57 248 116 and RGB 57 248 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 249 56 shade matches the following richer shades: RGB 152 248 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 249 56 shade: RGB 152 248 57, RGB 152 232 73, RGB 152 215 90, RGB 152 199 106 and RGB 152 182 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 249 56 shade: RGB 248 242 57, RGB 204 248 57, RGB 153 248 57, RGB 101 248 57 and RGB 57 248 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 249 56 shade: RGB 111 216 6, RGB 131 247 17, RGB 152 248 57, RGB 173 250 97 and RGB 193 251 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 249 56 shade: RGB 152 249 56, RGB 57 248 191 and RGB 248 57 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 249 56 shade: RGB 152 249 56, RGB 57 153 248 and RGB 248 57 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 249 56 shade: RGB 152 249 56, RGB 57 248 191, RGB 153 57 248 and RGB 248 57 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 249 56 shade: RGB 152 249 56, RGB 57 248 248, RGB 153 57 248 and RGB 248 57 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

Complementary color

CMYK 48 / 97 / 0 / 22

HEX #6706C7

RGB 103 6 199

HSL 270.16, 0.94%, 0.4%

LAB 32.12, 68.49, -75.9

 

CMYK 37 / 0 / 80 / 2

HEX #9DF933

RGB 157 249 51

HSL 87.88, 0.94%, 0.59%

LAB 89.47, -55.39, 78.34

 

CMYK 32 / 0 / 73 / 0

HEX #AEFF46

RGB 174 255 70

HSL 86.27, 1%, 0.64%

LAB 92.11, -51.07, 75.51

 

CMYK 25 / 0 / 65 / 0

HEX #BFFF59

RGB 191 255 89

HSL 83.13, 1%, 0.67%

LAB 93.15, -43.85, 70.09

 

CMYK 18 / 0 / 58 / 0

HEX #D0FF6C

RGB 208 255 108

HSL 79.18, 1%, 0.71%

LAB 94.32, -36.17, 63.95

 

CMYK 12 / 0 / 50 / 0

HEX #E1FF7F

RGB 225 255 127

HSL 74.06, 1%, 0.75%

LAB 95.61, -28.15, 57.34

 

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

CMYK 42 / 0 / 84 / 9

HEX #87E725

RGB 135 231 37

HSL 89.69, 0.8%, 0.53%

LAB 83.14, -56.12, 75.72

 

CMYK 45 / 0 / 92 / 16

HEX #76D512

RGB 118 213 18

HSL 89.23, 0.84%, 0.45%

LAB 76.97, -55.18, 73.64

 

CMYK 48 / 0 / 100 / 24

HEX #65C300

RGB 101 195 0

HSL 88.92, 1%, 0.38%

LAB 70.73, -53.99, 70.36

 

CMYK 53 / 0 / 100 / 31

HEX #54B100

RGB 84 177 0

HSL 91.53, 1%, 0.35%

LAB 64.43, -52.38, 65.13

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 18 / 0 / 77 / 3

HEX #CCF839

RGB 204 248 57

HSL 73.82, 0.93%, 0.6%

LAB 91.8, -37.65, 79.8

 

CMYK 0 / 3 / 77 / 3

HEX #F8F139

RGB 248 241 57

HSL 57.8, 0.93%, 0.6%

LAB 93.09, -16.72, 82.13

 

CMYK 0 / 23 / 77 / 3

HEX #F8BE39

RGB 248 190 57

HSL 41.78, 0.93%, 0.6%

LAB 80.22, 9.01, 70.45

 

CMYK 0 / 44 / 77 / 3

HEX #F88A39

RGB 248 138 57

HSL 25.45, 0.93%, 0.6%

LAB 68.34, 36.14, 59.16

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 60 / 0 / 77 / 3

HEX #64F839

RGB 100 248 57

HSL 106.49, 0.93%, 0.6%

LAB 87.07, -70.93, 73.67

 

CMYK 77 / 0 / 74 / 3

HEX #39F841

RGB 57 248 65

HSL 122.51, 0.93%, 0.6%

LAB 86.2, -78.05, 70.03

 

CMYK 77 / 0 / 53 / 3

HEX #39F874

RGB 57 248 116

HSL 138.53, 0.93%, 0.6%

LAB 86.64, -72.74, 49.97

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 34 / 0 / 69 / 9

HEX #98E849

RGB 152 232 73

HSL 90.19, 0.78%, 0.6%

LAB 84.42, -48.97, 66.38

 

CMYK 29 / 0 / 58 / 16

HEX #98D75A

RGB 152 215 90

HSL 90.24, 0.61%, 0.6%

LAB 79.62, -40.32, 54.24

 

CMYK 24 / 0 / 47 / 22

HEX #98C76A

RGB 152 199 106

HSL 90.32, 0.45%, 0.6%

LAB 75.18, -31.34, 41.44

 

CMYK 16 / 0 / 32 / 29

HEX #98B67B

RGB 152 182 123

HSL 90.51, 0.29%, 0.6%

LAB 70.57, -20.82, 26.77

 

CMYK 0 / 2 / 77 / 3

HEX #F8F239

RGB 248 242 57

HSL 58.12, 0.93%, 0.6%

LAB 93.34, -17.21, 82.36

 

CMYK 18 / 0 / 77 / 3

HEX #CCF839

RGB 204 248 57

HSL 73.82, 0.93%, 0.6%

LAB 91.8, -37.65, 79.8

 

CMYK 38 / 0 / 77 / 3

HEX #99F839

RGB 153 248 57

HSL 89.84, 0.93%, 0.6%

LAB 89.02, -56.04, 76.21

 

CMYK 59 / 0 / 77 / 3

HEX #65F839

RGB 101 248 57

HSL 106.18, 0.93%, 0.6%

LAB 87.09, -70.7, 73.7

 

CMYK 77 / 0 / 75 / 3

HEX #39F83F

RGB 57 248 63

HSL 121.88, 0.93%, 0.6%

LAB 86.19, -78.19, 70.66

 

CMYK 49 / 0 / 97 / 15

HEX #6FD806

RGB 111 216 6

HSL 90, 0.95%, 0.44%

LAB 77.58, -58.66, 75.32

 

CMYK 47 / 0 / 93 / 3

HEX #83F711

RGB 131 247 17

HSL 90.26, 0.93%, 0.52%

LAB 87.67, -63.86, 82.7

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 31 / 0 / 61 / 2

HEX #ADFA61

RGB 173 250 97

HSL 90.2, 0.94%, 0.68%

LAB 90.83, -47.46, 64.12

 

CMYK 23 / 0 / 45 / 2

HEX #C1FB89

RGB 193 251 137

HSL 90.53, 0.93%, 0.76%

LAB 92.64, -36.96, 48.62

 

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

CMYK 77 / 0 / 23 / 3

HEX #39F8BF

RGB 57 248 191

HSL 162.09, 0.93%, 0.6%

LAB 87.86, -58.94, 14.38

 

CMYK 0 / 77 / 8 / 3

HEX #F839E5

RGB 248 57 229

HSL 305.97, 0.93%, 0.6%

LAB 60.37, 85.73, -46.33

 

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

CMYK 77 / 38 / 0 / 3

HEX #3999F8

RGB 57 153 248

HSL 209.84, 0.93%, 0.6%

LAB 62.02, 4.21, -55.3

 

CMYK 0 / 77 / 38 / 3

HEX #F83999

RGB 248 57 153

HSL 329.84, 0.93%, 0.6%

LAB 57.25, 76.6, -7.47

 

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

CMYK 77 / 0 / 23 / 3

HEX #39F8BF

RGB 57 248 191

HSL 162.09, 0.93%, 0.6%

LAB 87.86, -58.94, 14.38

 

CMYK 38 / 77 / 0 / 3

HEX #9939F8

RGB 153 57 248

HSL 270.16, 0.93%, 0.6%

LAB 47.59, 72.07, -78.28

 

CMYK 0 / 77 / 54 / 3

HEX #F83972

RGB 248 57 114

HSL 342.09, 0.93%, 0.6%

LAB 56.19, 73.32, 14.1

 

CMYK 39 / 0 / 78 / 2

HEX #98F938

RGB 152 249 56

HSL 90.16, 0.94%, 0.6%

LAB 89.26, -56.81, 76.7

 

CMYK 77 / 0 / 0 / 3

HEX #39F8F8

RGB 57 248 248

HSL 180, 0.93%, 0.6%

LAB 89.29, -44.38, -13.19

 

CMYK 38 / 77 / 0 / 3

HEX #9939F8

RGB 153 57 248

HSL 270.16, 0.93%, 0.6%

LAB 47.59, 72.07, -78.28

 

CMYK 0 / 77 / 77 / 3

HEX #F83939

RGB 248 57 57

HSL 0, 0.93%, 0.6%

LAB 55.26, 70.39, 45.96

 

Description

Color code: RGB 152 249 56 | qconv.com Color code: RGB 152 249 56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 249 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 249 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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