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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 35 188 it is the complementary color RGB 103 220 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 35 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 35 188 shade: RGB 157 35 183, RGB 174 53 202, RGB 191 71 221, RGB 208 89 240 and RGB 225 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 35 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 35 188 shade: RGB 152 35 188, RGB 135 17 169, RGB 118 0 150, RGB 101 0 131 and RGB 84 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 35 188 shade: RGB 153 34 189, RGB 189 34 184, RGB 189 34 142, RGB 189 34 100 and RGB 189 34 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 35 188 shade: RGB 153 34 189, RGB 111 34 189, RGB 69 34 189 and RGB 34 34 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 35 188 shade matches the following richer shades: RGB 153 34 189 and RGB 162 16 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 35 188 shade: RGB 153 34 189, RGB 143 52 171, RGB 133 71 153, RGB 124 89 135 and RGB 114 107 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 35 188 shade: RGB 68 34 189, RGB 109 34 189, RGB 150 34 189, RGB 189 34 187 and RGB 189 34 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 35 188 shade: RGB 96 21 119, RGB 125 28 154, RGB 153 34 189, RGB 177 48 217 and RGB 190 83 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 35 188 shade: RGB 152 35 188, RGB 189 34 42 and RGB 34 189 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 35 188 shade: RGB 152 35 188, RGB 189 150 34 and RGB 34 189 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 35 188 shade: RGB 152 35 188, RGB 189 34 42, RGB 73 189 34 and RGB 34 189 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 35 188 shade: RGB 152 35 188, RGB 189 73 34, RGB 73 189 34 and RGB 34 150 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

Complementary color

CMYK 53 / 0 / 70 / 14

HEX #67DC43

RGB 103 220 67

HSL 105.88, 0.69%, 0.56%

LAB 78.74, -59.8, 62.09

 

CMYK 14 / 81 / 0 / 28

HEX #9D23B7

RGB 157 35 183

HSL 289.46, 0.68%, 0.43%

LAB 40.88, 66.65, -51.85

 

CMYK 14 / 74 / 0 / 21

HEX #AE35CA

RGB 174 53 202

HSL 288.72, 0.58%, 0.5%

LAB 46.72, 67.75, -53.4

 

CMYK 14 / 68 / 0 / 13

HEX #BF47DD

RGB 191 71 221

HSL 288, 0.69%, 0.57%

LAB 52.73, 68.13, -54.5

 

CMYK 13 / 63 / 0 / 6

HEX #D059F0

RGB 208 89 240

HSL 287.28, 0.83%, 0.65%

LAB 58.83, 68.05, -55.3

 

CMYK 12 / 58 / 0 / 0

HEX #E16BFF

RGB 225 107 255

HSL 287.84, 1%, 0.71%

LAB 64.76, 66.94, -54.03

 

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

CMYK 20 / 90 / 0 / 34

HEX #8711A9

RGB 135 17 169

HSL 286.58, 0.82%, 0.36%

LAB 34.84, 64.53, -53.47

 

CMYK 21 / 100 / 0 / 41

HEX #760096

RGB 118 0 150

HSL 287.2, 1%, 0.29%

LAB 29.55, 61.13, -50.65

 

CMYK 23 / 100 / 0 / 49

HEX #650083

RGB 101 0 131

HSL 286.26, 1%, 0.26%

LAB 24.97, 55.15, -46.41

 

CMYK 25 / 100 / 0 / 56

HEX #540070

RGB 84 0 112

HSL 285, 1%, 0.22%

LAB 20.26, 49.01, -42.07

 

CMYK 19 / 82 / 0 / 26

HEX #9922BD

RGB 153 34 189

HSL 286.06, 0.7%, 0.44%

LAB 40.56, 67.32, -55.93

 

CMYK 0 / 82 / 3 / 26

HEX #BD22B8

RGB 189 34 184

HSL 301.94, 0.7%, 0.44%

LAB 46.21, 73.08, -43.61

 

CMYK 0 / 82 / 25 / 26

HEX #BD228E

RGB 189 34 142

HSL 318.19, 0.7%, 0.44%

LAB 44.11, 67.3, -21.83

 

CMYK 0 / 82 / 47 / 26

HEX #BD2264

RGB 189 34 100

HSL 334.45, 0.7%, 0.44%

LAB 42.59, 62.88, 1.81

 

CMYK 0 / 82 / 69 / 26

HEX #BD223B

RGB 189 34 59

HSL 350.32, 0.7%, 0.44%

LAB 41.66, 60.09, 26.24

 

CMYK 19 / 82 / 0 / 26

HEX #9922BD

RGB 153 34 189

HSL 286.06, 0.7%, 0.44%

LAB 40.56, 67.32, -55.93

 

CMYK 41 / 82 / 0 / 26

HEX #6F22BD

RGB 111 34 189

HSL 269.81, 0.7%, 0.44%

LAB 34.39, 60.66, -66.24

 

CMYK 63 / 82 / 0 / 26

HEX #4522BD

RGB 69 34 189

HSL 253.55, 0.7%, 0.44%

LAB 29.62, 55.65, -74.27

 

CMYK 82 / 82 / 0 / 26

HEX #2222BD

RGB 34 34 189

HSL 240, 0.7%, 0.44%

LAB 27.18, 53.15, -78.39

 

CMYK 19 / 82 / 0 / 26

HEX #9922BD

RGB 153 34 189

HSL 286.06, 0.7%, 0.44%

LAB 40.56, 67.32, -55.93

 

CMYK 22 / 92 / 0 / 19

HEX #A210CF

RGB 162 16 207

HSL 285.86, 0.86%, 0.44%

LAB 42.09, 75.64, -63.88

 

CMYK 19 / 82 / 0 / 26

HEX #9922BD

RGB 153 34 189

HSL 286.06, 0.7%, 0.44%

LAB 40.56, 67.32, -55.93

 

CMYK 16 / 70 / 0 / 33

HEX #8F34AB

RGB 143 52 171

HSL 285.88, 0.53%, 0.44%

LAB 39.97, 55.66, -46.31

 

CMYK 13 / 54 / 0 / 40

HEX #854799

RGB 133 71 153

HSL 285.37, 0.37%, 0.44%

LAB 40.89, 40.2, -34.17

 

CMYK 8 / 34 / 0 / 47

HEX #7C5987

RGB 124 89 135

HSL 285.65, 0.21%, 0.44%

LAB 43.03, 23.1, -20.05

 

CMYK 3 / 9 / 0 / 54

HEX #726B75

RGB 114 107 117

HSL 282, 0.04%, 0.44%

LAB 46.15, 4.76, -4.58

 

CMYK 64 / 82 / 0 / 26

HEX #4422BD

RGB 68 34 189

HSL 253.16, 0.7%, 0.44%

LAB 29.53, 55.56, -74.42

 

CMYK 42 / 82 / 0 / 26

HEX #6D22BD

RGB 109 34 189

HSL 269.03, 0.7%, 0.44%

LAB 34.13, 60.38, -66.69

 

CMYK 21 / 82 / 0 / 26

HEX #9622BD

RGB 150 34 189

HSL 284.9, 0.7%, 0.44%

LAB 40.08, 66.8, -56.72

 

CMYK 0 / 82 / 1 / 26

HEX #BD22BB

RGB 189 34 187

HSL 300.77, 0.7%, 0.44%

LAB 46.38, 73.54, -45.09

 

CMYK 0 / 82 / 23 / 26

HEX #BD2291

RGB 189 34 145

HSL 317.03, 0.7%, 0.44%

LAB 44.24, 67.67, -23.45

 

CMYK 19 / 82 / 0 / 53

HEX #601577

RGB 96 21 119

HSL 285.92, 0.7%, 0.27%

LAB 24.81, 46.99, -39.09

 

CMYK 19 / 82 / 0 / 40

HEX #7D1C9A

RGB 125 28 154

HSL 286.19, 0.69%, 0.36%

LAB 32.97, 57.34, -47.49

 

CMYK 19 / 82 / 0 / 26

HEX #9922BD

RGB 153 34 189

HSL 286.06, 0.7%, 0.44%

LAB 40.56, 67.32, -55.93

 

CMYK 18 / 78 / 0 / 15

HEX #B130D9

RGB 177 48 217

HSL 285.8, 0.69%, 0.52%

LAB 47.59, 72.71, -60.61

 

CMYK 15 / 63 / 0 / 13

HEX #BE53DF

RGB 190 83 223

HSL 285.86, 0.69%, 0.6%

LAB 54.51, 63.26, -52.8

 

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

CMYK 0 / 82 / 78 / 26

HEX #BD222A

RGB 189 34 42

HSL 356.9, 0.7%, 0.44%

LAB 41.42, 59.38, 36.19

 

CMYK 82 / 0 / 53 / 26

HEX #22BD58

RGB 34 189 88

HSL 140.9, 0.7%, 0.44%

LAB 67.61, -59.94, 40.01

 

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

CMYK 0 / 21 / 82 / 26

HEX #BD9622

RGB 189 150 34

HSL 44.9, 0.7%, 0.44%

LAB 63.96, 3.86, 61.17

 

CMYK 82 / 0 / 21 / 26

HEX #22BD96

RGB 34 189 150

HSL 164.9, 0.7%, 0.44%

LAB 68.71, -47.5, 8.93

 

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

CMYK 0 / 82 / 78 / 26

HEX #BD222A

RGB 189 34 42

HSL 356.9, 0.7%, 0.44%

LAB 41.42, 59.38, 36.19

 

CMYK 61 / 0 / 82 / 26

HEX #49BD22

RGB 73 189 34

HSL 104.9, 0.7%, 0.44%

LAB 67.97, -58.54, 62.01

 

CMYK 82 / 0 / 4 / 26

HEX #22BDB5

RGB 34 189 181

HSL 176.9, 0.7%, 0.44%

LAB 69.52, -39.14, -6.87

 

CMYK 19 / 81 / 0 / 26

HEX #9823BC

RGB 152 35 188

HSL 285.88, 0.69%, 0.44%

LAB 40.42, 66.68, -55.57

 

CMYK 0 / 61 / 82 / 26

HEX #BD4922

RGB 189 73 34

HSL 15.1, 0.7%, 0.44%

LAB 46.58, 44.79, 45.56

 

CMYK 61 / 0 / 82 / 26

HEX #49BD22

RGB 73 189 34

HSL 104.9, 0.7%, 0.44%

LAB 67.97, -58.54, 62.01

 

CMYK 82 / 21 / 0 / 26

HEX #2296BD

RGB 34 150 189

HSL 195.1, 0.7%, 0.44%

LAB 57.87, -17.34, -29

 

Description

Color code: RGB 152 35 188 | qconv.com Color code: RGB 152 35 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 35 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 35 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 81 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 81% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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