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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 57 172 it is the complementary color RGB 103 198 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 57 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 57 172 shade: RGB 157 57 167, RGB 174 75 186, RGB 191 93 205, RGB 208 111 224 and RGB 225 129 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 57 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 135 39 153, RGB 118 21 134, RGB 101 3 115 and RGB 84 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 172 57 161, RGB 172 57 130, RGB 172 57 99 and RGB 172 57 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 121 57 172, RGB 90 57 172, RGB 59 57 172 and RGB 57 57 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 57 172 shade matches the following richer shades: RGB 152 57 172, RGB 164 38 190, RGB 176 20 209 and RGB 188 1 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 140 75 153, RGB 127 94 134, RGB 115 113 116 and RGB 103 131 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 57 172 shade: RGB 89 57 172, RGB 120 57 172, RGB 151 57 172, RGB 172 57 162 and RGB 172 57 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 57 172 shade: RGB 97 36 110, RGB 124 47 141, RGB 152 57 172, RGB 174 75 195 and RGB 188 106 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 172 59 57 and RGB 57 172 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 172 151 57 and RGB 57 172 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 172 59 57, RGB 78 172 57 and RGB 57 170 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 57 172 shade: RGB 152 57 172, RGB 172 93 57, RGB 78 172 57 and RGB 57 135 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

Complementary color

CMYK 48 / 0 / 58 / 22

HEX #67C653

RGB 103 198 83

HSL 109.57, 0.5%, 0.55%

LAB 72.16, -49.9, 48.21

 

CMYK 6 / 66 / 0 / 35

HEX #9D39A7

RGB 157 57 167

HSL 294.55, 0.49%, 0.44%

LAB 42.59, 56.04, -39.63

 

CMYK 6 / 60 / 0 / 27

HEX #AE4BBA

RGB 174 75 186

HSL 293.51, 0.45%, 0.51%

LAB 48.98, 55.89, -40.53

 

CMYK 7 / 55 / 0 / 20

HEX #BF5DCD

RGB 191 93 205

HSL 292.5, 0.53%, 0.58%

LAB 55.39, 55.43, -41.18

 

CMYK 7 / 50 / 0 / 12

HEX #D06FE0

RGB 208 111 224

HSL 291.5, 0.65%, 0.66%

LAB 61.79, 54.82, -41.69

 

CMYK 7 / 47 / 0 / 5

HEX #E181F3

RGB 225 129 243

HSL 290.53, 0.83%, 0.73%

LAB 68.15, 54.13, -42.09

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 12 / 75 / 0 / 40

HEX #872799

RGB 135 39 153

HSL 290.53, 0.59%, 0.38%

LAB 35.79, 55.48, -42.25

 

CMYK 12 / 84 / 0 / 47

HEX #761586

RGB 118 21 134

HSL 291.5, 0.73%, 0.3%

LAB 29.69, 54.21, -40.51

 

CMYK 12 / 97 / 0 / 55

HEX #650373

RGB 101 3 115

HSL 292.5, 0.95%, 0.23%

LAB 23.9, 51.56, -37.96

 

CMYK 13 / 100 / 0 / 62

HEX #540060

RGB 84 0 96

HSL 292.5, 1%, 0.19%

LAB 18.93, 45.94, -33.74

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A1

RGB 172 57 161

HSL 305.74, 0.5%, 0.45%

LAB 44.62, 58.69, -32.7

 

CMYK 0 / 67 / 24 / 33

HEX #AC3982

RGB 172 57 130

HSL 321.91, 0.5%, 0.45%

LAB 43.22, 54.05, -16.13

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 67 / 60 / 33

HEX #AC3944

RGB 172 57 68

HSL 354.26, 0.5%, 0.45%

LAB 41.4, 47.59, 19.7

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 30 / 67 / 0 / 33

HEX #7939AC

RGB 121 57 172

HSL 273.39, 0.5%, 0.45%

LAB 37.79, 48.73, -50.58

 

CMYK 48 / 67 / 0 / 33

HEX #5A39AC

RGB 90 57 172

HSL 257.22, 0.5%, 0.45%

LAB 34.15, 42.3, -56.66

 

CMYK 66 / 67 / 0 / 33

HEX #3B39AC

RGB 59 57 172

HSL 241.04, 0.5%, 0.45%

LAB 31.43, 37.1, -61.21

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 14 / 80 / 0 / 25

HEX #A426BE

RGB 164 38 190

HSL 289.74, 0.67%, 0.45%

LAB 42.76, 68.36, -52.88

 

CMYK 16 / 90 / 0 / 18

HEX #B014D1

RGB 176 20 209

HSL 289.52, 0.83%, 0.45%

LAB 44.71, 77.48, -60.68

 

CMYK 17 / 100 / 0 / 11

HEX #BC01E3

RGB 188 1 227

HSL 289.65, 0.99%, 0.45%

LAB 47.31, 84.16, -66.67

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 8 / 51 / 0 / 40

HEX #8C4B99

RGB 140 75 153

HSL 290, 0.34%, 0.45%

LAB 42.62, 40.08, -31.37

 

CMYK 5 / 30 / 0 / 47

HEX #7F5E86

RGB 127 94 134

HSL 289.5, 0.18%, 0.45%

LAB 44.57, 20.94, -17.05

 

CMYK 1 / 3 / 0 / 55

HEX #737174

RGB 115 113 116

HSL 280, 0.01%, 0.45%

LAB 47.9, 1.38, -1.39

 

CMYK 21 / 0 / 26 / 49

HEX #678361

RGB 103 131 97

HSL 109.41, 0.15%, 0.45%

LAB 51.81, -16.99, 15.19

 

CMYK 48 / 67 / 0 / 33

HEX #5939AC

RGB 89 57 172

HSL 256.7, 0.5%, 0.45%

LAB 34.04, 42.11, -56.83

 

CMYK 30 / 67 / 0 / 33

HEX #7839AC

RGB 120 57 172

HSL 272.87, 0.5%, 0.45%

LAB 37.66, 48.51, -50.8

 

CMYK 12 / 67 / 0 / 33

HEX #9739AC

RGB 151 57 172

HSL 289.04, 0.5%, 0.45%

LAB 41.98, 55.57, -43.64

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A2

RGB 172 57 162

HSL 305.22, 0.5%, 0.45%

LAB 44.67, 58.85, -33.22

 

CMYK 0 / 67 / 24 / 33

HEX #AC3983

RGB 172 57 131

HSL 321.39, 0.5%, 0.45%

LAB 43.26, 54.19, -16.68

 

CMYK 12 / 67 / 0 / 57

HEX #61246E

RGB 97 36 110

HSL 289.46, 0.51%, 0.29%

LAB 26.53, 39.17, -30.56

 

CMYK 12 / 67 / 0 / 45

HEX #7C2F8D

RGB 124 47 141

HSL 289.15, 0.5%, 0.37%

LAB 34.48, 47.33, -37.12

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 11 / 62 / 0 / 24

HEX #AE4BC3

RGB 174 75 195

HSL 289.5, 0.5%, 0.53%

LAB 49.46, 57.6, -44.98

 

CMYK 8 / 48 / 0 / 20

HEX #BC6ACD

RGB 188 106 205

HSL 289.7, 0.5%, 0.61%

LAB 57.47, 48.11, -37.95

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 0 / 66 / 67 / 33

HEX #AC3B39

RGB 172 59 57

HSL 1.04, 0.5%, 0.45%

LAB 41.52, 46.02, 26.58

 

CMYK 67 / 0 / 39 / 33

HEX #39AC69

RGB 57 172 105

HSL 145.04, 0.5%, 0.45%

LAB 62.84, -47.52, 25.31

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 0 / 12 / 67 / 33

HEX #AC9739

RGB 172 151 57

HSL 49.04, 0.5%, 0.45%

LAB 62.68, -3.22, 50.59

 

CMYK 67 / 0 / 12 / 33

HEX #39AC97

RGB 57 172 151

HSL 169.04, 0.5%, 0.45%

LAB 63.84, -37.04, 1.43

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 0 / 66 / 67 / 33

HEX #AC3B39

RGB 172 59 57

HSL 1.04, 0.5%, 0.45%

LAB 41.52, 46.02, 26.58

 

CMYK 55 / 0 / 67 / 33

HEX #4EAC39

RGB 78 172 57

HSL 109.04, 0.5%, 0.45%

LAB 62.86, -49.46, 49

 

CMYK 67 / 1 / 0 / 33

HEX #39AAAC

RGB 57 170 172

HSL 181.04, 0.5%, 0.45%

LAB 63.83, -30.25, -10.31

 

CMYK 12 / 67 / 0 / 33

HEX #9839AC

RGB 152 57 172

HSL 289.57, 0.5%, 0.45%

LAB 42.12, 55.8, -43.39

 

CMYK 0 / 46 / 67 / 33

HEX #AC5D39

RGB 172 93 57

HSL 18.78, 0.5%, 0.45%

LAB 48.13, 29.02, 34.5

 

CMYK 55 / 0 / 67 / 33

HEX #4EAC39

RGB 78 172 57

HSL 109.04, 0.5%, 0.45%

LAB 62.86, -49.46, 49

 

CMYK 67 / 22 / 0 / 33

HEX #3987AC

RGB 57 135 172

HSL 199.3, 0.5%, 0.45%

LAB 53.14, -11.97, -26.58

 

Description

Color code: RGB 152 57 172 | qconv.com Color code: RGB 152 57 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 57 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 57 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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