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Color name
RGB 152 64 61

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 64 61 it is the complementary color RGB 103 191 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 64 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 64 61 shade: RGB 157 64 56, RGB 174 82 75, RGB 191 100 94, RGB 208 118 113 and RGB 225 136 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 64 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 64 61 shade: RGB 152 64 61, RGB 135 46 42, RGB 118 28 23, RGB 101 10 4 and RGB 84 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 64 61 shade: RGB 153 64 61 and RGB 153 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 64 61 shade: RGB 153 64 61, RGB 153 88 61, RGB 153 113 61, RGB 153 138 61 and RGB 142 153 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 64 61 shade matches the following richer shades: RGB 153 64 61, RGB 170 47 43, RGB 187 31 26 and RGB 205 15 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 64 61 shade: RGB 153 64 61, RGB 135 80 78, RGB 118 96 95, RGB 101 112 113 and RGB 83 128 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 64 61 shade: RGB 153 61 108, RGB 153 61 84, RGB 153 62 61, RGB 153 87 61 and RGB 153 111 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 64 61 shade: RGB 94 39 37, RGB 123 51 49, RGB 153 64 61, RGB 182 76 73 and RGB 194 105 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 64 61 shade: RGB 152 64 61, RGB 133 153 61 and RGB 61 96 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 64 61 shade: RGB 152 64 61, RGB 61 153 62 and RGB 62 61 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 64 61 shade: RGB 152 64 61, RGB 133 153 61, RGB 61 151 153 and RGB 81 61 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 64 61 shade: RGB 152 64 61, RGB 105 153 61, RGB 61 151 153 and RGB 108 61 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

Complementary color

CMYK 47 / 2 / 0 / 24

HEX #67BFC2

RGB 103 191 194

HSL 181.98, 0.43%, 0.58%

LAB 72.26, -25.61, -9.73

 

CMYK 0 / 59 / 64 / 38

HEX #9D4038

RGB 157 64 56

HSL 4.75, 0.47%, 0.42%

LAB 39.78, 38.21, 24.46

 

CMYK 0 / 53 / 57 / 32

HEX #AE524B

RGB 174 82 75

HSL 4.24, 0.4%, 0.49%

LAB 46.37, 36.97, 22.02

 

CMYK 0 / 48 / 51 / 25

HEX #BF645E

RGB 191 100 94

HSL 3.71, 0.43%, 0.56%

LAB 52.95, 35.75, 19.98

 

CMYK 0 / 43 / 46 / 18

HEX #D07671

RGB 208 118 113

HSL 3.16, 0.5%, 0.63%

LAB 59.49, 34.6, 18.25

 

CMYK 0 / 40 / 41 / 12

HEX #E18884

RGB 225 136 132

HSL 2.58, 0.61%, 0.7%

LAB 65.97, 33.54, 16.74

 

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

CMYK 0 / 66 / 69 / 47

HEX #872E2A

RGB 135 46 42

HSL 2.58, 0.53%, 0.35%

LAB 32.42, 37.78, 23.11

 

CMYK 0 / 76 / 81 / 54

HEX #761C17

RGB 118 28 23

HSL 3.16, 0.67%, 0.28%

LAB 25.99, 38.5, 26.66

 

CMYK 0 / 90 / 96 / 60

HEX #650A04

RGB 101 10 4

HSL 3.71, 0.92%, 0.21%

LAB 20.01, 38.13, 28.75

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 60 / 60 / 40

HEX #993D3D

RGB 153 61 61

HSL 0, 0.43%, 0.42%

LAB 38.63, 38.55, 19.79

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 42 / 60 / 40

HEX #99583D

RGB 153 88 61

HSL 17.61, 0.43%, 0.42%

LAB 44.36, 24.11, 27.07

 

CMYK 0 / 26 / 60 / 40

HEX #99713D

RGB 153 113 61

HSL 33.91, 0.43%, 0.42%

LAB 50.59, 9.78, 34.62

 

CMYK 0 / 10 / 60 / 40

HEX #998A3D

RGB 153 138 61

HSL 50.22, 0.43%, 0.42%

LAB 57.35, -4.29, 42.43

 

CMYK 7 / 0 / 60 / 40

HEX #8E993D

RGB 142 153 61

HSL 67.17, 0.43%, 0.42%

LAB 60.67, -17.14, 45.86

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 72 / 75 / 33

HEX #AA2F2B

RGB 170 47 43

HSL 1.89, 0.6%, 0.42%

LAB 39.16, 49.52, 32.06

 

CMYK 0 / 83 / 86 / 27

HEX #BB1F1A

RGB 187 31 26

HSL 1.86, 0.76%, 0.42%

LAB 40.6, 59.1, 43.92

 

CMYK 0 / 93 / 96 / 20

HEX #CD0F09

RGB 205 15 9

HSL 1.84, 0.92%, 0.42%

LAB 43.27, 66.56, 54.3

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 41 / 42 / 47

HEX #87504E

RGB 135 80 78

HSL 2.11, 0.27%, 0.42%

LAB 40.31, 22.82, 11.06

 

CMYK 0 / 19 / 19 / 54

HEX #76605F

RGB 118 96 95

HSL 2.61, 0.11%, 0.42%

LAB 42.83, 8.71, 3.91

 

CMYK 11 / 1 / 0 / 56

HEX #657071

RGB 101 112 113

HSL 185, 0.06%, 0.42%

LAB 46.37, -3.91, -1.98

 

CMYK 36 / 2 / 0 / 49

HEX #538082

RGB 83 128 130

HSL 182.55, 0.22%, 0.42%

LAB 50.56, -14.8, -5.99

 

CMYK 0 / 60 / 29 / 40

HEX #993D6C

RGB 153 61 108

HSL 329.35, 0.43%, 0.42%

LAB 39.9, 43.55, -7.88

 

CMYK 0 / 60 / 45 / 40

HEX #993D54

RGB 153 61 84

HSL 345, 0.43%, 0.42%

LAB 39.16, 40.65, 6.09

 

CMYK 0 / 59 / 60 / 40

HEX #993E3D

RGB 153 62 61

HSL 0.65, 0.43%, 0.42%

LAB 38.82, 38.06, 20.03

 

CMYK 0 / 43 / 60 / 40

HEX #99573D

RGB 153 87 61

HSL 16.96, 0.43%, 0.42%

LAB 44.13, 24.67, 26.78

 

CMYK 0 / 27 / 60 / 40

HEX #996F3D

RGB 153 111 61

HSL 32.61, 0.43%, 0.42%

LAB 50.07, 10.93, 34.01

 

CMYK 0 / 59 / 61 / 63

HEX #5E2725

RGB 94 39 37

HSL 2.11, 0.44%, 0.26%

LAB 23.55, 24.94, 13.59

 

CMYK 0 / 59 / 60 / 52

HEX #7B3331

RGB 123 51 49

HSL 1.62, 0.43%, 0.34%

LAB 31.35, 31.22, 16.88

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 58 / 60 / 29

HEX #B64C49

RGB 182 76 73

HSL 1.65, 0.43%, 0.5%

LAB 46.44, 42.8, 23.55

 

CMYK 0 / 46 / 47 / 24

HEX #C26966

RGB 194 105 102

HSL 1.96, 0.43%, 0.58%

LAB 54.59, 35.03, 17.6

 

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

CMYK 13 / 0 / 60 / 40

HEX #85993D

RGB 133 153 61

HSL 73.04, 0.43%, 0.42%

LAB 59.98, -20.96, 44.91

 

CMYK 60 / 37 / 0 / 40

HEX #3D6099

RGB 61 96 153

HSL 217.17, 0.43%, 0.42%

LAB 40.67, 5.58, -34.94

 

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

CMYK 60 / 0 / 59 / 40

HEX #3D993E

RGB 61 153 62

HSL 120.65, 0.43%, 0.42%

LAB 56.21, -46.03, 39.14

 

CMYK 59 / 60 / 0 / 40

HEX #3E3D99

RGB 62 61 153

HSL 240.65, 0.43%, 0.42%

LAB 31.02, 28.58, -50.39

 

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

CMYK 13 / 0 / 60 / 40

HEX #85993D

RGB 133 153 61

HSL 73.04, 0.43%, 0.42%

LAB 59.98, -20.96, 44.91

 

CMYK 60 / 1 / 0 / 40

HEX #3D9799

RGB 61 151 153

HSL 181.3, 0.43%, 0.42%

LAB 57.49, -25.74, -9.06

 

CMYK 47 / 60 / 0 / 40

HEX #513D99

RGB 81 61 153

HSL 253.04, 0.43%, 0.42%

LAB 32.67, 32.47, -47.65

 

CMYK 0 / 58 / 60 / 40

HEX #98403D

RGB 152 64 61

HSL 1.98, 0.43%, 0.42%

LAB 39.03, 36.68, 20.28

 

CMYK 31 / 0 / 60 / 40

HEX #69993D

RGB 105 153 61

HSL 91.3, 0.43%, 0.42%

LAB 58.15, -32.18, 42.36

 

CMYK 60 / 1 / 0 / 40

HEX #3D9799

RGB 61 151 153

HSL 181.3, 0.43%, 0.42%

LAB 57.49, -25.74, -9.06

 

CMYK 29 / 60 / 0 / 40

HEX #6C3D99

RGB 108 61 153

HSL 270.65, 0.43%, 0.42%

LAB 35.65, 38.92, -42.7

 

Description

Color code: RGB 152 64 61 | qconv.com Color code: RGB 152 64 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 64 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 64 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 60 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 60% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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