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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 76 90 it is the complementary color RGB 103 179 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 76 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 76 90 shade: RGB 157 76 85, RGB 174 94 104, RGB 191 112 123, RGB 208 130 142 and RGB 225 148 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 76 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 135 58 71, RGB 118 40 52, RGB 101 22 33 and RGB 84 4 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 76 90 shade: RGB 152 76 90 and RGB 152 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 152 76 111, RGB 152 76 131, RGB 152 76 152 and RGB 132 76 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 76 90 shade matches the following richer shades: RGB 152 76 90, RGB 171 58 79, RGB 189 39 67, RGB 208 21 55 and RGB 226 2 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 134 95 102, RGB 115 114 114, RGB 96 132 126 and RGB 78 151 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 76 90 shade: RGB 152 76 132, RGB 152 76 112, RGB 152 76 92, RGB 152 81 76 and RGB 152 102 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 76 90 shade: RGB 97 49 58, RGB 125 63 74, RGB 152 76 90, RGB 174 95 110 and RGB 188 123 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 152 152 76 and RGB 76 122 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 92 152 76 and RGB 76 92 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 152 152 76, RGB 76 152 137 and RGB 76 76 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 76 90 shade: RGB 152 76 90, RGB 129 152 76, RGB 76 152 137 and RGB 99 76 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

Complementary color

CMYK 42 / 0 / 8 / 30

HEX #67B3A5

RGB 103 179 165

HSL 168.95, 0.33%, 0.55%

LAB 67.9, -26.97, -0.23

 

CMYK 0 / 52 / 46 / 38

HEX #9D4C55

RGB 157 76 85

HSL 353.33, 0.35%, 0.46%

LAB 42.75, 34.57, 10.62

 

CMYK 0 / 46 / 40 / 32

HEX #AE5E68

RGB 174 94 104

HSL 352.5, 0.33%, 0.53%

LAB 49.5, 33.51, 8.93

 

CMYK 0 / 41 / 36 / 25

HEX #BF707B

RGB 191 112 123

HSL 351.65, 0.38%, 0.59%

LAB 56.18, 32.51, 7.52

 

CMYK 0 / 38 / 32 / 18

HEX #D0828E

RGB 208 130 142

HSL 350.77, 0.45%, 0.66%

LAB 62.78, 31.57, 6.29

 

CMYK 0 / 34 / 28 / 12

HEX #E194A1

RGB 225 148 161

HSL 349.87, 0.56%, 0.73%

LAB 69.3, 30.71, 5.2

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 57 / 47 / 47

HEX #873A47

RGB 135 58 71

HSL 349.87, 0.4%, 0.38%

LAB 35.27, 34.26, 8.42

 

CMYK 0 / 66 / 56 / 54

HEX #762834

RGB 118 40 52

HSL 350.77, 0.49%, 0.31%

LAB 28.43, 35.13, 10.86

 

CMYK 0 / 78 / 67 / 60

HEX #651621

RGB 101 22 33

HSL 351.65, 0.64%, 0.24%

LAB 21.76, 35.51, 14.23

 

CMYK 0 / 95 / 83 / 67

HEX #54040E

RGB 84 4 14

HSL 352.5, 0.91%, 0.17%

LAB 15.5, 34.85, 18.11

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 50 / 50 / 40

HEX #984C4C

RGB 152 76 76

HSL 0, 0.33%, 0.45%

LAB 41.79, 31.71, 14.71

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 50 / 27 / 40

HEX #984C6F

RGB 152 76 111

HSL 332.37, 0.33%, 0.45%

LAB 42.75, 36.02, -5.5

 

CMYK 0 / 50 / 14 / 40

HEX #984C83

RGB 152 76 131

HSL 316.58, 0.33%, 0.45%

LAB 43.48, 39.16, -16.63

 

CMYK 0 / 50 / 0 / 40

HEX #984C98

RGB 152 76 152

HSL 300, 0.33%, 0.45%

LAB 44.39, 42.92, -27.89

 

CMYK 13 / 50 / 0 / 40

HEX #844C98

RGB 132 76 152

HSL 284.21, 0.33%, 0.45%

LAB 41.75, 36.95, -32.21

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 66 / 54 / 33

HEX #AB3A4F

RGB 171 58 79

HSL 348.85, 0.49%, 0.45%

LAB 41.61, 47.68, 13.11

 

CMYK 0 / 79 / 65 / 26

HEX #BD2743

RGB 189 39 67

HSL 348.8, 0.66%, 0.45%

LAB 42.27, 59.17, 22.06

 

CMYK 0 / 90 / 74 / 18

HEX #D01537

RGB 208 21 55

HSL 349.09, 0.82%, 0.45%

LAB 44.55, 67.57, 33.07

 

CMYK 0 / 99 / 81 / 11

HEX #E2022B

RGB 226 2 43

HSL 349.02, 0.98%, 0.45%

LAB 47.48, 73.58, 44.25

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 29 / 24 / 47

HEX #865F66

RGB 134 95 102

HSL 349.23, 0.17%, 0.45%

LAB 44.54, 16.99, 2.35

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 0 / 5 / 48

HEX #60847E

RGB 96 132 126

HSL 170, 0.16%, 0.45%

LAB 52.39, -13.97, -0.86

 

CMYK 48 / 0 / 9 / 41

HEX #4E9789

RGB 78 151 137

HSL 168.49, 0.32%, 0.45%

LAB 57.62, -26.38, 0.33

 

CMYK 0 / 50 / 13 / 40

HEX #984C84

RGB 152 76 132

HSL 315.79, 0.33%, 0.45%

LAB 43.52, 39.33, -17.17

 

CMYK 0 / 50 / 26 / 40

HEX #984C70

RGB 152 76 112

HSL 331.58, 0.33%, 0.45%

LAB 42.78, 36.16, -6.06

 

CMYK 0 / 50 / 39 / 40

HEX #984C5C

RGB 152 76 92

HSL 347.37, 0.33%, 0.45%

LAB 42.18, 33.48, 5.39

 

CMYK 0 / 47 / 50 / 40

HEX #98514C

RGB 152 81 76

HSL 3.95, 0.33%, 0.45%

LAB 42.89, 28.97, 16.2

 

CMYK 0 / 33 / 50 / 40

HEX #98664C

RGB 152 102 76

HSL 20.53, 0.33%, 0.45%

LAB 47.88, 17.03, 22.83

 

CMYK 0 / 49 / 40 / 62

HEX #61313A

RGB 97 49 58

HSL 348.75, 0.33%, 0.29%

LAB 26.86, 22.75, 4.14

 

CMYK 0 / 50 / 41 / 51

HEX #7D3F4A

RGB 125 63 74

HSL 349.35, 0.33%, 0.37%

LAB 34.82, 28.03, 5.65

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 45 / 37 / 32

HEX #AE5F6E

RGB 174 95 110

HSL 348.61, 0.33%, 0.53%

LAB 49.87, 33.7, 5.87

 

CMYK 0 / 35 / 28 / 26

HEX #BC7B87

RGB 188 123 135

HSL 348.92, 0.33%, 0.61%

LAB 58.61, 26.95, 3.98

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 0 / 50 / 40

HEX #98984C

RGB 152 152 76

HSL 60, 0.33%, 0.45%

LAB 61.35, -11.02, 39.61

 

CMYK 50 / 20 / 0 / 40

HEX #4C7A98

RGB 76 122 152

HSL 203.68, 0.33%, 0.45%

LAB 49.16, -7.05, -21.05

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 39 / 0 / 50 / 40

HEX #5C984C

RGB 92 152 76

HSL 107.37, 0.33%, 0.45%

LAB 57.32, -34.63, 33.78

 

CMYK 50 / 39 / 0 / 40

HEX #4C5C98

RGB 76 92 152

HSL 227.37, 0.33%, 0.45%

LAB 40.34, 11.25, -34.8

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 0 / 0 / 50 / 40

HEX #98984C

RGB 152 152 76

HSL 60, 0.33%, 0.45%

LAB 61.35, -11.02, 39.61

 

CMYK 50 / 0 / 10 / 40

HEX #4C9889

RGB 76 152 137

HSL 168.16, 0.33%, 0.45%

LAB 57.85, -27.37, 0.65

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 0 / 50 / 41 / 40

HEX #984C5A

RGB 152 76 90

HSL 348.95, 0.33%, 0.45%

LAB 42.13, 33.24, 6.55

 

CMYK 15 / 0 / 50 / 40

HEX #81984C

RGB 129 152 76

HSL 78.16, 0.33%, 0.45%

LAB 59.57, -20.66, 37.04

 

CMYK 50 / 0 / 10 / 40

HEX #4C9889

RGB 76 152 137

HSL 168.16, 0.33%, 0.45%

LAB 57.85, -27.37, 0.65

 

CMYK 35 / 50 / 0 / 40

HEX #634C98

RGB 99 76 152

HSL 258.16, 0.33%, 0.45%

LAB 38, 27.45, -38.39

 

Description

Color code: RGB 152 76 90 | qconv.com Color code: RGB 152 76 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 76 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 76 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 41 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 41% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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