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Color name
RGB 153 108 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 108 59 it is the complementary color RGB 102 147 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 108 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 108 59 shade: RGB 158 108 54, RGB 175 126 73, RGB 192 144 92, RGB 209 162 111 and RGB 226 180 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 108 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 108 59 shade: RGB 153 108 59, RGB 136 90 40, RGB 119 72 21, RGB 102 54 2 and RGB 85 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 108 59 shade: RGB 154 109 59, RGB 154 83 59 and RGB 154 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 108 59 shade: RGB 154 109 59, RGB 154 134 59, RGB 148 154 59, RGB 123 154 59 and RGB 97 154 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 108 59 shade matches the following richer shades: RGB 154 109 59, RGB 171 109 42, RGB 188 110 25 and RGB 206 111 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 108 59 shade: RGB 154 109 59, RGB 136 108 77, RGB 119 107 94, RGB 102 106 111 and RGB 84 106 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 108 59 shade: RGB 154 59 61, RGB 154 83 59, RGB 154 108 59, RGB 154 133 59 and RGB 149 154 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 108 59 shade: RGB 94 67 36, RGB 124 88 48, RGB 154 109 59, RGB 183 130 71 and RGB 195 150 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 108 59 shade: RGB 153 108 59, RGB 86 154 59 and RGB 70 59 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 108 59 shade: RGB 153 108 59, RGB 59 154 108 and RGB 108 59 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 108 59 shade: RGB 153 108 59, RGB 86 154 59, RGB 59 105 154 and RGB 127 59 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 108 59 shade: RGB 153 108 59, RGB 59 154 61, RGB 59 105 154 and RGB 154 59 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

Complementary color

CMYK 48 / 25 / 0 / 23

HEX #6693C4

RGB 102 147 196

HSL 211.28, 0.44%, 0.58%

LAB 59.6, -1.78, -30.1

 

CMYK 0 / 32 / 66 / 38

HEX #9E6C36

RGB 158 108 54

HSL 31.15, 0.49%, 0.42%

LAB 49.81, 14.37, 37.56

 

CMYK 0 / 28 / 58 / 31

HEX #AF7E49

RGB 175 126 73

HSL 31.18, 0.41%, 0.49%

LAB 56.6, 13.06, 36.01

 

CMYK 0 / 25 / 52 / 25

HEX #C0905C

RGB 192 144 92

HSL 31.2, 0.44%, 0.56%

LAB 63.28, 11.96, 34.53

 

CMYK 0 / 22 / 47 / 18

HEX #D1A26F

RGB 209 162 111

HSL 31.22, 0.52%, 0.63%

LAB 69.86, 11.03, 33.12

 

CMYK 0 / 20 / 42 / 11

HEX #E2B482

RGB 226 180 130

HSL 31.25, 0.62%, 0.7%

LAB 76.33, 10.22, 31.81

 

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

CMYK 0 / 34 / 71 / 47

HEX #885A28

RGB 136 90 40

HSL 31.25, 0.55%, 0.35%

LAB 42.31, 13.94, 35.69

 

CMYK 0 / 39 / 82 / 53

HEX #774815

RGB 119 72 21

HSL 31.22, 0.7%, 0.27%

LAB 35.22, 15.72, 36.98

 

CMYK 0 / 47 / 98 / 60

HEX #663602

RGB 102 54 2

HSL 31.2, 0.96%, 0.2%

LAB 28.03, 17.89, 37.54

 

CMYK 0 / 58 / 100 / 67

HEX #552400

RGB 85 36 0

HSL 25.41, 1%, 0.17%

LAB 20.8, 20.6, 30.35

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3B

RGB 154 109 59

HSL 31.58, 0.45%, 0.42%

LAB 49.65, 12.37, 34.6

 

CMYK 0 / 46 / 62 / 40

HEX #9A533B

RGB 154 83 59

HSL 15.16, 0.45%, 0.42%

LAB 43.32, 27.18, 26.97

 

CMYK 0 / 62 / 62 / 40

HEX #9A3B3B

RGB 154 59 59

HSL 0, 0.45%, 0.42%

LAB 38.4, 39.74, 20.76

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3B

RGB 154 109 59

HSL 31.58, 0.45%, 0.42%

LAB 49.65, 12.37, 34.6

 

CMYK 0 / 13 / 62 / 40

HEX #9A863B

RGB 154 134 59

HSL 47.37, 0.45%, 0.42%

LAB 56.32, -1.79, 42.27

 

CMYK 4 / 0 / 62 / 40

HEX #949A3B

RGB 148 154 59

HSL 63.79, 0.45%, 0.42%

LAB 61.41, -15.22, 47.73

 

CMYK 20 / 0 / 62 / 40

HEX #7B9A3B

RGB 123 154 59

HSL 79.58, 0.45%, 0.42%

LAB 59.56, -25.77, 45.17

 

CMYK 37 / 0 / 62 / 40

HEX #619A3B

RGB 97 154 59

HSL 96, 0.45%, 0.42%

LAB 58.01, -35.77, 43

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3B

RGB 154 109 59

HSL 31.58, 0.45%, 0.42%

LAB 49.65, 12.37, 34.6

 

CMYK 0 / 36 / 75 / 33

HEX #AB6D2A

RGB 171 109 42

HSL 31.16, 0.61%, 0.42%

LAB 51.57, 18.89, 45.8

 

CMYK 0 / 41 / 87 / 26

HEX #BC6E19

RGB 188 110 25

HSL 31.29, 0.77%, 0.42%

LAB 53.94, 25.16, 55.49

 

CMYK 0 / 46 / 97 / 19

HEX #CE6F07

RGB 206 111 7

HSL 31.36, 0.93%, 0.42%

LAB 56.59, 31.93, 62.88

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3B

RGB 154 109 59

HSL 31.58, 0.45%, 0.42%

LAB 49.65, 12.37, 34.6

 

CMYK 0 / 21 / 43 / 47

HEX #886C4D

RGB 136 108 77

HSL 31.53, 0.28%, 0.42%

LAB 47.62, 6.7, 21.55

 

CMYK 0 / 10 / 21 / 53

HEX #776B5E

RGB 119 107 94

HSL 31.2, 0.12%, 0.42%

LAB 45.97, 2.41, 9

 

CMYK 8 / 5 / 0 / 56

HEX #666A6F

RGB 102 106 111

HSL 213.33, 0.04%, 0.42%

LAB 44.63, -0.45, -3.33

 

CMYK 35 / 18 / 0 / 49

HEX #546A81

RGB 84 106 129

HSL 210.67, 0.21%, 0.42%

LAB 43.91, -2.14, -15.39

 

CMYK 0 / 62 / 60 / 40

HEX #9A3B3D

RGB 154 59 61

HSL 358.74, 0.45%, 0.42%

LAB 38.44, 39.89, 19.57

 

CMYK 0 / 46 / 62 / 40

HEX #9A533B

RGB 154 83 59

HSL 15.16, 0.45%, 0.42%

LAB 43.32, 27.18, 26.97

 

CMYK 0 / 30 / 62 / 40

HEX #9A6C3B

RGB 154 108 59

HSL 30.95, 0.45%, 0.42%

LAB 49.39, 12.94, 34.3

 

CMYK 0 / 14 / 62 / 40

HEX #9A853B

RGB 154 133 59

HSL 46.74, 0.45%, 0.42%

LAB 56.05, -1.24, 41.96

 

CMYK 3 / 0 / 62 / 40

HEX #959A3B

RGB 149 154 59

HSL 63.16, 0.45%, 0.42%

LAB 61.5, -14.79, 47.84

 

CMYK 0 / 29 / 62 / 63

HEX #5E4324

RGB 94 67 36

HSL 32.07, 0.45%, 0.25%

LAB 30.69, 7.74, 23.19

 

CMYK 0 / 29 / 61 / 51

HEX #7C5830

RGB 124 88 48

HSL 31.58, 0.44%, 0.34%

LAB 40.37, 10.16, 28.76

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3B

RGB 154 109 59

HSL 31.58, 0.45%, 0.42%

LAB 49.65, 12.37, 34.6

 

CMYK 0 / 29 / 61 / 28

HEX #B78247

RGB 183 130 71

HSL 31.61, 0.44%, 0.5%

LAB 58.5, 14.13, 39.54

 

CMYK 0 / 23 / 48 / 24

HEX #C39665

RGB 195 150 101

HSL 31.28, 0.44%, 0.58%

LAB 65.24, 10.78, 32.26

 

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

CMYK 44 / 0 / 62 / 40

HEX #569A3B

RGB 86 154 59

HSL 102.95, 0.45%, 0.42%

LAB 57.47, -39.55, 42.25

 

CMYK 55 / 62 / 0 / 40

HEX #463B9A

RGB 70 59 154

HSL 246.95, 0.45%, 0.42%

LAB 31.26, 31.72, -50.59

 

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

CMYK 62 / 0 / 30 / 40

HEX #3B9A6C

RGB 59 154 108

HSL 150.95, 0.45%, 0.42%

LAB 57.2, -39.04, 16.05

 

CMYK 30 / 62 / 0 / 40

HEX #6C3B9A

RGB 108 59 154

HSL 270.95, 0.45%, 0.42%

LAB 35.3, 40.28, -43.86

 

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

CMYK 44 / 0 / 62 / 40

HEX #569A3B

RGB 86 154 59

HSL 102.95, 0.45%, 0.42%

LAB 57.47, -39.55, 42.25

 

CMYK 62 / 32 / 0 / 40

HEX #3B699A

RGB 59 105 154

HSL 210.95, 0.45%, 0.42%

LAB 43.31, -0.11, -31.38

 

CMYK 18 / 62 / 0 / 40

HEX #7F3B9A

RGB 127 59 154

HSL 282.95, 0.45%, 0.42%

LAB 37.79, 45.06, -39.73

 

CMYK 0 / 29 / 61 / 40

HEX #996C3B

RGB 153 108 59

HSL 31.28, 0.44%, 0.42%

LAB 49.27, 12.5, 34.13

 

CMYK 62 / 0 / 60 / 40

HEX #3B9A3D

RGB 59 154 61

HSL 121.26, 0.45%, 0.42%

LAB 56.46, -47.03, 39.89

 

CMYK 62 / 32 / 0 / 40

HEX #3B699A

RGB 59 105 154

HSL 210.95, 0.45%, 0.42%

LAB 43.31, -0.11, -31.38

 

CMYK 0 / 62 / 1 / 40

HEX #9A3B98

RGB 154 59 152

HSL 301.26, 0.45%, 0.42%

LAB 41.63, 51.71, -32.19

 

Description

Color code: RGB 153 108 59 | qconv.com Color code: RGB 153 108 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 108 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 108 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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