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Color name
RGB 153 102 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 102 19 it is the complementary color RGB 102 153 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 102 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 102 19 shade: RGB 158 102 14, RGB 175 120 33, RGB 192 138 52, RGB 209 156 71 and RGB 226 174 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 102 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 102 19 shade: RGB 153 102 19, RGB 136 84 0, RGB 119 66 0, RGB 102 48 0 and RGB 85 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 102 19 shade: RGB 154 102 19, RGB 154 66 19, RGB 154 29 19 and RGB 154 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 102 19 shade: RGB 154 102 19, RGB 154 139 19, RGB 132 154 19, RGB 96 154 19 and RGB 59 154 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 102 19 shade matches the following richer shades: RGB 154 102 19 and RGB 168 106 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 102 19 shade: RGB 154 102 19, RGB 140 99 33, RGB 126 96 47, RGB 112 92 61 and RGB 98 89 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 102 19 shade: RGB 154 30 19, RGB 154 66 19, RGB 154 102 19, RGB 154 138 19 and RGB 134 154 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 102 19 shade: RGB 80 53 9, RGB 117 78 14, RGB 154 102 19, RGB 191 127 23 and RGB 227 151 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 102 19 shade: RGB 153 102 19, RGB 43 154 19 and RGB 48 19 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 102 19 shade: RGB 153 102 19, RGB 19 154 102 and RGB 102 19 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 102 19 shade: RGB 153 102 19, RGB 43 154 19, RGB 19 70 154 and RGB 129 19 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 102 19 shade: RGB 153 102 19, RGB 19 154 34, RGB 19 70 154 and RGB 154 19 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

Complementary color

CMYK 57 / 35 / 0 / 7

HEX #6699EC

RGB 102 153 236

HSL 217.16, 0.78%, 0.66%

LAB 63.06, 7.08, -46.95

 

CMYK 0 / 35 / 91 / 38

HEX #9E660E

RGB 158 102 14

HSL 36.67, 0.84%, 0.34%

LAB 48.01, 16.09, 52.32

 

CMYK 0 / 31 / 81 / 31

HEX #AF7821

RGB 175 120 33

HSL 36.76, 0.68%, 0.41%

LAB 54.72, 14.13, 52.72

 

CMYK 0 / 28 / 73 / 25

HEX #C08A34

RGB 192 138 52

HSL 36.86, 0.57%, 0.48%

LAB 61.33, 12.48, 52.05

 

CMYK 0 / 25 / 66 / 18

HEX #D19C47

RGB 209 156 71

HSL 36.96, 0.6%, 0.55%

LAB 67.86, 11.08, 50.93

 

CMYK 0 / 23 / 60 / 11

HEX #E2AE5A

RGB 226 174 90

HSL 37.06, 0.7%, 0.62%

LAB 74.3, 9.88, 49.65

 

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

CMYK 0 / 38 / 100 / 47

HEX #885400

RGB 136 84 0

HSL 37.06, 1%, 0.27%

LAB 40.53, 16.06, 49.19

 

CMYK 0 / 45 / 100 / 53

HEX #774200

RGB 119 66 0

HSL 33.28, 1%, 0.23%

LAB 33.6, 18.7, 43.56

 

CMYK 0 / 53 / 100 / 60

HEX #663000

RGB 102 48 0

HSL 28.24, 1%, 0.2%

LAB 26.56, 21.41, 37.08

 

CMYK 0 / 65 / 100 / 67

HEX #551E00

RGB 85 30 0

HSL 21.18, 1%, 0.17%

LAB 19.47, 24.01, 28.85

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 57 / 88 / 40

HEX #9A4213

RGB 154 66 19

HSL 20.89, 0.78%, 0.34%

LAB 39.26, 34.33, 43.48

 

CMYK 0 / 81 / 88 / 40

HEX #9A1D13

RGB 154 29 19

HSL 4.44, 0.78%, 0.34%

LAB 33.55, 49.73, 38.71

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 10 / 88 / 40

HEX #9A8B13

RGB 154 139 19

HSL 53.33, 0.78%, 0.34%

LAB 57.45, -6.47, 58.42

 

CMYK 14 / 0 / 88 / 40

HEX #849A13

RGB 132 154 19

HSL 69.78, 0.78%, 0.34%

LAB 59.95, -24.18, 59.72

 

CMYK 38 / 0 / 88 / 40

HEX #609A13

RGB 96 154 19

HSL 85.78, 0.78%, 0.34%

LAB 57.7, -38.76, 56.93

 

CMYK 62 / 0 / 88 / 40

HEX #3B9A13

RGB 59 154 19

HSL 102.22, 0.78%, 0.34%

LAB 56.18, -50.38, 55.01

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 37 / 97 / 34

HEX #A86A05

RGB 168 106 5

HSL 37.18, 0.94%, 0.34%

LAB 50.27, 18.21, 56.53

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 29 / 76 / 45

HEX #8C6321

RGB 140 99 33

HSL 37.01, 0.62%, 0.34%

LAB 45.09, 10.14, 42.11

 

CMYK 0 / 24 / 63 / 51

HEX #7E602F

RGB 126 96 47

HSL 37.22, 0.46%, 0.34%

LAB 42.77, 6.25, 32.19

 

CMYK 0 / 18 / 46 / 56

HEX #705C3D

RGB 112 92 61

HSL 36.47, 0.29%, 0.34%

LAB 40.31, 3.54, 20.87

 

CMYK 0 / 9 / 23 / 62

HEX #62594B

RGB 98 89 75

HSL 36.52, 0.13%, 0.34%

LAB 38.29, 1.1, 9.43

 

CMYK 0 / 81 / 88 / 40

HEX #9A1E13

RGB 154 30 19

HSL 4.89, 0.78%, 0.34%

LAB 33.66, 49.43, 38.79

 

CMYK 0 / 57 / 88 / 40

HEX #9A4213

RGB 154 66 19

HSL 20.89, 0.78%, 0.34%

LAB 39.26, 34.33, 43.48

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 10 / 88 / 40

HEX #9A8A13

RGB 154 138 19

HSL 52.89, 0.78%, 0.34%

LAB 57.17, -5.92, 58.19

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 0 / 34 / 89 / 69

HEX #503509

RGB 80 53 9

HSL 37.18, 0.8%, 0.17%

LAB 24.55, 7.84, 30.33

 

CMYK 0 / 33 / 88 / 54

HEX #754E0E

RGB 117 78 14

HSL 37.28, 0.79%, 0.26%

LAB 36.48, 10.91, 40.81

 

CMYK 0 / 34 / 88 / 40

HEX #9A6613

RGB 154 102 19

HSL 36.89, 0.78%, 0.34%

LAB 47.52, 14.37, 50.3

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F17

RGB 191 127 23

HSL 37.14, 0.79%, 0.42%

LAB 58.34, 17.08, 59.8

 

CMYK 0 / 33 / 88 / 11

HEX #E3971C

RGB 227 151 28

HSL 37.09, 0.78%, 0.5%

LAB 68.42, 19.81, 68.3

 

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

CMYK 72 / 0 / 88 / 40

HEX #2B9A13

RGB 43 154 19

HSL 109.33, 0.78%, 0.34%

LAB 55.76, -53.89, 54.48

 

CMYK 69 / 88 / 0 / 40

HEX #30139A

RGB 48 19 154

HSL 252.89, 0.78%, 0.34%

LAB 21.68, 49.97, -66.39

 

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

CMYK 88 / 0 / 34 / 40

HEX #139A66

RGB 19 154 102

HSL 156.89, 0.78%, 0.34%

LAB 56.3, -46.17, 18.03

 

CMYK 34 / 88 / 0 / 40

HEX #66139A

RGB 102 19 154

HSL 276.89, 0.78%, 0.34%

LAB 28.44, 56.06, -55.02

 

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

CMYK 72 / 0 / 88 / 40

HEX #2B9A13

RGB 43 154 19

HSL 109.33, 0.78%, 0.34%

LAB 55.76, -53.89, 54.48

 

CMYK 88 / 55 / 0 / 40

HEX #13469A

RGB 19 70 154

HSL 217.33, 0.78%, 0.34%

LAB 31.47, 17.15, -50.38

 

CMYK 16 / 88 / 0 / 40

HEX #81139A

RGB 129 19 154

HSL 288.89, 0.78%, 0.34%

LAB 32.84, 60.37, -47.66

 

CMYK 0 / 33 / 88 / 40

HEX #996613

RGB 153 102 19

HSL 37.16, 0.78%, 0.34%

LAB 47.39, 13.91, 50.14

 

CMYK 88 / 0 / 78 / 40

HEX #139A22

RGB 19 154 34

HSL 126.67, 0.78%, 0.34%

LAB 55.45, -56.34, 49.77

 

CMYK 88 / 55 / 0 / 40

HEX #13469A

RGB 19 70 154

HSL 217.33, 0.78%, 0.34%

LAB 31.47, 17.15, -50.38

 

CMYK 0 / 88 / 10 / 40

HEX #9A138A

RGB 154 19 138

HSL 307.11, 0.78%, 0.34%

LAB 36.31, 62.43, -32.05

 

Description

Color code: RGB 153 102 19 | qconv.com Color code: RGB 153 102 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 102 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 102 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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