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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 125 24 it is the complementary color RGB 102 130 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 125 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 125 24 shade: RGB 158 125 19, RGB 175 143 38, RGB 192 161 57, RGB 209 179 76 and RGB 226 197 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 125 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 125 24 shade: RGB 153 125 24, RGB 136 107 5, RGB 119 89 0, RGB 102 71 0 and RGB 85 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 125 24 shade: RGB 154 126 24, RGB 154 90 24, RGB 154 55 24 and RGB 154 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 125 24 shade: RGB 154 126 24, RGB 147 154 24, RGB 112 154 24, RGB 77 154 24 and RGB 42 154 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 125 24 shade matches the following richer shades: RGB 154 126 24 and RGB 168 134 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 125 24 shade: RGB 154 126 24, RGB 139 117 38, RGB 125 109 52, RGB 111 101 67 and RGB 96 93 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 125 24 shade: RGB 154 54 24, RGB 154 89 24, RGB 154 123 24, RGB 150 154 24 and RGB 115 154 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 125 24 shade: RGB 83 67 12, RGB 118 96 18, RGB 154 126 24, RGB 190 155 29 and RGB 221 181 39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 125 24 shade: RGB 153 125 24, RGB 28 154 24 and RGB 71 24 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 125 24 shade: RGB 153 125 24, RGB 24 154 123 and RGB 123 24 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 125 24 shade: RGB 153 125 24, RGB 28 154 24, RGB 24 54 154 and RGB 150 24 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 125 24 shade: RGB 153 125 24, RGB 24 154 58, RGB 24 54 154 and RGB 154 24 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

Complementary color

CMYK 56 / 44 / 0 / 9

HEX #6682E7

RGB 102 130 231

HSL 226.98, 0.73%, 0.65%

LAB 56.64, 19.12, -54.37

 

CMYK 0 / 21 / 88 / 38

HEX #9E7D13

RGB 158 125 19

HSL 45.76, 0.79%, 0.35%

LAB 54.01, 3.13, 55.79

 

CMYK 0 / 18 / 78 / 31

HEX #AF8F26

RGB 175 143 38

HSL 45.99, 0.64%, 0.42%

LAB 60.69, 1.53, 56.36

 

CMYK 0 / 16 / 70 / 25

HEX #C0A139

RGB 192 161 57

HSL 46.22, 0.54%, 0.49%

LAB 67.27, 0.21, 55.95

 

CMYK 0 / 14 / 64 / 18

HEX #D1B34C

RGB 209 179 76

HSL 46.47, 0.59%, 0.56%

LAB 73.75, -0.89, 55.08

 

CMYK 0 / 13 / 58 / 11

HEX #E2C55F

RGB 226 197 95

HSL 46.72, 0.69%, 0.63%

LAB 80.14, -1.83, 53.99

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 0 / 21 / 96 / 47

HEX #886B05

RGB 136 107 5

HSL 46.72, 0.93%, 0.28%

LAB 46.66, 2.73, 52.18

 

CMYK 0 / 25 / 100 / 53

HEX #775900

RGB 119 89 0

HSL 44.87, 1%, 0.23%

LAB 39.69, 4.93, 47.58

 

CMYK 0 / 30 / 100 / 60

HEX #664700

RGB 102 71 0

HSL 41.76, 1%, 0.2%

LAB 32.55, 7.39, 41.72

 

CMYK 0 / 38 / 100 / 67

HEX #553500

RGB 85 53 0

HSL 37.41, 1%, 0.17%

LAB 25.19, 10.04, 34.86

 

CMYK 0 / 18 / 84 / 40

HEX #9A7E18

RGB 154 126 24

HSL 47.08, 0.73%, 0.35%

LAB 53.88, 0.85, 54.11

 

CMYK 0 / 42 / 84 / 40

HEX #9A5A18

RGB 154 90 24

HSL 30.46, 0.73%, 0.35%

LAB 44.59, 21.37, 46.06

 

CMYK 0 / 64 / 84 / 40

HEX #9A3718

RGB 154 55 24

HSL 14.31, 0.73%, 0.35%

LAB 37.24, 39.86, 39.49

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 18 / 84 / 40

HEX #9A7E18

RGB 154 126 24

HSL 47.08, 0.73%, 0.35%

LAB 53.88, 0.85, 54.11

 

CMYK 5 / 0 / 84 / 40

HEX #939A18

RGB 147 154 24

HSL 63.23, 0.73%, 0.35%

LAB 61.12, -17.45, 60.01

 

CMYK 27 / 0 / 84 / 40

HEX #709A18

RGB 112 154 24

HSL 79.38, 0.73%, 0.35%

LAB 58.62, -32.39, 56.88

 

CMYK 50 / 0 / 84 / 40

HEX #4D9A18

RGB 77 154 24

HSL 95.54, 0.73%, 0.35%

LAB 56.84, -45.07, 54.62

 

CMYK 73 / 0 / 84 / 40

HEX #2A9A18

RGB 42 154 24

HSL 111.69, 0.73%, 0.35%

LAB 55.76, -53.84, 53.24

 

CMYK 0 / 18 / 84 / 40

HEX #9A7E18

RGB 154 126 24

HSL 47.08, 0.73%, 0.35%

LAB 53.88, 0.85, 54.11

 

CMYK 0 / 20 / 95 / 34

HEX #A88609

RGB 168 134 9

HSL 47.17, 0.9%, 0.35%

LAB 57.46, 2.54, 60.97

 

CMYK 0 / 18 / 84 / 40

HEX #9A7E18

RGB 154 126 24

HSL 47.08, 0.73%, 0.35%

LAB 53.88, 0.85, 54.11

 

CMYK 0 / 16 / 73 / 45

HEX #8B7526

RGB 139 117 38

HSL 46.93, 0.57%, 0.35%

LAB 49.92, -0.46, 44.71

 

CMYK 0 / 13 / 58 / 51

HEX #7D6D34

RGB 125 109 52

HSL 46.85, 0.41%, 0.35%

LAB 46.37, -1.4, 33.68

 

CMYK 0 / 9 / 40 / 56

HEX #6F6543

RGB 111 101 67

HSL 46.36, 0.25%, 0.35%

LAB 42.9, -1.51, 20.7

 

CMYK 0 / 3 / 16 / 62

HEX #605D51

RGB 96 93 81

HSL 48, 0.08%, 0.35%

LAB 39.43, -1.13, 7.32

 

CMYK 0 / 65 / 84 / 40

HEX #9A3618

RGB 154 54 24

HSL 13.85, 0.73%, 0.35%

LAB 37.07, 40.32, 39.33

 

CMYK 0 / 42 / 84 / 40

HEX #9A5918

RGB 154 89 24

HSL 30, 0.73%, 0.35%

LAB 44.35, 21.94, 45.85

 

CMYK 0 / 20 / 84 / 40

HEX #9A7B18

RGB 154 123 24

HSL 45.69, 0.73%, 0.35%

LAB 53.06, 2.54, 53.41

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 25 / 0 / 84 / 40

HEX #739A18

RGB 115 154 24

HSL 78, 0.73%, 0.35%

LAB 58.81, -31.18, 57.12

 

CMYK 0 / 19 / 86 / 67

HEX #53430C

RGB 83 67 12

HSL 46.48, 0.75%, 0.19%

LAB 29.11, 0.6, 33.44

 

CMYK 0 / 19 / 85 / 54

HEX #766012

RGB 118 96 18

HSL 46.8, 0.74%, 0.27%

LAB 41.63, 0.78, 43.92

 

CMYK 0 / 18 / 84 / 40

HEX #9A7E18

RGB 154 126 24

HSL 47.08, 0.73%, 0.35%

LAB 53.88, 0.85, 54.11

 

CMYK 0 / 18 / 85 / 25

HEX #BE9B1D

RGB 190 155 29

HSL 46.96, 0.74%, 0.43%

LAB 65.34, 1.45, 63.85

 

CMYK 0 / 18 / 82 / 13

HEX #DDB527

RGB 221 181 39

HSL 46.81, 0.73%, 0.51%

LAB 75.18, 1.55, 70.63

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 82 / 0 / 84 / 40

HEX #1C9A18

RGB 28 154 24

HSL 118.15, 0.73%, 0.35%

LAB 55.51, -56, 52.92

 

CMYK 54 / 84 / 0 / 40

HEX #47189A

RGB 71 24 154

HSL 261.69, 0.73%, 0.35%

LAB 24.72, 50.31, -61.29

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 84 / 0 / 20 / 40

HEX #189A7B

RGB 24 154 123

HSL 165.69, 0.73%, 0.35%

LAB 56.82, -40.65, 6.96

 

CMYK 20 / 84 / 0 / 40

HEX #7B189A

RGB 123 24 154

HSL 285.69, 0.73%, 0.35%

LAB 32.25, 58.12, -48.67

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 82 / 0 / 84 / 40

HEX #1C9A18

RGB 28 154 24

HSL 118.15, 0.73%, 0.35%

LAB 55.51, -56, 52.92

 

CMYK 84 / 65 / 0 / 40

HEX #18369A

RGB 24 54 154

HSL 226.15, 0.73%, 0.35%

LAB 27.2, 28.52, -57.33

 

CMYK 3 / 84 / 0 / 40

HEX #96189A

RGB 150 24 154

HSL 298.15, 0.73%, 0.35%

LAB 36.87, 63.09, -40.99

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 84 / 0 / 62 / 40

HEX #189A3A

RGB 24 154 58

HSL 135.69, 0.73%, 0.35%

LAB 55.7, -53.44, 40.23

 

CMYK 84 / 65 / 0 / 40

HEX #18369A

RGB 24 54 154

HSL 226.15, 0.73%, 0.35%

LAB 27.2, 28.52, -57.33

 

CMYK 0 / 84 / 23 / 40

HEX #9A1877

RGB 154 24 119

HSL 316.15, 0.73%, 0.35%

LAB 35.7, 58.76, -21.16

 

Description

Color code: RGB 153 125 24 | qconv.com Color code: RGB 153 125 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 125 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 125 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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