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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 163 75 it is the complementary color RGB 102 92 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 163 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 163 75 shade: RGB 158 163 70, RGB 175 181 89, RGB 192 199 108, RGB 209 217 127 and RGB 226 235 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 163 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 163 75 shade: RGB 153 163 75, RGB 136 145 56, RGB 119 127 37, RGB 102 109 18 and RGB 85 91 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 163 75 shade: RGB 154 164 75, RGB 164 150 75, RGB 164 126 75, RGB 164 102 75 and RGB 164 78 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 163 75 shade: RGB 154 164 75, RGB 130 164 75, RGB 106 164 75, RGB 82 164 75 and RGB 75 164 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 163 75 shade matches the following richer shades: RGB 154 164 75, RGB 169 183 56, RGB 184 202 36 and RGB 199 222 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 163 75 shade: RGB 154 164 75, RGB 139 144 94, RGB 124 125 114, RGB 109 106 133 and RGB 94 86 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 163 75 shade: RGB 164 125 75, RGB 164 149 75, RGB 155 164 75, RGB 131 164 75 and RGB 108 164 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 163 75 shade: RGB 101 107 49, RGB 127 135 62, RGB 154 164 75, RGB 173 182 98 and RGB 187 195 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 163 75 shade: RGB 153 163 75, RGB 75 164 102 and RGB 137 75 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 163 75 shade: RGB 153 163 75, RGB 75 155 164 and RGB 164 75 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 163 75 shade: RGB 153 163 75, RGB 75 164 102, RGB 84 75 164 and RGB 164 75 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 163 75 shade: RGB 153 163 75, RGB 75 164 128, RGB 84 75 164 and RGB 164 75 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

Complementary color

CMYK 43 / 49 / 0 / 29

HEX #665CB4

RGB 102 92 180

HSL 246.82, 0.37%, 0.53%

LAB 43.91, 26.47, -45.59

 

CMYK 3 / 0 / 57 / 36

HEX #9EA346

RGB 158 163 70

HSL 63.23, 0.4%, 0.46%

LAB 64.89, -14.76, 46.75

 

CMYK 3 / 0 / 51 / 29

HEX #AFB559

RGB 175 181 89

HSL 63.91, 0.38%, 0.53%

LAB 71.48, -15.27, 45.65

 

CMYK 4 / 0 / 46 / 22

HEX #C0C76C

RGB 192 199 108

HSL 64.62, 0.45%, 0.6%

LAB 77.96, -15.66, 44.49

 

CMYK 4 / 0 / 41 / 15

HEX #D1D97F

RGB 209 217 127

HSL 65.33, 0.54%, 0.67%

LAB 84.34, -15.98, 43.32

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

CMYK 6 / 0 / 61 / 43

HEX #889138

RGB 136 145 56

HSL 66.07, 0.44%, 0.39%

LAB 57.82, -15.95, 44.89

 

CMYK 6 / 0 / 71 / 50

HEX #777F25

RGB 119 127 37

HSL 65.33, 0.55%, 0.32%

LAB 50.96, -15.27, 45.57

 

CMYK 6 / 0 / 83 / 57

HEX #666D12

RGB 102 109 18

HSL 64.62, 0.72%, 0.25%

LAB 43.95, -14.33, 45.38

 

CMYK 7 / 0 / 100 / 64

HEX #555B00

RGB 85 91 0

HSL 63.96, 1%, 0.18%

LAB 36.77, -13.11, 43.88

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 0 / 9 / 54 / 36

HEX #A4964B

RGB 164 150 75

HSL 50.56, 0.37%, 0.47%

LAB 61.84, -4.86, 40.94

 

CMYK 0 / 23 / 54 / 36

HEX #A47E4B

RGB 164 126 75

HSL 34.38, 0.37%, 0.47%

LAB 55.4, 8.44, 33.2

 

CMYK 0 / 38 / 54 / 36

HEX #A4664B

RGB 164 102 75

HSL 18.2, 0.37%, 0.47%

LAB 49.38, 22.05, 25.64

 

CMYK 0 / 52 / 54 / 36

HEX #A44E4B

RGB 164 78 75

HSL 2.02, 0.37%, 0.47%

LAB 44.02, 35.22, 18.63

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 21 / 0 / 54 / 36

HEX #82A44B

RGB 130 164 75

HSL 82.92, 0.37%, 0.47%

LAB 63.18, -26.36, 41.86

 

CMYK 35 / 0 / 54 / 36

HEX #6AA44B

RGB 106 164 75

HSL 99.1, 0.37%, 0.47%

LAB 61.76, -35.37, 39.83

 

CMYK 50 / 0 / 54 / 36

HEX #52A44B

RGB 82 164 75

HSL 115.28, 0.37%, 0.47%

LAB 60.65, -43.13, 38.24

 

CMYK 54 / 0 / 44 / 36

HEX #4BA45C

RGB 75 164 92

HSL 131.46, 0.37%, 0.47%

LAB 60.62, -42.56, 29.43

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 8 / 0 / 69 / 28

HEX #A9B738

RGB 169 183 56

HSL 66.61, 0.53%, 0.47%

LAB 71.27, -21.21, 59.73

 

CMYK 9 / 0 / 82 / 21

HEX #B8CA24

RGB 184 202 36

HSL 66.51, 0.7%, 0.47%

LAB 77.61, -25.08, 72.26

 

CMYK 10 / 0 / 92 / 13

HEX #C7DE11

RGB 199 222 17

HSL 66.73, 0.86%, 0.47%

LAB 84.19, -28.82, 81.48

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 3 / 0 / 35 / 44

HEX #8B905E

RGB 139 144 94

HSL 66, 0.21%, 0.47%

LAB 58.27, -10.17, 26

 

CMYK 1 / 0 / 9 / 51

HEX #7C7D72

RGB 124 125 114

HSL 65.45, 0.05%, 0.47%

LAB 52.03, -2.5, 5.86

 

CMYK 18 / 20 / 0 / 48

HEX #6D6A85

RGB 109 106 133

HSL 246.67, 0.11%, 0.47%

LAB 45.98, 7.16, -14.47

 

CMYK 39 / 44 / 0 / 40

HEX #5E5699

RGB 94 86 153

HSL 247.16, 0.28%, 0.47%

LAB 40.14, 20.14, -35.63

 

CMYK 0 / 24 / 54 / 36

HEX #A47D4B

RGB 164 125 75

HSL 33.71, 0.37%, 0.47%

LAB 55.14, 9, 32.88

 

CMYK 0 / 9 / 54 / 36

HEX #A4954B

RGB 164 149 75

HSL 49.89, 0.37%, 0.47%

LAB 61.56, -4.32, 40.62

 

CMYK 5 / 0 / 54 / 36

HEX #9BA44B

RGB 155 164 75

HSL 66.07, 0.37%, 0.47%

LAB 64.98, -16.13, 44.42

 

CMYK 20 / 0 / 54 / 36

HEX #83A44B

RGB 131 164 75

HSL 82.25, 0.37%, 0.47%

LAB 63.25, -25.97, 41.95

 

CMYK 34 / 0 / 54 / 36

HEX #6CA44B

RGB 108 164 75

HSL 97.75, 0.37%, 0.47%

LAB 61.87, -34.66, 39.98

 

CMYK 6 / 0 / 54 / 58

HEX #656B31

RGB 101 107 49

HSL 66.21, 0.37%, 0.31%

LAB 43.51, -11.54, 31.36

 

CMYK 6 / 0 / 54 / 47

HEX #7F873E

RGB 127 135 62

HSL 66.58, 0.37%, 0.39%

LAB 54.23, -14.05, 37.75

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 5 / 0 / 46 / 29

HEX #ADB662

RGB 173 182 98

HSL 66.43, 0.37%, 0.55%

LAB 71.71, -15.72, 41.47

 

CMYK 4 / 0 / 35 / 24

HEX #BBC37E

RGB 187 195 126

HSL 66.96, 0.37%, 0.63%

LAB 76.74, -13.62, 33.79

RGB 187 195 126

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

CMYK 54 / 0 / 38 / 36

HEX #4BA466

RGB 75 164 102

HSL 138.2, 0.37%, 0.47%

LAB 60.79, -40.82, 24.3

 

CMYK 16 / 54 / 0 / 36

HEX #894BA4

RGB 137 75 164

HSL 281.8, 0.37%, 0.47%

LAB 42.81, 41.57, -37.67

 

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

CMYK 54 / 5 / 0 / 36

HEX #4B9BA4

RGB 75 155 164

HSL 186.07, 0.37%, 0.47%

LAB 59.54, -21.8, -12.19

 

CMYK 0 / 54 / 5 / 36

HEX #A44B9B

RGB 164 75 155

HSL 306.07, 0.37%, 0.47%

LAB 46.03, 47.52, -27

 

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

CMYK 54 / 0 / 38 / 36

HEX #4BA466

RGB 75 164 102

HSL 138.2, 0.37%, 0.47%

LAB 60.79, -40.82, 24.3

 

CMYK 49 / 54 / 0 / 36

HEX #544BA4

RGB 84 75 164

HSL 246.07, 0.37%, 0.47%

LAB 37.11, 27.85, -47.11

 

CMYK 0 / 54 / 16 / 36

HEX #A44B89

RGB 164 75 137

HSL 318.2, 0.37%, 0.47%

LAB 45.26, 44.51, -17.38

 

CMYK 6 / 0 / 54 / 36

HEX #99A34B

RGB 153 163 75

HSL 66.82, 0.37%, 0.47%

LAB 64.54, -16.45, 43.87

 

CMYK 54 / 0 / 22 / 36

HEX #4BA480

RGB 75 164 128

HSL 155.73, 0.37%, 0.47%

LAB 61.31, -35.48, 10.7

 

CMYK 49 / 54 / 0 / 36

HEX #544BA4

RGB 84 75 164

HSL 246.07, 0.37%, 0.47%

LAB 37.11, 27.85, -47.11

 

CMYK 0 / 54 / 33 / 36

HEX #A44B6E

RGB 164 75 110

HSL 336.4, 0.37%, 0.47%

LAB 44.31, 40.6, -2.39

 

Description

Color code: RGB 153 163 75 | qconv.com Color code: RGB 153 163 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 163 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 163 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 54 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 54% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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