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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 38 181 it is the complementary color RGB 102 217 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 38 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 38 181 shade: RGB 158 38 176, RGB 175 56 195, RGB 192 74 214, RGB 209 92 233 and RGB 226 110 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 38 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 38 181 shade: RGB 153 38 181, RGB 136 20 162, RGB 119 2 143, RGB 102 0 124 and RGB 85 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 38 181 shade: RGB 153 38 180, RGB 180 38 170, RGB 180 38 131, RGB 180 38 93 and RGB 180 38 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 38 181 shade: RGB 153 38 180, RGB 114 38 180, RGB 76 38 180 and RGB 38 38 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 38 181 shade matches the following richer shades: RGB 153 38 180, RGB 163 20 198 and RGB 174 2 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 38 181 shade: RGB 153 38 180, RGB 142 56 163, RGB 131 73 145, RGB 120 91 127 and RGB 109 109 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 38 181 shade: RGB 76 38 180, RGB 114 38 180, RGB 152 38 180, RGB 180 38 171 and RGB 180 38 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 38 181 shade: RGB 95 23 112, RGB 124 31 146, RGB 153 38 180, RGB 179 49 211 and RGB 192 83 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 38 181 shade: RGB 153 38 181, RGB 180 38 38 and RGB 38 180 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 38 181 shade: RGB 153 38 181, RGB 180 152 38 and RGB 38 180 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 38 181 shade: RGB 153 38 181, RGB 180 38 38, RGB 66 180 38 and RGB 38 180 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 38 181 shade: RGB 153 38 181, RGB 180 81 38, RGB 66 180 38 and RGB 38 138 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

Complementary color

CMYK 53 / 0 / 66 / 15

HEX #66D94A

RGB 102 217 74

HSL 108.25, 0.65%, 0.57%

LAB 77.84, -58.38, 58.42

 

CMYK 10 / 78 / 0 / 31

HEX #9E26B0

RGB 158 38 176

HSL 292.17, 0.64%, 0.42%

LAB 40.88, 64.73, -47.7

 

CMYK 10 / 71 / 0 / 24

HEX #AF38C3

RGB 175 56 195

HSL 291.37, 0.55%, 0.49%

LAB 46.82, 65.61, -49.18

 

CMYK 10 / 65 / 0 / 16

HEX #C04AD6

RGB 192 74 214

HSL 290.57, 0.63%, 0.56%

LAB 52.9, 65.84, -50.25

 

CMYK 10 / 61 / 0 / 9

HEX #D15CE9

RGB 209 92 233

HSL 289.79, 0.76%, 0.64%

LAB 59.06, 65.67, -51.02

 

CMYK 10 / 56 / 0 / 1

HEX #E26EFC

RGB 226 110 252

HSL 289.01, 0.96%, 0.71%

LAB 65.24, 65.25, -51.61

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 16 / 88 / 0 / 36

HEX #8814A2

RGB 136 20 162

HSL 289.01, 0.78%, 0.36%

LAB 34.69, 62.82, -49.48

 

CMYK 17 / 99 / 0 / 44

HEX #77028F

RGB 119 2 143

HSL 289.79, 0.97%, 0.28%

LAB 29.28, 59.68, -46.75

 

CMYK 18 / 100 / 0 / 51

HEX #66007C

RGB 102 0 124

HSL 289.35, 1%, 0.24%

LAB 24.58, 53.99, -42.61

 

CMYK 19 / 100 / 0 / 59

HEX #550069

RGB 85 0 105

HSL 288.57, 1%, 0.21%

LAB 19.85, 47.79, -38.17

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 0 / 79 / 6 / 29

HEX #B426AA

RGB 180 38 170

HSL 304.23, 0.65%, 0.43%

LAB 44.22, 68.18, -38.59

 

CMYK 0 / 79 / 27 / 29

HEX #B42683

RGB 180 38 131

HSL 320.7, 0.65%, 0.43%

LAB 42.35, 62.81, -17.96

 

CMYK 0 / 79 / 48 / 29

HEX #B4265D

RGB 180 38 93

HSL 336.76, 0.65%, 0.43%

LAB 41.02, 58.82, 3.73

 

CMYK 0 / 79 / 69 / 29

HEX #B42637

RGB 180 38 55

HSL 352.82, 0.65%, 0.43%

LAB 40.19, 56.21, 26.51

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 37 / 79 / 0 / 29

HEX #7226B4

RGB 114 38 180

HSL 272.11, 0.65%, 0.43%

LAB 34.52, 57.59, -60.7

 

CMYK 58 / 79 / 0 / 29

HEX #4C26B4

RGB 76 38 180

HSL 256.06, 0.65%, 0.43%

LAB 29.96, 52.13, -68.35

 

CMYK 79 / 79 / 0 / 29

HEX #2626B4

RGB 38 38 180

HSL 240, 0.65%, 0.43%

LAB 27, 48.56, -73.33

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 18 / 90 / 0 / 22

HEX #A314C6

RGB 163 20 198

HSL 288.2, 0.82%, 0.43%

LAB 41.79, 73.59, -59.13

 

CMYK 19 / 99 / 0 / 15

HEX #AE02D8

RGB 174 2 216

HSL 288.22, 0.98%, 0.43%

LAB 44.23, 80.32, -65.49

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 13 / 66 / 0 / 36

HEX #8E38A3

RGB 142 56 163

HSL 288.22, 0.49%, 0.43%

LAB 39.95, 52.09, -41.57

 

CMYK 10 / 50 / 0 / 43

HEX #834991

RGB 131 73 145

HSL 288.33, 0.33%, 0.43%

LAB 40.63, 36.81, -29.77

 

CMYK 6 / 28 / 0 / 50

HEX #785B7F

RGB 120 91 127

HSL 288.33, 0.17%, 0.43%

LAB 42.77, 18.76, -15.63

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 58 / 79 / 0 / 29

HEX #4C26B4

RGB 76 38 180

HSL 256.06, 0.65%, 0.43%

LAB 29.96, 52.13, -68.35

 

CMYK 37 / 79 / 0 / 29

HEX #7226B4

RGB 114 38 180

HSL 272.11, 0.65%, 0.43%

LAB 34.52, 57.59, -60.7

 

CMYK 16 / 79 / 0 / 29

HEX #9826B4

RGB 152 38 180

HSL 288.17, 0.65%, 0.43%

LAB 40.18, 64.3, -51.25

 

CMYK 0 / 79 / 5 / 29

HEX #B426AB

RGB 180 38 171

HSL 303.8, 0.65%, 0.43%

LAB 44.28, 68.33, -39.1

 

CMYK 0 / 79 / 26 / 29

HEX #B42685

RGB 180 38 133

HSL 319.86, 0.65%, 0.43%

LAB 42.43, 63.05, -19.06

 

CMYK 15 / 79 / 0 / 56

HEX #5F1770

RGB 95 23 112

HSL 288.54, 0.66%, 0.26%

LAB 24.37, 44.65, -35.32

 

CMYK 15 / 79 / 0 / 43

HEX #7C1F92

RGB 124 31 146

HSL 288.52, 0.65%, 0.35%

LAB 32.57, 54.65, -43.25

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 15 / 77 / 0 / 17

HEX #B331D3

RGB 179 49 211

HSL 288.15, 0.65%, 0.51%

LAB 47.6, 71.67, -57.13

 

CMYK 12 / 62 / 0 / 15

HEX #C053DA

RGB 192 83 218

HSL 288.44, 0.65%, 0.59%

LAB 54.51, 62.77, -49.97

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 0 / 79 / 79 / 29

HEX #B42626

RGB 180 38 38

HSL 0, 0.65%, 0.43%

LAB 39.96, 55.5, 36.39

 

CMYK 79 / 0 / 47 / 29

HEX #26B45F

RGB 38 180 95

HSL 144.08, 0.65%, 0.43%

LAB 64.87, -55.26, 33.11

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 0 / 16 / 79 / 29

HEX #B49826

RGB 180 152 38

HSL 48.17, 0.65%, 0.43%

LAB 63.59, -1.12, 59.2

 

CMYK 79 / 0 / 16 / 29

HEX #26B498

RGB 38 180 152

HSL 168.17, 0.65%, 0.43%

LAB 66, -42.82, 3.95

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 0 / 79 / 79 / 29

HEX #B42626

RGB 180 38 38

HSL 0, 0.65%, 0.43%

LAB 39.96, 55.5, 36.39

 

CMYK 63 / 0 / 79 / 29

HEX #42B426

RGB 66 180 38

HSL 108.17, 0.65%, 0.43%

LAB 64.92, -56.84, 57.94

 

CMYK 79 / 0 / 0 / 29

HEX #26B4B4

RGB 38 180 180

HSL 180, 0.65%, 0.43%

LAB 66.79, -34.95, -10.38

 

CMYK 15 / 79 / 0 / 29

HEX #9926B5

RGB 153 38 181

HSL 288.25, 0.65%, 0.43%

LAB 40.4, 64.68, -51.47

 

CMYK 0 / 55 / 79 / 29

HEX #B45126

RGB 180 81 38

HSL 18.17, 0.65%, 0.43%

LAB 46.62, 37.63, 43.15

 

CMYK 63 / 0 / 79 / 29

HEX #42B426

RGB 66 180 38

HSL 108.17, 0.65%, 0.43%

LAB 64.92, -56.84, 57.94

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

Description

Color code: RGB 153 38 181 | qconv.com Color code: RGB 153 38 181 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 38 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 38 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 79 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 79% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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